http://hdl.loc.gov/loc.music/eadmus.mu011009 Billy Taylor Papers Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2010 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2011570503

Finding aid encoded by Library of Congress Music Division, 2011 Finding aid written in English. 2012 March This finding aid was updated by Nancy Seeger in the winter of 2012 to include additional series. Collection Summary Billy Taylor Papers 1942-2004 ML31.T43 Taylor, Billy, 1921-2010 around 150,000 items 346 containers 137.0 linear feet Collection material in English. Music Division Library of Congress
Washington, D.C.
Billy Taylor was an American jazz pianist, composer, educator, broadcaster, lecturer and advocate. The collection contains materials related to his life and career, including music manuscripts, correspondence, writings by and about Taylor, business papers, promotional and publicity materials, clippings, scripts, programs, photographs, awards, honorary degrees and plaques. The music materials chiefly consist of manuscript scores, lead sheets and parts, by Taylor and other jazz composers and arrangers. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Albam, Manny. Henderson, Luther, 1919-2003. Mardin, Arif. Nelson, Oliver, 1932-1975. Taylor, Billy, 1921-2010--Archives. Taylor, Billy, 1921-2010--Correspondence. Taylor, Billy, 1921-2010--Manuscripts. Taylor, Billy, 1921-2010--Photographs. Taylor, Billy, 1921-2010. Taylor, Billy, 1921-2010. Taylor, Billy, 1921-2010. Jazz piano : a jazz history. Taylor, Billy, 1921-2010. Jazz piano : history and development. Taylor, Billy, 1921-2010. Selections. Taylor, Theodora Castion. Wess, Frank, 1922- Organizations Jazzmobile, Inc. Jazzmobile, Inc. John F. Kennedy Center for the Performing Arts (U.S.) John F. Kennedy Center for the Performing Arts (U.S.) Subjects Composers--United States. Jazz musicians--United States--Photographs. Jazz musicians--United States. Jazz--History and criticism. Jazz--Instruction and study. Jazz--Lead sheets. Jazz. Music--Manuscripts--United States. Television music, Arranged. Titles Sunday morning (Television program) Form/Genre Articles. Artifacts (Object genre) Clippings (Information artifacts) Contracts. Correspondence. Financial records. Interviews. Legal documents. Newsletters. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Scripts (Documents) Administrative Information Provenance

The Billy Taylor Papers were placed on deposit at the Library of Congress in August 1997. These materials were formally converted to a gift in 2000.

 Accruals

No further accruals are expected.

 Processing History

The Billy Taylor Papers were processed by Lloyd Pinchback between 2000 and 2010. Christopher Hartten coded the finding aid for EAD format in May 2011. Nancy Seeger coded the remaining series for EAD format in the winter of 2011-2012.

 Transfers

Sound and video recordings from the Billy Taylor Papers have been transferred to the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division. The audio recordings that have been cataloged in the Library of Congress online catalog are identified as part of the Billy Taylor Collection (Library of Congress). An inventory of this material is available in the Music Division's collection file.

 Related Material

The William P. Gottlieb Collection contains twelve photographs of Billy Taylor and his band members dating from 1946-1948.

 Copyright Status

Materials from the Billy Taylor Papers are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

 Access and Restrictions

The Billy Taylor Papers are open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

 Electronic Files

Electronic files on several floppy disks were received as part of the Billy Taylor Papers. Consult reference staff in the Performing Arts Reading Room for more information.

 Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Billy Taylor Papers, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1921, July 24 Born, Greenville, North Carolina, to William Edward Taylor, Sr. and Antoinette Bacon Taylor 1926 Taylor family moved to Washington, D.C. 1928 Began music lessons with Elmira Streets. He would study saxophone, guitar, and drums before eventually settling on the piano 1934 Studied classical piano with Henry Grant while attending Shaw Junior High School 1935 Met long-time friend and fellow saxophonist Frank Wess while attending Dunbar High School. Upon hearing Wess play, Taylor abandoned his interest in playing the saxophone 1938 Graduated from Dunbar High School and entered Virginia State College as a sociology major. He was persuaded to change his major from sociology to music during his junior year by music instructor and mentor Undine S. Moore Began music career as pianist for the Benny Layton Band 1942 B.S. in Music, Virginia State College, Petersburg, Va. Returned to Washington 1944 Moved from Washington to New York City, where he met his idol, saxophonist Ben Webster, at Minton's Playhouse in Harlem on his first day in New York Auditioned for Webster's group at the Three Deuces Club 1946, June 22 Married Theodora (Teddi) Castion 1946 Toured Europe with the Don Redman Orchestra While in Paris, Taylor formed a trio featuring bassist Ted Sturgis and drummer Buford Oliver Recorded The Very Thought Of You and Stridin' for Swing Records on December 4 1949 Led the Artie Shaw Grammercy 5, a quartet formed by Taylor but fronted by the retired Shaw Became house pianist at Birdland after Al Haig vacated the position During his stint at Birdland, Taylor studied classical piano with Richard McClanahan 1951, Feb. 20 Billy Taylor Quartet (Taylor, John Collins, guitar, Al Hall, bass, Shadow Wilson, drums) recorded Good Groove, Wrap Your Troubles in Dreams, What is There to Say?, Thou Swell, Willow Weep for Me, The Very Thought of You, Somebody Loves Me, and If I Had You for Atlantic Records 1951, May 25 Billy Taylor Trio (Taylor, Aaron Bell, bass and Kelly Martin, drums) recorded All Ears, Darn That Dream, My Heart Stood Still, and Double Duty for Brunswick Records 1951, Sept. 29 Joined forces with Miles Davis to record The Squirrel, Move, and Lady Bird, all of which are included on the album Miles Davis: The Complete Birdland Recordings released by Definitive Records 1951, Nov. 1 Recorded Cuban Caper, Cu-Blue, Squeeze Me, and Feeling Frisky for Roost Records 1951 Billy Taylor Trio (Taylor, Earl May, bass, Ed Thigpen, drums) recorded Piano Panarama in New York City 1953 Downbeat Magazine presented Taylor with the New Star Award, the first International Critics Award for "talent deserving wider recognition" 1953-1954 Continued to record and perform with a trio consisting of Taylor, Earl May, bass and Charlie Smith, drums. Three percussionists supplement the trio on its album Mambo Jazz for Prestige Records. Later in 1954, Percy Brice replaced Charlie Smith on drums 1957, Jan. 8 Recorded My Fair Lady Loves Jazz for ABC-Paramount Records. The session featured a large orchestra conducted by Quincy Jones 1957, Nov. 17 Organized a nine-piece ensemble to record Billy Taylor and His Orchestra for Argo Records in Chicago. Present for this session were Ellington Orchestra members Johnny Hodges, Paul Gonsalves, Clark Terry, and Harry Carney 1958 Began disc jockey career on radio station WLIB in New York City Named music director for the NBC-TV series The Subject is Jazz Taylor's role as a spokesman for jazz and jazz education began during this period and gained wider recognition throughout the early 1960s 1961 Began long-term tenure as pianist at the Hickory House in New York City 1962 Music director for the pilot television show comedy That Was the Week That Was, hosted by David Frost 1962-1963 Continued jazz outreach efforts, including a two-year term at WNEW radio in New York City. Taylor returned to WLIB after its conclusion 1964 The New York Times selected I Wish I Knew How It Would Feel To Be Free as "one of the great songs of the sixties." Although composed in 1954, it did not gain popular appeal until the Civil Rights Movement of the mid-1960s. Several recording artists would later cover the piece, including vocalists Nina Simone, Joe Simon, Lena Horne, and the jazz-rock band Cold Blood. It also became the theme song for the film Ghosts of Mississippi. Peaceful Warrior, a suite in four movements dedicated to the life and achievements of Dr. Martin Luther King, Jr. was also composed during this period Taylor and the Harlem Cultural Council announced Jazzmobile, a project intended to bring jazz music to the streets of New York 1965 Gave lectures on jazz and jazz education at Yale and other institutions Worked on television projects: Captain Kangaroo, Rainbow Sundae, Exploring, Tony Brown's Journal, Dial 'M' for Music, and composed original music for PBS shows The Electric Company and Sesame Street Established Billy Taylor Productions 1967, May 31 Performed "Take the "A" Train" with violinist Ray Nance as a funeral dirge in honor of Billy Strayhorn 1967 The Billy Taylor Trio (Taylor, Ben Tucker, bass, Grady Tate, drums) recorded the album I Wish I Knew How It Would Feel To Be Free for Tower Records 1968 Appointed to the New York City Cultural Council by mayor John Lindsay 1969-1972 Music director for The David Frost Show, becoming the first African-American music director of a nationally distributed television program 1970 Appointed to the National Council for the Arts by President Richard Nixon Recorded the album Okay, Billy for Bell Records. The orchestra was comprised of musicians from The David Frost Show 1972 Appointed to the New York Commission on Cultural Research by governor Nelson Rockefeller 1975 Aug. Doctor of Music Education, University of Massachusetts at Amherst; dissertation entitled The History and Development of Jazz Piano: A New Perspective for Education 1977-1982 Directed the Jazz Alive program for National Public Radio. Jazz Alive was also the title of an album the Billy Taylor Trio recorded for Monmouth-Evergreen Records. Taylor's Suite for Jazz Piano and Orchestra was among the pieces recorded 1980 Member, advisory panel that called for greater support for jazz from the National Endowment of the Arts 1981, May 16 Awarded honorary doctorate from the Berklee College of Music, Boston, Mass. 1981, June 24 Billy Taylor Trio and violinist Joe Kennedy recorded the album You Tempt Me for Taylor-Made Records. Let Us Make A Joyful Noise is recorded during this session. 1981 Received Peabody Award for Taylor-Made Piano NPR radio series 1982 Published Jazz Piano: A Jazz History. Dubuque, Iowa: Wm. C. Brown Arts correspondent for the television program CBS Sunday Morning, where he conducted interviews with influential figures in music, art, and literature 1983 Earned Grammy Award for CBS Sunday Morning interview with Quincy Jones 1984 Awarded Downbeat Magazine's Lifetime Achievement Award 1988, Aug. 1-2 Recorded Solo, an album of piano music, for Taylor-Made Records 1988 Named a Jazz Master by the National Endowment for the Arts at the annual meeting of the International Association for Jazz Education (IAJE) 1989, Apr. 5-6 Recorded The Jazzmobile All-Stars for Taylor-Made Records. The album featured nine compositions by Taylor, as well as Ceora by Dizzy Gillespie 1990 Teamed up with pianist Ramsey Lewis to record the two-piano album We Meet Again for CBS Masterworks Records At the suggestion of the Juilliard String Quartet, Taylor composed Homage for string quartet and jazz ensemble. The work was commissioned by the Civic Center of Madison, Wisc. to commemorate its tenth anniversary 1991 IAJE and the John F. Kennedy Center held separate tributes in Washington, D.C. in honor of Taylor's 70th birthday 1992 Jan. Served as Master of Ceremonies for the Jazz Master Awards presented annually by the National Endowment for the Arts at the IAJE annual meeting 1992, July 22 Awarded National Medal of Arts by President George Bush 1993 Billy Taylor Trio and Friends recorded the album It's a Matter of Pride for GRP Records 1994, Mar. 18 Named Artistic Director of Jazz for the John F. Kennedy Center Host for the series "Billy Taylor's Jazz at the Kennedy Center" 1994, Oct. 10-11 Billy Taylor Trio (Taylor, Chip Jackson, bass, and Steve Johns, drums) with the Turtle Island String Quartet recorded the album Homage for GRP Records 1995 John F. Kennedy Center commissioned Taylor to compose a work for jazz trio and symphony orchestra. On April 23, Theme and Variation for Jazz Trio and Symphony Orchestra was premiered at the Center. The performance featured the Billy Taylor Trio and the National Symphony Orchestra, conducted by Leonard Slatkin 1996 Created the Mary Lou Williams Women in Jazz Festival at the Kennedy Center 1997, Mar. 1 Billy Taylor Trio inaugurated the Kennedy Center's Millennium Stage 2001 Oct. Library of Congress celebrated the acquisition of Taylor's personal papers with a concert by the Billy Taylor Trio, accompanied by the Juilliard String Quartet. His work Homage, for jazz ensemble and string quartet, was among the pieces performed 2002 Created KC Jazz Club and developed Discovery Artists Series for the Kennedy Center 2007, Mar. 3 Received Kennedy Center's Living Jazz Legend Award 2010, Dec. 28 Died, New York, N.Y. Scope and Content Note

The Billy Taylor Collection represents a comprehensive resource for the study of jazz history, performance, and pedagogy. Dr. Taylor was more than a renowned jazz pianist and composer, he was also an educator who lectured extensively at colleges and universities nationwide, and authored several books on jazz history, theory and appreciation. The collection, which spans the years 1942-2004, documents the depth and breadth of Taylor’s multifaceted career as a musician, composer, writer, host, and jazz ambassador. Throughout his career, Taylor worked tirelessly as an advocate for jazz and to produce programs that promoted jazz as “America’s classical music.”

The collection is divided into the following series: Music, Writings, Business Papers, Professional Papers, Printed Matter, Photographs, Realia and Personal Papers. Music materials from the Billy Taylor Papers chiefly consist of manuscript scores, lead sheets, and parts, by Taylor and other jazz composers and arrangers. Taylor is credited with having composed over 300 works, the majority of which are represented in the collection. Notable works include It's A Grand Night for Swinging, Homage, I Wish I Knew How It Would Feel To Be Free, Let Us Make a Joyful Noise, Peaceful Warrior, Suite for Jazz Piano and Orchestra, and Theme and Variation for Jazz Trio and Symphony Orchestra. Intermingled with these original compositions are arrangements of Taylor's works by Oliver Nelson, Frank Wess, Manny Albam, Arif Mardin, Luther Henderson, and other prominent jazz musicians.

Taylor's works from two of his most noteworthy projects, The David Frost Show and Jazzmobile, are listed independently of his other pieces. The former mostly contains bound instrumental part books for miscellaneous tunes, while the latter contains photo-reproductions of jazz standards used for Jazzmobile events. Works co-written with wife Teddi Castion are also identified separately. In addition to these materials, Taylor maintained an extensive library of music materials by numerous composers, including Ben Tucker, Dizzy Gillespie, Duke Ellington, Fats Waller, Jimmy Owens, John Coltrane, Miles Davis, Oliver Nelson, Quincy Jones, and Ray Rivera. These works comprise original or photo-reproduced manuscripts in the hand of the composer/arranger, Taylor, or unspecified individuals.

