http://hdl.loc.gov/loc.music/eadmus.mu012008 Irving Berlin Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2004 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2012562128

Finding aid encoded by Library of Congress Music Division, 2010 Finding aid written in English. Collection Summary Irving Berlin Collection 1895-1990 (bulk 1915-1990) ML31.B48 Berlin, Irving, 1888-1989 750,000 items 915 containers 400 linear feet Material in English Music Division Library of Congress
Washington, D.C.
Irving Berlin was an American lyricist and composer of over 1,200 songs. He was also a music publisher, theater owner, and a founding member of the American Society of Composers, Authors, and Publishers (ASCAP). The collection, which documents all aspects of his life and career, contains music scores, Berlin's handwritten and typewritten lyric sheets, publicity and promotional materials, personal and professional correspondence, photographs, business papers, legal and financial records, scrapbooks filled with press clippings, awards and honors, artwork and realia. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Berlin, Ellin--Correspondence. Berlin, Ellin--Photographs. Berlin, Ellin. Berlin, Irving, 1888-1989--Archives. Berlin, Irving, 1888-1989--Correspondence. Berlin, Irving, 1888-1989--Manuscripts. Berlin, Irving, 1888-1989--Photographs. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Selections. Kresa, Helmy, 1904-1991. Organizations American Society of Composers, Authors and Publishers. Irving Berlin Collection (Library of Congress) Irving Berlin Music Company. Irving Berlin Music Company. Irving Berlin, Inc. Irving Berlin, Inc. Music Box Theater (New York, N.Y.) Waterson, Berlin & Snyder Co. Waterson, Berlin & Snyder Co. Subjects Composers--United States. Motion picture music--Excerpts--Scores. Music publishing--United States. Music--Manuscripts--United States. Musical films. Musical theater--United States--20th century. Musicals. Popular music--United States. Popular music--Writing and publishing--United States. Songs--Texts. Theater--United States. Form/Genre Artifacts (Object genre) Awards. Clippings (Information artifacts) Correspondence. Financial records. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Scripts (Documents) Administrative Information Provenance

Gift of Mary Ellin Barrett, Linda Louise Emmet, and Elizabeth Irving Peters, 1992.

 Accruals

No further accruals are expected.

 Processing History

The Irving Berlin Collection was processed by Ray White and Tom Barrick. The finding aid was coded for EAD by Janet McKinney in 2010.

 Transfers

Audiovisual materials have been transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division. The sound recordings have been cataloged and can be identified as part of the "Irving Berlin Collection (Library of Congress)."

 Copyright Status

Materials from the the Irving Berlin Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.). and other applicable international copyright laws.

 Access and Restrictions

The Irving Berlin Collection is open to research, though some items have restricted access. In addition, boxes bearing shelf numbers beginning with "B" or "L" are stored offsite. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

 Microfilm

The scrapbooks have been preserved on microfilm because of their fragile nature (Microfilm 92/20013 [MUS]).

 Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, and container number, as appropriate], Irving Berlin Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1888, May 11 Born Israel Beilin to Moses Beilin and Leah Lipkin. One of eight children, his exact place of birth is unknown, although his family had been living in Tolochin, Byelorussia, (Russia) 1893 Beilin family immigrated to New York Family changed name to Baline 1901 Moses Baline died Izzy (Israel's nickname) quit school and left home to become a street singer 1905 Hired by songwriter-publisher Harry Von Tilzer to plug songs at Tony Pastor's Music Hall on 14th St., N.Y. 1906 Singing waiter at Mike Salter's Pelham Café, in Chinatown, N.Y. Began writing and performing his own lyrics and parodies 1907 Wrote lyrics for first published song, "Marie from Sunny Italy", and earned 37 cents in royalties Changed name to Irving Berlin 1908 Worked as a singing waiter at Jimmy Kelly's Wrote "The Best of Friends Must Part," the first song for which he composed both music and lyrics 1909 Hired by Ted Snyder Company, 112 W. 38th St., N.Y., as an in-house lyric writer Wrote "Dorando," his first song published by the Ted Snyder Company and first to achieve commercial success 1910 Wrote "Call Me Up Some Rainy Afternoon," his first number one selling song 1911 Dec. Became a partner with the Waterson, Berlin & Snyder publishing company, 112 W. 38th St., N.Y. 1911 First major international hit with "Alexander's Ragtime Band" Contributed four songs to the Ziegfeld Follies of 1911 1912 Feb. Married Dorothy Goetz, sister of songwriter E. Ray Goetz 1912 July Dorothy Berlin died of typhoid fever contracted in Cuba during their honeymoon 1912 Nov. Wrote "When I Lost You," his first important ballad 1914 Became a charter member of ASCAP Watch Your Step opened at the New Amsterdam Theatre, N.Y., his first score for the theater Waterson, Berlin & Snyder moved to the Strand Theatre Building at Broadway and 47th St., N.Y. Established Irving Berlin Inc., at 1571 Broadway, N.Y. 1918, Feb. 6 Became United States citizen 1918 Spring Entered the U.S. Army as a private 1918 Aug. Yip, Yip, Yaphank opened; Berlin wrote the Army show to raise money to build a service club at Camp Upton, N.Y. In the show he performed "Oh, How I Hate to Get Up In the Morning," and declined to include "God Bless America," (only to resurface 30 years later for the next World War effort) 1919 Honorably discharged from the Army Moved his offices to 1587 Broadway, N.Y. Wrote score for Ziegfeld Follies of 1919, including the hit "A Pretty Girl is Like a Melody" 1920 Built the Music Box Theatre on W. 45th St., N.Y., in partnership with Sam Harris 1921 Irving Berlin Inc. moved to 1607 Broadway, N.Y. Music Box Revue of 1921 opened at the Music Box Theatre, produced by partner Sam H. Harris 1922 Leah Baline (Irving's mother) died Music Box Revue of 1922 opened at the Music Box Theatre 1924 Met Ellin Mackay, daughter of Clarence Mackay, (owner of the postal telegraph company), and Katherine Duer Blake Wrote hits "All Alone" and "What'll I Do" Music Box Revue of 1924 opened, the fourth revue in his series at the Music Box Theatre 1925 Wrote "Always" and "Remember" The Cocoanuts opened in New York 1926, Jan. 4 Irving and Ellin married at City Hall accompanied by national press and against the wishes of her father; after an eight month honeymoon aboard the USS Leviathan, the couple returned to Manhattan 1926, Nov. 25 Daughter Mary Ellin Berlin born 1926 Dec. Wrote "Blue Skies" and on Christmas day presented it to his month old daughter, "for Mary Ellin, Christmas 1926" 1927 Ziegfeld Follies of 1927 opened, with complete score by Berlin Al Jolson sang "Blue Skies" in the first full-length soundtrack film, The Jazz Singer 1928, Dec. 1 Son Irving Berlin Jr. born (died 25 days later) 1928 The Cocoanuts opened in London Berlin wrote theme songs for the films The Awakening, Coquette, and Lady of the Pavement 1929 Wrote songs for the films Hallelujah, Mammy, including "Let Me Sing and I'm Happy," and Puttin' on the Ritz featuring the title song Film version of The Cocoanuts, shot in New York, was released 1930 Wrote the score for the film Reaching for the Moon. All but two songs were dropped due to the dying popularity of musicals 1932, Feb. 13 Face the Music opened in New York 1932, Feb. 21 Daughter Linda Louise Berlin born 1932 Songs "How Deep Is the Ocean" and "Say It Isn't So" were released 1933 Irving Berlin Inc. moved to 799 7th Ave., N.Y. As Thousands Cheer opened at Music Box Theatre; score included "Easter Parade," "Heat Wave," and "Supper Time" 1934 Appeared on cover of Time magazine 1935 New York premiere of film Top Hat, score included "Cheek to Cheek," "Isn't This a Lovely Day," and "Top Hat, White Tie and Tails" 1936, June 6 Daughter Elizabeth Irving Berlin born 1936 New York premiere of film Follow the Fleet, score included "I'm Putting All My Eggs in One Basket," "I'd Rather Lead a Band," and "Let's Face the Music and Dance" 1937 New York premiere of the film On the Avenue, score included "I've Got My Love to Keep Me Warm," and "Slumming on Park Avenue" 1938, Nov. 10 "God Bless America" introduced by Kate Smith on an Armistice Day radio broadcast 1938 Films Alexander's Ragtime Band and Carefree released 1939 Film Second Fiddle released 1940 Louisiana Purchase opened at the Imperial Theatre, N.Y. 1941 Film version of Louisiana Purchase released Wrote three songs for the war effort and donated the royalties to the following organizations: the American Red Cross ("Angels of Mercy"); the Treasury Department ("Any Bonds Today"); and the Ordinance Department ("Arms for the Love of America") 1942, July 4 This is the Army opened at the Broadway Theatre in New York; Berlin appeared in the show and sang "Oh! How I Hate to Get Up in the Morning" 1942 Aug. Film Holiday Inn premiered in New York; featured Bing Crosby's rendition of "White Christmas" 1942, Oct. 1 National tour of This is the Army opened at the National Theatre in Washington, D.C. 1943 Film version of This is the Army released, raising more than nine million dollars for Army Relief 1944 Berlin severed partnership with Saul Bornstein Irving Berlin Inc. closed Irving Berlin Music Company opened at 1650 Broadway, N.Y. 1945 This is the Army overseas tour ended Awarded the Medal of Merit by President Harry S. Truman 1946, May 16 Annie Get Your Gun opened at the Imperial Theatre, N.Y. 1946, Oct. 16 New York premiere of the film Blue Skies 1948, June 30 New York premiere of the film Easter Parade 1948 Dec. Traveled with Bob Hope to Germany to entertain American troops during the airlift 1949 Miss Liberty opened at the Imperial Theatre, N.Y. 1950 Film version of Annie Get Your Gun released Call Me Madam opened at the Imperial Theatre, N.Y. 1951 Received Tony Award for Call Me Madam score 1952 Began preliminary work on unproduced show Palm Beach, based on Cleveland Amory's book The Last Resorts 1953 Film version of Call Me Madam released 1954 Awarded the Congressional Medal of Honor by President Dwight D. Eisenhower Films White Christmas and There's No Business Like Show Business released 1955 Worked on unproduced show Sentimental Guy, based on The Legendary Mizners by Alva Johnston 1957 "Sayonara" was featured in the film of the same name 1962 Mr. President opened at the Imperial Theatre 1963 Began work on film project Say it with Music for MGM Irving Berlin Music Company moved to 1290 Avenue of the Americas, N.Y. 1966 Annie Get Your Gun revived at Lincoln Center, New York State Theater 1968 Honored with a television tribute by Ed Sullivan 1969 MGM stopped production of Say it with Music 1973 Last public appearance singing "God Bless America" at White House dinner honoring returning American prisoners of war from Vietnam 1977 Awarded the Medal of Freedom by President Gerald Ford 1986 One of twelve naturalized Americans awarded the Liberty Medal from President Ronald Reagan in celebration of the Statue of Liberty's hundredth anniversary 1988, May 11 ASCAP tribute at Carnegie Hall in celebration of Berlin's 100th birthday 1988, July 29 Ellin Berlin died 1988 Irving Berlin Music Company moved to 29 West 46th St., N.Y. 1989, Sept. 22 Died, New York City Flag flown over US Capitol in Berlin's honor 1990 June Irving Berlin Music Company moved to the Rodgers & Hammerstein Organization, 1633 Broadway, N.Y. Scope and Content Note

The Irving Berlin Collection, spanning the years 1895-1990 with the bulk of the material dating from 1915-1990, documents the life and work of one of the twentieth century's most legendary American musical figures. While the collection provides a comprehensive record of Berlin's life as a composer, lyricist, publisher and theater owner, it also serves as a resource for the study of American popular music. Berlin wrote more than 1,200 songs, including such standards as "White Christmas," "There's No Business Like Show Business," and "God Bless America," that gave a musical voice to much of the American experience of the twentieth century. A large part of his reputation also justifiably rests on his great ballads of the 1920s and 1930s, including "Always," "Cheek to Cheek," "How Deep Is the Ocean (How High Is the Sky)," "Let's Face the Music and Dance," and "What'll I Do." The materials in the Irving Berlin Collection document additional aspects of Berlin's career, such as music publishing, theater ownership, and founding membership in the American Society of Composers, Authors, and Publishers. The breadth of his activity coupled with his longevity (he died at age 101) produced one of the largest collections in the custody of the Library of Congress Music Division.

The Show Music series consists of scores, sketches, lyric sheets, and scripts from Berlin's Broadway musicals and films, including Annie Get Your Gun, This is the Army, and Holiday Inn. Much of the material in the Non-Show Music series comes from Berlin's early career. Full scores, piano-vocal scores and sketches are in the hand of various musical secretaries, primarily that of longtime secretary Helmy Kresa (1905-1991). Manuscript lyric sheets are in the hand of Irving Berlin.

The Project Files series supplements the music with clippings, promotional material, correspondence, scripts, financial and legal documents, artwork and other materials from Berlin's musicals and films. The Subject Files series contains documents relating to various business interests, including ASCAP and Berlin's Music Box Theatre, and personal items relating to his family and private life.

The Scrapbooks are filled with press clippings and show-related materials that detail Berlin's personal as well as professional accomplishments.

The Correspondence series contains extensive personal and professional correspondence that documents Berlin's relationships with family, friends, colleagues, and musical and political public figures, as well as his role in ASCAP. The personal items include letters and cards sent between Irving and his wife Ellin, and correspondence with multiple family members, including Ellin's father, Clarence Mackay. The correspondence also includes fan mail and milestone birthday wishes.

The documents in the Legal Papers series pertain to the Irving Berlin Music Co., copyright assignments, legal cases, and permission documentation. The Financial Papers series includes personal bank statements and insurance documents, household bills and receipts, correspondence, donations and contributions, royalty statements, and investments. In addition, financial records are held for the Irving Berlin Charitable Fund, Irving Berlin Music Company, and Irving Berlin, Inc.

The Photographs series contains photographs of Berlin, his family, and colleagues in the music business.

The Awards and Tributes series contains numerous tributes awarded to Berlin, many given by ASCAP. The Original Artwork series includes photographed reproductions of original paintings, and the Realia series contains personal artifacts, such as the flag that flew over the Capitol on Berlin's 100th birthday, address books, notebooks, and calendars. The final series, Non-Berlin Materials, contains music, lyrics, and screenplays by other individuals.

 Organization of the Irving Berlin Collection

The Irving Berlin Collection is organized into thirteen series:

Show Music Non-Show Music Project Files Subject Files Scrapbooks Correspondence Legal Papers Financial Papers Photographs Awards and Tributes Original Artwork Realia Non-Berlin Materials http://lccn.loc.gov/2002 Container List Container Contents 1-219 Show Music 32-34 Alexander's ragtime band

(Film, 1938)

 32-33 Scores and parts 32/1 Bound printed piano-vocal score; [173] p. 32/2 Bound photocopy of copyist’s manuscript piano short scores; [188] p. Alexander's ragtime band 33/1 Manuscript guitar part; [1] p. 33/1 Photocopies of copyist’s manuscript parts 33/1 Sheet music Everybody step 33/2 Sheet music For your country and my country 33/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/3 Photocopy of sheet music No cover In my harem 33/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Lazy 33/5 Manuscript piano-vocal scores; [4], 4 p. 33/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/5 Sheet music Marching along with time 33/6 Photocopies of copyist’s manuscript piano-vocal score(2); 5 p. each 33/6 Typescript lyric sheets; [4] leaves 33/7 Photocopied parts Marie 33/8 Sketch; [1] p. 33/8 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/8 Sheet music My walking stick

Laid in: note to copyist

 33/9 Manuscript piano-vocal score; [4] p. 33/9 Sketch; [1] p. 33/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/9 Photocopies of manuscript piano-vocal score; 5 p. each 2 copies 33/9 Photocopies of manuscript lead sheet; [1] p. each 2 copies 33/9 Printed piano-vocal score; 4 p. 33/9 Typescript and carbon copy lyric sheets; [11] leaves Now it can be told 33/10 Manuscript piano-vocal score; [4] p. 33/10 Manuscript piano score; [2] p. With annotations 33/10 Manuscript lead sheet; [1] p. 33/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 33/10 Photocopies of manuscript piano-vocal score; 5 p. each 2 copies 33/10 Holograph lyric sheets; [2] leaves 33/10 Typescript lyric sheets; [4] leaves Oh! How I hate to get up in the morning 33/11 Sheet music Pack up your sins and go to the devil 33/12 Fair copy (Kresa) manuscript piano-vocal score; 6 p. Ragtime violin!

Alternate title: The ragtime violin

 33/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Remember 33/15 Manuscript piano-vocal scores; 11 p. each SATB, SSA, TTBB 33/15 Typescript lyric sheet; [1] leaf 33/15 Sheet music Say it with music 33/16 Manuscript guitar part; [1] p. Some sunny day 33/17 Fair copy (Kresa) manuscript piano-vocal score; 4 p. That international rag

Alternate title: The international rag

 33/18 Copyist’s manuscript piano-vocal score; 5 p. 33/18 Photocopy of manuscript piano-vocal score; 5 p. With annotations 33/18 Reverse photocopy of manuscript piano-vocal score; 5 p. When I lost you 33/19 Sheet music When the midnight choo-choo leaves for Alabam’

Alternate title: When that midnight choo, choo, leaves for Alabam

 33/20 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 34 Scripts 34/1 Typescript musical sequence and outline; [11] p. each With carbon copy

At top: 3/19/42

34/1 Carbon copy typescript musical sequence and outline; [11] p. each 2 copies

Laid in: Envelope from Twentieth Century-Fox Film Corporation

On cover: Alexander’s ragtime band 1st originals

 34/1 Typescript list of musical numbers; 2 p. 34/2 Typescript story line; 93 p.

On cover: Alexander’s ragtime band, 1st [sic]

 34/2 Carbon copy of typescript storyline and screenplay; 122 p.

On cover: 2nd Alexander’s ragtime band

 34/3 Mimeograph copy of typed script; 153 p.

On cover: shooting final, January 27, 1938

1-5, 35-70 Annie get your gun

Stage, 1946; film, 1950; television, 1957; stage revival, 1966

35/1 Bound piano-vocal score; 153 p. Anything you can do 1/1 Full score #31; [36] p. 36/1 Manuscript piano-vocal scores; 3 p., [1] p. 36/1 Photocopy of copyist’s manuscript piano-vocal score; 4 p. 36/1 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 36/1 Manuscript and typescript lyric sheets; [28] leaves 38/1 Parts Set A, #31 43/1 Parts Set B, #31 43/2 Parts Set B, alternate #31 Ceremonial chant 1/2 Full score #20; 10 p. 43/3 Parts Set B, #20 54/1 Parts Set D, #20 Circus (dance) 1/3 Full score; [34] p. 38/2 Parts Set A, #14 43/4 Parts Set B, #14 Colonel Buffalo Bill

Alternate title: Opening, Act I

 1/4 Full score #2; 35 p. 1/5 Full score, utility, #7; 6 p. 1/5 Full score, utility, #12A; 6 p. 36/2 Manuscript piano-vocal score; 7 p. 36/2 Photocopy manuscript piano-vocal score; 6 p. 36/2 Fair copy (Kresa) manuscript piano-vocal score; 7 p. 36/2 Typescript lyric sheets; [7] leaves 39/1 Parts Set A, utility 43/5 Parts Set B, #2 44/1 Parts Set B, new #7 44/2 Parts Set B, utility 1A, #12A, #17 54/2 Parts Set D, entrance #7 54/3 Parts Set D, utility #1A, #12A, #17 Doin' what comes natur'lly 1/6 Full score #4; 15 p. 1/7 Full score, Encore #4; 14 p. 36/3 Manuscript piano-vocal score; 2 p.

Laid in: manuscript vocal sketch; [1] p.

 36/3 Photocopy of manuscript piano-vocal score; 4 p. 36/3 Printed piano-vocal score; 3 p. each 3 copies 36/3 Typescript lyric sheets; [47] leaves 36/3 Sheet music 39/2 Parts Set A, #4 44/3 Parts Set B, #4 51/1 Parts Set C, encore 51/2 Parts Set C, opening scene #29B 54/4 Parts Set D, #4 Entr'acte 1/8 Full score, Coda; 4 p. 1/8 Full score, Ending; [1] p. 44/4 Parts Set B, #22A 54/5 Parts Set D, #22A, 23 Finale 54/6 Parts Set D, #33A Funeral march 1/9 Full score; 6 p. 51/3 Parts Set C The girl that I marry 1/10 Full scores(2); 11 p. each 1/10 Full scores #5; 11 p., 10 p. 1/11 Full score, Ballroom scene #25; 12 p. 1/12 Full score, Opening; 5 p. 1/13 Full scores, Reprise #29; 10 p., 11 p. 1/14 Full score, Waltz; p. 5-12 1/15 Full score-with "You can't get a man without a gun" #22; 14 p. 36/4 Manuscript piano score; [2] p. 36/4 Manuscript lead sheet; [1] p. 36/4 Photocopy of copyist's manuscript piano-vocal score; [2] p. 36/4 Typescript lyric sheets; [13] leaves 39/3 Parts Set A, #5 45/1 Parts Set B, #5 45/2 Parts Set B, ballroom #25 45/3 Parts Set B, new A#5 45/4 Parts Set B, reprise #29 and #29W 45/5 Parts Set B, with "You can't get a man without a gun" #22 51/4 Parts Set C 51/5 Parts Set C, new #5 51/6 Parts Set C, new, in A#5 51/7 Parts Set C, old #5 51/8 Parts Set C, opening #25 51/9 Parts Set C, reprise #29 55/1 Parts Set D, ballroom #25 55/2 Parts Set D, reprise #29 55/3 Parts, with "You can't get a man without a gun," Set D, #22 Home sweet home 51/10 Parts Set C, #26A I got lost in his arms 2/11 Full score #24; 21 p. 2/12 Full score, #24a; 23 p. 2/12 Full score, Scene change #24; 4 p. 2/13 Full score, Waltz insert; 4 p. 36/5 Manuscript piano score; [2] p. 36/5 Manuscript lead sheet; [1] p. 36/5 Sketch of lead sheet; [1] p. 36/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 36/5 Typescript lyric sheets; [13] leaves 36/5 Sheet music 39/4 Parts Set A, #24 and #24A 46/6 Parts Set B, #24 46/7 Parts Set B, scene change, new #24A 52/1 Parts Set C, #24 I got the sun in the morning 3/1 Full score #27; 40 p. 3/1 Full score #27A; [50] p. 3/2 Full score, 5th chorus, new #28A; [7] p. 3/3 Full score, Coda, final 12 bars; 3 p. 3/4 Full score, Intro #27A; 2 p. 3/4 Full score, Intro, new 2 bar #27A "Sun" - exit #27X, [1] p. 3/5 Full score, Scene change #29A; 5 p. 3/6 Full score, Utility #28; 11 p. 36/6 Manuscript piano-vocal score; [2] p.

At top: Sun and the moon-chorus

 36/6 Manuscript piano-vocal score; [2] p.

At top: Sun and the moon-verse

 36/6 Sketch of piano-vocal score; 8 p. 36/6 Sketch of piano-vocal score-exit; [1] p. 36/6 Photocopy of piano-vocal/conductor's score; 10 p.

At top of cover (in pencil): Jay Blackton

 36/6 Typescript lyric sheets; [27] leaves 36/6 Sheet music 39/5 Parts Set A, #27 40/1 Parts Set A, #27 and #27A 47/1 Parts Set B, #27 47/2 Parts Set B, exit #27A 47/3 Parts Set B, utility #27A 52/2 Parts Set C, scene change #29A 56/3 Parts Set D, utility #29A I'll share it all with you 3/7 Full score #26; 13 p. 3/8 Full score, Dance; [9] p. 3/8 Full score, Dance; 12 p. 3/9 Full score, Vocal and dance; [47] p. 3/9 Full score, Vocal and dance #13; 47 p. 36/7 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/7 Typescript lyric sheets; [9] leaves 40/2 Parts Set A #13 47/4 Parts Set B, #13 and #26A

Fragments

 56/4 Parts Set D, #13 56/5 Parts Set D, #26A I'm a bad, bad man 2/1 Full score #3A; 4 p. 2/2 Full score, Dance routine #3A; 8 p. 2/2 Full score, Dance-new 1st chorus #3A; 41 p. 2/3 Full score, Opening #1; 3 p. 2/3 Full score, Opening #1; 2 p. 2/4 Full score, Verse, string #2A; 4 p. 2/4 Full score, Verse #2A; 4 p. 2/5 Full score, Verse, vocal #2B; 20 p. 36/8 Manuscript piano-vocal score; 2 p. 36/8 Manuscript lead sheet; [1] p.

No lyric

 36/8 Photocopy of piano-vocal score; 4 p.

With annotations

On top: cue: we always entertain good looking strangers-giggle

 36/8 Photocopy of copyist's manuscript piano-vocal score; 4 p. 36/8 Typescript lyric sheets; [31] leaves 40/3 Parts Set A, #2A 45/6 Parts Set B, #3 45/7 Parts Set B, #3A 45/8 Parts Set B, opening #1 46/1 Parts Set B, verse #2B 46/2 Parts Set B, verse, introduction #2A 51/11 Parts Set C, verse 2A 55/4 Parts Set D, #2A 55/5 Parts Set D, opening #1 I'm an Indian too 2/6 Full score #21; 26 p. 2/7 Full score, Drum dance #19; 31 p. 2/8 Full score, Fanfare #18; [1] p. 2/9 Full score, Indian dance #2; p. 27-50 2/10 Full score, Modulation; [1] p. 36/9 Manuscript piano-vocal score; [2] p.

At top: Indian: chorus

 36/9 Manuscript piano-vocal score; [1] p.

With annotations

At top: Indian

 36/9 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/9 Typescript lyric sheets; [24] leaves 40/4 Parts Set A, #21 and #22A 46/3 Parts Set B, #21 46/4 Parts Set B, drum dance #19 46/5 Parts Set B, fanfare #18 51/12 Parts Set C, dance/fanfare #18 56/1 Parts Set D, #21, #21A 56/2 Parts Set D, drum dance #19 I'm thinking of a girl named Annie

Not used

 36/10 Manuscript piano score; [2] p. 36/10 Sketch of lead sheet; [1] p. 36/10 Sketch of piano score; [2] p. Let's go west again see also Non-show music 36/11 Copyist's manuscript piano-vocal score; 3 p. Transparencies 36/11 Typescript lyric sheet; [1] leaf Moonshine lullaby 3/10 Full score #12; [21] p. 36/12 Manuscript piano-vocal score; 2 p. 36/12 Photocopy of copyist's manuscript piano-vocal score; 3 p. 36/12 Holograph and typescript lyric sheets; [7] leaves 36/12 Sheet music 41/1 Parts Set A #12 48/1 Parts Set B #12 48/2 Parts Set B #12U 57/1 Parts Set D #12 My defenses are down 3/11 Full scores #16; 26 p. and 24 p. 36/13 Manuscript piano-vocal score; [2] p.

At top: B flat arrangement

 36/13 Manuscript piano-vocal score; [1] p.

At top: Verse defenses

 36/13 Copyist's manuscript piano score in ink; [1] p. 36/13 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 36/13 Photocopy of copyist's manuscript piano-vocal score; 4 p. 36/13 Typescript lyric sheets; [9] leaves 41/2 Parts Set A #16 48/3 Parts Set B, new #16 48/4 Parts Set B, playoff #16A 52/3 Parts Set C, #16 52/4 Parts Set C, playoff #16A 57/2 Parts Set D, #16 An old-fashioned wedding 37/1 Manuscript piano-vocal score; 5 p. 37/1 Manuscript piano-vocal score; 7 p.

With annotations

 37/1 Manuscript vocal score; [1] leaf 37/1 Copyist's manuscript piano-vocal score; 9 p., 5 p. Transparencies 37/2 Photocopy of copyist's manuscript piano-vocal score; p. 9

With pasteovers in pencil

 37/2 Photocopy of copyist's manuscript piano-vocal score; 9 p. each 2 copies 37/2 Photocopy of copyist's manuscript piano-vocal score; 5 p. 37/2 Printed piano-vocal score; 7 p. each 2 copies

No cover

 37/2 Photocopy of manuscript lead sheet; [2] p. 37/2 Typescript lyric sheets; 9 leaves Overture 4/1 Full score; 44 p. 48/5 Parts Set B Pardners

Not used

 37/3 Typescript lyric sheet; 1 leaf Sad Buffalo Bill 4/2 Full score #23; [1] p.

Laid in: folder

 48/6 Parts Set B #23 52/5 Parts Set C #23 Special-B, 2nd chorus 48/7 Parts Set B, #16M Something bad's gonna happen ('cause I feel so good)

Not used

 37/4 Manuscript piano score; [2] p. 37/4 Typescript lyric sheets; [2] leaves

With annotations

 Take it in your stride (whatever the fates decide)

Not used

 37/5 Sketch; [2] p. 37/5 Typescript lyric sheets; [8] leaves 37/5 Printed manuscript piano-vocal score; 3 p. each 2 copies There's no business like show business 4/3 Full score; [1] p. 4/3 Full score #10; 21 p. 4/3 Full score #10A; 50 p. 4/4 Full score, Circus dance #14; [46] p. 4/5 Full score, Reprise #15; 18 p. 4/5 Full score, Reprise #15A; 39 p.

Laid in: 2 manuscript conductor scores

Laid in: folder

 4/6 Full score, Utility #33; 15 p. 37/6 Manuscript piano-vocal score; [2] p.

At top: chorus

 37/6 Manuscript piano-vocal score; [2] p.

At top: verse

 37/6 Photocopies of copyist's manuscript lead sheet; [1] p. each 2 copies 37/6 Manuscript and typescript lyric sheets; [84] leaves

Some photocopies

 37/6 Sheet music 41/3 Parts Set A #10 41/4 Parts Set A, new #10 41/5 Parts Set A, reprise #15 49/1 Parts Set B, 3rd chorus, #10 49/2 Parts Set B, #10 49/3 Parts Set B, reprise #15 and #15A 49/4 Parts Set B, utility #10, #13A, #33K 52/6 Parts Set C 52/7 Parts Set C, reprise #15 57/3 Parts Set D, reprise #15 57/4 Parts Set D, utility #10A 57/5 Parts Set D, utility #13A They say it's wonderful 4/7 Full score #11; [35] p.

Laid in: manuscript conductor's score; [3] p.

Laid in: sketch; [1] p.

 4/7 Full score #11; [24] p. 4/7 Full score #11; p. 15-26, 29-30 4/7 Full score, #11A; 10 p.

Laid in: folder

 4/8 Full score #28; 25 p. 4/8 Full score #28X; [5] p.

Laid in: folder

 4/9 Full score, Utility; 10 p.

Laid in: sketch; [1] p.

 4/9 Full score, Utility #33A; 10 p. 37/7 Manuscript piano-vocal score; 2 p.

At top: chorus

 37/7 Manuscript piano-vocal score; 2 p.

At top: verse

 37/7 Manuscript lead sheet; [1] p.

No lyric

 37/7 Manuscript lead sheet; [1] p.

No lyric

At top: verse

 37/7 Typescript lyric sheets; [19] leaves 37/7 Sheet music 42/1 Parts Set A #11 49/5 Parts Set B #11 50/1 Parts Set B, reprise #28 50/2 Parts Set B, utility, finale #33A 53/1 Parts Set C #11 53/1 Parts Set C #11-R.B. arrangement 53/1 Parts Set C #11-T.R. version 53/2 Parts Set C, reprise #28

strings, reeds, brass, rhythm

 53/2 Parts Set C, reprise #28

strings, reeds, rhythm

 53/2 Parts Set C, reprise #28

strings only

 58/1 Parts Set D, reprise #28 Who do you love? I hope 5/1 Full score #26; 56 p. 5/2 Full score, Dance; [16] p. 5/3 Full score, Vocal and dance; [54] p. 37/8 Copyist's manuscript piano-vocal score; 3 p.

Transparencies

 37/8 Manuscript piano-vocal score; [2] p. 37/8 Photocopy of copyist's manuscript piano-vocal score; 3 p. 37/8 Manuscript and typescript lyric sheets; [14] leaves 42/2 Parts Set A #26 50/3 Parts Set B #26 58/2 Parts Set D #26 Who needs the birds and the bees?

Written for 1966 Lincoln Center Annie get your gun revival; not used

 37/9 Manuscript piano-vocal score; [1] p.

Introduction only

 37/9 Manuscript piano-vocal score; [3] p.

Verse and chorus only

 37/9 Photocopy of manuscript conductor's score; 6 p. 37/9 Photocopy of manuscript piano-vocal score; 3 p.

With annotations

 37/9 Photocopy of manuscript piano-vocal score; 3 p.

At top left corner: Annie get your gun [and] print copy

 37/9 Photocopies of manuscript piano-vocal score; 3 p. each 2 copies 37/9 Typescript lyric sheet; [1] leaf

With holograph annotations

 37/9 Typescript lyric sheets; [9] leaves With music

Not used

 37/10 Sketch; [2] p. 37/10 Photocopy of piano-vocal score; 3 p. each 2 copies

With annotations

 37/10 Photocopy of piano-vocal score; 3 p. each 2 copies 37/10 Typescript lyric sheets; [3] leaves

With annotations

 You can't get a man with a gun see also The girl that I marry 5/4 Full score #6; [22] p. 5/5 Full score, Fantasy #8; 3 p. 5/6 Full scores, Intro #5A(2); 2 p. 5/7 Full score, Utility; 17 p. 37/11 Manuscript piano-vocal score; [3] p. 37/11 Sketch; [1] p. 37/11 Photocopy of copyist's manuscript piano-vocal score; 4 p. 37/11 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 37/11 Typescript lyric sheets; [24] leaves

With holograph annotations

 42/3 Parts Set A, #5A and #6 50/4 Parts Set B, fantasy, #8 50/5 Parts Set B, introduction #5A and #6 50/6 Parts Set B, utility #9, #30, #32 53/3 Parts Set C, introduction #5A 58/3 Parts Set D, utility #30 58/4 Parts Set D, utility #32 Bound part books 59 Flute 1 and 2 2 copies 59 Oboe 59 Clarinet 1 and 2 2 copies 59 Bassoon 59 Horns 59 Trumpet 1 and 2 60 Trumpet 1 and 2 60 Trumpet 3 60 Trombone 1 60 Trombone 2 60 Trombone 3 60 Guitar 60 Percussion 1 and 2 2 copies 61 Violin 4 copies 61 Viola 61 Cello 61 Bass Spiral bound part books 62 Conductor 62 Reed 1 62 Reed 2 62 Reed 3 62 Reed 4 62 Reed 5 62 Horn 63 Trumpet 1 and 2 63 Trumpet 3 63 Trombone 1 63 Trombone 2 63 Trombone 3 63 Piano 63 Drums 64 Violin A 2 copies 64 Violin B 2 copies 64 Viola 64 Cello 64 Bass Miscellaneous parts

Found loose in unidentified folders

 64/1 Manuscript score for oboe; [7] leaves 64/2 Manuscript and photocopied parts; [27] items

Some fragments, annotations, notes and doodles

 71-72 As thousands cheer

Stage, 1933

71/1 Bound manuscript piano-vocal score; 145 p. Ain't you comin' to the fair? 72/1 Typescript lyric sheets; [3] leaves Capone in his cell

Dropped during rehearsals

 72/2 Typescript lyric sheets; [4] leaves Debts

Alternate title: We'll all be in heaven when the dollar goes to hell

 72/3 Manuscript piano score; 5 p. 72/3 Manuscript piano score (for 2 pianos?); [4] p. 72/3 Sketches; [1], 3 p. 72/3 Typescript lyric sheets; [6] leaves Easter parade 72/4 Manuscript full scores; [20], 20 p.

Laid in: manuscript piano score; 4 p.

 72/4 Manuscript piano scores(3); 2 p. each 72/4 Sketches; 2, 1 p. 72/4 Manuscript lyric sheet (bottom half of page only); [1] leaf

Laid in: photocopy of manuscript lyric sheet "Go back to the USA" (remaining half page); [2] p.

On verso: full page (2 above mentioned half pages combined) lyrics for "To skate with me"

 72/4 Typescript lyric sheets; [3] leaves 72/4 Sheet music Eighteenth amendment repealed

Dropped before tryout

 72/5 Manuscript piano score; [2] p. 72/5 Manuscript lead sheet; [1] p. 72/5 Typescript lyric sheets; [4] leaves

With annotations

 The funnies 72/6 Manuscript piano scores; 2, 3, 3, 3 p. 72/6 Sketches; [3] p. 72/6 Printed piano-vocal score; [6] p. 72/6 Typescript lyric sheet; [1] leaf Harlem on my mind 72/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/7 Typescript lyric sheet; [1] leaf Heat wave 72/8 Sketches; [3] p. 72/8 Typescript lyric sheets; [9] leaves How's chances 72/9 Manuscript piano scores(2); 2 p. each 72/9 Sketch; 2 p. 72/9 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/9 Printed piano-vocal score; [4] p. 72/9 Typescript lyric sheets; [7] leaves Lonely heart 72/10 Manuscript piano lead sheet; [1] p. 72/10 Manuscript piano scores; 2, 3 p. 72/10 Sketch; [1] p. 72/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/10 Holograph lyric sheet; [1] leaf 72/10 Typescript lyric sheets; [2] leaves Man bites dog

Alternate title: Man bites dog opening

 72/11 Photocopy of lead sheet; 6 p. each 2 copies 72/11 Typescript lyric sheets; [8] leaves

With annotations

 Metropolitan opening

Alternate title: Opening scene, Act II

 72/12 Manuscript piano score; [4] p. 72/12 Sketch; [2] p. 72/12 Sketch (piano score); [3] p. 72/12 Typescript lyric sheets; [2] leaves Midget number

Dropped during tryout

 72/13 Manuscript piano score; [2] p. 72/13 Sketches(2); [1] p. each 72/13 Typescript lyric sheets; [2] leaves

With annotations

 72/13 Typescript lyric sheets; [3] leaves Mr. and Mrs. Hoover

Dropped during rehearsals

 72/14 Typescript lyric sheets; [2] leaves Not for all the rice in China 72/15 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/15 Typescript lyric sheets; [3] leaves

One with signature

 72/15 Printed piano-vocal scores; 4 p. each 2 copies Overture 72/16 Sketch; [5] p. Skate with me

Dropped after tryout; music later used for "Dance with me (tonight at the Mardi Gras)" from Louisiana purchase

72/17 Manuscript piano score; [2, 3] p. 72/17 Sketch; [1] p. 72/17 Typescript lyric sheets; [3] leaves 72/17 Photocopy of manuscript lyric sheet; [2] leaves Society wedding 72/18 Manuscript piano scores (3); [4, 4, 5] p. 72/18 Typescript lyric sheets; [9] leaves Supper time 72/19 Manuscript piano-vocal score; 4 p.

No lyric

 72/19 Manuscript piano scores; [3, 2] p. 72/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 72/19 Typescript lyric sheets; [4] leaves Through a keyhole see also Would you like to take a look

Alternate title: Thru a key hole

Dropped during Broadway run

 72/20 Sketch; [1] p. 72/20 Typescript lyric sheets; [2] leaves

With annotations

 To be or not to be 72/21 Manuscript piano score; [1] p. 72/21 Sketches; [1, 1] p. 72/21 Typescript lyric sheets; [2] leaves 72/22 Photocopy of script; 76 p.

Bound with one metal fastener

 73-75 Blue skies

Film, 1946

Scores and parts 73/1 Bound photocopy of manuscript piano short score; [418] p.

Inscribed to Irving Berlin

 A couple of song-and-dance men 73/2 Manuscript piano-vocal score; [4] p. 73/2 Copyist's manuscript piano-vocal score; 6 p. 73/2 Manuscript lead sheet; [1] p. 73/2 Manuscript "routine" with lyrics; [1] p. 73/2 Printed manuscript piano-vocal score; [6] p.