The Writings series is subdivided into three subseries: Writings by Billy Taylor, Writings about Billy Taylor, and Miscellaneous Writings. The first subseries contains an extensive amount of Billy Taylor's writings in both manuscript and printed form. It includes Taylor's lectures, public addresses, articles, open letters, public statements, drafts of his doctoral dissertation, The History and Development of Jazz Piano, and his published works, including Jazz Piano: A Jazz History and Jazz Piano: History and Development. The Writings about Billy Taylor subseries contains various types of materials documenting Taylor's life, career and activities, including articles, interviews, reviews of performances and recordings, clippings, newsletters, and publicity materials such as brochures and press releases. The Miscellaneous Writings subseries contains writings that Taylor accrued over several decades. While most items may not relate directly to Taylor's career or activities, all reflect in some way his lifelong interest in jazz, the arts, media and culture. These materials include articles on jazz musicians, publications from various projects and programs, reports, research papers, surveys, stage and screen works, and proposals.

The Business Papers series contains administrative papers for numerous cultural organizations and programs with which Taylor associated. It is further subdivided into three subseries: Organizations and Affiliations, Contracts, and General Correspondence. The Organizations and Affiliations subseries contains administrative papers for dozens of organizations and programs, including, ASCAP, Black Journal, Jazzmobile, the Kennedy Center, National Endowment for the Arts, and the Rockefeller Foundation. The materials include correspondence, memos, minutes and agendas, legal and financial documents, and printed matter. The Contracts subseries contains Taylor's contracts for many of the organizations and programs with which he was involved. The General Correspondence subseries contains miscellaneous correspondence between Taylor and various organizations and individuals regarding Taylor's professional activities.

The Professional Papers series contains materials that reflect Taylor's various professional pursuits, such as a concert performer, lecturer, interviewer, and television and radio host. The date books and itineraries reveal a chronological record of Taylor's activities and schedules. The interview cue sheets, transcripts and scripts document interviews with dozens of musical and cultural figures, particularly from the world of jazz. Many of the cue sheets and transcripts are from Taylor's stints as cultural correspondent with the television program CBS News Sunday Morning and host of the series Billy Taylor's Jazz at the Kennedy Center. These documents are often accompanied by related materials pertaining to Taylor's interviews. In addition, this series contains programs and promotional material, including announcements, brochures, flyers, and schedules.

The Printed Matter series contains newsletters, press kits, press releases, programs, and other publications that Taylor personally collected. While most items may not relate directly to Taylor's career or activities, all reflect in some way his lifelong interest in jazz, education, race, the arts, media and culture. The press kits are arranged in two different groupings, one relating to artists and the other relating to organizations and venues.

The Photographs series includes numerous posed publicity shots of Billy Taylor, candid shots of Taylor in performance both alone and with his trio, and Taylor with various musicians and music ensembles, including a rare group photo from 1948 that includes Taylor and jazz pianist Art Tatum. In addition, there are many photographs that depict Taylor's activities, such as coaching, lecturing, teaching, getting involved in community activism, and working as a disc jockey. There are also photographs and snapshots of Taylor and his family, including his wife Teddi. Several items feature Taylor at special events and ceremonies, and with public figures and famous personalities, such as Mayors Ed Koch and John Lindsay, President Gerald Ford, David Frost, and Nancy Reagan. Well-known jazz figures that are pictured alone include Count Basie, Duke Ellington, Dizzy Gillespie, Dexter Gordon, Lionel Hampton, Billie Holiday, Ramsey Lewis, Wynton Marsalis, the Modern Jazz Quartet, and Frank Wess. This series also includes some slides, contact sheets, oversized prints, and photo albums.

The Realia series contains the numerous awards, citations and plaques that Taylor received throughout his career. It includes the National Medal of Arts which he received in 1992; honorary degrees from dozens of universities and colleges, including Berklee College of Music, Rutgers University, and the University of North Carolina; certificates of appreciation from cities, states, schools, and organizations, including the International Association of Jazz Educators and the Jazz Heritage Society; awards, including the ASCAP Foundation Sacks Award for Exemplary Public Service; proclamations; trophies; fraternity and alumni awards; the Downbeat magazine Lifetime Achievement Award; commemorative stamps; and letters of commendation.

The Personal Papers series contains materials relating to Taylor's education, including documents related to Taylor’s doctoral studies at the University of Massachusetts at Amherst. In addition, there are financial and legal papers of a personal nature. The correspondence includes various letters, greeting cards, notes, and invitations to special events. There are also official invitations from the White House, the Kennedy Center and the Library of Congress. Taylor and his wife were invited guests at the White House under each administration since the presidency of Richard M. Nixon.

Those who assisted with the processing of the Billy Taylor Collection include: Acquisitions and Processing Technicians Anthony Edwards and Shantel Lambert, and former Junior Fellow, Christine Silas.

Lloyd A. Pinchback Music Specialist Acquisitions & Processing Section, Music Division

 Organization of the Billy Taylor Papers

The Billy Taylor Papers are organized in eight series:

Music, 1942-2000 Writings, 1945-2001 Business Papers, 1968-2004 Professional Papers, 1942-2001 Printed Matter, 1970-2001 Photographs, 1940s-circa 1995 Realia, 1962-2001 Personal Papers, 1956-1999 http://lccn.loc.gov/2011570503 Container List Container Contents 1-120 Music, 1942-2000 1-20, 27-92 Original Compositions 1/1 7th Avenue rag Lead sheet 1/2 African Queen Lead sheet fragment 16/1 Ain't that a kick in the head Score 1/3-8 All alone Scores, lead sheets, parts 1/9 AMC (commerical) Lead sheets 1/10-11 Antoinette Piano score, lead sheet 1/12 Any-one-a-round? Piano score 1/13 At la carrousel Score, parts 1/14-22, 16/2 Back home Scores, lead sheet, parts 1/23 Band interlude Chord chart 1/24-25, 16/3 A bientot

Arranged by R. Hogan

 Scores, lead sheet, parts 1/26 Billy Taylor jazz improvisation: chord substitution Chord chart 1/27-29 Billy Taylor's piano solos Piano scores

Includes proof copies

 2/1 The Billy Taylor vocal catalog Piano-vocal scores, lead sheets 2/2 Birdwatcher Parts 2/3-8 Blue cloud Scores, lead sheet, parts 2/9 Blue Max Lead sheet 2/10-13 Blue shutters Scores, lead sheet, parts 2/14 Blues for Little Pies Lead sheet 2/15, 3/1-2, 16/4-5 Blues montage

Arranged by Manny Albam

 Scores, Parts 4/1 Blues theme for concerto Lead sheet 4/2 Budo Lead sheet 4/3-5 Burst #1 (commercial) Lead sheets, parts, lyric sheets 4/6 Burst #2 (commercial) Parts 4/7 The butterfly; I remember

Arranged by Arif Mardin

 Flute part 4/8 'Bye y'all Lead sheet 4/9 C. A. G. Lead sheet 4/10 Can you dig it? Piano and guitar parts 4/11-14 Can you tell by looking at me? Lead sheets, chord chart, bass part 4/15 Candido Piano score 4/16-24, 16/6 Capricious

Arranged by Oliver Nelson

 Scores, lead sheets, parts 5/1 Cascades Lead sheet 5/2 A certain peace Piano scores 5/3 Change your mind Saxophone part 5/4 The circle samba Piano score 5/5-13, 16/7-9 Cold power (commercial)

Arranged by Harold Wheeler

 Scores, lead sheet, parts 5/14 Colgate #1 (commercial) Bass part 5/15 Communication Parts 5/16, 6-8, 9/1, 16/10-11 Conversations Scores, parts

Includes proof copies

 9/2 Cool and caressing Score, parts 9/3 La côté d' ivoire Lead sheet, B-flat instrument part 9/4 Cotton tail Parts 9/5 Crisco (commercial) Score 9/6-7 Cuban caper Score, trumpet part 9/8 Cubano chant Lead sheet fragment 9/9-13 Daddy-o Scores, lead sheets, parts 9/14 Dance theme Lead sheet fragment 19/1 A lot of livin' Score 27/5-8 Day dreaming Score, lead sheet, parts 27/9 Declivity Piano score, lead sheet, bass part 27/10 Did you dream too? Lead sheet 27/11 Didn't I tell you? Chord chart 27/12 Diz Lead sheet 27/13 Do I improve, my Lord? Chord chart 27/14 Dominant 7th exercises Chord chart 27/15-17 Don't ever say we're through Scores, parts 28/1-4 Don't go down South Score, lead sheet, parts 28/5-6 Don't look back Lead sheet, bass part 28/7 Don't look now Chord chart 28/8 Downy (commercial) Score 28/9 Duane Lead sheet 28/10 Dynamo Lead sheet 28/11 Early bird Saxophone part 28/12 Early birth Bass part 28/13 Easy going Piano score 28/14 Eddie's tune Lead sheet 28/15 Ever so easy Lead sheet 28/16 Everything happens Lead sheet 28/17 Famolares

Arranged by Stephen Lawrence

 Score 28/18 Feelin' o so good Chord chart 28/19-21, 29-31, 32/1-2 Fiesta in Tucson Scores, parts, notes

Includes proof copies

 32/3 Fiesta mojo Lead sheet fragment 32/4 The flame of our love Lead sheet 32/5 Flight of the be-bop Lead sheet 17/6-7, 32/6-7 For Rachel: dance suite in 8 movements Scores, parts 32/8 For Undine Piano score 32/9-10 Four eyes

Arranged by Manny Albam

 Score, trumpet part 32/11 Frank's tune Lead sheet fragment 32/12-16 Free and oozy Scores, lead sheet, parts 17/8, 32/17-18 Freedom Score, lead sheet, parts

Includes arrangements by Oliver Nelson

 9/15-16, 10-15, 17/1-5, 27/3-4 From David Frost and Billy Taylor: Merry Christmas

Music from the 1970 LP recording on Bell Records (Bell 6053)

Includes: Joy to the world; Rise up shepherd; We need peace and we need love; Wexford carole; Bright star in the east; Away in a manger; Stable down the road; Merry Christmas; The house of Christmas (poem); Go tell it on the mountain

 Scores, parts, cue sheets 32/19 Gap sealer Parts 32/20 Get it all together Lead sheet 32/21 Goin' to the city (opening) Parts 33/1 Good bye Bass part 33/2 Hail to the Savior Lead sheet 33/3 Hallelujah Lead sheet fragment 33/4-5 Hard to handle

Arranged by Manny Albam

 Score, parts 33/6-7 Here today, gone tomorrow love Lead sheet, bass part 33/8-9 Homage: a suite for string quartet and jazz trio Parts 33/10 Honeysuckle changes Chord chart 33/11 How can I make it? Chord chart 33/12 I ain't no slave Chord chart 33/13 I am famous Lead sheet 17/9, 33/14-15 I believe in you

Arranged by Oliver Nelson

 Scores, parts 34/1 I don't ask questions Lead sheet 34/2 I love to look at you Lead sheet 34/3 I said I wasn't gonna tell nobody Parts 34/4 I sigh Lead sheet 34/5-7 I think of you Score, lead sheet, parts 34/8 I wanna be here Piano score 18/1-2, 34/9-13 I wish I knew how it would feel to be free Scores, parts

Includes arrangements by Luther Henderson, Harold Wheeler, Glickman, and Ben Kendall

 35/1 If you really are concerned then show it Lead sheets 35/2 I'm goin' to the city Lead sheet 35/3-4 I'm gonna get myself together right now Lead sheets 35/5 I'm trying to get home Organ part 18/4-7, 35/6-14, 36-42, 43/1-2 Impromptu Scores, lead sheet, parts

Includes arrangements by Manny Albam and Stephen Simon

 43/3-4 Interlude Piano score, lead sheet, parts 18/8, 43/5-12 It's a grand night for swinging Scores, lead sheets, parts

Includes arrangements by Oliver Nelson

 43/13-15 It's a matter of pride Lead sheet, parts, lyric sheets 44/1 It's all right Lead sheet 44/2-4 Ivory (commercials) Scores, lead sheets, vocal parts 44/5 Jazz alive Lead sheet fragment 44/6 Johnny come lately

Arranged by Manny Albam

 Parts 44/7 Joy (commercials) Scores 44/8-10 Just the thought of you

Arranged by Oliver Nelson

 Score, lead sheet, parts 44/11 Just you Bass part 44/12 Kay Jewelers (commercials) Scores 44/13 Kool Aid (commercials) Scores, vocal parts 44/14 Lady bird Saxophone part 44/15 Left hand patterns and devices Bass part 45/1, 47-65 Let us make a joyful noise to the Lord Scores, lead sheet, chord chart, parts

Chiefly materials for the orchestral arrangement by Manny Albam

Lead sheet and chord chart are in box 65

 66/1 Let's dance Bass part 66/2 Let's get away Bass part 66/3 Liebestraum Piano score 66/4 The life I led Parts 66/5-6 Little bird Lead sheets 66/7-10 A little South Side soul Scores, lead sheet, parts 66/11-14 Live it up Scores, lead sheets, parts 66/15 Locrian scales Exercise 66/16-17 Long Tom Score, parts 66/18 Lookin' up Saxophone part 66/19 A lot of lovin' Score, parts 66/20 Love is Parts 66/21 Lullabye Lead sheet 66/22 Luxury and poem Lead sheets 66/23 M.L. Suite Piano score fragment 66/24 Mambolero Bass part 66/25 Memories of spring Piano part 66/26 Merry Christmas Lead sheet 66/27-29 Midnight piano Score, lead sheet, parts

Includes arrangements by Oliver Nelson

 66/30 Miscellaneous fragments with titles Scores, lead sheets, parts 66/31 Misty morning blues Lead sheet 66/32 Mocafa (commercial) Score 66/33 Modulations Exercise 67/1 Moist n' easy (commercial) Score 67/2 Moonlight Bass part 67/3 Morton (commercial) Score, vocal part 67/4 Mr. "B" Bops Piano score 67/5 My heart sings Lead sheet 67/6 My house Chord chart 67/7-8 My romance

Arranged by Oliver Nelson

 Score, parts 67/9 Night coming tenderly Lead sheet 67/10-14 No parking Scores, lead sheets, parts 67/15-16 A N.Y. poem Piano score, parts 67/17 Old wine, new bottle Lead sheet 67/18-21 One for fun Score, lead sheet, parts 67/22-24 One for the woofer Parts 67/25 Ornette Piano part 67/26-30 Paraphrase Scores, lead sheet, parts 67/31 Passing by Piano score 19/2-5, 20/1-3, 68-72/2 Peaceful warrior Scores, parts