With annotations

 73/2 Photocopy of manuscript piano-vocal score; 6 p. 73/2 Typescript lyric sheets; [5] leaves

At top: Bing and Fred

 73/2 Typescript lyric sheets; [5] leaves (Running around in circles) getting nowhere 74/1 Manuscript piano-vocal score; 4 p. 74/1 Sketches; [3] p. 74/1 Photocopy of manuscript piano-vocal score; 4 p. 74/1 Printer's proof of piano-vocal score; [4] p. 74/1 Typescript lyric sheets; [9] leaves Have you ever tried drinking water?

Not used

 74/2 Manuscript piano-vocal score; [3] p. 74/2 Manuscript piano-vocal score; [4] p.

With annotations

 74/2 Copyist's manuscript piano-vocal score; 3 p.

Transparencies

 74/2 Photocopy of manuscript piano-vocal score; 3 p.

With annotations

 74/2 Photocopy of manuscript piano-vocal score; [3] p. 74/2 Typescript lyric sheets; [14] leaves Heat wave 74/3 Printed piano-vocal score; [5] p. 74/3 Typescript lyric sheet; [1] leaf I want you to meet my girl see Non-show music I'd rather not dance again see Non-show music I'll dance rings around you

Not used

 74/4 Manuscript piano-vocal scores; 4, 4 p. 74/4 Typescript lyric sheets; [9] leaves

With holograph annotations

 I'll see you in C-u-b-a 74/5 Manuscript vocal score; 4 p.

Duet, with annotations

 74/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p.

Duet, with annotations

 74/5 Photocopy of vocal score; 4 p. each 2 copies 74/5 Typescript lyric sheets; [20] leaves

Some with holograph annotations

 74/5 Typescript lyric sheets; [2] leaves

Parody

 Puttin' on the Ritz see also Non-show music 74/6 Typescript lyric sheet; [1] leaf

New lyric

 The race horse and the flea

Not used

 74/7 Manuscript piano-vocal score; 4 p.

Transparencies, copyright 1944

74/7 Manuscript piano-vocal score; 4 p.

Transparencies, copyright 1947

74/7 Manuscript piano-vocal score; [1] p. each 2 copies

Incomplete

 74/7 Manuscript piano score; [3] p. 74/7 Sketch; [1] p. 74/7 Photocopy of illustration for cartoon; [1] p. 74/8 Printed manuscript piano-vocal score; 4 p. each 2 copies

1 version with annotations, copyright 1944

74/8 Printed manuscript piano-vocal score; 4 p. each

With annotations, copyright 1944

On top: wrong copy

Laid in: typescript lyric sheet; [1] leaf

 74/8 Printed manuscript piano-vocal score; 4 p. each 2 copies

Copyright 1947

74/8 Typescript letter; David Dreyer to Irving Berlin concerning lyric content, 1945 May 1; [2] leaves

Attached: typescript lyric sheet with annotations; [1] leaf

 74/8 Typescript lyric sheets; [8] leaves

2 with annotations

 74/8 Typescript lyric sheets; 2 p. each 2 copies

Cartoon suggestions

Laid in: cartoon suggestions from Irving Berlin to Mr. Dave Dreyer, 1945 May 23; [1] leaf

 74/8 Sheet music The road to yesterday see Non-show music

Not used

 A serenade to an old-fashioned girl 74/9 Manuscript piano-vocal score; [1] p.

At top: tag for serenade

 74/9 Manuscript piano scores; 2, 1 p. 74/9 Photocopies of manuscript piano-vocal score (2); [2] p. 74/9 Printed piano-vocal score; [2] p. 2 copies 74/9 Typescript lyric sheets; [2] leaves

With holograph annotations

 74/9 Typescript lyric sheets; [3] leaves Wilhelmina see Non-show music

Not used

 You keep coming back like a song 74/10 Manuscript piano-vocal scores; 4, 4, 3 p.

Pages 2-4 of second score are photocopies

 74/10 Manuscript piano score; [3] p. 74/10 Fair copy (Kresa) manuscript piano-vocal scores; 4 p. 74/10 Photocopies of manuscript piano-vocal scores (2); 4 p. each 74/10 Photocopy of manuscript piano-vocal scores; 4 p.

Manuscript at top: in E-flat

 74/10 Typescript lyric sheets; [7] leaves

With annotations

 74/10 Typescript lyric sheets; [2] leaves

"We keep coming back with a song," parody lyrics

 74/11 Photocopy of manuscript parts for female vocal 74/11 Photocopy of manuscript parts for male vocal Scripts 75/1 Typescript story line; [14] p.

On cover: (First rough story line), Irving Berlin, Mark Sandrich, November 14, 1944

75/1 Mimeograph copy of typescript story line; [28] p.

On cover: First treatment Irving Berlin's Blue skies, Alan Scott, February 5, 1945

75/1 Carbon copy of typed script; [38] p.

At top: Revised 5-2-45, Blue skies

75/1 Mimeograph copy of typescript; [85] p.

On cover: Blue skies, (This is considered a typed script...), Allan Scott, June 14, 1945

75/2 Mimeograph copy of typed script; [29] p.

On t.p.: July 2, 1945

75/2 Mimeograph copy of typed script; [29] p.

On t.p.: July 11, 1945

75/2 Mimeograph and carbon copy of typed script (fragments/sequences/miscellaneous); [74] p.

Some holograph(?) annotations

 75/2 Mimeograph copy of memos; [3] leaves

At top: Closing notice, Blue skies, recording program, production call sheet

 Bowery nightingale

Unproduced film, 1938

219/20 Typescript synopsis/storyline; 22 p.

On t.p.: Treatment by Irving Berlin and Lamar Trotti

 219/20 Carbon copy of typescript synopsis/storyline; 23 p. Call me madam

Stage, 1950; Film, 1953

Scores and parts 76/1 Hard bound copyist's manuscript piano-vocal score; 77 p. 76/2 Bound photocopies of copyist's manuscript piano-vocal score; [48] p. 76/2 Typescript lyric sheets (from folder); [12] p. Anthem for presentation scene

For film version, 1952

76/3 Manuscript lead sheet and negative photocopy; [1] p. each 76/3 Manuscript piano score and negative photocopy; [2] p. each 76/3 Copyist's manuscript piano scores; [2] p. each Original transparency, 2 photocopies, 1 negative photocopy

With annotations

 The best thing for you

Alternate title: The best thing for you (would be me)

 6/1 Full score, utility; 5 p. 76/4 Manuscript piano score; [2] p. 76/4 Manuscript lead sheet (3); [1] p. each

No lyric

 76/4 Photocopied piano-vocal scores; 3 p. each 2 copies

With annotations

 76/4 Fair copy (Kresa) manuscript piano-vocal scores; 3 p. 76/4 Holograph lyric sheet; [1] leaf 76/4 Typescript lyric sheets; [19] leaves 76/4 Sheet music 79/1 Vocal parts 80/9 Orchestral parts; New best thing for you 80/10 Vocal orchestral parts Blintzes from Lindy's see "Lichtenburg cheese"

Not used

 Call me madam

1967, unproduced television spectacular

 76/5 Manuscript piano-vocal score; [3] p. 76/5 Photocopied manuscript piano-vocal scores; 3 p. each 2 copies 76/5 Typescript lyric sheets; [11] leaves Can you use any money today?

Alternate title: Money

 76/6 Manuscript lead sheets(2); [2] p. each One with photocopy and negative photocopy 76/6 Sketches; [2] p. 76/6 Manuscript piano-vocal score, photocopy and negative photocopy; [3] p. each

No lyric

 76/6 Photocopied piano-vocal scores; [4] p. each 2 copies 76/6 Holograph lyric sheet; [1] leaf 76/6 Typescript lyric sheets; [9] leaves 80/11 Orchestral parts Entr'acte 6/2 Full score; 5 p. 81/1 Orchestral parts Finale, Act I 81/2 Orchestral parts 81/2 New orchestral parts Finale, Act II 6/3 Full score #28; 5 p. 6/3 New finale full score; 5 p. 81/3 Orchestral parts 81/4 New finale orchestral parts Free

Dropped from show and re-written as Snow for White Christmas, 1954

6/4 Full score #21; 13 p. 6/5 Full score, Counterpoint #24; 13 p. 6/6 Full score, Election #21; [19] p. 6/7 Full score, Incidental #23; 7 p. 6/8 Full score, Money #23, #24; 10 p. 6/9 Full score, Utility; 7 p. 6/9 Full score, Utility #24A; 24 p. 6/10 Full score, Vocal #21; 51 p. 6/11 Full score, New free - vocal (Glover) #21; p. 2-7

At top: Fixed in old new free score

 6/8 Full score, New free - vocal (Glover) #21; 7 p. 76/9 Manuscript piano-vocal score; [4] p.

No lyric

 76/9 Copyist's manuscript piano-vocal score; 5 p. Transparencies 76/9 Manuscript piano score; [2] p. 76/9 Sketch of vocal part; [1] leaf 76/9 Sketch; [1] p. 76/9 Photocopies of manuscript piano-vocal score; [4] p. each 2 copies

No lyric

 76/10 Sketch; [1] p. 76/10 Photocopy of vocal score; 6 p.

With annotations

 76/10 Photocopied piano-vocal scores; [5, 5, 4, 4, 4, 4, 4] p. 7 copies

5 with annotations

 76/10 Typescript lyric sheets; [7] leaves 79/2 Vocal parts-Free 79/3 Vocal parts-Free I 79/4 Vocal parts-Free II 79/5 Vocal parts-Free III 79/6 Vocal parts-Free IV 79/7 Vocal parts-Free V 81/5 Piano-conductor and reed parts 81/6 Bass, percussion and string parts 81/7 Counterpoint-orchestral parts 81/8 Election, new choir, new counterpoint: piano-conductor part 81/9 Election, new choir, new counterpoint: reed parts 82/1 Election, new choir, new counterpoint: brass and percussion parts 82/2 Election, new choir, new counterpoint: violin parts 82/3 Election, new choir, new counterpoint: viola, cello and bass parts 82/4 Orchestral parts-Incidental 82/5 Orchestral parts-Money exit 82/6 Utility set 1: piano-conductor and reed parts 82/7 Utility set 1: brass and percussion parts 82/8 Utility set 1: string parts 82/9 Utility set 2 83/1 Vocal: piano-conductor and reed parts 83/2 Vocal: brass and percussion parts 83/3 Vocal: string parts 83/4 New free - vocal orchestral parts Gypsy dance 6/12 Full score #10; 35 p. 83/5 Piano-conductor and reed parts 83/6 Brass and percussion parts 83/7 String parts 83/8 Piano-conductor scores 84/1 New gypsy dance: piano-conductor scores 84/2 New gypsy dance: piano-conductor scores, variant 84/3 Orchestral parts-End 84/4 Orchestral parts-Introduction The hostess with the mostes' on the ball 77/1 Manuscript piano scores; 3, 2 p. 77/1 New version: sketch; [2] p. 77/1 Original version: sketch; [2] p. 77/1 Original version: Photocopied piano-vocal scores; 7 p. each 3 copies

With annotations

 77/2 Original version: Holograph lyric sheets; [2] leaves 77/2 Original version: Typescript lyric sheets; [17] leaves 77/2 Encore: Typescript lyric sheets; [4] leaves 77/2 Ending, second scene: Typescript lyric sheets; [3] leaves 77/2 Sheet music 79/8 Vocal parts 84/5 Orchestral parts-New 84/6 Orchestral parts-Encore 84/7 Orchestral parts-New encore It's a lovely day today see also Lichtenburg Cheese 6/13 Full score, #12 reprise #1; 5 p. 6/13 Full score, #26 reprise #2; 4 p. 6/13 Full score, Utility; 5 p. 77/3 Manuscript piano score; [2] p. 77/3 Photocopied piano-vocal score; 3 p. 77/3 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 77/3 Typescript lyric sheets; [13] leaves 77/3 Reprise: typescript lyric sheet; [1] leaf 79/9 Vocal parts 79/9 Encore vocal parts 84/8 Orchestral parts 84/9 Orchestral parts-New, rehearsal 4-7 84/10 Orchestral parts-Reprise #1 84/10 Orchestral parts-Reprise #2 Lichtenburg

Original title: Cosmo's opening (Lichtenburg verse)

Alternate title: Welcome to Lichtenburg

 76/7 Manuscript piano score; [2] p. 76/7 Manuscript lead sheet; [2] p. 76/7 Photocopy of manuscript lead sheet; [2] p. 76/7 Sketch of piano score; [2] p. 76/7 Sketch; [1] p. 76/8 Printed piano-vocal scores; [5, 5, 5, 5, 2] p. 5 copies

With annotations, 1 copy is incomplete

 76/8 Photocopy and negative photocopy of piano-vocal score; 5 p. each 2 copies 76/8 Typescript lyric sheets; [5] leaves 79/10 Vocal parts-Lichtenburg 79/11 Vocal parts-Lichtenburg II 79/12 Vocal parts-Lichtenburg III 84/11 Orchestral parts 84/11 Orchestral parts-Introduction Lichtenburg cheese

Not used

 77/4 Sketch; [1] p.

At top: Cheese

On verso: sketch for "It's a lovely day today;" [1] p.

 77/4 Sketch of piano score; [2] p.

At top: Lichtenburg cheese

 77/4 Sketch; [1] p.

At top: Lichtenburg; includes "Blintzes from Lindy's"

 77/4 Typescript lyric sheet; [1] leaf

Laid in: photocopies of sketches with corresponding verses from lyric sheet; [6] p.

 Marrying for love 6/14 Full score, utility; 5 p. 77/5 Manuscript piano score; [2] p. 77/5 Sketches; [2] p. 77/5 Photocopied piano-vocal scores; [3, 4, 4] p.

1 is chorus only

 77/5 Typescript lyric sheets; [7] leaves 79/13 Vocal parts 84/12 Orchestral parts 84/13 Orchestral parts-New 84/14 Orchestral parts-Utility Mr. Monotony 77/6 Photocopied piano-vocal scores; 6 p. each 2 copies

With annotations

 Mrs. Sally Adams 77/7 Sketch of piano score; 3 p. 77/7 Printed piano-vocal scores; [5] p. each 3 copies

With annotations

 77/7 Photocopy and negative photocopies of piano-vocal score; [5] p. each 77/7 Typescript lyric sheets; [10] leaves 79/14 Vocal parts 85/1 Orchestral parts 85/2 Orchestral parts-Coda 85/3 Orchestral parts-Preview 85/4 Orchestral parts-Reprise Nuts to you

Not used

 77/8 Typescript lyric sheets; [3] leaves (Dance to the music of) The ocarina 6/15 Full score: utility; 4 p. 77/9 Sketches (3); [2, 2, 1] p. 77/9 Photocopied piano-vocal scores; [4] p. each 2 copies 77/9 Typescript lyric sheets; [8] leaves 80/1 Vocal parts 80/2 Vocal parts-The ocarina II 80/3 Vocal parts-The ocarina III 80/4 Vocal parts-The ocarina IV 80/5 Vocal parts-The ocarina V 85/5 Various orchestral scores to 4 sections 85/6 Pasteovers from orchestral parts 85/7 Orchestral parts-Dance 85/8 Orchestral parts-Encore 85/9 Orchestral parts-Mid-section? 85/10 Orchestral parts-Opening 85/11 Orchestral parts-Utility Once upon a time today 77/10 Manuscript piano score; [2] p. 77/10 Sketch; [2] p. 77/10 Photocopied piano-vocal scores; 5, [5] p. 2 copies each 77/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 77/10 Typescript lyric sheets; [3] leaves 85/12 Orchestral parts Our day of independence 6/16 Manuscript full score; 23 p. 6/16 Encore manuscript full score; 9 p. 77/11 Manuscript piano-vocal score; 6 p.

With annotations

 77/11 Manuscript piano-vocal score; 6 p.

At top: revised copy

 77/11 Copyist's manuscript piano-vocal score; 6, 4 p. 2 transparencies 77/11 Printed piano-vocal score; 6 p. each 2 copies

At top: piano-conductor

 77/11 Manuscript piano score; [3] p. 77/11 Manuscript violin part; 3 p. 77/11 Printed manuscript piano-vocal score; 4 p. each 2 copies 77/11 Photocopy and negative photocopy of manuscript piano-vocal score; 4 p. each 77/11 Typescript and carbon lyric sheets; [13] leaves Encore 77/11 Manuscript piano-vocal score; 4 p. 77/11 Copyist's manuscript conductor score; 4 p.

Laid in: miscellaneous part; [1] p.

 77/11 Printed piano-conductor score; 4 p. each 2 copies Our town see Our town and There's no town like our town in Non-show music Overture 6/17 Full score: #2; [25] p. Orchestral parts Set I 85/13 Piano-conductor, reed, and brass parts 85/14 String parts 85/15 Rehearsal 16 and 17 Set 2 86/1 Piano-conductor and reed parts 86/2 Brass and conductor parts 86/3 String parts Prelude and fanfare 78/1 Photocopied piano-vocal score; 3 p. 86/4 Orchestral parts Something to dance about 78/1 Photocopied piano-vocal score; 3 p. 78/1 Typescript lyric sheets; [4] leaves 86/5 Orchestral parts They like Ike 6/18 Full score; 8 p. 78/2 Manuscript piano-vocal score; [2] p.

No lyric

 78/2 Manuscript piano scores; [1, 2] p. 78/2 Sketches (2); [3] p. each

On p. 3: sketch for "Sweet potatoes"

 78/2 Photocopied piano-vocal scores; [3, 4, 4] p. 78/2 Holograph lyric sheets; [16] leaves 78/2 Manuscript lyric sheet; [1] leaf 78/2 Typescript lyric sheets; [67] leaves 80/6 Vocal parts 86/6 Orchestral parts Washington square dance 78/3 Manuscript piano-vocal score; [2] p.

Incomplete lyrics

 78/3 Manuscript piano score; [2] p.

Laid in: sketch of piano score; [1] p.

 78/3 Sketches(2); [2] p. each 78/3 Copyist's manuscript piano-vocal score; p. 4-6 Transparencies 78/3 Photocopy piano-vocal score; 6 p. each

7, with annotations

 78/3 Holograph lyric sheet; [1] leaf 78/3 Typescript lyric sheets; [17] leaves 78/3 Sheet music 80/7 Vocal parts 86/7 Orchestral parts What chance have I with love? see also Louisiana purchase

Film only

 78/4 Photocopy of piano-vocal scores; 4, 5 p. The wild men of Lichtenburg

Not used

 78/5 Manuscript piano score; [2] p. 78/5 Typescript lyric sheets; [2] leaves You're just in love 78/6 Photocopied piano-vocal score; 7 p. each 2 copies 78/6 Typescript lyric sheets; [5] leaves 80/8 Reprise vocal parts 86/8 Reprise orchestral parts Unidentified and miscellaneous manuscripts found with Call me Madam materials 78/7 Sketches (8); [1, 2, 3, 2, 1, 2, 1, 3] p. 86/9 Miscellaneous manuscript orchestral parts found with the Call me madam materials Scripts 87/1 Typed script; [109] p.

On t.p.: Rehearsal version, June 24, 1950

87/2 Typed script; [104] p.

On inside t.p.: Rehearsal version, August 14, 1950

Laid in: typed script for Act II, scene 4; [14] p.

 87/2 Carbon copy of typed script; [59] p.

On inside t.p.: Act one rehearsal version, August 14, 1950

87/3 Mimeograph copy of typed script; 124 p.

On cover: Final, Call me madam, June 3, 1952

87/4 Mimeograph copy of typed script; 121 p.

On cover: Revised final, Call me madam, July 21,1950

88/1 Mimeograph copy of typed script; 100 p. Black plastic folder

On cover: Truman version

 88/2 Mimeograph copy of typed script; [100] p. each 2 copies

Red plastic folder, on cover: Truman version

 89/1 Mimeograph copy of typed script; [87] p. each Red paper folder 89/1 Mimeograph copy of typed script; [100] p. each Red paper, brittle folder 89/2 Photocopy of typed script; [93] p. Yellow cardstock cover, 2 fasteners

Contains annotations on pages 1, 29, 39, 40, 47, 56, 59, 63

 89/3 Carbon copy of typed script; [35] p.

On t.p.: Call me madam! by Irving Berlin, Howard Lindsay, and Russel Crouse, Act I, Scene VI

Laid in: carbons of typed scripts (scenes 1-4-13 to 1-4-16) (bound by 3 fasteners); [4] p.

 89/3 Carbon copy of typed script; [17] p. Blue paper folder

Contents are for Act I, scenes 1, 2, 3 only

 89/3 Carbon copy of typed script Unbound

Incomplete; Act I, scene 4 and Act II, scene 1; [18], [23] p.

 89/4 Typescript synopsis; 21 p. 89/4 Printed libretto; 64 p.

Published by Irving Berlin Ltd., London; includes dialogue, lyrics, stage directions, photographs of each set

 89/4 Manuscript note, Hilda Schneider, Dec 7th, 1982; [1] leaf

Sent one script of Madam to Jay Blackton

 89/4 Typescript note; [1] leaf

Call me madam script including "Free" taken by Arthur Sheekman; [1] leaf

 89/5 Rehearsal schedule; [1] p. 89/5 Drawings found with orchestral (chiefly horn) parts Carefree

Film, 1938

Carefree

Not used

 90/1 Manuscript piano-vocal score; 4 p. 90/1 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/1 Typescript lyric sheets; [4] leaves

Some holograph annotations

 Change partners 6/19 Manuscript full score; 15 p. 90/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/2 Photocopy of copyist's piano-vocal score; 4 p. each 2 copies 90/2 Typescript lyric sheets; [6] leaves 90/3 Manuscript orchestral parts I used to be color blind 6/20 Manuscript full score #7A; 14 p. 90/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/4 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/4 Typescript lyric sheets; [5] leaves 90/5 Manuscript orchestral parts Let's make the most of our dream

Not used

 90/6 Manuscript piano-vocal score; 5 p.

With annotations

Laid in: correction leaf

 90/6 Manuscript lead sheet; [2] p.

Lyric sheet attached

 90/6 Copyist's manuscript piano-vocal score; 5 p. Transparencies 90/6 Photocopies of copyist's manuscript piano-vocal score; 5 p. each 2 copies 90/6 Typescript lyric sheets; [6] leaves The night is filled with music 90/7 Manuscript piano score; [1] p.

Fragment

 90/7 Sketch; [1] p. 90/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 90/7 Photocopy of copyist's manuscript piano-vocal score; 3 p. 90/7 Typescript lyric sheets; [5] leaves Since they turned Loch Lomond into swing see also Music box revue, 1938-1939

Not sung in film, instrumental only

 90/8 Photocopy of manuscript vocal part; [1] p. 90/8 Typescript lyric sheet; [1] leaf What the well-dressed man will wear

Dropped from film before production began

 90/9 Holograph lyric sheet; [1] leaf

At top: patter-men's fashion parade

 90/9 Typescript lyric sheets; [5] leaves Why do I love you see Non-show music

Not used

 Words

Not used

 90/10 Sketch; [1] p. 90/10 Typescript lyric sheets; [4] leaves The yam 90/11 Sketches; 2 p. 90/11 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 90/11 Photocopy of copyist's manuscript piano-vocal score; 6 p. each 2 copies 90/11 Typescript lyric sheets; [9] leaves 90/12 Manuscript orchestral parts-part I 90/12 Manuscript orchestral parts-part II You can be my cave man

Not used

 90/13 Manuscript lead sheet; [2] p.

Lyric sheet attached

 90/13 Copyist's manuscript piano-vocal score; 4 p. 90/13 Photocopy of copyist's manuscript piano-vocal score; 4 p. each 2 copies 90/13 Typescript lyric sheets; [5] leaves The century girl

Musical revue, 1916; Irving Berlin and Victor Herbert each wrote half the material for the revue

 Alice in Wonderland 91/1 Sketches (8); [4] p. 91/1 Sketch (verse to Alice in Wonderland & Miss Janis song); [1] p.

On verso: Sketch for "Kiss me once more"

 The chicken walk

Alternate titles: That Broadway chicken walk; Jungle ball finale

 Published version 91/2 Reverse photocopy of piano-vocal score; [4] p. 91/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 91/2 Typescript lyric sheets; [5] leaves Show version

Includes "Hunting for a new dance," "The chicken walk," and "Turkey trot"

 91/3 Sketches; [5, 12] p.

On verso of sheet marked "p. 11" more sketches for "The music lesson" and "Kiss me once more"

 91/5 Sketches; [7] p.

On verso of one sketch: sketch for "It takes an Irishman to make love"

 91/5 Typescript lyric sheets; [9] leaves It takes an Irishman to make love 91/4 Sketch; [1] p. 91/4 Manuscript violin part; [3] p.

With annotations

 91/4 Photocopy of sketch; [1] p.

Original manuscript is found on verso of The chicken walk sketch

 Kiss me again see The music lesson/Kiss me once more Kiss me once more see Non-show music The music lesson/Kiss me once more see also Kiss me once more and The chicken walk sketches

Alternate title: Herbert-Berlin duet

"The music lesson" is a duet for Irving Berlin and Victor Herbert which segued into Herbert's "Kiss me again," with "Kiss me once more" serving as a countermelody

 91/6 Sketches; [1, 2, 1] p. 91/6 Typescript lyric sheet; [1] leaf Laces and faces (Act III finale)

Includes: "On the train of a wedding gown"

 91/7 Sketches; 7 p. 91/7 Manuscript/typescript lyric sheets; [6] leaves 91/7 Sketch for incidental entrance music for Laces and faces; 4 p. My once-in-a-century girl

Earlier title: My wonderful century girl

 91/8 Manuscript lead sheet; [1] p. 91/8 Sketch; [1] p. 91/8 Sketch of chorus dated Aug. 3, 1916; [1] p.

At bottom: sketch for "How can you" [illegible]

On verso: sketch for "Poor little rich girls dog"

 91/8 Typescript lyric sheet; [1] leaf

With annotations

On verso: manuscript notes

 91/8 Typescript lyric sheets; [4] leaves On the train of a wedding gown see Laces and faces Turkey trot see The chicken walk Cindy Lou

Unproduced show, 1955

210/21 Typescript synopsis; [2] leaves The cocoanuts

Stage, 1925; film, 1929

Scores and parts The bell hop

Alternate title: Bell boy opening; Doin' the bellhop

 91/9 Manuscript lead sheet; [2] p. 91/9 Sketch; [4] p. 91/9 Typescript lyric sheets; [2] leaves Can't you tell?

Alternate title: Can you tell

Not used

 91/10 Sketch; [3] p. 91/10 Typescript lyric sheet; [1] leaf

With annotations

 91/10 Typescript lyric sheet; [1] leaf Everyone in the world is doing the Charleston 91/11 Manuscript piano score; [1] p. 91/11 Manuscript lead sheet; [1] p. 91/11 Typescript lyric sheets; [6] leaves Five o'clock tea 91/12 Fair copy (Kresa) manuscript piano-vocal score; 9 p. 91/12 Manuscript and typescript lyric sheets; [5] leaves Florida by the sea 91/13 Sketches; [1, 5, 1] p. 91/13 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 91/13 Manuscript and typescript lyric sheets; [4] leaves Gentlemen prefer blondes 91/14 Manuscript piano score; [1] p. 91/14 Manuscript lead sheet; [1] p. 91/14 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 91/14 Typescript lyric sheets; [3] leaves Hotel of our own

Alternate titles: When we're running a little hotel of our own; Running a little hotel of our own

 91/26 Manuscript piano score; [2] p. 91/26 Manuscript lead sheet; [2] p. 91/26 Sketch; [3] p. 91/26 Manuscript and typescript lyric sheets; [6] leaves A little bungalow 91/15 Manuscript lead sheet; [1] p. 91/15 Sketches; [1, 1, 1] p. 91/15 Holograph lyric sheet; [1] leaf 91/15 Manuscript and typescript lyric sheets; [6] leaves Lucky boy 91/16 Manuscript lead sheet; [1] p.

No lyric

 91/16 Sketches; [1, 1] p. 91/16 Manuscript and typescript lyric sheets; [6] leaves Minstrel days 91/17 Manuscript conductor score; [12] p. 91/17 Photocopy of conductor score; [12] p. 91/17 Typescript lyric sheets; [4] leaves The monkey-doodle-doo 91/18 Sketches; [4, 2, 1] p. 91/18 Manuscript and typescript lyric sheets; [8] p. Opening Act II 91/19 Manuscript piano score; 6 p. Take 'im away (he's breakin' my heart) see Non-show music The tale of a shirt 91/20 Holograph lyric sheet; [1] leaf Tango melody

Alternate titles: To a tango melody; A tango melody

 91/21 Manuscript piano-vocal score; [1] leaf 91/21 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 91/21 Typescript lyric sheet; [6] p. They're blaming the Charleston see Non-show music Ting-a-ling, the bells'll ring see also Miscellaneous sketches and Why do you want to know why?

Alternate titles: Ting-a-ling

 91/22 Manuscript piano score; [2] p. 91/22 Manuscript lead sheet; [2] p.

With annotations

Laid in: typescript lyric sheet; [1] p.

 91/22 Sketch; [1] p. 91/22 Manuscript lyric sheet; [1] leaf We should care 91/23 Manuscript lead sheet; [1] p.

No lyric

 91/23 Holograph lyric sheet; [1] leaf 91/23 Typescript lyric sheets; [4] leaves What's there about me? see also What's what about me?

Dropped during rehearsals

 91/24 Manuscript piano-vocal score; [4] p.

No lyric

 91/24 Manuscript lead sheets; [1, 2] p.

1 in pencil, 1 in ink

 91/24 Manuscript lyric sheet; [1] leaf 91/24 Typescript lyric sheet; [2] leaves When my dreams come true

Film only

 91/25 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Why am I a hit with the ladies?

Alternate title: A hit with the ladies

 91/27 Manuscript piano score; [2] p. 91/27 Typescript lyric sheets; [2] leaves Why do you want to know why? 91/28 Manuscript piano score; [2] p. 91/28 Manuscript lead sheet; [2] p. 91/28 Holograph lyric sheet; [1] leaf 91/28 Typescript lyric sheets; [3] leaves

One sketch includes "Ting-a-ling, the bells'll ring"

 91/28 Photocopy of lyric sheet; [1] leaf With a family reputation see also Miscellaneous sketches

Alternate title: Family reputation

Earlier title: My family reputation

 91/29 Manuscript piano-vocal score; [4] p.

With annotations

 91/29 Manuscript piano score; [2] p.

With annotations

 91/29 Manuscript lead sheet; [1] p.

On verso: sketch of a waltz

 91/29 Manuscript lead sheet; [2] p. 91/29 Sketch; [3] p. 91/29 Manuscript and typescript lyric sheets; [5] leaves 91/30 Miscellaneous sketches

Found with Music box revue, 1923 or 1924

(A little) bungalow Laid in: manuscript piano score; [1] p. Ting-a-ling, the bells'll ring; [5] p. Waltz; [2] p. (With a family) reputation; [1] p. Scripts 92/1 Carbon copy of typed script; [60] p.

In tan folder

On cover: The Cocoanuts, Act I

 92/1 Carbon copy of typed script; [25] p.

In tan folder

On cover: The Cocoanuts, Act II, scene I

 92/2 Carbon copy of typed script; [130] p.

In yellow folder, 2 paper fasteners

 92/3 Carbon copy of typed script; [55, 34] p.

In tan folders

 The crystal ball see Music box revue, 1938-39 Curtain going up see Face the music Dance and grow thin

Musical revue, 1917

Dance and grow thin

Music by George W. Meyer

 92/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 92/4 Typescript lyric sheet; [1] leaf The Kirchner girl 92/5 Sketch; [2] p. 92/5 Manuscript and typescript lyric sheets; [2] leaves Easter parade

Film, 1948

Scores and parts Better luck next time 93/1 Photocopy of piano-vocal score; 3 p. 93/1 Typescript lyric sheets; [12] leaves A couple of swells 93/2 Copyist's manuscript piano-vocal scores; 4 p. each Transparency and photocopy 93/2 Photocopy of copyist's manuscript piano-vocal score; 4 p. 93/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 93/2 Holograph lyric sheet; [1] leaf 93/2 Typescript lyric sheets; [16] leaves Drum crazy 93/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies 93/3 Photocopy of copyist's manuscript piano-vocal score; 4 p. 93/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 93/3 Holograph lyric sheets; [2] leaves 93/3 Typescript lyric sheets; [14] leaves A fella with an umbrella 93/4 Photocopy of copyist's manuscript piano-vocal score; 3 p. 93/4 Holograph lyric sheet; [1] leaf 93/4 Typescript lyric sheets; [2] leaves

With holograph annotations

 93/4 Typescript lyric sheets; [18] leaves Happy Easter 93/5 Copyist's manuscript lead sheet; [1] p. 93/5 Manuscript lead sheet; [1] p. 93/5 Printed lead sheet; [1] p. each 2 copies 93/5 Holograph lyric sheet; [1] leaf 93/5 Typescript lyric sheets; [11] leaves I love you-you love him see also Non-show music

Not used

 93/6 Photocopy of copyist's manuscript piano-vocal score; 4 p. It only happens when I dance with you 93/7 Copyist's manuscript piano-vocal score; 3 p. each Transparency and photocopy 93/7 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 93/7 Holograph lyric sheet; [1] leaf 93/7 Typescript lyric sheet; [1] leaf

With holograph annotations

 93/7 Typescript lyric sheets; [13] leaves Mr. Monotony 93/8 Printed piano-vocal scores; [8] p. each 2 copies 93/8 Manuscript and photocopied orchestral parts 93/8 Copyist's manuscript of string parts Missus Monotony 93/9 Photocopy of vocal score; 9 p. each 2 copies Steppin' out with my baby 93/10 Copyist's manuscript piano-vocal score; 3 p. Transparencies 93/10 Photocopy of copyist's manuscript piano-vocal score; 3 p. 93/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. each 2 copies 93/10 Holograph lyric sheets; [3] leaves 93/10 Typescript lyric sheets; [2] leaves

With holograph annotations

 93/10 Typescript lyric sheets; [11] p. Scripts 94/1 Carbon copies of typescript story sheets and ideas; [9] p.

On t.p.: terms of deal with 20th-Century Fox

Also on t.p.: notes on an idea for a picture called Easter parade

 94/1 Typescript draft; [29] p. Light blue folder

On t.p.: First rough draft of English version, January, 1947

94/1 Carbon copies of typescript draft; [29] p. 2 copies 94/1 Carbon copy of typescript draft; [29] p.

With holograph annotations

 94/2 Typed script; [29] p. Light blue folder

On t.p.: January 31, 1947

94/2 Carbon copies of typed script; [29] p. each 2 copies; light blue folder

On t.p.: 1/31/47

94/3 Carbon copy of typed script; [18] p. Blue folder, 2 fasteners 94/3 Carbon copy of typed script; 17 p. Blue folder 94/3 Carbon copy of typed script; [9] p. Light blue folder

On t.p.: 5/13/47

95/1 Mimeograph copy of typed script; [98] p. Blue cover is detached

On cover: MGM label, Producer, Mr. Freed, 6-6-47

95/2 Mimeograph copy of typed script; [59] p. Light blue cover 95/2 Mimeograph copy of typed script; [98] p. Orange cover Face the music

Stage, 1932

Earlier titles: Off the beat; This town of ours; Curtain going up

 Scores and parts 96/1 Bound manuscript piano-vocal score; 96 p. 96/2 Bound typescript lyric sheets; [19] p. How can I change my luck? see also Non-show music 96/3 Manuscript piano-vocal score; 5 p. 96/3 Manuscript piano scores(4); [1] p. each 96/3 Typescript lyric sheets; [2] leaves I don't wanna be married (I just wanna be friends) see also Non-show music

Alternate title: I don't want to be married

 96/4 Manuscript lead sheets; [2] p. each

4, 1 with annotations

 96/4 Manuscript piano scores; [3, 2, 3] p. each

1 with annotations

 96/4 Photocopy of manuscript piano-vocal score; [5] p. 96/4 Typescript lyric sheet; [4] leaves I say it's spinach (and the hell with it) 96/5 Manuscript piano score; [2] p. 96/5 Manuscript lead sheets; [2, 1] p. 96/5 Sketch; [2] p. 96/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 96/5 Typescript lyric sheets; [4] p. Investigation

Alternate title: Investigation after scene in one

 96/6 Manuscript lead sheet; [11] p. 96/6 Sketch; 9 p. 96/6 Photocopy of manuscript lyric sheet; [2] p. 96/6 Typescript lyric sheets; [20] leaves

With holograph annotations

 Let's have another cup of coffee 96/7 Manuscript piano scores(2); [2] p. each 96/7 Manuscript lead sheets(2); [2] p. each 96/7 Sketch; [2] p. 96/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 96/7 Typescript lyric sheets; [3] leaves 96/7 Photocopy of sheet music

Without cover

 97/1 Photocopies of reprise orchestral parts Lunching at the automat

Alternate title: Automat opening

 97/2 Manuscript piano score; [4] p. 97/2 Sketch; [2] p. 97/2 Typescript lyric sheets; [4] leaves Manhattan madness 97/3 Manuscript lead sheets; [2, 3] p. 97/3 Fair copy (Kresa) manuscript piano-vocal score; 6 p. 97/3 Typescript and ditto copy of lyric sheet; [2] leaves 97/3 Sheet music My beautiful rhinestone girl

Alternate title: My rhinestone girl

 97/4 Manuscript piano scores; [2, 3, 4] p. 97/4 Manuscript lead sheet; [1] p. 97/4 Sketch; [1] p. 97/4 Typescript lyric sheets; [8] leaves The nudist colony

Alternate titles: The nudist song; Let's start a nudist colony

Dropped from show

 97/5 Manuscript piano score; [2] p. 97/5 Sketches; [1, 2, 2] p. 97/5 Typescript lyric sheet; [1] leaf (Castles in Spain) On a roof in Manhattan

Alternate title: A roof in Manhattan

 97/6 Manuscript lead sheets(3); [2] p. each 97/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 97/6 Typescript lyric sheets; [2] leaves The police of New York

Included in earlier versions, but dropped from the final show

 97/8 Manuscript piano score; [3] p. 97/8 Sketches; [4] p. 97/8 Typescript lyric sheets; [5] leaves

1 with holograph annotations

 Reisman's doing a show

Not used

 97/9 Manuscript piano score; [4] p. 97/9 Typescript lyric sheets; [3] leaves

With annotations

 Soft lights and sweet music 97/10 Manuscript lead sheet; [2] p. 97/10 Sketches of lead sheet(2); [1] p. each 97/10 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 97/10 Typescript lyric sheets; [5] leaves 97/10 Sheet music Torch song see also Non-show music

Dropped in New York

 97/11 Manuscript piano score; [3] p. 97/11 Manuscript lead sheets (2); [2] p. each 97/11 Sketches; [2, 3, 2, 3] p. 97/11 Typescript lyric sheets; [4] leaves Two cheers instead of three

Included in earlier versions, but dropped from the final show

 97/12 Typescript lyric sheet; [1] leaf

With holograph annotations

 Well, of all the rotten shows

Opening-Second act

 97/7 Manuscript piano score; [3] p. 97/7 Manuscript lead sheets; [2, 1] p. 97/7 Typescript lyric sheets; [3] leaves

With annotations

 You must be born with it 97/13 Manuscript piano scores; [2, 3] p. 97/13 Manuscript lead sheets(2); [2] p. each 97/13 Sketch; [1] p. 97/13 Typescript lyric sheets; [4] leaves 97/14 Unidentified sketches; [2] p. Orchestral parts 97/15 Violin I 97/16 Violin II 98/1 Violin III 98/2 Violin IV 98/3 Viola 98/4 Cello 98/5 Bass 99/1 Flute 99/2 Oboe 99/3 E-flat alto sax I 99/4 E-flat alto sax II 99/5 B-flat tenor sax 100/1 B-flat trumpets I and II 100/2 B-flat trumpet III 100/3 Trombone 100/4 Banjo 101/1 Piano 101/2 Piano, extra parts 101/3 Drums Miscellaneous 101/4 Extra part book, various parts, not used 101/5 Miscellaneous orchestral parts, Torch song (old) 101/5 Manuscript parts (12)

Incomplete

 Scripts 102/1 Carbon copy of typed script; [65] p. Blue folder

On cover: Act I, Oct. 30, 1931

102/1 Typed script; [41] p. Yellow folder

On cover: Act II

 102/2 Photocopy of typed script; [112] p. No folder

Acts I and II (final version)

 102/3 Photocopy of typed script; [106] p. No folder

Next-to-last version, some Act II scenes not completed

 102/4 Carbon copies of typed script; [72] p. each 2 copies in yellow folder

On cover: Off the beat, Act I

 103/1 Photocopy of manuscript script by Moss Hart; [240] p. approx. Unbound

On t.p.: Off the beat

 103/2 Carbon copy of typed script; 57 p. Yellow folder, stapled

Original title on cover: Curtain going up

 103/3 Carbon copy of typed script; 177 p. Yellow folder

On cover: 2, This town of ours

 103/4 Carbon copy of typed script; [44] p. Yellow folder

At top: 2

 103/4 Carbon copy of typed script; [43] p. Yellow folder

At top: 4

 Facts and fables

Script by Milton H. Gropper. Idea suggested by Irving Berlin

 219/22 Typed script; [12] p. Follow the crowd see Stop! Look! Listen! Follow the fleet

Film, 1936

104/1 Bound printed piano-vocal score; 29 p. But where are you? 104/2 Manuscript piano-vocal scores; [2, 1] p. 104/2 Manuscript piano scores; [2] p. 104/2 Sketch; [1] p.