Scores are in boxes 19-20

 72/3 Phoenix Lead sheet 72/4 Power Bass part 72/5 Pursuance Lead sheet fragment 72/6 Rabbit bounce Lead sheet 72/7 Ragtime Lead sheet fragments 72/8-9 Ray's tune Lead sheets 72/10 Remember April Bass part 72/11 Resolution Lead sheet 72/12 Restricted Lead sheet 72/13-14 Revlon (commercials) Scores, vocal part 72/15 Revolutionary dreams Score 46/1, 77/1-4 Right here, right now Scores, parts 77/5 Roanoke 1st theme Piano score 77/6 Romance Lead sheet 77/7 Une salle de bal vide Piano score 77/8 Seduction Parts 77/9 She Lead sheets 77/10 Shepherd's hey hey Piano score 46/2, 77/11 Simple life Scores, drum part 77/12 Sketch for ensemble Trumpet part 77/13 Skoal (commercial) Score 77/14 So you think you're cute Lead sheet 77/15 Somebody here don't believe Chord chart 77/16 Somebody loves me Bass part 46/3, 77/17-19 Something always happens Scores, lead sheet, parts

Includes arrangements by Oliver Nelson

 77/20-21 Somewhere soon Lead sheet 77/22 Soul Nik Oboe part 46/4, 77/23-25 Soul sister Scores, parts

Includes arrangements by Oliver Nelson

 78/1 Spring Chord chart 78/2 Star (commercials) Scores 78/3 Stranger in town Chord chart 73-76, 78/4-6, 79-88 Suite for jazz piano and orchestra Scores, parts

Includes arrangements by Manny Albam

 89/1 Tap dancer Lead sheet fragment 89/2 Technical examples Exercises 89/3 Tell me why Lead sheet 46/5, 89/4-6 That's where it is Scores, parts

Includes arrangements by Oliver Nelson

 46/6, 89/7-8, 90/1-2 Theme and variations Score, parts

Includes arrangements by Manny Albam

 46/7, 90/3-8 Theodora Scores, lead sheets, parts

Includes arrangements by Mike Crotty and Roger Kellaway

 90/9 Things are getting better Lead sheet fragment 90/10 This is all I ask Bass part 90/11 Till we meet again Lead sheet 90/12 Timex (commercial) Score 91/1 Today is ours Lead sheet 91/2-3 Too little and too late Score, lead sheet

Includes arrangements by John Dankworth

 91/4 A tune for Howard to improvise upon Piano score 91/5 Turn about Piano score 91/6 Valse Lead sheet fragment 91/7-9 Vel Lead sheets, guitar part 91/10-11 The way I feel Score, parts

Includes arrangements by Arif Mardin

 91/12 We can get it done together Lead sheet 91/13 We need peace and we need love 91/14 Well did you ever Piano score 91/15 What will you do in the end-there of? Lead sheet 91/16-17 What's the world coming to? Lead sheet, saxophone part 91/18 When you smile Lead sheet 91/19 Winter poem

Arranged by Arif Mardin

 Parts 91/20 Wrap your troubles Bass part 91/21-23 You came a long way Scores,

Includes arrangements by Oliver Nelson

 91/24 You don't love me Score 46/8, 91/25 You tempt me Score, lead sheet

Includes arrangements by Oliver Nelson

 91/26-27 Your aim's too high Lead sheet, chord chart 91/28 You're all that matters Lead sheet 91/29-32 You're mine Score, lead sheet, parts 92/1-4 Unidentified Scores, lead sheet fragments, parts 21-26, 93-94 Music from The David Frost Show 93/1 By George--It's the David Frost theme

Arranged by J. Carisi

 Score 93/2 C. A. G.

Arranged by J. Carisi

 Score 93/3 Capricious

Arranged by J. Carisi

 Score, parts 93/4 Darn that dream

Arranged by J. Carisi

 Score 93/5 Don't go down South

Arranged by J. Carisi

 Score 93/6 Fancy free Score 21/1-2, 93/7 Frost comedy intro Score, parts 93/8 Gotta find a chick that's working

Arranged by J. Carisi

 Score 93/9 I wanna be here

Arranged by J. Carisi

 Score 93/10 I wish I knew how it would feel to be free Score 93/11 I'm a lover

Arranged by J. Carisi

 Score 93/12 Impromptu

Arranged by J. Carisi

 Score, parts 21/3-4, 22-26 Instrumental part books

Miscellaneous music

 93/13 Let's get away from it all

Arranged by J. Carisi

 Score 94/1 Nameless

Arranged by J. Carisi

 Score 94/2 Network Phil

Arranged by J. Carisi

 94/3 Night coming tenderly

Arranged by J. Carisi

 Score 94/4 Old samba

Arranged by J. Carisi

 Score 94/5 One for fun

Arranged by J. Carisi

 Score 94/6 Selections

Arranged by Frank Wess

 Scores 94/7 Somewhere soon

Arranged by J. Carisi

 Score 94/8 Tell me why

Arranged by J. Carisi

 Score 94/9 Where've you been

Arranged by J. Carisi

 Score 95 Teddi Castion / Billy Taylor Compositions 95/1 From the top of the hill Parts 95/2 Give me a reason Parts 95/3 Little butterfly Parts 95/4 Lonesome lover Parts 95/5 My love Parts 95/6 Native dancer Parts 95/7 No after taste Parts 95/8 Patches Parts 95/9-13 A secret Scores, lead sheet, parts

Includes arrangements by Oliver Nelson and Jimmy Owens

 95/14 That's where it is Parts 95/15 Toy bird Parts 95/16 Uncle Fuzzy Parts 95/17 Warmin' up Parts 95/18 What's happening? Parts 95/19 Ya' know what I mean Parts 95/20 Your smile Parts 96-97 Music for Jazzmobile

Piano parts for miscellaneous jazz standards, arranged by title

 96/1-70 A-L 97/1-62 M-Z 98-120 Music by Other Composers Adetoye, Olubiji 98/1 Oxala II Score Adler, Neil 98/2 The gift you gave Piano score 98/3 Next Lead sheet 98/4 Scalin' the tones Lead sheet 98/5 Stanford rag Piano score Alexander, Roland 98/6 Calur [?] Lead sheet Amadie, Jimmy 98/7 Alone with you Lead sheet 98/8 Ballad for Sid Lead sheet 98/9 A samba for my love Lead sheet 98/10 The savage Lead sheet 98/11 The thought of loosing you Lead sheet Armstrong, Louis 98/12 Someday you'll be sorry Lead sheet Austin, Charles L. Jr. 98/13 Do you feel it now? Piano score 98/14 Soul daddy Piano score 98/15 What are we doing here? Piano score Backer, William 98/16 It's the real thing Vocal score Bailey, Joe 98/17 Night after night Score Baker, Harold and Richard Ables 98/18 The edge of love Lead sheet Baker, Paul 98/19 Maxwell D. Cat Score Berger, David 98/20 Boogie woogie Score Berlin, Irving 98/21 I love a piano Parts Bishop, Walter 98/22 Alas! Poor Yorick Lead sheet 98/22 Cubicle Lead sheet Bonfá, Luiz 98/23 The gentle rain Score Bonnemère, Eddie 98/24 Oriental mambo Piano score 98/24 Roostology Piano score Bonnemère, Gary 98/25 Square dance mambo Piano score Borelli, Frank 98/26 Be my baby Lead sheet 98/26 A devil with angel eyes Lead sheet 98/26 On such a night like this Lead sheet 98/26 Only once in a dream Lead sheet 98/26 So lonely Lead sheet 98/26 Swing it, sister Lead sheet Brantford, Mifflin 98/27 Lisper'nard Piano score Bright, Ronnell 98/28 Be a sweet pumpkin Lead sheet 98/28 Blue zephyr Lead sheet 98/28 Don't call it love Lead sheet 98/28 Missing you Lead sheet 98/28 Pleasure cooking Lead sheet 98/28 Precious to me Lead sheet 98/28 What's the matter with me? Lead sheet Brown, Garnett 98/29 Break-a-way Parts 98/30 Timpani ending Score, parts Brown, Oscar Jr. 98/31 Under the sun Lead sheet Brown, Ray 98/32 Alone in love Lead sheet 98/32 I know you oh, so well Lead sheet 98/32 I'm not surprised Lead sheet Bryant, Richard 98/33 Let's dance real close Lead sheet 98/33 When you're in town Lead sheet Bunch, John T. 98/34 1 East 54th Street Lead sheet Burkhard, Leonard and Cy Merriman 98/34 Summer serenade Piano score Burrell, Kenny 98/36 36-23-36 Lead sheet 98/36 K. B. blues Lead sheet 98/36 Listen to the dawn Lead sheet 98/36 Remembering Lead sheet 98/36 Sugar Hill Lead sheet Buskin, David 98/37 When I need you most of all Lead sheet Caffey, David H. 98/38 I'll remember April Score 98/39 Must have been something I ate Score 98/40, 99/1 Podgoria nubs Score, parts Carisi, John 99/2 It's your dance Lead sheet Castion, Teddi 99/3, 112/1 After thoughts Score, lead sheet, parts

Includes arrangements by Oliver Nelson

 99/4 Bossa nova in N. Y. Lead sheet, parts 99/5 Brazilian beat Lead sheet, parts 99/6 Coffee break Lead sheet, parts 99/7 Don't bug me Lead sheet, parts 99/8 Don't ever say we're through Lead sheet, parts 99/9 Easy-like Lead sheet, parts 99/10-13, 112/2 Easy walker Score, lead sheet, parts

Includes arrangements by Oliver Nelson

 99/14 Lazy lovin' Lead sheet 99/15 A secret Lead sheet, parts Clore, Joyce and Tharnel Schwartz 99/16 Bare foot no Count Tessa Lead sheet Coffman, Don 99/17 Fingerboard logic--acoustic bass Exercises Cohen, Jeff 99/18 I don't need no sad songs Lead sheet Cohen, Michael 99/19 New Downy (commercials) Scores Cola, Elliott 99/20 Mog Saxophone part 99/20 Siminol Score, vocal part 99/20 Taylor made Saxophone part Coleman, Charles 99/21 Lord, help me free Score Coltrane, John 99/22 Countdown

Arranged by Jim Poletti

 Chord chart 99/23 Naima

Arranged by Ernie Wilkins

 Parts Craig 99/24 You're gonna hate yourself Lead sheet Crawford, Randy 99/25 Gonna give lovin' a try

Arranged by Jimmy Jones

 Score, parts 99/26 Jesus

Arranged by Jimmy Jones

 Score, parts Crawford, Ray 99/27 Jeff Lead sheet 99/27 Stringing-along Lead sheet Creago, Di 99/28 B I bittie bi Lead sheet, lyric sheet Crystal, Raphael 99/29 New jazz piano solos Piano scores

On title page: All the tunes from the soundtrack of Listening to Jazz as performed by Billy Taylor and four new jazz piano compositions

 Cunningham, Bob 99/30 Samba de amor Lead sheet Dallas, Mitzi 99/31 Bye bye braverman Score 99/31 It's raining around me Score David, Hal and Burt Bacharach 99/32 The look of love Score, lead sheet Davis, Bob 99/33 Cha cha for Robyn Lead sheet 99/34 Freer Lead sheet 99/35 Indio Lead sheet 100/1 Joy waltz Lead sheet 100/2 The kids Lead sheet 100/3 Moovin' Lead sheet 100/4 Our theme Lead sheet 100/5 Pauli Lead sheet 100/6-7 Silverin Lead sheets 100/8 Swing walk Lead sheet 100/9 Tela Lead sheet 100/10 Together Lead sheet Davis, Miles 100/11 Bebop lives (Boplicity) Lead sheets 100/12 Milestones Lead sheet 100/12 Tune up Lead sheet De Franco, Buddy 100/13 Bud's invention Guitar part Dennis, Matt 100/14 Angel eyes Lead sheet 100/15 Me and the blues Lead sheet 100/16 Oh yeah!: a tribute to Louis Armstrong Lead sheet 100/17 A pensive mood comes over me Lead sheet Dorham, Kenny 100/18, 112/3 Una mas Score, parts Dorough, Bob 100/19 But for now Lead sheet 100/20 How? Lead sheet 100/21 I've got just about everything Lead sheet 100/22 Lazy moon Lead sheet 100/23 Nothing like you Lead sheet 100/24 Kitty Lead sheet Ellington, Duke 100/25, 112/4 Battle royal

Arranged by Frank Wess

 Score, parts 100/26, 112/5 Come Sunday

Arranged by Jimmy Owens

 Score, parts 101/1, 112/6 David danced

Arranged by Jimmy Owens

 Score, parts 101/2 Drop me off in Harlem

Arranged by Rick Henderson

 Score, parts 101/3 Happy go lucky local

Arranged by Rick Henderson

 Score, parts 101/4 In a mellow tone Score, parts 101/5 In a sentimental mood Drum part 112/7 Johnny come lately

Arranged by Manny Albam

 Score 101/6 Perdido Parts 101/7 Satin doll

Arranged by Ray Copland

 Parts 101/7 Something 'bout believing

Arranged by Jimmy Owens

 Chord chart 101/8 Sophisticated lady Parts 101/9 Take the "A" train Parts 101/10, 112/8 What am I here for?