On verso: sketch for "I'd rather lead a band"

 104/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/2 Photocopy of manuscript piano-vocal score; [1] p. 104/2 Typescript lyric sheets; [3] leaves Get thee behind me, Satan 104/3 Manuscript piano score; [2] p. 104/3 Manuscript piano score; [2] p.

With annotations

 104/3 Manuscript lead sheet; [1] p. 104/3 Sketches(3); [2] p. each 104/3 Typescript lyric sheets; [6] leaves I'd rather lead a band 104/4 Manuscript piano score; [1] p. 104/4 Photocopy of piano-vocal score; [4] p. 104/4 Photocopy of sketch; [1] p.

Copied from verso: But where are you?

104/4 Typescript lyric sheets; [2] leaves I'm puttin' all my eggs in one basket 104/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. Let yourself go 104/6 Manuscript piano score; [1] leaf 104/6 Sketch; [2] p. 104/6 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/6 Photocopy of piano-vocal score; [3] p. 104/6 Typescript lyric sheets; [2] leaves Let's face the music and dance 104/7 Manuscript piano-vocal score; [1] p. 104/7 Manuscript piano-solo scores; [3, 1] p. 104/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 104/7 Photocopy of piano-vocal score; [3] p. 104/7 Photocopy of sketch; [1] p.

Copied from verso of While we're dancing

104/7 Typescript and carbon copy lyric sheets; [2] leaves Moonlight maneuvers see Non-show music There's a smile on my face see Non-show music We saw the sea 104/8 Photocopy of piano-vocal score; [5] p. 104/8 Fair copy (Kresa) manuscript of piano-vocal score; 8 p. 104/8 Manuscript vocal part; [1] p. 104/8 Typescript lyric sheets; [2] leaves 104/9 Unidentified sketches; [4] p. Friar's folic of 1911 104/10 Songwriters Holograph lyric sheets; [2] leaves

At top: Piano bugs

 Holograph lyric sheets; [3] leaves

At top: Songwriters

 Good gulf program

1934

I never had a chance see Non-show music In that first revue 104/11 Typescript lyric sheet; [1] leaf Say it with music see Non-show music So help me see Non-show music Hanky panky Opera burlesque

Introduced as "The ragtime sextette" in A night with the Pierrots; curtain raiser Whirl of society and sung in Weber and Field's All Star Jubilee Production Hanky Panky, 1912

Alternate titles: Ragtime opera (Lucia); The ragtime sextette; Opera Burlesque (On the Sextette from Lucia di Lammermoor)

104/12 Manuscript score; 16 p. 104/12 Negative photocopy of printed piano-vocal score; 14 p. 104/12 Typescript lyric sheets; [6] leaves Happy holidays see Holiday inn Holiday inn

Film, 1942

Abraham 105/1 Manuscript piano score; [2] p. 105/1 Sketch; [2] p. 105/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 105/1 Printed piano-vocal score(2); [4] p. each 105/1 Typescript lyric sheets; [9] leaves Be careful, it's my heart 105/2 Copyist's manuscript piano-vocal scores(2); [2] p. each 105/2 Sketch of piano score; [2] p. 105/2 Sketch; [1] p.

Laid in: typescript lyric sheet; [1] leaf

 105/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/2 Photocopy of copyist's manuscript piano-vocal score; 2 p. 105/2 Typescript lyric sheets; [16] leaves 105/2 Sheet music Finale 105/3 Holograph lyric sheet; [1] leaf 105/3 Typescript lyric sheets; [6] leaves The fourth of July vocal routine

Includes "Let's say it with firecrackers" and "Song of freedom"

 105/4 Photocopies of condensed score(2); [12] p. each

At top: rec. version

 105/4 Typescript lyric sheets; [5] leaves Happy holiday 105/5 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/5 Photocopies of piano-vocal score(2); [1] p. each 105/5 Typescript lyric sheets; [2] leaves Happy holiday - opening chorus Part I 105/6 Photocopies of piano-vocal score(2); 4 p. each 105/6 Holograph lyric sheet; [1] leaf 105/6 Typescript lyric sheets; [11] leaves

Some with holograph annotations

 Part II 105/6 Typescript lyric sheets; [8] leaves

Some with holograph annotations

 Holiday inn 105/7 Manuscript piano score; [2] p. I can't tell a lie 105/8 Manuscript piano-vocal score; [3] p.

Laid in: manuscript piano-vocal fragment; [1] p.

 105/8 Manuscript piano-vocal score; [3] p. 105/8 Manuscript piano sketch; [1] p. 105/8 Sketch of lead sheet; [1] p. 105/8 Photocopies of manuscript piano-vocal score(2); 3 p. each 105/8 Typescript lyric sheets; [8] leaves I pledge allegiance 105/9 Manuscript piano-vocal scores(2); [2] p. each 105/9 Manuscript piano score; [1] p. 105/9 Sketch; [1] p. 105/9 Photocopies of manuscript piano-vocal scores(2); 3 p. each I remember Christmas time

Duet sung in counterpoint with White Christmas

105/10 Manuscript lead sheet; [1] p. 105/10 Manuscript vocal score; [2] p. 105/10 Photocopy of typescript lyric sheets; [2] leaves I'll capture your heart singing

Original title: Sing and dance

Film version: I'll capture her heart singing

 105/11 Sketch; [1] p. 105/11 Photocopy of short score; 6 p.

Laid in: typescript interoffice note; [1] p.

 105/11 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/11 Typescript lyric sheets; [19] leaves

Film version

 105/11 Typescript lyric sheets; [2] leaves

Published version

 Lazy 105/12 Typescript lyric sheet; [1] leaf

At top: second number

 Let's say it with firecrackers see also The fourth of July vocal routine 105/13 Manuscript piano-vocal score; [3] p. 105/13 Negative photocopy of printed piano-vocal score; [3] p. 105/13 Typescript lyric sheets; [9] leaves Let's start the New Year right 105/14 Manuscript piano-vocal score; [3] p. 105/14 Sketch of piano score; [2] p. 105/14 Sketch of lead sheet; [1] p. 105/14 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 105/14 Photocopy of manuscript piano-vocal score; 3 p. 105/14 Typescript lyric sheets; [6] leaves Plenty to be thankful for 105/15 Manuscript piano-vocal score; [3] p. 105/15 Sketch of lead sheet; [1] p. 105/15 Fair copy (Kresa) manuscript piano-vocal score(2); 4 p. each 105/15 Photocopies of printed piano-vocal score(2); 6 p. each 105/15 Typescript lyric sheets; [20] leaves Song of freedom see also The fourth of July vocal routine 105/16 Typescript lyric sheets; [11] leaves This is a great country

Not used

 105/17 Manuscript piano-vocal scores(7); [2, 2, 3, 3, 3, 3, 2] p. 105/17 Sketches; 7 p. 105/17 Mimeographs of manuscript piano-vocal score(2); 3 p. each 105/17 Photocopy of letter to Mark Sandrich at Paramount, June 19, 1941 105/17 Typescript lyric sheets; [27] leaves White Christmas 105/18 Manuscript piano-vocal score; [3] p. 105/18 Manuscript piano-vocal score; [3] p.

Laid in: manuscript correction leaf; [1] leaf

 105/18 Manuscript piano score; [2] p. 105/18 Manuscript lead sheet; [1] p.

Dated: 1/8/1940

At bottom: sketch; [1] p.

 105/18 Sketches; [1, 2, 4] p. 105/18 Photocopies of piano-vocal score(2); 3 p. each 105/18 Photocopies of holograph vocal part(2); [1] p. each 105/18 Typescript lyric sheets; [2] leaves

At top: Holiday inn, 4th number

 105/18 Typescript lyric sheets; [4] leaves

At top: January 8, 1940

105/18 Typescript lyric sheet; [1] leaf

At top: Christmas

 You're easy to dance with 105/19 Manuscript piano-vocal score; [5] p.

Laid in: manuscript fragment; [1] p.

 105/19 Manuscript piano-vocal score; [5] p. 105/19 Sketch of piano score; [2] p. 105/19 Sketch; [1] p. 105/19 Photocopy of manuscript piano-vocal score; 5 p. 105/19 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 105/19 Typescript lyric sheets; [15] p. Scripts 105/20 Holograph notes: [2] leaves

At top: Tentative layout for song book

 105/20 Holograph list of holidays: [1] leaf 105/20 Typescript running lists; [7] leaves 106/1 Holograph list of holidays; [1] leaf 106/1 Holograph list of holidays; [2] leaves

At top: Happy Holiday, tentative layout for song book

 106/1 Typescript list of holidays; [1] p.

Original title at top: Happy holidays

 106/1 Typescript idea and notes; 4 p. each 2, and 1 carbon copy 106/1 Typescript list of songs; [7] leaves 106/1 Typescript first rough draft for a revue; [5] p.

With holograph annotations

At top left: Copy of this sent to Capt. O'Brien for copyrighting, Feb. 16, 1939

106/1 Carbon copies of complete typescript version of above; [6] p. each

On cover: Feb. 16, 1939

106/2 Carbon copy of typed "notes on Holiday inn"; 3 p. each Blue folder; and carbon copy, no folder 106/2 Carbon copy of typed "notes on conferences..., April 21, 1941; 9 p. 106/2 Carbon copy of typed "notes on conferences..., April 28, 1941; 31 p. each 2 copies, blue folder 106/3 Carbon copy of typed script; [35] p. Unbound

On cover: 8/29/41

106/3 Carbon copy of typed script; [20] p. Blue folder

On cover: Revisions in latter portion, Sept. 27, 1941

106/3 Carbon copy of typed script; [164] p. Black spring binder

On cover: Oct. 14, 1941

106/4 Carbon copy of typed script; [51] p. Yellow paper, unbound

At top: Oct. 18, 1941, #8462, Sequence B

 106/5 Mimeograph copy of typed script; [122] p. Bound by paper fasteners 106/5 Mimeograph copy of typed script; [16] p. No cover, bound by staple

At top: Sequence E

Dated: 12/15/41

Irving Berlin musical

Unproduced

 219/23 Typescript screenplay; 25 p. The last resorts see also Wise guy

Unproduced, 1952

Alternate title: Palm beach

Apparently based on Cleveland Amory’s 1952 book, Last resorts, this was the first of Berlin’s two attempts to write a musical about brothers Wilson and Addison Mizner; the second attempt, 4 years later, was based on Alva Johnson’s The legendary Mizners, and first entitled Sentimental guy, and later, Wise guy.

 107/1 Sittin' in the sun (counting my money) see also Non-show music Typescript lyric sheet; [1] leaf 107/2 The snobs on the wrong side of the track see also Wise guy Typescript lyric sheets; [2] leaves 107/3 The top 400 people Holograph lyric sheets; [2] leaves 107/4 Typescript outlines of Act I; [12] leaves 107/4 Typescript list of possible songs for Palm Beach; [3] leaves Liberty hall

Unproduced, 1943

219/24 Carbon copy of notes; 2 p. Stapled

At top: notes on story idea

 219/24 Typed script; 8 p. each 1 ribbon, 1 carbon copy 219/24 Typed script; 9 p. 2 staples at top

At top: On train conference Liberty hall

 219/24 Carbon copy of typescript treatment; 49 p.

On t.p.: 7/21/43

Louisiana purchase

Stage, 1940

Scores and parts 107/5 Bound manuscript condensed score; around 100 p. 108/1 Bound printed piano-vocal scores(2); [60] p. each Apologia Part one: The letter

Alternate title: Opening letter

 7/1 Full score: Opening letter #1, 22 p. 108/2 Photocopies of piano-vocal score; p. 2-6, 2-3 108/2 Typescript lyric sheets; [9] leaves Part two: It's news to us (Opening)

Alternate title: Opening Chorus-It's news to us

 7/2 Full score: Opening chorus, 43 p.

At top: extra material

Laid in: Opening chorus-new introduction; [1] p.

Laid in: Opening chorus-newer introduction #2; [1] p.

Laid in: End of opening chorus; 6 p.

 7/2 Full score: Opening chorus #2, letter K, 11 p. 7/2 Full score: Opening chorus-new dance, 6 p. 108/3 Photocopies of piano-vocal score; [6, 6] p., p. 9-13 108/3 Manuscript lead sheet; [1] p. 108/3 Sketch of piano score; 5 p. 108/3 Typescript lyric sheets; [9] leaves 111/9 Manuscript and photocopy orchestral parts 7/3 Cake-walk; 41 p. 7/4 Chimes #27A; [1] p. Dance with me (tonight at the Mardi Gras) see also Skate with me from As thousands cheer

Alternate title: Tonight at the masquerade

 7/5 Full score #9

Folder only

 7/6 Full score: Waltz; [87] p. 7/7 Full score: Reprise #13A

Folder only

 7/8 Full score: Strings only; 5 p. 12/1 Vocal score; [20] p. 12/1 Vocal score; 5 p.

At top: insert for 3rd chorus (D major)

 108/4 Sketch; [1] p. 108/4 Photocopy/manuscript piano-vocal score; [7] p. 108/4 Photocopies of piano-vocal score(2); [5] p. each 108/4 Photocopies of printed piano-vocal score; p. 34-37, 36-37 108/4 Photocopy of printed piano-vocal score; [7] p.

With annotations

 108/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 108/4 Typescript lyric sheets; [3] leaves 110/6 Orchestral parts: La valsette 110/7 Orchestral parts: Cover 110/8 Orchestral parts: Reprise Entr'acte

Alternate title: New York Entr'acte

 7/9 Full score #18; 4 p. 7/9 Full score #18; 7 p. Finale Act I 7/10 Full score #17; [20] p. 7/10 Full score #17; 44 p. 7/10 Full score; 6 p. 12/2 Vocal score; 2 p. 108/5 Photocopy/manuscript piano-vocal score; [10] p. 108/5 Photocopy of printed/manuscript piano-vocal score; [9] p. 108/5 Typed script; [2] p. 110/9 Orchestral parts Finale Act II 108/6 Manuscript short score; [10] p. 108/6 Photocopy of manuscript short score; [2] p. 108/6 Typescript lyric sheets; [9] leaves

Some with holograph annotations

 110/10 Orchestral parts Finale ultimo 8/1 Full score #33; 21 p. 8/1 Full score #33; [35] p. 8/2 Full score; [1] p. 8/2 Full score: New end; 5 p. Fools fall in love 8/3 Full score #26; 49 p. 8/3 Full score #16

Folder only

 8/3 Full score: Stage hands music; 9 p.

At top: change

 12/3 Vocal score #26; 3 p. 108/7 Manuscript piano-vocal scores(2); [3] p. each 108/7 Sketches; [3] p. 108/7 Photocopies of piano-vocal score; [4, 8] p. 108/7 Photocopy of printed piano-vocal score; p. 54-57 108/7 Photocopy of printed piano-vocal score; p. 54-57

At top: #13

 108/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 108/7 Typescript lyric sheets; [3] leaves 108/7 Sheet music 110/11 Orchestral parts I'd love to be shot out of a cannon with you

Alternate title: I'd love to be shot from a cannon with you

Dropped after tryout

 8/4 Full score #23; 46 p. 8/4 Full score; [1] p.

At top: New 2 bars from "C" (last 2) to "H"

 8/5 Full score; 9 p. 108/8 Manuscript piano-vocal score; [3] p. 108/8 Sketches; [6] p. 108/8 Typescript lyric sheet; [1] leaf I'm a Quaker's daughter from the Latin quarter see Music box revue, 1939 and Non-show music

Not used

 It'll come to you

Dropped during tryout

 8/6 Full score; 11 p. 8/7 Full score: Introduction; [27] p. 108/9 Manuscript piano-vocal score; [4] p. 108/9 Photocopies of manuscript piano-vocal score(2); [4] p. each 108/9 Photocopies of manuscript piano-vocal (conductor's) score; [4, 3] p. 108/9 Photocopy of printed piano-vocal score; [4] p. 108/9 Photocopy of printed piano-vocal score (last p. manuscript); [5] p. 108/9 Fair copy (Kresa) manuscript piano-vocal score; 5 p. 108/9 Typescript lyric sheets; [8] leaves 108/9 Sheet music 111/1 Orchestral parts It's a lovely day tomorrow 9/1 Full score; 9 p. 13/1 Full score; 6 p.

Laid in: insert, p. 2 only

 9/2 Full score: Introduction #6, #7; [1] p. 9/2 Full score: Vocal; 20 p. 109/1 Manuscript piano-vocal scores; [2, 3] p. 109/1 Sketches; [5] p. 109/1 Photocopies of printed piano-vocal score(2); [3] p. each

With annotations

 109/1 Photocopies of printed piano-vocal score(2); [4] p. each

Laid in copy 2: manuscript piano-vocal score; [1] p.

 109/1 Fair copy (Kresa) manuscript piano-vocal scores(2); 4 p. each 109/1 Typescript lyric sheets; [12] leaves 109/1 Sheet music 111/2 Orchestral parts Latins know how 9/3 Full score: #21; 19 p. 9/3 Full score: #21; [38] p. 9/4 Full score: Verse, alternate #15; 3 p. 9/4 Full score: Chorus, change #22; 15 p. 9/4 Full score: Chorus, change #22; 8 p. 109/2 Manuscript piano-vocal score; [4] p.

No lyric

 109/2 Manuscript piano-vocal scores(2); [6] p. each 109/2 Sketch; [1] p. 109/2 Photocopies of piano-vocal score(2); [6] p. each 109/2 Photocopy/manuscript piano-vocal (conductor's) score; [11] p.

No lyric

 109/2 Typescript lyric sheets; [2] leaves 111/3 Orchestral parts The Lord done fixed up my soul 9/5 Full score #24; 65 p. 9/5 Full score #24; 32 p. 9/5 Full score: Ride out, new; 2 p. 9/6 Full score #15; 58 p.

Laid in: Finale I; 10 p.

On inside back cover: manuscript fragments

 9/7 Full score: For stage hands; chorus, change; 13 p. 9/7 Full score: Vocally; 41 p. 9/7 Full score: Vocally; p. 1-4 12/4 Vocal score; 28 p. 12/4 Vocal score: Interlude, end of chorale; [1] p. 109/3 Manuscript piano-vocal scores; [2, 4] p. 109/3 Sketch; [1] p. 109/3 Photocopy of manuscript piano-vocal score; [4] p. 109/3 Photocopies of printed piano-vocal scores; [4, 8, 10] p. 109/3 Sketch of vocal score; [19] p. 109/3 Typescript lyric sheet; [1] leaf

With holograph annotations

 109/3 Typescript lyric sheets; [9] leaves 109/3 Sheet music 111/4 Orchestral parts Louisiana purchase Full scores 10/1 Set A, part 1 #5; [62] p. 10/1 Set A, part 1 #5; 27 p. 10/2 Set A, part 2, modulation to B-flat; [1] p. 10/2 Reprise #8, tag 59A, 59B; [2] p.

At top: new tag on reprise #8

 10/2 Reprise #8, tag A-D; [4] p.

At top: new tag on new #8-reprise of L.P.

 10/3 Set B; [37] p.

On folder: Series of interconnecting scores: Sneak introduction, Intro, Vocal, Modulation, Dance, Letter N-ens[emble], Insert, and Reprise ending

 13/2 Set C; [21] p. 10/4 Nicodemus specialty #9B, #14; [19] p. 10/4 Nicodemus specialty #14; 10 p.

Score for woodwinds only

 13/3 Reprise, introduction; [1] p.

Incomplete

 10/5 Reprise, April specialty #7B; 15 p. 10/6 Reprise, Act I; 17 p. 10/6 Chorus for stage hands; 12 p. 10/6 Utility #9; [6] p.

Score for woodwinds only

 10/7 Opening Act II; 15 p. 10/7 Opening Act II, introduction; [1] p.

At top: 2 new last bars

 10/7 Opening Act II, new introduction; [1] p. Vocal scores 12/5 Letter N #5; 5 p. 12/5 Opening #5; 6 p. 12/5 Reprise; 6 p. Piano-vocal scores 109/4 Manuscript piano-vocal score; [4] p. 109/4 Sketches; [3] p. 109/4 Photocopies of printed piano-vocal scores; [4, 5, 6] p. 109/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 109/4 Typescript lyric sheets; [8] leaves 109/4 Sheet music 109/5 Reprise: photocopy of printed piano-vocal scores; [4, 4] p. 111/5 Orchestral parts: set B 111/6 Orchestral parts: set C 111/7 Orchestral parts 111/7 Orchestral parts: reprise Opening Act II 111/10 Orchestral parts Outside of that, I love you see also I hate you 10/8 Full score #7

Folder only

 10/9 Full score: Gaxton and Zorina #10; 40 p. 10/9 Full score: Gaxton and Zorina #10; 15 p.

Score for woodwinds only

 10/10 Full score: Specialty; 19 p. 10/11 Full score: Chorus for stage hands #11; 9 p. 10/11 Full score: Utility (stage hands) #11; 5 p.

Score for woodwinds only

 109/6 Manuscript piano score; [2] p. 109/6 Photocopy of printed piano-vocal/manuscript (conductor's) score; [7] p. 109/6 Photocopies of printed piano-vocal scores; [4, 3] p. 109/6 Fair copy (Kresa) manuscript piano score; 4 p. 109/6 Typescript lyric sheets; [4] leaves 112/1 Orchestral parts Overture 11/1 Full score; 13 p.

Score for woodwinds only

 11/1 Full score: New York (?); [13] p. 11/1 Full score: Temp(?); 6 p. Picket opening 11/2 Full score #31; 9 p. Scat 112/2 Orchestral parts Sex marches on

Originally intended for Music box revue of <date>1938-1939</date>

11/3 Full score #3; 39 p. 13/4 Full score: Encore; 17 p. 11/3 Full score: Chorus for change; 13 p.

Laid in: new ending to repeat 5; [1] p.

 109/7 Manuscript piano-vocal score; [5] p. 109/7 Manuscript piano score; [3] p. 109/7 Sketch; [2] p. 109/7 Photocopy of manuscript piano-vocal score; [5] p. 109/7 Photocopy of printed piano-vocal score; [5] p. 109/7 Photocopies of printed piano-vocal/manuscript (conductor's) score(2); [6] p. each 109/7 Typescript lyric sheets; [6] leaves 112/3 Orchestral parts 112/4 Encore orchestral parts Singing bows 112/5 Orchestral parts Voodoo chant 12/6 Vocal score; 6 p. The waltz of old Vienna see Non-show music We might have had a future see Non-show music What chance have I?

Alternate title: What chance have I with love?

 11/5 Full score #14; 5 p. 11/5 Full score #23; 17 p. 110/1 Manuscript piano-vocal score; [3] p. 110/1 Manuscript piano score; [2] p. 110/1 Sketch; [3] p. 110/1 Photocopies of printed piano-vocal scores(3); [4] p. each 110/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/1 Typescript lyric sheets; [9] leaves 110/1 Sheet music 112/6 Orchestral parts Wild about you see also Top hat

Dropped during rehearsals

 11/6 Full score #10

Folder only

 110/2 Manuscript piano-vocal scores(2); [5] p. each 110/2 Manuscript piano score; [3] p. each 110/2 Sketches; [5] p. 110/2 Manuscript/photocopies of piano-vocal score; [4, 6] p. Taped together 110/2 Fair copies (Kresa) manuscript piano-vocal score(2); 4 p. each 110/2 Typescript lyric sheets; [4] leaves 112/7 Orchestral parts You can't brush me off 11/7 Full score #28; 53 p. 11/7 Full score #28; 20 p.

Score for woodwinds only

 11/8 Full score: Scene changes #29; 9 p. 11/8 Full score: Utility #29; 4 p.

Score for woodwinds only

 11/8 Full score: Vocal cadenza; [1] p. 110/3 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/3 Photocopies of printed piano-vocal scores(3); [4] p. each

With annotations

 110/3 Typescript lyric sheets; [8] leaves 112/8 Orchestral parts You're lonely and I'm lonely 11/9 Full score #8; 4 p. 11/9 Full score: Introduction #12; [1] p. 11/9 Full score #12; 16 p. 11/10 Full score: Abner's specialty #14; 17 p. 11/10 Full score: Change #13, #25, #35; 9 p. 11/10 Full score: Change music #13; 5 p.

Score for woodwinds only

 11/11 Full score: Reprise #21; 23 p.

At top: Nicodemus

 11/11 Full score; 2 p.

At top: tag-Johnson dance

 110/4 Manuscript piano-vocal scores; [2, 4] p. 110/4 Manuscript piano score; [3] p. 110/4 Sketches; [2] p. 110/4 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 110/4 Photocopies of printed piano-vocal scores(3); [4] p. each

Laid in copy 3: manuscript fragment; [1] p.

 110/4 Holograph lyric sheet; [1] leaf 110/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 110/4 Typescript lyric sheets; [5] leaves 112/9 Orchestral parts 11/12 Miscellaneous/unidentified; [6] p. 110/5 Unidentified sketches; [4] p. Scripts/librettos/miscellaneous 112/10 Mimeograph copy and photocopy of typed script; [86] p. each 113/1 Mimeograph copies of typed script; [81] p. each 2, blue folder 113/2 Carbon copy of typed script; 83 p. Unbound

At top: Mr. Berlin

 113/3 Photocopy of typed script; [100] p. Black folder

This is the revised script for the 1996 Carnegie Hall concert

 113/4 Typescript dialog booklets 10; 2 each for Abner, Alphonse, Another girl, April, and Patrice 113/5 Typescript dialog booklets 10; 2 each for Bordelaise, Boys, Buccaneers, Colonel, and Dean 113/6 Typescript dialog booklets 10; 2 each for Dean Manning, Emmy-Lou, Four Martins, Girls, and Hugh 114/1 Typescript dialog booklets 10; 2 each for Jim, Jo, Junior, L. P. Co., and Lee 114/2 Typescript dialog booklets 10; 2 each for Loganberry, Marina, Nick, Nicodemus, and Phyllis 114/3 Typescript dialog booklets 10; 2 each for Pickets, Quartette, Ralph, Secretary, and Whitfield 114/4 Typescript lyric sheet; [1] leaf

With holograph annotations

 114/4 Typescript list of running times, by scene; director’s notes and manuscript orchestrator notes; [3] leaves 114/4 Typescript cover letter and "treatment"; 7 p. Yellow paper, unbound

Laid in: envelope labeled: Morrie Ryskind, original version, Louisiana purchase, October 17, 1939

Mammy see also Mr. Bones

Motion picture, 1930

In the morning see Non-show music Knights of the road see Non-show music Let me sing and I'm happy see also Non-show music

Alternate title: Let me be a troubadour

 114/5 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 114/5 Sheet music (Across the breakfast table) Looking at you 114/6 Printed piano-vocal scores(2); 4 p. each 114/6 Typescript lyric sheet; [1] leaf My castle see Non-show music To my mammy see also How deep is the ocean (How high is the sky) 114/7 Printed manuscript piano-vocal score; 4 p. 114/7 Photocopy of sheet music

Without cover

 114/8 Typescript outline/synopsis; [17] p. Bound, blue folder 114/9 Typescript first rough outline and script; [69] p. Bound, blue folder

Dated: April 19th, 1929

114/9 Typescript scenarios; 2 p. Miss Liberty

Stage, 1949

Scores and parts 115/1 Bound manuscript piano-vocal score; 105 p.

With typescript lyric sheets

 Business for a good girl is bad

Dropped during rehearsals

 14/1 Full score #5; 14 p. 115/2 Manuscript piano-vocal score; [5] p.

With lead sheet attached

 115/2 Copyist's manuscript piano-vocal score; 6 p. Transparencies 115/2 Manuscript piano score; [2] p. 115/2 Sketch; [1] p. 115/2 Photocopy and negative photocopy piano-vocal scores; [7] p. each 115/2 Printed piano-vocal score; [6] p. 115/2 Typescript lyric sheets; [4] leaves

With annotations

 115/2 Typescript lyric sheets; [11] leaves Can-can 120/1 Manuscript and photocopy of piano part Entr'acte 14/2 Full score; 7 p. 14/2 Full score: Coda; [1] p. Orchestral parts 120/2 Version A manuscript orchestral parts (old?) 120/2 Version A manuscript and photocopies of violin part (old?) 120/3 Version B manuscript orchestral parts (old?) 120/4 Version C manuscript and photocopy orchestral parts (old?) 120/5 Version D manuscript and photocopy orchestral parts (old?) Entrance of reporters 115/3 Sketch of manuscript short score; [2] p. 115/3 Manuscript piano-vocal score; [2] p. 115/3 Photocopies of piano-vocal score(2); [2] p. each 120/6 Change: manuscript orchestral parts (old?) Exit 120/7 Manuscript brass and percussion parts 120/8 Manuscript and photocopy piano parts 120/9 Manuscript reed part 120/9 Photocopy of manuscript reed parts 120/10 Manuscript string parts Extra! Extra!

Opening chorus

 14/3 Full score: Opening curtain/opening chorus #1 and photocopy; [18] p. each 14/3 Full score: Opening chorus-introduction; 5 p. 115/4 Manuscript piano score; [7] p. 115/4 Manuscript vocal part; [4] p. 115/4 Sketches; [4] p. 115/4 Fair copy (Kresa) manuscript piano-vocal score; 9 p. 115/4 Photocopy of piano-vocal score; 8 p. 115/4 Photocopies of vocal parts(2); 5 p. each 115/4 Printed piano-vocal scores(2); 7 p. each 115/4 Typescript lyric sheets; [8] leaves 121/1 Manuscript string parts 121/2 Manuscript orchestral parts 121/3 Manuscript and photocopy orchestral parts (final version?)

On back cover of violin part B: pencil drawing of Act I

 121/4 Manuscript reed and violin parts (variants) Falling out of love can be fun 14/4 Full score #25; 8 p. 115/5 Manuscript piano-vocal score; [5] p.

On verso: sketch for "What do I have to do to get my picture in the paper?"

 115/5 Sketch; [1] p. 115/5 Photocopies of piano-vocal scores; [4, 5] p.

With annotations

 115/5 Photocopy of manuscript piano-vocal score; 4 p.

Proof

 115/5 Typescript lyric sheets; [6] leaves Orchestral scores 121/5 Version A manuscript orchestral parts (old?) 121/6 Version B manuscript and photocopies of orchestral parts (old?)

On verso of violin parts: orchestral sketch material

 121/7 Version C manuscript brass and string parts (old?) Fanfare 121/8 Manuscript orchestral parts Fight music 14/5 Full score; 3 p. 121/9 Manuscript orchestral parts(old?) Finale 115/6 Sketch; [1] p.

On verso: sketch for "Paris wakes up and smiles"

 Finale I 122/1 Manuscript orchestral parts Finale II 115/6 Sketches; [3] p. 122/2 Manuscript orchestral parts Finale ultimo 14/6 Full score and photocopy; [7] p. each 122/3 Manuscript and photocopy orchestral parts 122/4 Manuscript orchestral parts (old?)

Finale II ending attached

 Finaletto 14/7 Full score: Scene 4 #11B; 4 p. 14/7 Full score: Scene 6 #13; [1] p. 115/7 Sketch; [1] p. 115/7 Scene 6, sketches; [3] p.

On verso of 1 p.: manuscript reed 5 part for "A little fish in a big pond"

 122/5 Scene 4 manuscript and photocopy orchestral parts 122/6 Scene 6 manuscript and photocopy orchestral parts Follow the leader 14/8 Full score: jig #23; 36 p. Orchestral parts 122/7 Set A photocopy of piano-conductor part 122/8 Set A manuscript brass parts 122/9 Set A manuscript reed parts 122/10 Set A manuscript string parts 123/1 Set B manuscript and photocopy orchestral parts Give me your tired, your poor 14/9 Full score #28 and photocopy; 13 p. each 14/9 Full score #28; 9 p. 115/8 Manuscript piano-vocal score; [2] p. 115/8 Sketches; [4] p. 115/8 Sketches of vocal score; [9] p. 115/8 Photocopies of piano-vocal scores; [2] p. each

3, with annotations

 115/8 Photocopy of piano-vocal score; [1] p. 115/8 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 115/8 Typescript lyric sheet; [1] leaf 115/8 Sheet music Choral scores

3 different sets of harmonizations

 115/9 Copyist manuscript vocal scores(6); 2 p. each 115/9 Sketch of vocal score(3); [2] p. 115/9 Photocopies of vocal scores(6); 2 p. each Orchestral parts 123/2 Manuscript conductor score and parts 123/3 Version A manuscript orchestra parts

2 variants

 123/4 Version B, set 1 manuscript orchestral parts 123/4 Version B, set 1 copyist's manuscript of piano and violin parts (cut?) 123/5 Version B, set 2 manuscript orchestral parts 123/5 Version B, set 2 manuscript and photocopy orchestral parts (old?) 123/6 Incidental manuscript and photocopy of piano part

With piano-vocal score taped on

 Homework see also Just one way to say I love you reprise sketch 14/10 Full score #7, #8; 15 p. 14/11 Full score: Reprise #21; 8 p. 14/11 Full score: Reprise; p. 1-7, 23 115/10 Photocopy/manuscript piano-vocal scores; 3 p. each

4, with annotations

 115/10 Manuscript piano score; [3] p. 115/10 Manuscript vocal part; [2] p. 115/10 Sketch; [1] p. 115/10 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 115/10 Typescript lyric sheets; [26] leaves Orchestral parts 123/7 Version A manuscript orchestral parts 123/7 Version A, variants manuscript orchestral parts 123/8 Version B manuscript and photocopy orchestral parts 123/8 Version B manuscript reed part 124/1 Version C printed orchestral parts 124/2 New manuscript orchestral parts 124/3 Reprise version A manuscript orchestral parts, 2 variants (old?) 124/4 Reprise version A1 manuscript and photocopy orchestral parts, 2 variants 124/5 Reprise version B manuscript orchestral parts, 2 variants (old?) 124/6 Reprise version B1 manuscript and photocopy orchestral parts The hon'rable profession of the fourth estate

Dropped after tryout

 14/12 Full score #12; 17 p. 115/11 Copyist's manuscript piano-vocal score; 4 p. Transparencies 115/11 Sketches; [10] p. 115/11 Photocpoy of piano-vocal score; 9 p.

With holograph annotations

 115/11 Photocopies of vocal score(2); 11 p. each 115/11 Printed piano-vocal scores(2); [4] p. each 115/11 Holograph lyric sheets; [3] leaves 115/11 Typescript lyric sheets; [14] leaves 115/11 Exit, manuscript conductor's score; 3 p. 124/7 Manuscript orchestral parts (old?) I'd like my picture took

Alternate title: What do I have to do to get my picture took?

 16/14 Full score #1, #2; p. 1-22 118/1 Manuscript piano-vocal score; [4] p.

Contains short handwritten note signed by Helmy Kresa

 118/1 Sketch of manuscript piano score; 4 p. 118/1 Photocopy of piano-vocal score; 3 p. 118/1 Typescript lyric sheets; [3] leaves 118/1 Sheet music 137/3 Set A manuscript orchestral parts, 2 slightly different versions 137/4 Set B manuscript orchestral parts I'll know better the next time see also Non-show music

Alternate titles: The next time I fall in love; Next time

 16/2 Full score #25; 9 p. 16/2 Full score-Encore #25 old; 5 p. 131/5 Manuscript orchestral parts 131/5 Encore manuscript orchestral parts If I had never been born

Not used

 115/12 Manuscript, photocopy and negative photocopy lead sheets; [1] p. each 115/12 Manuscript (Kresa) lead sheet; 2 p. 115/12 Typescript lyric sheets; [7] leaves Just one way to say I love you 14/13 Full score #10, #11; [14] p. 14/13 Full score: Introduction, new #11; 12 p. 116/1 Manuscript piano scores; [2, 1] p.

2, 1 incomplete

Laid in: typescript lyric sheet; [1] leaf

 116/1 Sketches; [3] p. 116/1 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 116/1 Photocopy of piano-vocal score; 3 p. 116/1 Printed piano-vocal score; 3 p.

With annotations

 116/1 Typescript lyric sheets; [5] leaves 116/2 Incidental: Sketch; [2] p.

On verso: manuscript reed 4 part for "A little fish in a big pond"

 116/2 Reprise: Sketch; [2] p.

On verso: sketch for "Homework"

 124/8 Photocopy of piano-conductor part 124/8 Printed orchestral parts 124/9 New manuscript orchestral parts 124/10 Baritone manuscript orchestral parts (old?) 124/11 Incidental manuscript orchestral parts Let's take an old-fashioned walk

Originally written for Easter parade, then intended for Stars on my shoulders

15/1 Full score #7, version A; 17 p. 15/2 Full score #6, #7, version B; [69] p. 15/2 Full score: New score #7, version B; [11] p. 15/3 Full score #6, version C; 22 p. 15/4 Full score: Change #7A, version D; 17 p. 15/5 Full score: Version ?; [1] p. 15/6 Full score: Reprise #7A, #19; 5 p. 116/3 Manuscript piano-vocal scores; [6, 4] p. 116/3 Manuscript piano scores; [2, 1] p. 116/3 Sketches; [7] p. 116/3 Sketch of orchestral part; [1] p. 116/3 Sketches of manuscript vocal score; [4] p. 116/3 Fair copy (Kresa) manuscript piano-vocal score; 6 p. 116/3 Photocopy of piano-vocal score; [5] p. 116/3 Photocopies of vocal score(2); 4 p. each 116/3 Printed piano-vocal scores(2); 5 p. each 116/3 Typescript lyric sheets; [6] leaves

With holograph annotations

 116/3 Typescript lyric sheets; [9] leaves 125/1 Manuscript conductor/reed parts 125/2 Version A printed orchestral parts 125/3 Version B manuscript brass parts 125/4 Version B manuscript and photocopy piano and percussion parts 125/4 Version B manuscript piano parts (variant?) 125/5 Version B manuscript and photocopy string parts 125/6 Version B alternate ending manuscript orchestral parts 125/6 Version B1 vocal D-flat manuscript orchestral parts 125/7 Version C new manuscript conductor/reed/brass/percussion parts 126/1 Version C new manuscript and photocopy string parts 126/2 Version C new key manuscript reed/brass/percussion parts 126/3 Version C new key manuscript string parts 126/4 Version C2 manuscript reed parts 126/5 Version C3 manuscript and photocopy conductor/reed parts 126/6 Version D change photocopy of orchestral parts 126/7 Version D1 change manuscript and photocopy orchestral parts 126/8 Version D2 change manuscript orchestral parts 126/9 Dance photocopy of piano part 126/10 Reprise manuscript and photocopy orchestral parts A little fish in a big pond see also Finaletto sketches and Just one way to say I love you incidental 15/7 Full score #4, #5; 14 p. 15/7 Full score: Fishes #4B, #5A; 22 p. 15/8 Full score: Reprise?-dock closing #16; 4 p. 116/4 Manuscript piano score; [2] p.