Arranged by Manny Albam

 Score, parts Ėshpaĭ, Andreĭ 112/9 Concerto for soprano saxophone and orchestra Score Evans, Bill 102/1 I hear a rhapsody Piano score Evans, Redd and Dave Mann 102/2 No moon at all Lead sheet Feather, Leonard 102/3 I remember Bird Lead sheet Feller, Sherm and Ed Penney 102/4 April afternoon Lead sheet Feller, Sid 102/5 Until it's time to go Flute part Fieger, Addy 102/6 Seminole summer Piano score Findley, C. Albert 102/7 We shall overcome

Arranged by Johnny Pate

 Score, parts Foster, Frank 102/8 Four-five-six Parts 102/9 Fresh peanuts Parts 102/10 Victorious blues Score Foust, Alan 102/11 Naptown Lead sheet Franklin, Aretha 102/12 Ramblin

Arranged by Arif Mardin

 Saxophone part Franko, Nicholas Paul 102/13 April shower Lead sheet 102/13 Don't give up Lead sheet, lyric sheet 102/13 Pure at heart Lead sheet 102/13 Roy Rogers, chocolate chip cookies, and sky king Lead sheet, bass part 102/13 The world of fantasy Lead sheet, lyric sheet Freed, Ralph and Burton Lane 102/14 How about you Parts Freedman, Robert 102/15 Wandering, wondering Score Freeman, Russ 102/16 My love of Mexico Score Fulton, Eileen 102/17 Tears Saxophone part 102/17 Where am I going? Saxophone part Garner, Linton 102/18 Dexterity Lead sheet 102/18 Easily Lead sheet 102/18 Fancy loving you Score 102/18 Tent meetin' Lead sheet 102/18 Wistfully yours Score Gates, David 102/19 I want to make it with you Chord chart Gee, M. 102/20 Bedroom eyes Lead sheet 102/20 Here Lead sheet Gentry, Bobbie 102/21 Ode to Billy Joe Score, parts Gershwin, George 102/22 Lady be good Parts 102/23-25 Love for sale Scores, parts Gibbs, Terry 102/26 Tre-mendez Lead sheet Gibson, Don 102/27 I can't stop lovin' you Chord chart Gillespie, Dizzy 103/1 Anthropology Lead sheet 103/1 Bebop, part II Piano score 103/1 Bebop, part III Piano score 103/1 Groovin' high Lead sheet 103/2 Manteca Parts 103/3 Tin tin deo Parts 103/3 Wouldn't you Lead sheets Glanden, Don 103/4 Bird brain Lead sheet 103/4 Now and then Piano score 103/4 Paul, from Bear Piano score 103/4 Remembrance Lead sheet 103/4 Since we met Lead sheet 103/4 Sudden life Piano score 103/4 A waltz for Brad Lead sheet Glenn, Eliot 103/5 Nocturne Lead sheet Gonzales, Babs 103/6 Wide open spaces Lead sheet Graham, Kenny 103/7 Caribbean suite Piano scores Grainer, Ron and Jay Blackton 103/8 That was the week that was Score Green, Bennie 103/9 Hop skip jump Lead sheet Griscom, Gay and Arthur Taran 103/10 Sunny hill Lead sheet Gross, Walter 103/11 Tenderly

Arranged by Jim Poletti

 Piano score Gryce, Gigi 103/12 Minority Lead sheet, bass part 103/12 Reminiscing Lead sheet Hamlisch, Marvin and Alan Bergman 103/13 The way we were Chord chart, drum part Harris, Bill 103/14 Intaglio Lead sheet Harris, Lewis 103/15 The things I love Score Hart, Lorenz and Richard Rodgers 103/16 Blue moon Parts Hawkins, Edwin 103/17 Oh happy day

Arranged by Quincy Jones

 Trumpet part Hayes, Isaac 103/18 Theme from Shaft Piano score Haymes, Bob 103/19 Comin' home on a Friday night Lead sheet 103/19 I never get enough of you Lead sheet Heath, Jimmy 103/20 Afro-American suite of evolution Piano part 103/20 Gingerbread boy Bass part Hefti, Neal 103/21 After supper Lead sheet 103/21 Cute Lead sheet 103/21 Duet Lead sheet 103/21 Fantail Lead sheet 103/21 Flight of the foo birds Lead sheet 103/21 It's awf'lly nice being with you Lead sheet 103/21 Lil darlin' Lead sheet 103/21 Splanky Lead sheet Hellerman, Fred and Fran Minkoff 103/22 The honey-wind blows Lead sheet Hendricks, Jon 103/23 Strange feeling Lead sheet Herbert, Jane 103/24 O gato (The cat) Lead sheet Hickman, Art and Walter Smith 103/25 Rose room Lead sheet Hogan, Roger 113/1 Ballad shiraz Score 103/26, 113/2 Lucinda Score, parts 103/27 Shiraz Parts Homes, Jeff 103/28 Thadeus Lead sheet Hubbard, Freddie 103/19 Little sunflower Parts Hurd, Danny 103/30 April Score 103/31 Drifting Score 103/32 Groovy waltz Score 103/33 Kwazy waltz Piano score 103/34 Love theme Scores 103/35 Raggy polka Piano score 103/36 Sensational Score Jackson, Milt 104/1 Bags' groove Lead sheet Janus, Byron 104/2 The warmth of Christmas Lead sheet Jarrett, Keith 104/3 Coral Lead sheet 104/3 Moonchild Lead sheet 104/3 My song Lead sheet Jones, Douglas L. 104/4 Bless your people Lead sheet 104/4 Joy cometh in the morning Lead sheet 104/4 My song Lead sheet 104/4 Sea of life Lead sheet Jones, James 104/5 Rent city Lead sheet Jones, Quincy 104/6 Boo's bloos

Arranged by Wade Marcus

 Piano part 104/6 Ironside Piano part 104/6 Quintessence Unspecified part 104/6 Soul bossa nova

Arranged by Wade Marcus

 Piano part Jones, Thad 104/7, 113/3 A child is born Score, parts 104/8 Don't mean a thing Parts Joplin, Scott 104/9-11 The entertainer

Arranged by Harold Wheeler

 Score, parts Jordan, Clifford 104/12 Toy Lead sheet Kahle II, Doug 104/13 The price of the eighty-eight Lead sheet Katz, Richard 104/14 Aurora Piano score, lead sheet 104/14 Timonium Piano score Keller, Hal 104/15 All the time Lead sheet 104/15 I'm not an old-fashioned girl Lead sheet 104/15 Stay! Lead sheet 104/15 Together once more Lead sheet Kern, Jerome 104/16 All the things you are Lead sheet 104/16 Ol' man river Bass part Lawrence, Stephen 104/17 Four in love Scores Legrand, Michel 104/18 Windmills of your mind Score Lennon, John and Paul McCartney 104/19 Here, there, and everywhere Lead sheet Levinsky, Walt 104/20 Opening theme Parts Levy, Charles J. [i.e. Creole Charlie] 104/21 Dance to Dixieland: Dixieland jazz suite Lead sheets

Selections only

 Lewis, Charlie and John Levy 104/22 Restricted Lead sheet Liston, Melba 104/23 We never kissed Lead sheet Lutz, Spencer 104/24 Whether you know it or not Lead sheet McDermott, Galt 104/25 Walking in space Piano score, parts

Includes arrangements by Quincy Jones

 Magne, Michel 104/26 Delightfully cool Lead sheet Mancini, Henry 104/27, 113/7 Days of wine and roses Score, bass part Mapp, Norman 104/28 Blues in bloom Lead sheet Mardin, Arif 104/29 No one Score Marsters, Ruth 104/30 Las Vegas fiesta Lead sheet Martin, George 104/31 The lady Lead sheet Maskaleris, Sue 104/32 Scat! Vocal score, lyric sheet Masters, Randy 104/33 The grace of a dove

Arranged by Hal Peterson

 Parts McKibbon, Al 104/34 Simplicity Lead sheet McKinney, James 104/35 Trinidad Lead sheet McPartland, Marian 104/36 Jazz waltz for a friend Piano score 104/36 Stranger in a dream Score McRae, Teddy 104/37 The sleeper takes a walk Lead sheet Medley, Phil 105/1 Blue champagne for mam'selle Lead sheet 105/1 Reminiscing Lead sheet 105/1 Underneath Parisian skies Lead sheet Mehegan, John and Arthur Taran 105/2 Moon mist Lead sheet 105/2 Once again in love Lead sheet Miller, Ronald and Orlando Murden 105/3, 120/1 For once in my life Parts Mingus, Charles 105/4 Goodbye pork pie hat Piano score Mitchell, Roscoe 105/5 Care free Lead sheet Monk, Thelonious 105/6 Hacken sack Lead sheet 105/6 'Round midnight

Arranged by Jim Poletti

 Piano score 105/6 Straight no chaser Lead sheet Montgomery, Wes 105/7 Boss city Parts 105/8 Twisted blues

Arranged by Oliver Nelson

 Parts Nelson, Oliver 105/9, 113/8 125th Street and 7th Ave Score, parts 105/10 Black, brown, and beautiful

Arranged by R. Hogan

 Parts 105/11-12 Miss Fine Parts 105/13 One for the Duke Parts 105/14 A penthouse dawn Parts 106/1-3, 113/9 Soundpiece for jazz orchestra Score, parts 106/4, 113/10-11 Stolen moments Scores, parts Newey, Don 106/5 From now on Lead sheet 106/6 He and she Lead sheet 106/7 How did it happen? Lead sheet 106/8 I'm an idiot Lead sheet 106/9 I've known the joy of you Lead sheet 106/10 Spring is in the air Lead sheet 106/11 While she's away Lead sheet 106/12 Without you Lead sheet 106/13 You're fantastic Lead sheet Nieli, Joe 106/14 Black and Blue Mary Piano score 106/14 Blue Alouette Piano score 106/14 In a blue Dorian mood Piano score 106/14 Old Black 'Donald Piano score 106/14 Serenade Piano score Ogerman, Claus 106/15 A face without a name Lead sheet 106/15 The jazz samba Lead sheet 106/15 Morena Lead sheet 106/15 Twenty-seven hours in a day Lead sheet O'Kun, Lan 106/16 Come away Score, parts 106/17 Flower girl

Arranged by Jimmy Jones

 Score 107/1, 113/4 Learn to juggle Lead sheet, parts 107/2 (A man named) Lollipop Score, parts 107/3 Musicians Lead sheet, parts 107/4, 113/5 My name is Jane Score, parts 107/5, 113/6 Sand blocks Score, parts 107/6 What do you do Lead sheet, parts Oliver, Sy 107/7 For dancers only Parts Ornadel, Cyril 107/8 If I ruled the world Piano score

Incomplete

 Ossen, Glenn 107/9 Lark jingle Lead sheets Owens, Jimmy 107/10 Complicity Lead sheet 113/12 Git the money bluze Score 113/13 It's really gotta happen Score 107/10 Look softly Lead sheet 107/10 Love story Drum part 107/10 Magic moment Lead sheet 107/10 Martin's theme Lead sheet 107/11 Melodic phrase study #1 Exercise 107/11 Milan is love Lead sheet 107/11 Secret love Bass part 113/14 Short peace Score 107/11 Spiritual MLK Piano score 107/11 To them!!! Lead sheet Parisien, Pierre 107/12 The restless mind Lead sheet 107/12 Thoughts for Sandy Lead sheet 107/12 Your name is really stormy Lead sheet Parker, Charlie 107/13 Donna Lee Lead sheet 107/13 Ornithology Lead sheet Parnes, Paul 107/14 Autumn rain Lead sheet Passman, Ray 107/15 Down St. Thomas Way Lead sheet 107/15 I got jazz on my mind Lead sheet, lyric sheet Pate, John W. Sr. 107/16 Oo you're a livin' doll Lead sheet Paul, Barberie 107/17 Changes Lead sheet Pearson, John 107/18 Mr. Saxophone Lead sheet 107/18 You look aw'fly good tonight Lead sheet Pinkard, Maceo and Doris Tauber 107/19 Them there eyes Chord chart Porter, Cole 107/20 Begin the beguine

Arranged by Eddie Haywood

 Piano score 107/21 So nice to come home to

Arranged by Manny Albam

 Piano part Provost, Heinz 107/22 Intermezzo Score Rainer, Ralph 107/23 Thanks for the memories Score, parts Redington, Ginny and Tom Dawes 108/1 Noxzema

Arranged by Tom Dawes

 Score Reilly, Jack 108/2 Half stop Lead sheet 108/2 Halloween Lead sheet 108/2 Instant champion Lead sheet 108/2 November Lead sheet 108/2 Unichrom Lead sheet Rivera, Ray

Some works are co-written by various composers

 108/3 Ayana Lead sheet 108/3 The happy laffer Lead sheet 108/3 Lips and legs Lead sheet 108/3 Miss Soft Soul Lead sheet 108/3 Most of all I love you Lead sheet 108/3 Pele Lead sheet 108/3 Portrait of Nadine Lead sheet 108/3 Quita Lead sheet 108/4 Rio peak Lead sheet 108/4 Salsa hustle Lead sheet 108/4 The sea of tranquility Lead sheet 108/4 Soul of Puerto Rico Lead sheet 108/4 Theme for Audrey Lead sheet 108/4 The ultimate ego Lead sheet 108/4 Yambo Lead sheet 108/4 You are the love for me Lead sheet Roane, Kenneth A. 108/5 The leisurely flight of a butterfly Score, part Roberts, Jim 108/6 Bufferin Piano score Rodgers, Gene 108/7 Idiot's delight Piano score Rodgers, Richard and Oscar Hammerstein 108/8 Hello, young lovers

Arranged by Larry Wilcox

 Guitar part 108/9 Like a god Score Rollins, Sonny 108/10 Airegin Parts 108/11 St. Thomas Parts Romero, Raoul 108/12 Dreamland Parts 108/13 Fly-by-night Parts Rosen, Ruth 108/14 Ballads Lead sheet Rotella, Johnny 108/15 Hot fudge Score, parts Ruff, Willie 108/16 Chou chou Bass part Salaam, Abdul 108/17 Swingin' Lead sheet Sampson, Grace and Edgar 108/18 Beguine the romance Lead sheet Segal, Jack and Marvin Fisher 108/19 Words and music Score Shaw, Arvell 108/20 The rain that fell (that fall) Lead sheet Sherman, Daryl 108/21 Welcome to Manhattan Lead sheet Sherman, Harold 108/22 X-theme-disco Lead sheet Silver, Horace 108/23 Mayreh Parts Silverstein, Herb 108/24 Waltz for Beth Piano score Simons, Seymour 108/25 All of me Trumpet part Singh, Darshan 108/26 Don't weep for the lady Lead sheet Smith, Chris 108/27 Ballin' the jack Lead sheet Smith, Hale 108/28 Give me some money Lead sheet 108/28 Hey baby, I want to be with you Lead sheet 108/28 I don't know what to say Lead sheet 108/28 O, gee how I love you Lead sheet 108/28 Sweet love, young love Lead sheet 108/28 When I look in your eyes Lead sheet 108/28 Where have you been since yesterday? Lead sheet 108/28 You are the star for me Lead sheet Smith, Jimmy 114/1 Blue Score 114/2 Slaughter Score 114/3 Virginia Woolf Score Smith, O. C. 108/29 Clean up your own Score Snyder, Bill 108/30 New York Score 108/30 New York Score 108/30 Teresa smiles Lead sheet 108/30 Tinsel and starlight Lead sheet Steele, Gil and Fran Thorne 108/31 Blues in the day Score 108/31 They say it's the greatest Lead sheet Stern, Nikki 109/1 Heart to heart Lead sheet 109/1 You chase my blues away Lead sheet Straton, J. 114/4 Concerto grosso for jazz trio and ensemble Score Stravinsky, Igor 109/2 Pulcinella Score Strayhorn, Billy 114/5 Take the "A" train Score Strouse, Charles 109/3 Those were the days Lead sheet Strozier, Frank 109/4 Days of daze Piano score 109/4 Feathers Piano score 109/4 Lonely me Piano score 109/4 Wisp Piano score Styne, Jule 109/5 Funny girl. Overture Oboe part Suleiman, Alan Jamil 109/6 I've been waiting for Christmas Lead sheet 109/6 Love is a cannibal Lead sheet 109/6 There is no substitute for you Lead sheet 109/6 This black miracle me Lead sheet 109/6 Who knows what Santa Claus is like Lead sheet Talbert, Thomas 109/7 After hours Lead sheet 109/7 Divertissement Lead sheet 109/7 A month of Sundays Lead sheet 109/7 Never meant for me Lead sheet 109/7 Port of longing Lead sheets 109/7 Too soon Lead sheet 109/7 Toward dusk in spring Lead sheet 109/7 Watermelon days Lead sheet Taran, Arthur 109/8 Cool melodie Lead sheet 109/8 The wailing blues Lead sheet 109/8 You're mine alone Lead sheet Tauben, Ella 109/9 Let's learn to laugh together Lead sheet Taylor, Mark 109/10 Love beams Score Thomas, Gordon M. 109/11 All over the town Lead sheet 109/11 Bad dog Lead sheet 109/11 Beautiful souls Lead sheet 109/11 Christmas time Lead sheet 109/11 Diana Lead sheet 109/11 Don't come bothering me now Lead sheet 109/11 Everything's coming my way Lead sheet 109/11 Everything's going to be all right Lead sheet 109/11 Happy new year Lead sheet 109/11 Jackie Lead sheet 109/11 Jamaica W. I. Lead sheet 109/11 Little Joey Lead sheet 109/11 My brow baby Lead sheet 109/11 Nevis Lead sheet 109/11 The snow song Lead sheet 109/11 Spain-Italy Lead sheet 109/11 Tobago Lead sheet 109/11 Trinidad Lead sheet Thomas, Robert C. 109/13-14 After love, emptiness Score 109/15 Aphrodite Piano part 109/15 The opener