Laid in: typescript lyric sheet; [1] leaf

 116/4 Manuscript vocal part; [1] p. 116/4 Sketch; [1] p. 116/4 Sketch of orchestral parts; [1] p. 116/4 Photocopies of piano-vocal scores; [3, 3, 4] p. 116/4 Printed piano-vocal scores(2); 3 p. each 116/4 Typescript lyric sheets; [9] leaves 116/5 Sketches; [2] p. 116/6 Reprise: Sketch; [1] p. 127/1 Version A orchestral parts 127/2 Version B orchestral parts, 2 variants (old?) 127/3 Version C manuscript and photocopy orchestral parts 127/4 Version D printed orchestral parts 127/5 Manuscript and photocopy conductor and reed parts 127/6 Manuscript brass/piano/percussion parts (old?) 127/7 Manuscript string parts 127/8 Variant photocopies of piano part 127/8 Variant photocopy of piano part and piano-vocal score, taped on 127/9 Dock closing manuscript and photocopy orchestral parts 127/9 Dock closing photocopy of cello part Me an my bundle 15/9 Full score #22, #24; 26 p. 116/7 Manuscript piano-vocal score; [4] p. 116/7 Manuscript piano score; [3] p. 116/7 Manuscript lead sheet; [1] p. 116/7 Sketch; [1] p. 116/7 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 116/7 Photocopies of piano-vocal score(2); 3 p. each 116/7 Printed piano-vocal scores(2); 3 p. each 116/7 Typescript lyric sheets; [2] leaves

With holograph annotations

 116/7 Typescript lyric sheets; [8] leaves 128/1 Veresion A manuscript orchestral parts 128/2 Version A1, set A manuscript and photocopy of conductor and reed parts 128/3 Version A1, set A manuscript brass and percussion parts 128/4 Version A1, set A manuscript and photocopy string parts 128/5 Version A1, set B manuscript and photocopy orchestral parts (old?) 128/5 Version A1, set B manuscript orchestral fragments (old?) Miss Liberty 15/10 Full score #15 and photocopy; 22 p. each 15/11 Full score: Alternate ending? and photocopy; 5 p. each 15/12 Full score: March-crossover #14; 15 p. 116/8 Manuscript piano scores; [2, 3] p. 116/8 Sketches; [4] p. 116/8 Manuscript vocal parts; [1, 2] p. 116/8 Fair copy (Kresa) manuscript piano-vocal score; 7 p. 116/8 Photocopies of piano-vocal scores; [6, 2, 2] p. 116/8 Photocopies of vocal score(2); 3 p. each 116/8 Printed piano-vocal scores(2); 7 p. each 116/8 Typescript lyric sheets; [9] leaves 116/8 Pattery to liberty: Sketch; [2] p.

At top: Miss Liberty (Finale Act I)

Laid in: typescript lyric sheet; [1] leaf

 129/1 Version A manuscript conductor parts 129/2 Version A manuscript reed parts 129/3 Version A manuscript brass/percussion parts 129/4 Version A manuscript string parts 129/5 Version B manuscript orchestral parts 129/6 Crossover set A photocopy of orchestral parts 129/7 Crossover set B photocopy of conductor and reed parts 129/8 Crossover set B photocopy of brass/piano/percussion parts 129/9 Crossover set B photocopy of string parts 129/10 Change music to Bartholdi's studio manuscript orchestral parts The most expensive statue in the world 16/1 Full score #2; [23] p. 16/1 Full score #2; p. 20-22 16/1 Full score: Exit #4B; [3] p. 116/9 Manuscript vocal score; 4 p. 116/9 Sketches; [3] p. 116/9 Photocopies of piano-vocal scores; [8, 8, 7] p.

With annotations

 116/9 Photocopy of vocal score; 4 p. 116/9 Printed piano-vocal scores(2); 7 p. each 116/9 Fair copy (Kresa) manuscript piano-vocal score; 10 p. 116/9 Holograph lyric sheets; [2] leaves 116/9 Typescript lyric sheets; [10] leaves 130/7 Manuscript and photocopy conductor and reed parts 130/8 Manuscript and photocopy brass/percussion/string parts 131/1 Manuscript brass and percussion parts (old?) 131/2 Manuscript orchestral parts, variants 131/3 Exit manuscript and photocopy orchestral parts 131/4 Incidental manuscript orchestral parts (old?) Mrs. Monotony 13/5 Full score; 21 p. 15/13 Full score #17; 11 p. 15/14 Full score: Dance #18; 21 p. 116/10 Copyist's manuscript piano-vocal score; 6 p. 116/10 Photocopies of piano-vocal score; [6] p. each

8, with annotations

 116/10 Typescript lyric sheet; [1] leaf 116/10 Sheet music 130/1 Version A manuscript orchestral parts 130/2 Version A1 manuscript orchestral parts 130/3 Version B manuscript orchestral parts 130/4 Dance manuscript and photocopy conductor parts 130/5 Dance manuscript reed/brass/percussion/string parts 130/6 Encore manuscript orchestral parts Only for Americans 16/3 Full score #9, introduction #10; [53] p. 16/3 Full score-Exit #10B; [2] p. 16/4 Full score: Introduction; [1] p. 117/1 Manuscript piano-vocal score; 6 p. 117/1 Manuscript piano score; [2] p. 117/1 Manuscript vocal part; [3] p. 117/1 Sketch; [1] p. 117/1 Photocopies of piano-vocal scores; [5, 6] p.

With annotations

 117/1 Typescript lyric sheets; [22] leaves

Includes a radio version

 117/1 Typescript lyric sheets; [5] leaves

"Only in America," different lyrics set to same music; not used

 131/6 Manuscript conductor parts 131/7 Manuscript reed parts 131/8 Manuscript brass parts 131/9 Manuscript piano part 131/10 Manuscript string parts 132/1 Exit-manuscript and photocopies of orchestral parts

On t.p.: Change music to left bank

 Only in America see Only for Americans Opening chorus #1 see Extra! Extra! Opening curtain see Extra! Extra! Overture 16/5 Full score; 37 p. 132/2 Manuscript orchestral parts 132/3 Act II, part I-curtain raiser; manuscript and photocopy orchestral parts 132/4 Act II, part 3-curtain raiser; manuscript and photocopy orchestral parts Paris wakes up and smiles see also Finale 16/6 Full score #9; 23 p. 16/6 Full score: Vocal; 3 p. 117/2 Manuscript piano-vocal score; [3] p. 117/2 Manuscript piano score; [1] p. 117/2 Manuscript vocal part; [2] p. 117/2 Sketch; [1] p. 117/2 Photocopy of piano-vocal score; 2 p. 117/2 Photocopies of vocal score; 2, 3, 3 p.

1 without words

 117/2 Typescript lyric sheets; [11] leaves 132/5 Manuscript and photocopy conductor and reed parts, several slightly different versions 132/6 Manuscript and photocopy brass and percussion parts, several slightly different versions 132/7 Manuscript and photocopy string parts, several slightly different versions 133/1 Manuscript orchestral parts 133/2 New key-manuscript orchestral parts with pasteovers 133/3 Vocal-manuscript orchestral parts Poem incidental 16/7 Full score #6; 7 p. 133/4 Set A orchestral parts 133/5 Set B orchestral parts The policeman's ball 16/8 Full score #20; 18 p. 16/9 Full score: Opening #22; 3 p. 16/10 Full score: Utility; 4 p. 117/3 Manuscript piano score; [2] p. 117/3 Manuscript vocal score; [2] p. 117/3 Photocopy of piano-vocal score; 3 p. 117/3 Photocopies of piano-vocal score; 5 p. each

2, with annotations

At top: 2nd chorus

 117/3 Photocopies of vocal score; 8 p. each

3, with annotations

 117/3 Printed piano-vocal scores(2); 3 p. each 117/3 Typescript lyric sheets; [5] leaves 133/6 Manuscript and photocopy conductor and reed parts, several slightly different versions 133/7 Manuscript brass and percussion parts, several slightly different versions 133/8 Manuscript string parts, several slightly different versions 133/9 Opening-manuscript and photocopy orchestral parts, several slightly different versions (old?) 133/10 Utility-manuscript orchestral parts (old) The Pulitzer Prize

Not used

 16/12 Full score #27; 11 p. 117/4 Copyist's manuscript vocal score; 5 p. Transparencies 117/4 Sketch of piano-vocal score(2); [1, 11] p. 117/4 Sketch; [5] p. 117/4 Photocopies of piano-vocal scores; [10, 10, 5, 6, 4] p.

With annotations

 117/4 Photocopies of vocal score(2); 5 p. each 117/4 Holograph lyric sheets; [2] leaves 117/4 Typescript lyric sheets; [16] leaves

Some with annotations

 133/11 Manuscript orchestral parts (old) Selections 134/1 Set of parts for each instruments In original part folders 135/1 Reed 1, old parts 135/2 Reed 2, old parts 135/3 Reed 3, old parts 135/4 Reed 4, old parts 135/5 Reed 5, old parts 136/1 Manuscript and photocopy conductor's scores and sketches Sing a song of Sing Sing 117/5 Copyist's manuscript piano-vocal score; 5 p. Transparencies 117/5 Manuscript lead sheet; [4] p.

With lyrics

 117/5 Manuscript piano score; [2] p. 117/5 Sketch of piano-vocal score; [1] p. 117/5 Sketch of melody; [2] p. 117/5 Photocopies of piano-vocal score; 5, [5] p. 117/5 Printed piano-vocal scores(2); 5 p. each 117/5 Typescript lyric sheets; [10] leaves

Some with holograph annotations

 The story of Nell and the Police Gazette see also Mr. Monotony

Not used

 117/6 Copyist's manuscript piano-vocal score; [7] p. Transparencies 117/6 Photocopy of piano-vocal score; [5] p. 117/6 Printed piano-vocal score; 5 p.

With annotations

At top: Mister Monotony (original title)

 117/6 Printed piano-vocal scores(2); 5 p. each 117/6 Typescript lyric sheets; [3] leaves Tombs incidental 16/11 Full score: Pt. 1, verse #26; [3] p.

Taken from "I love you"

 136/2 Part 1 manuscript orchestral parts (old?) 136/2 Part 2 manuscript orchestral parts (old?) The train 16/13 Full score #17; 25 p. 136/3 2nd train manuscript orchestral parts (old?) 136/4 Set A manuscript and photocopy conductor and reed parts 136/5 Set A manuscript and photocopy brass, piano and percussion parts 136/6 Set A manuscript string parts 136/7 Set B manuscript orchestral parts (old?) 136/7 Set B manuscript trumpet part (old?)

Includes: The train-introduction, taped on

 136/8 Introduction manuscript orchestral parts (old?) 136/8 Manuscript orchestral fragments (old?) What do I have to do to get my picture in the paper? see also Falling out of love can be fun

Dropped after tryout

 117/7 Manuscript piano-vocal score; [4] p. 117/7 Copyist's manuscript piano-vocal scores(2); 4 p. each 117/7 Manuscript piano score; [2] p. 117/7 Manuscript vocal score; [2] p. 117/7 Sketch; [1] p. 117/7 Photocopies of piano-vocal scores; 4 p. each

2, with annotations

 117/7 Printed piano-vocal scores(2); 5 p. each 117/7 Typescript lyric sheets; [13] leaves 137/1 Manuscript orchestral parts 137/2 Dance manuscript and photocopy orchestral parts

2, 1 is piano only

 A woman's place is in the home see Non-show music You can have him 16/15 Full score #18 and photocopy; 14 p. each 118/2 Manuscript piano-vocal score; [3] p.

No lyrics

 118/2 Manuscript vocal part; [2] p. 118/2 Sketches; 3 p. 118/2 Photocopies of piano-vocal score(2); 4 p. each 118/2 Fair copy (Kresa) manuscript piano-vocal score; 4 p. 118/2 Typescript lyric sheets; [9] leaves 137/5 Set A manuscript and photocopy orchestral parts 137/6 Set B manuscript orchestral parts 137/7 Set C manuscript and photocopy orchestral parts 118/3 Miscellaneous piano-vocal scores; [60] p. Taped together 118/4 Unidentified sketches; [2] p. 137/8 Unidentified orchestral parts; [23] p. Selections 119/1 Photocopy of miscellaneous vocal parts and scores of several selections, version A Taped together 119/2 Photocopy of miscellaneous vocal parts and scores of several selections, version B Taped together 119/3 Photocopies of manuscript piano-vocal scores and piano score Taped together 119/4 Printed manuscript piano-conductor parts Taped together 119/5 Typescript lyric sheets; [3] leaves Various titles per page Scripts/libretti/miscellaneous 138/1 Typed script: Acts 1-1-5, 1-1-6, 1-5-43; [3] p.

With holograph annotations

 138/1 Typed script; [45] p. Unbound

On t.p.: Act I

 138/1 Carbon copy of typed script; [45] p.

On cover: cast - arranged, roughly, in groups of importance

 138/2 Typed script; 46 p. Unbound

On t.p.: Act I

 138/2 Typed script; 26 p. Unbound

On t.p.: Act II

 138/3 Typed script and outline; 40 p.

At top of title page: Second draft, Act I

 138/3 Typed script; p. 6-33

Incomplete

At top right: 2-2-6

 138/4 Typed script; [110] leaves Bound, red folder

On top of t.p.: Ok'd script

 138/4 Carbon copy of typed script; [110] leaves Bound, red folder 138/4 Mimeograph copy of typed script; [100] leaves Bound, burgundy folder 138/4 Carbon copy of typed script; [94] leaves Bound, red folder, legal size 139/1 Carbon copies of typed script; [98] p. each 2, bound, green folders 139/2 Manuscript checklist; typescript libretto sheet insert; manuscript musical cue sheets; manuscript list for show; [17] p. Mr. Bones

Mr. Bones is an earlier title for the 1930 film Mammy

139/3 Typescript story line: Acts I & II; [8] p.

On t.p.: synopsis of play with music, Story by Irving Berlin

 139/3 Typed script and carbon copy: Act I; [28] p. each Blue folder

Incomplete

 139/4 Carbon copy of typed script: Act I; [110] p. Blue folder 139/4 Carbon copy of typed script: Act II; [60] p. Blue folder 139/5 Carbon copy of typed script; [37] p. Grey folder

On cover: Mr. Bones, original

 139/5 Carbon copy of typed script; [36] p. Grey folder

On cover: Mr. Bones, 1st copy

 139/6 Typed script; [61] p. Unbound

On cover: Mr. Bones, Act I

Laid in: hand script letter from Jim, (James Gleason); [1] leaf

 139/6 Typed script; [20] p. Unbound

On cover: Mister Bones, Act II

 139/7 Carbon copy of typed script; [20] p.

On cover: Act II, scenes 1 & 2

 139/7 Carbon copy of typed script; [29] p.

On cover: Act II, scenes 3 & 4

 139/7 Typescript synopsis of scenes 1, 2 & 3; 3 p.

On t.p.: Act II

 139/7 Typed script; 5 p.

On cover: Act I, scene 2

 139/7 Typescript title page; [1] p.

With description and credits for Mr. Bones

 Mr. President

Stage, 1962

Scores and parts Act I-curtain 17/1 Full score #45; [5] p.

Laid in: Act I-end, insert; [4] p.

 143/7 Orchestral parts Almost 140/1 Sketch; [1] p. Anybody can write 17/2 Full score #48A; [14] p. 17/3 Full score-Introduction #48; 3 p. 140/2 Manuscript piano-vocal score; [3] p. 140/2 Photocopies of piano-vocal score; 4 p. each

2, with annotations

 140/2 Printed piano-vocal scores (2); 4 p. each 140/2 Typescript lyric sheets; [10] leaves

Dated: Feb., 1956 [Sentimental guy]

 140/2 Typescript lyric sheets; [9] leaves

Dated: May, 1962 [revised for Mr. President]

 143/8 Orchestral parts 143/9 Intro-orchestral parts 143/9 2nd chorus-orchestral parts Bardahl 17/4 Full score #66; [7] p. 143/10 Orchestral parts 143/10 Intro-orchestral parts Bows 17/5 Full score #66; [22] p. 143/12 New bows-orchestral parts Change to scene 10 17/6 Full score #35; [4] p. 143/13 Orchestral parts Change to scene 24 17/7 Full score #52; [2] p. Close scene 14 17/8 Full score; [4] p. 144/1 Orchestral parts Don't be afraid of romance 17/9 Full score #30; [16] p. 17/9 Introduction full score #30; [1] p. 17/10 Dance full score #30; 16 p. 17/11 Reprise full score #50; [3] p. 17/12 Utility full score #30; [13] p. 140/3 Manuscript piano-vocal score; [3] p.

Laid in: typescript lyric sheet; [1] leaf

 140/3 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/3 Photocopies of manuscript piano-vocal score, version 1; 3 p. each 2 copies 140/3 Photocopies of manuscript piano-vocal score, version 2; 2 p. each 2 copies 140/3 Printed piano-vocal scores(2); [3] p. each 140/3 Typescript lyric sheets; [4] leaves 144/2 Orchestral parts 144/2 Dance orchestral parts 144/3 Utility orchestral parts 144/4 I'll get your wrap orchestral parts 144/5 New utility orchestral parts Empty pockets filled with love 17/13 Full score #42; [22] p. 17/13 Insert full score; [2] p. 17/14 Encore full score #43; [1] p. 17/15 Exit full score #43; 2 p. 140/4 Manuscript piano-vocal score; 4 p. 140/4 Copyist's manuscript piano-vocal score; 8 p. Transparencies 140/4 Photocopies of manuscript vocal score(2); [2] p. each 140/4 Typescript lyric sheets; [3] leaves 140/4 Sheet music 144/6 Nu-nu (out of show) orchestral parts 144/6 Variant orchestral parts 144/7 Encore/exits (variants) orchestral parts End: Act I 17/16 Full score #45; [5] p. 17/17 Insert full score #45; [1] p.

At top: Introduction to #45 alternate Act I

 17/18 Out full score #45; [7] p. 17/19 Alternate end (out) full score #45A; [6] p. 17/20 New, new end: Act I (out?) full score; [1] p. each 2 versions 144/8 New orchestral parts 144/9 Alternate End Act I orchestral parts 144/10 Segue from Open scene 15 orchestral parts

Taped on: alternate End Act I

 End: Governor scene 17/21 Full score #61; [5] p. 145/1 Orchestral parts End: scene II 17/22 Full score #37; [1] p. 145/2 Orchestral parts Entr'acte 17/23 Full score #46; [4] p. 17/23 Old full score #46; [2] p. 145/3 In our hide away-utility: orchestral parts Exit 17/24 Full score; [3] p. 17/24 Full score; [2] p.

At top: Romance to (?)