Arranged by Frank Perowsky

 Parts Thomson, Shannon 109/17 With one voice Score Thorne, Francis 110/1 Back in town Lead sheet 110/1 Just called to wish you good morning Lead sheet 110/1 Wedgwood blues Piano score Tillis, Frederick 110/2 Concerto for piano Score 110/3 A Latin tinge Lead sheet 110/3 Tango sophisticate Lead sheet Toombs, Rudy 110/4 One mint julep Lead sheet Tormé, Mel and Robert Wells 110/5 Penny with the copper-colored hair Lead sheet Trueblood, Paul 110/6 Goodbye to my cherie Lead sheet 110/6 Whispers in the breeze Lead sheet Tucker, Ben 110/7 The big "W" Lead sheet 110/7 Comin' home, baby Lead sheet 110/7 Devilette Lead sheets 110/8 Don't you know Score, piano part 110/9 Flick of a trick Score

Rhythm section only

 110/9 The message Lead sheet 110/9 My man's back in town Score, lead sheet 110/10 Ramblin' rover Scores 110/10 Tell me Score Vinnegar, Leroy 110/11 Glass uh water

Arranged by Teddy Edwards

 Parts Voorheis, Jim van 110/12 I knew you when Lead sheet 110/12 Like butterflys Lead sheet 110/12 Once upon a wonderful Lead sheet 110/12 Weeping wind Lead sheet Waller, Fats 110/13 Ain't misbehavin' Lead sheet 110/13 Black and blue Lead sheet 110/13 Honeysuckle rose Piano score, chord chart Walters, Joan 110/14 I dreamed my life away Lead sheet 110/14 Whatever happened to the old songs? Lead sheet Watson, Leon and Kenneth Roane 110/15 New York City Score Weill, Kurt 110/16 September song Flute part Weinstein, Sol 110/17 The curtain falls Lead sheet 110/17 Remember, little darling Score 110/17 That's my way Lead sheet 110/17 You're a winner Lead sheet Weismantel, Fred 110/18 Week-end in Paris Lead sheet Wess, Frank 110/19-20 Dirty ole man Score, parts White, Barry 110/21 Love's theme Score, parts Willen, Alfred H. 111/1 American merengue Score 111/1 Cool breeze Score 111/1 Desert lass Score 111/2 Impressions of a junior recital Score 111/2 My hope Score, lyric sheet 111/2 Punky foot Score 111/2 Symphony no. 1. Fifth movement Score Williams, Jackie 111/3 Duckie Lead sheet Willson, Meredith 111/5 Leadville Johnny Brown Score Wilson, Gerald 111/4 Viva tirado Parts Wonder, Stevie 111/6 You are the sunshine of my life

Arranged by Harold Wheeler

 Parts Woodall, S. Thomas 111/7 Emily Score Yarborough, Davey 111/8 Spirit of the "T" Lead sheet Young, David 111/9 I need someone Lyric sheet 111/9 Left over lover Lyric sheet 111/9 My honey's sweet on me Lyric sheet Zawinul, Joe 111/10 Joe's Avenue Lead sheet Zelman, Mel 111/11 Jazz is music to me Lead sheet Zoller, A. 111/12 Alicia's lullabye Piano score Unidentified composers 115/1 Air mail special Trumpet part 115/2 Al di la Lead sheet 115/3 All things are possible Lead sheet 115/4 American Bass part 115/5 Be an England Parts 115/6 A bit of Bud Saxophone part 115/7 Bix and bunk Parts 115/8, 120/2 Blues in F Score, parts 115/9 By myself Bass part 115/10 "C" jam Parts 115/11-15 Chaser I-V Scores, parts 115/16 Chump change Parts 120/3 Cocoa bean song Score 115/17 The comeback Parts 120/4 Complex city Score 115/18 Day after day Guitar part 115/19 Dick Van Dyke Parts 115/20 Diga diga doo Parts 115/21-22 Dolly Parts 115/23 Don't tempt me Parts 120/5 Dust bowl Score 115/24 Elderdown Piano score 116/1 Entered my mind Parts 116/2 Fanfare no. 1 Parts 116/3 Fancy free Parts 116/4 Feelin' free Parts 116/5-6 A fellow needs a girl Score, parts 116/7 First time Flute part 116/8 Fool am I Parts 116/9 Gimme a pigfoot Piano part 116/10 Hail Parts 120/6 The happy cricket Score 116/11 Hogan's heroes Parts 116/12 How about you? Parts 116/13 I am his lady Trumpet part 116/14 I know

Arranged by Frank Wess

 Parts 116/15-16 In the lap of luxury Score, parts 116/17 Jamaican sunrise Bass part 116/18 Joe Hammer theme Saxophone part 116/19 Joshua fit the Battle of Jerico Bass part 116/20 Jumpin' Jack Bass part 116/21 Keeping out of mischief now Piano score 116/22 King Porter Parts 116/23 Lost in the stars Parts 117/1 Love you madly Lead sheet 117/2 The man Score 117/3 Midnight theme Score, parts 117/4 Minute waltz Drum part 117/5-6 Miscellaneous works with titles Score, lead sheet, and part fragments 117/7 Mood for Mendes Lead sheet 117/8 Mother to son Flute part 117/9 Mourir d'aimer Guitar part 117/10, 120/7 Muffle guffle Scores, parts 117/11 Mush mouth Parts 117/12 New York Parts 117/13 Nobody but me Lead sheet 117/14 Nocturne Piano score 120/8 Nothing more Score 117/15 One o'clock jump Parts 120/9 Ordinary people Score 117/16 Ours Lead sheet 117/17 Overture Parts 117/18 Parise Score 117/19 The persistence of memory Lead sheet 117/20 Phoenix Parts 117/21 Play off Parts 117/22 Pleasingly plump Flute/trumpet part 117/23 Purlie Parts 117/24 Quiet please Score 117/25 Quincy's tune Parts 120/10 Rainbows Scores 117/26 Reflections Score 117/27 Romance in the dark Piano part 117/28 Shaft Parts 118/1 Show chaser Trombone part 118/2 Sidewinder Parts 118/3 Sissy strut Parts 120/11 Something big Score 118/4 The song is ended Parts 118/5 Spy cue Score, parts 118/6 St. Thomas Flute parts 118/7 Stamm-pede Score 118/8 Struttin' with bar-b-que Parts 120/12 Sun Score 118/9 Tasha Score 118/10, 120/13 That was the week Scores, parts 120/14 Theme Score 118/11 Theodora Parts 119/1 There is nothing like a lark Lead sheet 119/2 Thou swell Bass part 119/3 Thought I let you know Lead sheet

Incomplete

 119/4 Tijuana Parts 119/5 Tiny Tim play on and off Parts 119/6 Tubby the Tuba meets a jazz band Score 119/7 Unlucky "T" Lead sheet 119/8 Up, up, and away Parts 119/9 Valse hot Violin part 119/10 Victory Parts 119/11 Walkin' in the light Piano part 119/12 Watch what happens Parts 119/13 Week-closing Scores, part 119/14 What?! Chord chart 119/15 What's going on? Chord charts 120/15 What's wrong? Score 119/16 Whenever I'm not with you Chord chart, bass part 119/17 Where would I be? Saxophone parts 119/18 Wilkommen Parts 119/19 You are too beautiful Organ part 119/20 You ban the bomb Score, parts 119/21-22 Unidentified Score, lead sheet, and part fragments 122-125, 127-128, 132-155 Writings, 1945-2001

Speeches, articles, lectures and public statements by Taylor; Taylor's dissertation; articles, clippings, reviews, and publicity materials about Taylor; projects, programs, and proposals; reports, studies, surveys; research papers; stage and screen materials.

 122-124, 128, 132-137, 141, 148 Writings by Billy Taylor, 1956-2000 132 Addresses and Speeches 132/1a Addresses to graduating classes, undated Holograph in pencil and typewritten manuscripts

Graduating classes not identified.

 132/2 Address to young musicians, undated 132/3 Arts & Business Council, undated 132/4 Baltimore Alumni Chapter, Kappa Alpha Psi, undated 132/5 Berklee graduating class, undated 132/6 “Summer is a special time for music ...” undated (2 copies)

132/7 Testimony before the Sub-Committee on Select Education, undated 132, 141, 148 Articles 132/9 "The arts: for whom and from whom?" undated Typewritten manuscript

132/10 "Back in the sixties ..." undated Typewritten manuscript

132/11 "Billy Taylor jazz improvisation," undated Photocopy

A series of eighteen articles published in Contemporary Keyboard magazine.

 132/12 "Billy Taylor talks piano," Jan. 1981 (3 copies)

Reprint from Up Beat.

 132/13 "Black radio ... public management and responsibility," June 1973

From Muses.

 141/2 "Blues piano," Contemporary Keyboard (Sept. 1979): p. 72

132/14 "The business of jazz," undated Typewritten manuscript

132/15 "Chromatics," undated Typewritten manuscript

132/16 "Count Basie - an appreciation," undated Holograph in pencil

132/17 "Count Basie - an appreciation," undated Typewritten manuscript (2 copies)

132/18 "Count Basie: the gentleman from Redbank," undated Typewritten manuscript

132/19 "Critical issue in art," undated Holograph in pencil

148/1 “Dear jazz lover...” Jan. 2000

From Kennedy Center Jazz.

 141/3 "Focus on jazz," Harper's Bazaar (June 1973): p. 57

141/4 "Is jazz America's classical music?" Ovation (July 1982): p.11

132/20 "Is jazz America's classical music?, 1982

From Ovation magazine.

 132/21 "The jam session," undated Holograph in pencil

132/21 "The jam session," undated Manuscript in ink

132/22 "Jazz," April 1982 (2 bound copies)

From The Musical Quarterly.

 132/23-24 "Jazz, America's classical music," undated Typewritten manuscripts (5 copies)

132/25 "Jazz: America's classical music," 1983 (2 copies)

Reprint from Billy Taylor's Jazz piano: a jazz history.

 132/26 "Jazz: America's classical music," undated

From The Black Perspective in Music.

 132/27 "Jazz as a metaphor for American culture," undated Typewritten manuscript

141/5 "Jazz improvisation: Count Basie - an appreciation," Contemporary Keyboard (Nov. 1979): p. 77

141/6 "Jazz improvisation: voicings for large hands," Contemporary Keyboard (Oct. 1979): p. 91 (2 copies)

132/28 "Jazz is America's classical music," undated Typewritten manuscript

132/29 "Jazz is America's classical music," undated Photocopy

132/30 "Jazz is hard to beat this year," June 4, 1974 Photocopy of news clipping

141/7 "Jazz piano today and tomorrow," Saturday Review Magazine (March 17, 1956): p. 36 (2 copies)

132/31 "Jazzmobile," undated Holograph in pencil

141/8 "Jazzmobile: twenty years of progress," Harlem Week Magazine (Aug. 1989): p. 36

132/32 "Music in our schools," undated Photocopy

Issued by the Government Printing Office.

 132/33 "My first 50 years in jazz," undated Typewritten manuscript

132/34 "My first 50 years in jazz," undated

Published by GRP Records, Inc.

 132/35 "Negroes don't know anything about jazz," undated Photocopy

132/36 "On the bandstand with Bird," July 1996 Photocopy

From Live magazine.

 132/8 "A participant recounts the 1940's revolution in American classical music," undated Typewritten manuscript

141/9 "Piano panorama: insights into the ivories," Downbeat Magazine (March 10, 1977): p. 19

141/10 "Progressive jazz," Downbeat Magazine (March 7, 1956): p. 11

132/37 "Ragtime," undated Typewritten manuscript (3 copies)

132/38 "The subject is jazz," undated Typewritten manuscript

132/30 "Summer is special for music," undated Photocopy of news clipping

132/39 "This is progressive jazz," undated Printed (7 copies)

141/1 "A tribute to Art Tatum," Toledo Magazine (June 30, 1985): p. 7 (2 copies)

141/11 "We're wasting a national resource," Billboard Magazine (Feb. 1, 1986): p. 10

132/40 "What a year!" undated Typewritten manuscript

132/41 "Women in jazz," undated Typewritten manuscript

132/42 "Women in jazz," undated Photocopy of printed article

132 Autobiographical 132/1 "A large part of my life ..." undated Typewritten manuscript

133 Billy Taylor on His Original Compositions 133/1 Homage, undated Holograph in pencil and typescript (3 versions)

133/2 Impromtu, undated Holgraph in ink and typescript

133/3 Make a joyful noise, undated Typewritten manuscript

133/4 Peaceful warrior, undated Typewritten manuscript

133/5 Suite for jazz piano and orchestra, undated Typewritten manuscripts (3 versions)

133/6 Theme & variation, undated Holograph in pencil

128, 133 Lectures 133/8 Billy Tayor jazz lecture (1), undated Typescript with markings in pencil

133/8a Billy Taylor jazz lecture (2), undated Typescript with markings in pencil

133/9-10 Billy Taylor jazz lecture on Art Tatum, undated Holographs in pencil

133/7 "The black man in American music," undated Typewritten manuscript

133/11 "Jazz is bursting out all over," undated Typescript with markings in pencil

133/12 Nancy Hanks lecture on arts and public policy, undated Typewritten manuscript

133/13 Nancy Hanks lecture on arts and public policy, March 9, 1998

Published in NewsBreak.

 133/14 Syllabus, undated Printed typescript

128/3 Syllabus and outlines, undated

133 Billy Taylor Open Letters 133/15 Billy Taylor 75th anniversary newsletter, undated Typewritten manuscript

133/16 IAJE message, undated Typewritten manuscript

133/17 Regarding Mary Lou Williams, undated Typewritten manuscript

133/18 Soundpost letter, July 4, 1993 Typewritten manuscript

133/19 Soundpost letter, 1994 Typewritten manuscript

133/20 To IAJE membership, Jan. 2000 Printed

133 Billy Taylor on Other Musicians 133/21 Armstrong, Louis, undated Typewritten manuscript

133/22 Capers, Valerie, undated Typewritten manuscript

133/23 Coltrane, John, undated Typewritten manuscript

133/24 Gillespie, Dizzy, undated Typewritten manuscript

133/25 Hampton, Lionel, undated Holograph in ink and typescript

133/26 Heath, Jimmy, undated Holograph in pencil and typescript with markings in pencil

133/27 Holiday, Billie, undated Typewritten manuscript

133/27a Humes, Helen (Birthday tribute), undated Typescripts

133/28 Johns, Steve/Peter Brainin, undated Holograph in pencil and photocopy

133/29 Lewis, John, undated Typewritten manuscript (3 versions)

133/30 McLean, Jackie, undated Typewritten manuscript (2 versions)

133/30a Monk, Thelonious, Jan./Feb. 1994 Photocopy of printed article

From Jazz Times magazine.

 133/31 Parker, Charlie, undated Typewritten manuscript

133/32 Tatum, Art, undated Typewritten manuscript (2 versions)

133/33 Tyner, McCoy, undated Typewritten manuscript

133/34 Weston, Randy, undated Holograph in pencil and typescript with holograph markings in pencil

133/35 Williams, Mary Lou, undated Typewritten manuscript

122-124, 133-137 Billy Taylor Publications 133/36 Billy Taylor's Soundpost, 1991-1998

122/7 Jazz: America's classical music (draft of study guide), undated Typewritten manuscript

133/37 History and development of jazz piano (draft), undated Holograph in ink and pencil

Doctoral dissertation.

 133/38 History and development of jazz piano (draft), undated Holograph in pencil and typescript

Doctoral dissertation.

 133/39 History and development of jazz piano, bibliography (draft), undated Holograph in ink, pencil and typescript

Doctoral dissertation.

 134/1 History and development of jazz piano, music examples (draft), undated Holographs in ink and pencil

Doctoral dissertation.

 134/2 History and development of jazz piano, miscellaneous notes (draft), undated Holographs in ink and pencil

Doctoral dissertation.

 134/3-5 History and development of jazz piano (draft), Aug. 1975 Typewritten manuscript

Doctoral dissertation.

 134/6 History and development of jazz piano (draft), Aug. 1975 Typewritten manuscript (pages missing)

Doctoral dissertation.

 122/1-4 History and development of jazz piano (draft), parts 1-4, undated Typewritten manuscript with handwritten notes

Doctoral dissertation.

 123/1-3 History and development of jazz piano (draft), parts 1-3, undated Typewritten manuscript with accompanying notes

Doctoral dissertation.

 123/5-7 History and development of jazz piano (draft), parts 1-3, undated Typewritten manuscript

Doctoral dissertation.

 123/4 History and development of jazz piano (draft), Chapter X, undated Typewritten manuscript

Doctoral dissertation.

 135/1-2 History and development of jazz piano (draft), Aug. 1975 Typewritten manuscript (bound)

Doctoral dissertation.

 135/3 History and development of jazz piano (draft), undated Photocopies of typescript (extra pages)

Doctoral dissertation

 135/4 History and development of jazz piano (draft), undated Supporting documents and notes

Doctoral dissertation.

 135/5 The history and development of jazz piano. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1983 Galley proofs

136/1 Jazz piano: history and development. Abstract - Chapter VII, undated Holographs in ink and pencil, and typescripts with holographic markings in pencil

136/2 Jazz piano: history and development. Chapter VIII - Chapter XIV, undated Holographs in ink and pencil, and typescripts with holographic markings in pencil

136/3 Jazz piano: history and development. Editor's notes, undated Manuscripts in ink and pencil, and typescripts

136/4 Jazz piano: history and development. Chapters 1-8, undated Publishers' proofs

136/5 Jazz piano: history and development. Chapters 9-end, undated Publishers' proofs

136/6 Jazz piano: history and development. Chapters 1-8, undated Annotated publishers' proofs

136/7 Jazz piano: history and development. Chapters 9-end, undated Annotated publishers' proofs

137/1 Jazz piano: history and development. Dubuque, Iowa: Brown Company Publishers, 1982

137/2 Jazz piano: a jazz history. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1983

137/3 Jazz piano: history and development - Production notebook. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1983

122/6, 8 Procedures notebook for Jazz piano: history and development. Mary H. Beaven, Fairleigh Dickinson University, undated Typewritten manuscript; various pagings (2 copies)

137/3 Jazz piano: history and development - Study guide. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1983

122/5 Billy Taylor's Jazz piano: history and development. Study guide written by Mary H. Beaven with consultation from Billy Taylor, undated Typewritten manuscript; 105 p. 124/1-3 Correspondence between National Public Radio and William C. Brown Co. regarding projected radio series with Billy Taylor on the history of jazz, 1980-1982 see also William C. Brown Co. publishers under Business Papers--General Correspondence

124/4 Working papers for the NPR radio program on the history of jazz, undated

124/5 History and development of jazz piano: a listening guide (draft), undated Typewritten manuscript

124/6-9 History of jazz (NPR and William C. Brown's text for the program), undated Typewritten and handwritten manuscript

137 Billy Taylor Public Statements 137/5 Artistic/collaborative statement (drafts), Jan. 9, 1997 Typewritten manuscripts

137/4 Arts & Business Council, 30th anniversary gala program, Nov. 13, 1995 Typewritten manuscript

137/4a Arts & Business Council, undated Typewritten manuscript

137/9 Billy Taylor on some of his jazz activities, undated Holograph in ink

137/6 Billy Taylor's jazz at the Kennedy Center, Nov. 12, 1993 Typewritten manuscripts (2 copies)

137/8 Billy Taylor's random thoughts on tunes on solo CD, undated Typewritten manuscript (2 copies)

137/7 Black radio, undated Typewritten manuscript

137/10 Charles Kuralt's legacy, Aug. 8, 1997 Typewritten manuscript (3 copies)

137/11 Communicating jazz, undated Typewritten manuscript

137/12 Communication is the name of the game, undated Typewritten manuscript

137/13 Hearing before the Sub-committee on the Interior and Related Agencies, May 3, 1994 Typescript

137/14 Jazz is alive and well in New York, undated Typewritten manuscript

137/15 Jazz on college/university campus, undated Manuscript in ink

137/20a Keith Copeland, undated Photocopy of holograph

137/16 My first 50 years in jazz, undated Typewritten manuscript

137/17 Songwriters' rights, April 1, 1971 Typewritten manuscript

137/18 Statement on jazz, undated Typewritten manuscript

137/19 Update and itinerary (fall 1995), Sept. 1, 1995 Typewritten manuscript

137/20 Willis Conover, undated Typewritten manuscript

137/21 What I expect from Herbert-Bennett Management, undated Typewritten manuscript (2 copies)

128, 137 Miscellaneous Writings by Billy Taylor 137/22 Billy Taylor account of his trip to the Soviet Union, undated Holograph in pencil

137/23 Billy Taylor fake book, undated Manuscript in pencil

137/24 Billy Taylor story ideas, undated Typewritten manuscript (incomplete)

137/25 Billy Taylor's circle of fifths, undated Typewritten manuscript (incomplete)

137/26 Definition of styles, undated Typewritten manuscript

137/36a Duke speech, undated Typewritten manuscript

137/27 Foreword, undated Typewritten manuscript (incomplete)

137/28 Glossary of musical terms, Aug. 12, 1986 Typescript with holographic markings in ink

137/29 Health of the field, undated Typewritten manuscript

137/30 Lecture notes, undated Manuscript in ink and pencil

137/31 Lyrics with titles, undated Manuscripts in pencil

137/32 Lyrics without titles, undated Manuscripts in pencil

128/1-2 Miscellaneous handwritten drafts, undated

137/33 Performance plus, undated Typewritten manuscript (incomplete)

137/33a Roots-general vocabulary of sounds, undated Typewritten manuscript

137/34 Russell Bacon (Billy Taylor's cousin), undated Typewritten manuscript

137/35 Tracing the history of American music, undated Typewritten manuscript (incomplete)

137/27a Victor Gaskin, undated Photocopy of holograph

137/36 What is art? undated Typewritten manuscript

125, 127, 138-140, 142-148 Writings about Billy Taylor, 1945-2001 138, 142-145, 148 Articles 138/7 "The award-winning Jazz Alive." NPR Report Newsletter, July/Aug. 1981

142/2 Bailey, Peter. "Billy Taylor keeps jazz jumping." Black Stars magazine, Sept. 1973; p. 31

138/41 Basile, John. "The jazz line." Neon Navigator, April 1994 Photocopy of printed article

138/5 Bass, Lisa P. "An interview with Billy Taylor: marathon man of jazz education." Music Educators Journal, Jan. 1982 Photocopy of printed article

138/4 Bayane, Al. "An evening of jazz with the Billy Taylor Trio." Journal Maroc Soir, Feb./Mar. 1982 Typescripts

138/19 Belt, Byron. "Billy Taylor: jazz prophet with honor." Long Island Sunday Press, March 1976 Photocopy of printed article

143/7 Bernotas, Bob. "Dr. Billy Taylor." Jazz Player, Aug./Sept. 1996; p. 12

142/5 "Billy Taylor." Caribe, Fall 1982; p. 22

138/8 "Billy Taylor and his trio." Smithsonian Associates, Jan. 1986

138/9 "Billy Taylor appointed new Pote Jazz Artist." SMS Newsletter, Spring 1985

Published by the Settlement Music School.

 138/10 "Billy Taylor enriches Lawrence artist series." Post Crescent (Appleton, Wisconsin), Oct. 2, 1976 Photocopy of printed article

138/17 "Billy Taylor: good jazz in Rutland." Rutland Daily Herald, Nov. 5, 1970

142/9 "Billy Taylor: pianist, author, teacher...." Pisces Magazine, April 1974; p. 30

138/11 "Billy Taylor premieres new work with Meet the Composer grant." Voice of Jazz Newsletter, Winter 1978

148/2 "Billy Taylor returns to Walt Harper's attic." Key magazine, Nov. 9, 1973; p. 12

148/3 "Billy Taylor Trio." Ravinia (International Festival of the Arts), June 16, 1994; p. 20

142/4 "Billy Taylor Trio appears with F-M Symphony." Howard Binford's Guide, Nov. 1978

142/11 "Billy Taylor's jazz at the Kennedy Center." Kennedy Center News, Jan./Feb. 2001; p. 11 (2 copies)

145/2 Bittan, Dave. "Pianist Billy Taylor: renaissance jazzman." Jazz Reach (Philadelphia Daily News), 1986; p. J-6

138/26 "Black College Jazz Network Project presents Billy Taylor Trio in concert." Inside Line Newsletter (Clark College), Jan. 1983

142/8 Blum, Joe. "Billy Taylor: Dr. Jazz." Jazz Times, April 1984; p. 10

138/24 Blumenthal, Bob. "Billy Taylor's jazz at the Kennedy Center," 1995 Typescript

138/22 Bourne, Michael. "Billy Taylor: the jazz doctor." Cognac Hennesey Jazz Notes, Fall 1995

138/51 Boyd, Herb. "Music II: jazz and classical," undated Photocopy of printed article

138/42 Brown, Carol F. "Jazz on wheels," 1981

143/13 Campbell, Barbara. "How Mr. Taylor broke the ice with Mr. Frost." Jazz ASCAP Today, Sept. 1971; p. 20

138/37 Campbell, Barbara. "How Mr. Taylor broke the ice with Mr. Frost." New York Times, Jan. 3, 1971

143/1 "Celebration of life: Billy Taylor." Homecoming magazine, May/June 1995; p. 14 (2 copies)

138/14 Ciofreddi, Peg. "Billy Taylor talks about learning." Vermont Sunday News, Nov. 7, 1976 Photocopy of printed article

138/45 Clarke, Catherine K. "The Jazz-moblie man." Black Perspective in Music, undated

138/57 Combs, Walter H. "Pianist Billy Taylor brings jazz to television," undated Typescript

143/4 "Cooking in the attic." Merry Go Round, Nov. 19, 1972; p. 1

143/3 Deleon, Shirley. "Clapping hands with Billy Taylor." The Sign, April 1973; p. 26 (2 copies)

143/6 "Dr. Billy Taylor." Performing Arts magazine, May 1993; p. 6

138/30 "Dr. Billy Taylor: American jazz master," Oct. 22, 1990 Typescript

Published by IAJE (International Association for Jazz Education).

 138/56 Eady, Laura. "Personality profile: Billy Taylor." Glamorette magazine, Sept. 1965

138/33 "Educating through jazz," Alumnus (University of Massachusetts, Amherst), Jan/Feb. 1978

138/34 "Enthusiastic welcome for Step Into My Dream." Parsons Dance Company Newsletter, Spring 1994

144/1 Feber, Eric. "Jazz and the doctor are Taylor-made." Preview (The Virginian - Pilot and the Ledger - Star), March 30, 1990; p. 12

142/12 Franckling, Ken. "Billy Taylor's 50 years in jazz." Jazz Times, March 1993; p. 32 (2 copies)

138/13 Franklin, Ken. "Billy Taylor stays fresh after a half century in jazz," March 29, 1994 Typescript

138/25 Fuller, Jim. "Billy Taylor's life is played in all keys." MPLS(?) Star & Tribune, June 21, 1985 Photocopy of printed article

143/8 Galvan, Carlos. "Dr. Billy Taylor." Radio Free Jazz magazine, Oct. 1975; p. 5

145/5 Gibbs, Vernon. "Swinging with Billy Taylor." Essence, Nov. 1974; p. 30

144/6 Greim, Lisa. "Jazz pianist Billy Taylor still sharing, learning." Greeley Tribune Preview, Sept. 21, 1989; p. 3

138/2 Grossweiner, Bob. "A conversation with Dr. Billy Taylor," undated Photocopy of printed article

138/31 Grossweiner, Bob. "Dr. Billy Taylor: Dr. Jazz extraordinaire." Performance, undated Photocopy of printed article

143/9 Henderson, Alex. "Dr. Billy Taylor: a Taylor-made Jazzmobile innovator." Jazz Link magazine, Nov. 1989; p. 4 (2 copies)

142/6 "J.M." "Billy Taylor: a jazz veteran." Cable Magazine, July 1985; p. 15

138/39 "Jazz alive," undated

148/4 "Jazz artist Dr. Billy Taylor ...." Paducah's Showcase magazine, Feb. 1991; p.2

138/43 "Jazz, classics, Native American, plus Peter and the Wolf." Applause, Winter 1994

Newsletter of the Edgar H. Smith Fine Arts Series.