 145/4 Orchestral parts Finale Act II 140/5 Typescript lyric sheets; [4] leaves The first lady 17/25 Full score #7, 7A; [15] p. 17/26 Encore full score; #7B; [9] p. 17/27 Intro full score #7, 7A; [3] p. 17/28 Melos full score #61; [3] p. 140/6 Manuscript piano-vocal score; [5] p. 140/6 Copyist's manuscript piano-vocal score; 5 p. 140/6 Manuscript lead sheet; [1] p. 140/6 Sketches; [3] p. 140/6 Photocopies of piano-vocal scores; 5 p. each

3, different covers

 140/6 Holograph lyric sheet; [1] leaf 140/6 Typescript lyric sheets; [14] leaves 140/6 Sheet music 145/5 Encore-orchestral parts 145/6 Encore-orchestral parts 145/7 Intro-orchestral parts 145/7 Melos-orchestral parts Glad to be home see also I keep running away from you 17/29 Full score #62; [2] p. 17/30 Full score #47; [18] p. 17/31 Full score #47; [11] p. 17/32 Exit full score #47C; [3] p. 17/33 Tag full score #47B; [4] p. 17/34 Tag full score #47B (old); [4] p. 140/7 Manuscript piano-vocal scores; 4, [1, 2] p.

Laid in: printed piano-vocal score; 4 p.

 140/7 Copyist's manuscript piano-vocal score; 4 p. Transparencies 140/7 Printed piano-vocal scores(2); 4 p. each

With annotations

 140/7 Typescript lyric sheets; [6] leaves 140/7 Sheet music 2 copies 143/1 Photocopy of manuscript vocal part; [2] p. 143/1 Photocopy of manuscript vocal score; 8 p. 143/2 New-Photocopies of manuscript vocal score; 7 p. each

8, variations

 145/8 Orchestral parts 145/9 Orchestral parts (old?) 145/10 Exit-orchestral parts 145/10 Tag-orchestral parts 143/1 Photocopy of manuscript vocal part; [2] p. 143/1 Photocopy of manuscript vocal score; 8 p. 143/2 Photocopies of manuscript vocal score; 7 p. each

8, variations

 Hadai 17/35 Full score 17/35 Full score #10, #27A; [2] p. 145/11 Orchestral parts Henderson 17/36 Full score #58, #58A; [7] p. 145/12 Orchestral parts I'm gonna get him 17/37 Full score #53, #59; [13] p. 140/8 Manuscript piano-vocal score; [4] p. 140/8 Copyist's manuscript piano-vocal scores; [5] p. each 2, transparencies 140/8 Sketches; [3] p. 140/8 Printed piano-vocal score; 4 p.

Laid in: sketch for piano-vocal score; [1] p.

 140/8 Printed piano-vocal scores; [4, 4, 5, 5] p.

With annotations

 140/8 Holograph lyric sheet; [1] leaf 140/8 Typescript lyric sheets; [12] leaves 140/8 Sheet music 145/13 Orchestral parts If you haven't got an ear for music see Non-show music In our hideaway 18/1 New full score #6; [10] p. 18/2 Intro, old full score #6; [28] p. 18/3 Utility full score; [5] p. 18/4 New fishing full score #63C; 4 p. 140/9 Manuscript piano-vocal score; [3] p. 140/9 Copyist's manuscript piano-vocal score; 3 p. 140/9 Sketch; [1] p.

On verso: sketch for "The younger generation"

 140/9 Printed piano-vocal scores; [3] p. each

2, with annotations

 140/9 Typescript lyric sheets; [2] leaves 140/9 Sheet music 146/1 Orchestral parts (old) 146/2 New arrangement orchestral parts 10/1/62 146/3 New arrangement orchestral parts 10/9/62 and 10/10/62 146/4 New arrangement orchestral parts 9/10/62 146/5 Ending orchestral parts 146/5 Exit orchestral parts 146/6 Intro orchestral parts 146/7 Utility #21 orchestral parts 146/8 Utility #63C orchestral parts 146/9 Utility #65 orchestral parts 146/10 New #64A orchestral parts 146/11 Verse orchestral parts Is he the only man in the world? see also Where is the song of songs for me?

Alternate title: Is she the only woman in the world?

 18/5 Full score #58B; [8] p. 18/6 New full score #70; [6] p. 18/7 Old full score #22A; [11] p. 18/8 Full score #22; [15] p.

Laid in: Intro and recording insert; [1] leaf

 18/9 Reprise full score #48C; [5] p. 18/10 Utility full score; [6] p. 140/10 Manuscript piano-vocal score; [4] p. 140/10 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/10 Sketch; [1] p. 140/10 Printed piano-vocal scores; 3 p. each

5, some with annotations

 140/10 Holograph lyric sheet; [1] leaf 140/10 Typescript lyric sheets; [11] leaves 140/10 Sheet music 143/3 Photocopies of manuscript vocal part(2); [1] p. each 143/3 Photocopies of manuscript vocal score(2); 3 p. each 146/12 Orchestral parts 146/13 Insert-recording orchestral parts 146/14 Intro orchestral parts 146/15 Reprise orchestral parts 147/1 Utility orchestral parts 147/2 Utility orchestral parts

"Laugh it up" utility taped on

 143/3 Photocopies of manuscript vocal part(2); [1] p. each 143/3 Photocopies of manuscript vocal score(2); 3 p. each It gets lonely in the White House see also Stars on my shoulders 18/11 Full score #15; 25 p. 18/11 Full score #15A; [11] p. 18/12 New full score #15A; [9] p. 18/13 Close scene 4 full score #17; [2] p. 18/13 Close scene 4, full score new #17; [2] p. 18/14 Encore full score #15B; [4] p. 18/15 Encore, full score new #15B; [4] p. 18/16 Intro full score #15; [2] p. 18/17 Scene 10 full score #36; [4] p. 140/11 Manuscript piano-vocal score; [3] p. 140/11 Copyist's manuscript piano-vocal score; 3 p. 140/11 Manuscript piano score; [2] p. 140/11 Manuscript lead sheet; [1] p. 140/11 Printed piano-vocal score; 3 p.

Laid in: manuscript piano-vocal score; [2] p.

 140/11 Printed piano-vocal scores(2); [3] p. each

At top: Stars

 140/11 Printed piano-vocal scores(2); [3] p. each

At top: Mr. President

 140/12 Holograph lyric sheet; [1] leaf 140/12 Typescript lyric sheets; [14] leaves 140/12 Sheet music 147/3 Orchestral parts 147/4 New orchestral parts 147/5 Close, scene 4 orchestral parts 147/5 Close, scene 4, new orchestral parts 147/6 Encore orchestral parts 147/6 Encore, new orchestral parts 147/7 Close, scene 4 orchestral parts 147/7 Close, scene 4, new orchestral parts 147/8 Scene 10 orchestral parts I've got an ear for music see Non-show music I've got to be around 18/18 Full score #12A; 10 p. 18/19 New full score #64; [4] p. 18/20 Melos full score #27; [3] p. 18/21 Reprise, new full score #64; [2] p. 140/13 Manuscript piano-vocal score; [6] p.

Taped to score: manuscript piano-vocal score for "The secret service"

 140/13 Copyist's manuscript piano-vocal score; 3 p. Transparencies 140/13 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 140/13 Printed piano-vocal scores; [3] p. each

3, some with annotations

 140/13 Typescript lyric sheets; [2] leaves 140/13 Sheet music 147/9 Orchestral parts 147/10 New orchestral parts 147/11 Intro orchestral parts 147/12 Melos orchestral parts 147/13 Reprise, new orchestral parts Laugh it up see also Is he the only man in the world? utility orchestral parts 18/22 Full score #40; [17] p. 18/22 Full score #63; [7] p. 18/23 Full score #48; [3] p. 18/24 Utility full score; [8] p. 141/1 Manuscript piano-vocal score; 3 p.

No lyric

 141/1 Manuscript lead sheet; [1] p. 141/1 Copyist's manuscript piano-vocal score; 4 p. Transparencies 141/1 Sketch; [1] p. 141/1 Printed manuscript piano-vocal scores; 4 p. each

5, some with annotations

 141/1 Holograph lyric sheets; [4] leaves 141/1 Typescript lyric sheets; [12] leaves

With annotations

 147/14 Orchestral parts 147/15 Variant(?) orchestral parts 147/16 Change orchestral parts 147/17 Intro orchestral parts 147/18 Reprise orchestral parts 148/1 Utility orchestral parts Let's go back to the waltz

Alternate title: Take me back to the waltz

 18/25 Full score #3; [42] p.

On folder: Let's go back to the waltz-dance

 141/2 Manuscript piano-vocal score; [2] p.

Laid in: typescript lyric sheet; [1] leaf

 141/2 Copyist's manuscript piano-vocal score; 2 p. 141/2 Sketch; [2] p. 141/2 Fair copy (Kresa) manuscript piano-vocal score; 3 p. 141/2 Printed piano-vocal score; 2 p. each

2, with annotations

 141/2 Typescript lyric sheets; [4] leaves

2 sheets include "The only dance I know" lyrics

 141/2 Sheet music 143/4 Photocopy of manuscript vocal part; [1] p. 143/4 Photocopy of manuscript vocal score; 3 p. 143/4 Second refrain-photocopies of manuscript vocal score; 5 p. each

3, with annotations

 148/2 Orchestral parts 148/3 New intro 143/4 Photocopy of manuscript vocal part; [1] p. 143/4 Photocopy of manuscript vocal score; 3 p. 143/4 Second refrain-Photocopies of manuscript vocal score; 5 p. each

3, with annotations

 Meat and potatoes 18/26 Intro full score #3; [1] p. 18/27 Utility full score; [5] p. 141/3 Manuscript piano-vocal score; [3, 2] p. 141/3 Copyist's manuscript piano-vocal scores; 3 p. each 2, transparencies 141/3 Printed piano-vocal scores; 3 p. each

5, some with annotations

 141/3 Printed piano-vocal score-reprise; 3 p. 141/3 Typescript lyric sheets; [8] leaves 141/3 Sheet music 148/4 Orchestral parts 148/5 New orchestral parts 148/6 Reprise orchestral parts 148/7 Reprise #2 orchestral parts 148/8 Utility orchestral parts Midway 18/28 Full score open #54, #56; [2] p. 148/9 Midway open orchestral parts Mr. President 141/4 Sketch; [1] p. Nepotism see Non-show music Once every four years 18/29 Full score #38; [20] p. 141/5 Manuscript piano-vocal score; [5] p. 141/5 Copyist's manuscript piano-vocal score; 3 p. Transparencies 141/5 Sketch; [2] p. 141/5 Printed piano-vocal scores(2); [3] p. each 141/5 Typescript lyric sheets; [4] leaves 141/5 Sheet music 141/5 New verse-photocopies of piano-vocal scores(2); [2] p. each 143/5 Photocopies of manuscript vocal part(2); [2] p. each 143/5 Photocopies of manuscript vocal score(3); 6 p. each 148/10 Orchestral parts The only dance I know see also Let's go back to the waltz lyric sheets

Alternate title: Song for belly dancer

 19/21 Full score-old version; [9] p. 19/22 Full score-new mm. 87-90; [1] p. 19/23 Full score-new mm. 160-176; [5] p. 19/24 New full score; [10] p. 19/24 New key, A minor full score; 24 p. 19/25 New ending, alternate B full score; [1] p. 19/26 New ending, alternate full score; [17] p. 141/11 Manuscript piano-vocal score; [3] p. 141/11 Copyist's manuscript piano-vocal score; 4 p. 141/11 Printed piano-vocal scores(2); 4 p. each 141/11 Sheet music 150/1 Orchestral parts 150/2 New orchestral parts 150/3 New ending orchestral parts Open scene 13 148/11 Orchestral parts Open scene 14 19/1 Full score #41; [5] p. 148/11 Orchestral parts Open scene 15 19/2 Full score #39, #44; 2 p. 148/12 Orchestral parts Open 23 19/3 Full score #49; [4] p. 148/13 Orchestral parts Opening 19/4 Full score #1A; [8] p. 141/6 Manuscript piano-vocal score; [3] p. 141/6 Copyist's manuscript piano-vocal score; 5 p. Transparencies 141/6 Sketch; [1] p. 141/6 Printed manuscript piano-vocal scores; 5, 5, 5, 3 p.

With annotations

 141/6 Printed manuscript piano-vocal scores; 3, 3, 5 p. 141/6 Typescript lyric sheets; [8] leaves 149/1 Orchestral parts Opening-Act II 19/5 Full score #46A; [3] p. 149/2 Orchestral parts Overture 19/6 Full score; [30] p. 19/7 Full score (out?); [3] p. 19/8 Full score (Connecting material?); [4] p. 149/3 Orchestral parts Pigtails and freckles 19/9 Full score #25A; [11] p. 19/10 Intro (version A) full score #25; [2] p. 19/11 Intro (version B) full score #25; [1] p. 19/12 Reprise #53, new full score #48; [3] p. 19/12 Reprise? full score; [6] p. 19/13 Utility full score; [5] p. 141/7 Manuscript piano-vocal score; [3] p. 141/7 Copyist's manuscript piano-vocal score; 3 p. 141/7 Sketch; [2] p. 141/7 Printed piano-vocal scores; 3 p. each

2, with annotations

 141/7 Typescript lyric sheets; [2] leaves 141/7 Sheet music 149/4 Orchestral parts 149/5 Ending orchestral parts 149/6 Intro orchestral parts 149/6 Intro (recording) orchestral parts 149/7 Melos orchestral parts 149/8 Reprise orchestral parts 149/8 Reprise #1 orchestral parts 149/8 Transp. orchestral parts 149/9 Utility orchestral parts Poor Joe

Dropped before tryout

 141/8 Manuscript piano-vocal score; [3] p. 141/8 Copyist's manuscript piano-vocal score; 3 p. 141/8 Sketch; [2] p. 141/8 Printed piano-vocal scores(3); [3] p. each 141/8 Typescript lyric sheets; [3] leaves 141/8 Sheet music Pravda 19/14 Full score #20; [6] p. 149/10 Orchestral parts President change and dance-opening Act I, scene 3 19/15 Full score #8; [5] p. 149/11 Orchestral parts Princess 17/35 Full score 149/12 Orchestral parts Princess entrance see Hadai 149/13 Orchestral parts Private citizen 141/9 Sketch; [1] p. Russian airport 149/14 Orchestral parts The secret service see also I've got to be around 19/16 Utility full score; [9] p. 19/17 Full score #13; [17] p. 19/18 Encore full score #13A; [5] p. 19/19 Scene 9, new full score #32; [6] p. 19/20 Open full score #63D; [5] p. 141/10 Copyist's manuscript piano-vocal score; 5 p. 141/10 Printed piano-vocal scores; 5 p. each

3, with annotations

 141/10 Typescript lyric sheets; [9] leaves 141/10 Sheet music 149/15 Orchestral parts 149/16 Encore orchestral parts 149/17 End scene 9 orchestral parts 149/18 Open 29 orchestral parts 149/19 Utility orchestral parts They love me 19/27 Full score #24; [23] p. 19/28 (Change?) full score #24D; [1] p. 19/29 Chorus full score #24D; [2] p. 19/30 Second encore full score #24B; [8] p. 141/12 Manuscript piano-vocal scores; [6] p.

No lyric

 141/12 Copyist's manuscript piano-vocal score; 4 p. 141/12 Sketches; [6] p. 141/12 Printed piano-vocal scores; 4 p. each

2, with annotations

 141/12 Typescript lyric sheets; [13] leaves

Some with holograph and hand script annotations

 141/12 Sheet music 150/4 Orchestral parts This is a great country 20/1 Full score #67; [12] p.

Taped to score: manuscript notes

 20/2 Finale full score #68; [6] p. 20/3 Recording full score; [2] p. 20/4 Melos full score #67A; [10] p. 20/5 Utility full score; [5] p. 141/13 Manuscript piano-vocal scores; 4 p. 141/13 Copyist's manuscript piano-vocal score; 4 p. 141/13 Printed manuscript piano-vocal scores(4); 4 p. each 141/13 Typescript lyric sheets; [2] leaves 141/13 Sheet music 143/6 Photocopies of manuscript vocal part(2); [2] p. each 150/5 Conductor's score and parts 150/6 Orchestral parts 150/7 Finale orchestral parts 150/7 Finale orchestral parts

Ending (recording) taped on

 150/8 Melos orchestral parts 150/9 Utility orchestral parts 150/10 Utility orchestral parts 150/11 Utility orchestral parts Trip 20/6 Full score #23; [33] p. 20/7 Changes full score #23; p. 1-3, 22, 23, 23A 150/12 Orchestral parts Untitled 150/13 Orchestral parts Vignette E-Russian vignette 20/8 Full score #23; [2] p. 150/14 Orchestral parts Vignette F-Washington vignette 20/9 Full score #19; [3] p. 150/15 Orchestral parts Vignette G 20/10 Full score, change #33; [2] p. 150/16 Orchestral parts Vignette H 20/11 Full score, change #34; [1] p. 150/17 Orchestral parts Vignette J 20/12 Full score #63A; [2] p. 150/18 Orchestral parts (out of show?) Vignette K 20/13 Full score #63B; [2] p. 150/19 Orchestral parts Why shouldn't I like me? see Non-show music The Washington twist Full scores 20/14 Opening twist #2; [8] p. 20/15 #11, dance #51; [32] p. 20/16 New; p. 10-20 20/17 New #47; 14 p. 20/18 Dance, changes; 9 p. 20/19 Reprise #51, reprise/dance new key; [4, 6] p. 20/20 Reprise/dance, new #51; 4 p. 141/14 Copyist's manuscript piano-vocal score; 2 p. 141/14 Sketch; [2] p. 141/14 Sketch of piano-vocal score; [5] p. 141/14 Photocopies of manuscript piano-vocal score; [1] p. each

2, verse only

 141/14 Photocopies of manuscript piano-vocal score; [2] p. each

5, chorus and patter only

 141/14 Holograph lyric sheets; [2] leaves 141/14 Typescript lyric sheets; [3] leaves 141/14 Sheet music 150/20 Orchestral parts 150/21 New orchestral parts 151/1 Old material? orchestral parts 151/2 New, revised orchestral parts 151/3 Opening twist orchestral parts 151/4 New Washington twist orchestral parts 151/5 Leslie orchestral parts 151/6 Reprise orchestral parts 151/7 New, reprise orchestral parts 151/8 Reprise, dance orchestral parts Who would have thought see Pigtails and freckles You need a hobby 20/21 Full score #48; [13] p. 20/22 Dance (version A) full score #48; 20 p. 20/23 Dance (version B) full score #48; [18] p. 20/24 Ending full score #48; 2 p. 141/15 Copyist manuscript lead sheet; [1] p. 141/15 Printed manuscript lead sheet; [1] p. 141/15 Printed piano-vocal score; p. 4-7 141/15 Typescript lyric sheets; [2] leaves 151/9 Orchestral parts 152/1 Dance (old) orchestral parts 152/2 Dance (new) orchestral parts 20/25 Unidentified incidental music; [1] p. 141/16 Unidentified sketches; [4] leaves 141/16 Unidentified holograph lyrics; [1] leaf On cardboard 141/16 Typescript lyric sheets; [23] leaves Taped together 142/1 Manuscript and photocopies of sketches and scores; [87] leaves

On cover: J.B. (Jay Blackton, conductor) original material?

 142/2 Manuscript and photocopies of sketches and scores for cue music; [35] leaves

On cover: Phil Lang

 142/3 Miscellaneous manuscript and photocopies of sketches and scores; [20] leaves 152/3 Unidentified incidental music orchestral parts 152/4 Unidentified orchestra pasteovers Orchestral parts: individual books for instrument/conductors 152/5 Conductor's original production parts 153/1 Rehearsal piano original parts 153/2 Violin B-2 original parts 153/3 Conductor's original part folder

Folder only

 153/3 Reed 4 original part folder

Folder only

 154/1 Conductor cue music/lead sheets, found together in folder 154/2 Reed 1 154/3 Reed 2 154/4 Reed 3 154/5 Reed 3-inserts 155/1 Reed 5 155/2 Reed 6 155/3 Horn 155/4 Trumpet 1-2 155/5 Trumpet 3 155/6 Trombone 1 156/1 Trombone 2 156/2 Guitar 156/3 Harp 156/4 Piano (extras) 156/5 Drums 156/6 Violin A 157/1