 144/2 "Jazz ensemble and Billy Taylor captivated spring Arts Festival." Fisk News, Spring/Summer 1973; p. 11

144/3 "Jazz for children." Jazz & Pop, No. 3, 1969; p. 12

148/5 "Jazz party." Jet, Sept. 3, 1981; p. 62

144/7 "Jazz week with Captain Kangaroo." Music Educators Journal, March 1969; p. 46

144/9 "Jazzatainment for young people ...." Upbeat/WBGO-FM Radio, Oct. 1997; p. 1

138/46 "Jazztimes convention to feature Dr. Billy Taylor." The Grapevine, Dec. 1990

138/3 Johnson, Monifa. "A talk with Dr. T." Atlanta Jazz Newsletter, Sept. 1993

138/1 King, Anita. "A conversation with Billy Taylor," undated Typescript

138/35 Klee, Joe E. "George Wein, Billy Taylor, and the New York Repertory Company." FM Guide, June 1974

145/8 Kowalchyk, Gayle. "Taylor-made jazz." Keys/Piano Music magazine, Nov./Dec. 1989; p.1

144/8 Lammen, Lex. "Jazz: Billy Taylor." Klavier, januari-februari, 1968; p. 258

144/10 "Learning what to listen for." Children's House, Spring/Summer 1973; p. 10

143/5 Lester, Jonathan. "The Doctor is in." Daily Options, July 22, 1994; p. 12

138/47 "Lewis & Taylor give you a jazzy earful." Clowes News, Jan./Feb. 1992

138/29 Lucas, John. "Doctor Taylor is in the house." Northfield Magazine, April/May 1987

138/44 Luzon, C. F. "Jazzman." Cakes & Ale Fine Arts Newsletter, Sept. 26, 1972 (2 copies)

148/6 Luzon, C. F. "Jazzman." Cakes & Ale Fine Arts Newsletter, Sept. 26, 1972

138/18 Lyons, Len. "Billy Taylor: jazz pianist, Ph.D." Contemporary Keyboard, Dec. 1976 Photocopy of printed article

148/12 Matthews, Paul. "Billy Taylor, pt. 1." Cadence, Oct. 1995; p.19 148/13 Matthews, Paul. "Billy Taylor, pt. III." Cadence, Dec. 1995; p. 5 148/14 Matthews, Paul. "Billy Taylor, pt. IV." Cadence, Jan. 1996; p. 19 138/48 "Meet Dr. Jazz." Ed-Cetera (Maricopa Community Colleges), Nov. 16, 1983

144/11 "Meet Dr. Taylor." Inner Visions (Black Music Association), Jan./Feb. 1986; p. 10

138/49 "Meet the artists," 1995 Photocopy of printed article

144/12 "Meet the Billy Taylor Trio." TV Star Parade, Nov. 1967; p. 20

138/20 Micklin, Bob. "Billy Taylor: one-man band." Newsday, Aug. 2, 1973 Photocopy of printed article

144/5 Middleton, Joe. "Jazz legend makes local appearance." Gallery of Sound Gazette, May 1994; p. 5

138/54 Miller, S. L. "National Jazz Service Organization." Crisis, May 1990 Photocopy of printed article

143/2 Mitchell, Paula Banks. "Chemistry works: Ramsey Lewis and Billy Taylor...." Weekender Magazine (Centre Daily Times), Oct. 19, 1990; p. 3C

138/64 Morgenstern, Dan. "Taylor-made frostings." Downbeat, March 4, 1971

145/7 Morgenstern, Dan. "Taylor-made frostings." Downbeat, March 1971; p. 18

138/28 Murray, Bill, editor. "Celebrity of the day: Billy Taylor," 1994 </bibref> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p>From Herbert-Bennett Management.</p> </note> </did> </c04> <c04 level="file" id="mferd25e14187"> <did> <container type="box-folder">145/1</container> <unittitle encodinganalog="245$a"> <bibref>"Music missionary Billy Taylor." <title>Sepia magazine, Nov. 1969; p. 28

138/52 "Music, music, music." Intercom (Department of Public Relations), Oct. 26, 1991

138/53 "Musicfest hosts Billy Taylor." Music at Trinity (Trinity University), Spring 1986

138/55 "O.K., Billy!" Time magazine, Aug. 6, 1973 Photocopy of printed article (4 copies)

142/7 Owens, Jimmy. "Billy Taylor: American jazz master." Jazz Educators Journal, Winter 1991; p. 30

138/12 Parker-Sparrow, Bradley. "Billy Taylor presents America's classical music." Downbeat magazine, May 1980 Photocopy of printed article

138/58 "Piano explosion head Van Wezel way." Sounds (The jazz club of Sarasota), Sept./Oct. 1988 and Jan/Feb. 1989.

138/59 Pooley, Eric. "Piano man." New York Magazine, Dec. 24, 1990 Photocopy of printed article

145/4 Pooley, Eric. "Piano man." New York magazine, Dec. 24-31, 1990; p. 97

143/12 Primack, Bret. "Dr. T at 75: a Taylor-made tribute." Jazz Times, Oct. 1996; p. 29

138/40 Quinn, Joe. "Jazz forum." SESAC Music, Spring 1965 (3 copies)

138/60 "Rachel Lampert and Billy Taylor in residence." Roundabout (University of New Hampshire), Jan. 11, 1981 (2 copies)

138/32 Renninger, Christian. "Dr. Billy Taylor: federal funding for jazz has been good.... Radio Free Jazz, Oct. 1975

138/61 "Return of Billy Taylor warmly anticipated." Campus Report (State University of New York, College of Fredonia), March 20, 1981

142/10 Ribowsky, Mark. "Billy Taylor: the force who keeps jazz alive." Sepia magazine, Dec. 1977; p. 61

138/21 Roberts, Jim. "Billy Taylor: primarily piano." Downbeat magazine, March 1985 Photocopy of printed article

138/38 Sawyer, Dante. "How well do you know your doctor?" Jazz Times, Nov. 1997 Photocopy of printed article

144/4 Silverman, Francine. "Jazz legend Billy Taylor: at home in Riverdale." Riverdale Review, Jan. 20, 1994; p. 1

142/1 Smith, Arnold Jay. "Billy Taylor and Dave Bailey: magnetizing the arts." Downbeat magazine, Dec. 1, 1977; p. 14 (2 copies)

138/27 State University College of Fredonia, New York. "Campus gets jazz infusion from Billy Taylor," June 1984

145/3 Stewart, Zan. "Pianist Taylor notches 50 years of jazz mobility." Downbeat, March 1994; p. 11

143/11 Stockman, Michael. "Dr. Jazz makes a house call." Statesman Journal, Feb. 11, 1994; p. 4

138/36 Swan, Christopher. "Harlem's Jazzmobile: where learning jass is as serious as your life." Christian Science Monitor, March 11, 1981 Photocopy of printed article

138/62 "Talking to Billy Taylor." Gene Lee's Jazz Letter, Nov. 1987

138/6 Tallmer, Jerry. "At home with Mr. & Mrs. Billy Taylor." New York Post, April 15, 1972

145/6 "Taylor & Parsons." Lied Magazine (University of Nebraska), March/April 1994; p. 27

138/63 "Taylor leads VSU renaissance." Homecoming (Historically Black College Alumni and Campus Newspaper), Spring 1989 (2 copies)

148/7 "That Billy Taylor should be viewed as Mr. Jazz ...." Black Variety magazine, Feb. 22, 1972; p. 17

138/16 Tiegel, Eliot. "Billy Taylor: doctor in the house of jazz," undated Photocopy of printed article

138/65 "Tribute is scheduled for Dr. Billy Taylor." IAJE Newsletter, Sept. 1990

138/66 "Unique voices mark commencement ceremonies." Inside FDU, Sept. 1995

138/50 Wamble, Candace. "Multi-talented Billy Taylor." Encore, Aug. 1973 Photocopy of printed article (3 copies)

144/13 Wamble, Candace. "Multi-talented Billy Taylor." Encore, Aug. 1973; p. 47

148/16 "When the sun goes down." Host magazine, April 13, 1974.

142/3 Wiater, Stanley. "Billy Taylor talks jazz." Campus Connection (UMASS, Amherst), July 6, 1983; p. 3

138/63a "William "Billy" Taylor." International Dictionary of Black Composers, Feb. 1994 Typescript (draft)

Contains pencil annotations by Billy Taylor.

 138/15 Wilson, John S. "Billy Taylor." International Musician, Feb. 1971

138/23 Wilson, John S. "Billy Taylor's band stands among best of big band jazz." New York Times, March 11, 1971 Photocopy of printed article

143/10 Zaman, Hameed. "Dr. Jazz comes to town." Mirror magazine, March 1982; p. 22

139 Biographical 139/1 "About Billy Taylor." Arcadia Entertainment Corp., June 1997 Fax printout

139/2 About Billy Taylor, undated Typescript

139/2a Addendum to Billy Taylor biography, undated Typescript

139/2b At the piano - Billy Taylor, undated Typescript

139/4 Billy Taylor, undated Photocopy of printed brochure (5 copies)

139/5 "Billy Taylor." Arizona Jazz Residency, undated

139/7 Billy Taylor, undated Typescript

From Peter Levinson Communications.

 139/8 Billy Taylor, April 1995 Fax printout

From Peter Levinson Communications.

 139/9 Billy Taylor, undated Typescript

139/10 Billy Taylor, undated Typescript

139/11 Billy Taylor, undated Typescript

139/12 Billy Taylor, undated Typescript

139/13 Billy Taylor, undated Typescript

139/14 Billy Taylor, undated Typescript

139/16 Billy Taylor, June 30, 1997 Fax printout

From JSS Music.

 139/17 Billy Taylor, undated Typescript

For Billy Taylor brochure, annotated.

139/23 Billy Taylor comes home, undated Typescript

139/27 Billy Taylor ... in brief, undated

From Arkadia Entertainment Corp.

 139/18 Billy Taylor: "it's a matter of pride," undated

From GRP Records.

 139/19 Billy Taylor: "it's a matter of pride," undated Printed draft

Annotated.

 139/20 Billy Taylor: jazz piano virtuoso, March 7,1973 Typescript

From 5:45 Interludes.

 139/26 Billy Taylor (piano), internationally acclaimed ..., undated Typescript

139/24 The Billy Taylor show, undated Typescript

139/25 Billy Taylor Trio biographies, undated

From the Prince William Network.

 139/22 Billy Taylor: update to biography, 1987 Typescript

By Peter Levinson Communications.

 139/21a Digiacinto, Adrienne. Billy Taylor: the man, his music and philosophy, Dec. 18, 1985 Typescript

139/28 Dr. Billy Taylor, Jan. 3, 1998 Fax printout

By Herbert-Barrett Management.

 139/29 Dr. Billy Taylor, Feb. 1996 Typescript

139/30 Dr. Billy Taylor, undated

139/31 Dr. Billy E. Taylor, undated Typescript

By New York Jazz Repertory.

 139/32 Dr. Billy Taylor biography, undated Typescript

By Peter Levinson Communications.

 139/33 Dr. Billy Taylor biography update, undated Typescript

By Peter Levinson Communications.

 139/34 Jazz encounters: Billy Taylor, undated Typescript

139/21 Osgood, Charles. Billy Taylor: my first 50 years in jazz (introduction), June 30, 1994 . Typescript

139/3 Owens, Jimmy. "Billy is O.K.," undated Typescript

139/35 Profile of Billy Taylor, Sept. 1997 Fax printout

By Brambl Music Publicity.

 139/36 The renaissance man of jazz: Billy Taylor, undated Typescript

Source: Barbara Campbell.

 139/37 Resume - Billy Taylor, undated Typescript

139/15 Scott, Allen. "Billy Taylor," undated

139/6 Sultanof, Jeff. Billy Taylor, June 1996 Typescript

139/38 Taylor, William (Billy), undated Photocopy of printed article

139/39 Taylor, William "Billy", undated Photocopies of printed articles

From Grove Dictionary of Music and Musicians.

 139/40 Taylor, William Edward Jr. (Billy), Dec. 1999 Photocopy of printed article

Source: International Dictionary of Black Composers.

 125, 127, 139-140 Clippings 139/41 1945-1959 125/1 1946-1986 139/42 1960-1969 127/1 1961-1989 127/3 1969-2001, undated 139/43 1970-1973 139/44 1974-1977 139/45 1978-1979 139/46 1980-1982 139/47 1983 139/48 1984 140/1 1985 140/2 1986 140/3 1987 125/2 1987-2001 140/4 1988 140/5 1989 140/6 1990 127/2 1990-1996, undated 140/7 1991 140/8 1992 140/9 1993 140/10 1994 Jan.-Mar. 140/11 1994 Apr.-June 140/12 1994 July-Dec. 140/13 1995 140/14 1996 140/15 1997 125/3-9, 140/16 Undated 140 Publicity Material 140 Brochures 140/A1 Billy Taylor, undated

From Peter Leninson Communications, Inc.

 140/A2 Billy Taylor, undated

From International Art of Jazz.

 140/A3 Billy Taylor: in a class by himself, undated

From Herbert-Barrett Management.

 140/A4 The Billy Taylor collection, undated (3 copies)

From Howard University College of Fine Arts.

 140/A5 Billy Taylor talks piano, Jan. 1981 (2 copies)

From Steinway & Sons.

 140/A5a Presenting the dynamic Billy Taylor Trio, undated Typescript

From Billy Taylor Productions.

140/A6 Taylor made piano: a jazz history with Dr. Billy Taylor, undated

From National Public Radio.

 140/A7 Teachers' guide to Billy Taylor, undated

140 Newsletters 140/A10 (1) American Guild of Authors & Composers. "National finals battle of the band," Oct. 1968 (2 copies)

140/A8 (4) Among Friends of LBJ. "Concluding panel discusses 'art and the community,'" Nov. 1, 1974

140/A10 (4) Artalk. "Partners in education," June 1995

140/A9 (4) Chancellor's Briefing. "Jazz great plays for UMASS alumni," Spring 1994

140/A9 (10) CPB Report. "NPR's Jazz Alive," Oct. 29, 1979

140/A9 (5a) Full Swing. "[Billy Taylor] joins ASCAP board," Nov. 1975

Published by International Art of Jazz.

 140/A8 (9) GIML Newsletter. "GIML names honorary board," Summer 1989

140/A10 (5) Harlem School of the Arts. "Special students, special opportunities," Aug. 1988 (3 copies)

140/A9 (9) Hollywood Reporter. "NEA sets plans for 20th anni festivities," Dec. 11, 1984

140/A8 (1) IAJE Newsletter. "Boston to host 1994 IAJE international conference," Sept. 1993 Photocopy of printed article

140/A9 (2) Japan Society Newwsletter. "Highlights: royalty, real estate, theater and art," Dec. 1987 Photocopy of printed article

140/A10 (2) Jazz News. "New perspectives in jazz," Sept. 1991 Photocopy of printed article

140/A8 (3) Jazzscene, Jazz Society of Oregon. "Coming attractions," Nov. 1991

140/A9 (7) Kappa Alpha Psi Fraternity Newsletter. "Life member honored," July 1985 (2 copies)

140/A9 (3) Manhattan User's Guide. "Jazz," June 1994

140/A8 (8) MCA News. "Geffen unleashes that dog," Jan. 1994

140/A10 (3) National Academy of Jazz Newsletter. "No introduction necessary ...," Aug./Sept. 1986

140/A9 (8) SESAC Music. "NAB convention highlights - 1963," May/June 1963 (2 copies)

140/A10 (6) Settlement Music School Newsletter. "Springtime meant master class at SMS," Fall 1986

140/A8 (2) Sounds from the Community. "CMSS to present Billy Taylor in concert ...," Summer 1994

140/A10 (7) Southern Register. "Two '92 cruises will take passengers through the South," Fall 1991

140/A8 (6) Steinway News. "Everything is black and white," Fall 1986

140/A8 (5a) Susquehanna University Spotlight. Dr. Jazz (photo caption), Winter 1991

140/A9 (6) Tempo Listeners Guide. "Kappa Alpha Psi Fraternity, Inc. presents in concert, Billy Taylor ...," Aug. 1995 (2 copies)

140/A9 (1) University of Northern Iowa, School of Music. "Hearst Chair to bring internationally renowned performing artists to UNI," Fall 1991

140/A8 (5) Upbeat!: Plymouth Music Series of Minnesota. "Dr. Billy Taylor bears WITNESS to great music ...." Winter 1999

140/A8 (7) The Voice of Jazz. "The future of jazz," Spring 1978

140/A9 (5) WNBC-TV4 Newsletter. "John loves Mary ...," Feb. 1976

140 Press Releases 140/A12 (9) Bidwell Education, Music and Recreation Center. "Jazz pianist Billy Taylor at Heinze Hall," March 7, 1976 Typescript

140/A13 (6) Butler University. "Parsons and Taylor dance/jazz collaboration comes to Clowes," Sept. 26, 1994 Typescript.

140/A12 (11) Carnegie Hall News. "Jazz profiles" and "inside classical music" lectures will be free and open to the public, 1984 Typescript.

140/A12 (12) Carnegie Hall News. “Jazz profiles” lectures sponsored by Dewar’s “White Label” ... 1984 Typescript

140/A11 (5) Charlin Jazz Society. "Billy Taylor, world-renown jazz pianist to perform in Charlin Jazz Society tribute," Sept. 20, 1981 Typescript

140/A11 (13) Cultural Crossroads, Inc. "Billy Taylor presents ..." undated Typescript

140/A13 (2) Department of Public Events - City of New York. "Mayor Beame proclaims 'jazz month,'" April 3, 1974 Typescript

Includes related materials.

 140/A11 (7) Greenwich Village Jazz Festival. "Billy Taylor is spokesperson for Greenwich Village Jazz Festival," Sept. 5, 1983 Typescript

140/A11 (2) GRP Records/Billy Taylor. "Billy Taylor: it's a matter of pride," undated Typescript (draft)

140/A13 (3) GRP Records/Billy Taylor. "My first 50 years in jazz," undated Typescript

140/A12 (3) Herbert-Barrett Management. "Dr. Billy Taylor - musical diplomat," May 22, 1980 Typescript

140/A11 (1) Howard University News. "The annual Billy Taylor lecture series," Nov. 12, 1974 Typescript

140/A11 (12) International Art of Jazz. "Billy Taylor opens jazz series," Sept. 21, 1989 Typescript

140/A12 (10) Jazz Alive!-National Public Radio. "Jazz pianist/composer Dr. Billy Taylor receives distinguished service award at public radio conference," undated Typescript

140/A11 (11) Kennedy Center. "Billy Taylor named artistic advisor for jazz at the Kennedy Center," March 4, 1994 Typescript

140/A12 (13) Kennedy Center. "Kennedy Center commissions new work from Dr. Billy Taylor," Feb. 19, 1995 Typescript (draft)

140/A12 (14) Kennedy Center. "Kennedy Center commissions new work from Dr. Billy Taylor," Feb. 27, 1995 Typescript

140/A11 (3) King Features Syndicate. "Billy Taylor - the complete musician," May 27, 1976 Typescript

140/A11 (8) Library of Congress. "Billy Taylor kicks off his 80th birthday celebration by donating his archives to the Library of Congress," Feb. 26, 2001 Typescript

140/A12 (8) M. Silver Associates. "Jazz great Billy Taylor to headline annual Ascutney Mountain Resort summer jazz series," 1988 Typescript

140/A14 (1) Manhattan Country School News. "The Billy Taylor Trio highlights school's jazz 'rent party' celebration," April 29, 1991 Typescript

140/A13 (1) McFadden & McFadden Entertainment. "Legendary doctor of jazz is 'in' for one night only at the Fess Parker Winery," Sept. 1996 Typescript

Includes related material.

 140/A13 (4) North Texas State University. "National Public Radio's Dr. Billy Taylor to speak March 12 on NTSU jazz lecture series," Feb. 27, 1985 Typescript

140/A14 (4) Overseas Press Club of America. "Triumphant piano jazz trio," undated Typescript

140/A12 (7) Peter Levinson Communications. "Dr. Billy Taylor to celebrate fifth anniversary as jazz commentator of CBS Sunday Morning," Jan. 1987 Typescript

140/A14 (2) Peter Levinson Communications. "The Billy Taylor Trio to inaugurate jazz tour of South America," April 17, 1987 Typescript

140/A13 (7) Peter Levinson Communications. "Performing arts organizations honor Dr. Billy Taylor with two awards," Dec. 27, 1991 Photocopy of typescript (2 copies)

140/A11 (10) Peter Levinson Communications. "Billy Taylor named artistic advisor for jazz at the Kennedy Center," March 4, 1994 Typescript

Includes related material.

 140/A12 (5) Peter Levinson Communications. "Dr. Billy Taylor adds to his honorary doctorates," April 15, 1994 Typescript

140/A12 (2) Peter Levinson Communications. "Dr. Billy Taylor," June 30, 1994 Typescript, fax printout

140/A11 (6) Peter Levinson Communications. "Billy Taylor honored by the Congressional Arts Caucus," undated Typescript

140/A11 (9) Peter Levinson Communications. "Billy Taylor named member of newly established international commission to visit Soviet Union," undated Typescript

140/A12 (4) Peter Levinson Communications. "Dr. Billy Taylor added to Downbeat list of lifetime achievers," undated Typescript

140/A12 (6) Peter Levinson Communications. "Dr. Billy Taylor receives nation's highest art award," undated Typescript

140/A11 (4) St. Lawrence University News. "Billy Taylor, one of the most versatile musicians ...." Oct. 17, 1968 Typescript

140/A13 (8) SUM Concerts. "SUM Concerts presents ...," Oct. 9, 1973 Typescript

140/A13 (5) Taylor Made Piano. "New jazz series 'Taylor Made' for public radio listeners," Aug. 25, 1982 Typescript

140/A14 (3) Teleprompter News. "The Billy Taylors, Jackie Cain, Roy Kral celebrate Valentines Day in the Big Apple," undated Typescript

140/A14 (7) TM Recording. "You tempt me: the Billy Taylor Trio," Sept. 1990 Typescript (photocopy)

140/A14 (5) University of Arizona. "UA campus unites for King holiday celebrations," Dec. 27, 1991 Typescript (photocopy)

140/A14 (6) University of California. "U.C. jazz festival to feature piano workshop," April 12, 1968 Typescript

140/A12 (1) WNEW Radio News. "Conversation with Billy Taylor: jazz education in the public schools," Aug. 6, 1963 Typescript

140 Reviews of Performances 140/A15 (1) Atlanta Constitution. "Atlanta Symphony Orchestra, Taylor's 'Peaceful Warrior' salute MLK in spiritual rhythms," Feb. 3, 1984 Photocopy of printed article (2 copies)

140/A15 (6) Downbeat. "Parsons Dance Company with Billy Taylor Trio," June 1994 Photocopy of printed article

140/A15 (7) Downbeat. "Soundpiece for jazz orchestra: Billy Taylor and new work of Oliver Nelson," undated Photocopy of printed article

140/A15 (2) Jazz Link. "Billy Taylor at Catalina's," June 1990

140/A15 (4) Maryland Center for Public Broadcasting. "Billy Taylor Trio at Showboat Lounge, Silver Spring, MD," Feb. 17, 1978 Typescript (draft)

140/A15 (3) Mitchell, J. R. "Billy Taylor concert," March 26, 1974 Typescript (draft)

140/A15 (5) The Performance. “Jazz is America’s classical music,” undated

140 Reviews of Recordings 140/A16 (2) Downbeat. "Dr. T.," March 1973

Includes photocopy.

 140/A16 (3) Downbeat. "Homage," May 1995

140/A16 (4) Downbeat. "O.K., Billy!" April 15, 1971

Includes photocopy.

 140/A16 (5) Fishman, Michael for Reviewzz. “Sleeping bee,” undated

140/A16 (1) Various sources. "Billy Taylor Trio: Music keeps us young (album)," 1997 Photocopies of printed reviews

140, 146-148 Miscellaneous Writings about Billy Taylor 146/2 African Heritage. "African Heritage awards recipients," 2001; p. 5

147/4 Ala-arts. "Mobile festival hosts 300 high school musicians," Fall 1975; pp. 3, 7

147/2 American Visions. "Jazz giants," Oct. 1991; p. 24

146/5 "The Birdland Story of Jazz," undated

148/9 Black Variety. "Billy Taylor: music director of David Frost Show," 1972; p. 22

147/6 Discover. "New York: an old-fashioned town," Spring 1980; p. 12

147/3 Ebony Man. "Jazz man: a love supreme," April 1987; p. 36

146/3 Hardy, Camille. "At twenty, NEA attracts an alliance of big speakers." Dance magazine, April 1986

146/6 Harper's Bazaar. "Fashion," Sept. 1972; p. 78

148/15 Host magazine. Taylor photo and caption, March 30, 1974; p. 17

148/8 Hot House. 75th birthday observance, Sept. 1996

148/10 Jet. "Cheek to cheek," March 28, 1971; p. 40

140/A17 (2) Joyce, Mike. "Piano choir: 797-key jazz." Washington Post, June 5, 2000 Photocopy of printed article

140/A17 (3) "The Kennedy Center," undated

140/A17 (3) "The Library of Congress," 1991/1992

146/8 Madison magazine. "Happy birthday, Civic Center," March 1990; p. 12

146/4 New Yorker. "Billy Taylor at the Metropolitan Museum," Nov. 22, 1993; p. 23

147/5 Newsweek. "Music to talk by," April 26, 1971; p. 60

146/7 Our City (Omaha, Nebraska). "From classics to jazz," Feb. 1987; p. 9

147/7 Oxford Scene. Varied music, mimes offered by ..., Aug. 22, 1991; p. 3

146/1 Sharpley, Victoria. "A look at the National Service Organization." Instrumentalist, Dec. 1986; p. 13

147/8 Shoals. "W.C. Handy jazz music festival," 1993; p. 10

148/11 Twilight. "Jazz is alive and well in New York," April 1973; p. 11

140/A17 (1) Village Voice. "Jazz at the Lincoln Center," Nov. 14, 2000 Photocopy of printed article

147/1 Vogue, Paris magazine. Jazz fashion, Dec. 1987/Jan. 1988; pp. 251-253

149-155 Miscellaneous Writings, 1947-1999 149 Articles Adams, Alton: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles

149/6 Anderson, Jervis. "Our far-flung correspondents: a very special moment." New Yorker, undated Photocopy of printed article

Subject: Dunbar High School, Washington, DC

 149/16 Baker, David. "Jazz improvisation: the weak link," undated Photocopy of printed article (2 copies)

149/2f Balliet, Whitney. "Jazz: down the river." New Yorker, July 27, 1981

149/2g Balliet, Whitney. "Jazz: reunion." New Yorker, Nov. 16, 1981

149/2b Birnbaum, Larry. "Clark Terry: big bad brassman." Downbeat, Sept. 1981

149/2n Brubeck, Darius. "South Africa." Jazz Educators' Journal, Dec./Jan. 1988 Photocopy of printed article

149/2p "The business of jazz," undated Photocopy of printed article

149/3 Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1996</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Photocopies of printed articles</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e17316"> <did> <unittitle encodinganalog="245$a">Cook, Will Marion: profile<lb/> <ref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="replace" xlink:actuate="onRequest" target="bmre"> <emph render="italic">see</emph> Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles</ref> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e17330"> <did> <container type="box-folder">149/2j</container> <unittitle encodinganalog="245$a"> <bibref>Davenport, John. "Memoirs of a professional traveler: Charles Kuralt." <title>Houston Chronicle, Dec. 23, 1990 Photocopy of printed article

149/2m Davenport, John. "Sidney Bechet: the Jazz Great." Houston Chronicle, undated Photocopy of printed article

149/2q Davenport, John. "Two jazzmen: you don't have to like the musicians to like the music." Houston Chronicle, Feb. 11, 1990 Photocopy of printed article

149/2o Davenport, John. "Wit and whimsy of Charles Osgood." Houston Chronicle, undated Photocopy of printed article

149/8 Davis, Stuart. "Friends, it's here to stay." Esquire Jazz Yearbook, 1947 Photocopy of printed article

149/7 Edison, Harry "Sweets," July 27, 1999 Computer printout

Edison obit. Source: Laura Barge.

 Europe, James Reese: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles

Floyd, Samuel A., Jr.: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles

149/4 Fox, Ted. "Bob Thiele: creative impulse." Audio Magazine, Feb. 1986 Photocopy of printed article

149/17 Goodman, George. "Jazz wizard: the dazzling talent of Michael Petrucciani." Connoisseur magazine, June 1984

149/15 Hadler, Mona. "Jazz and the visual arts," 1983 Photocopy of printed article

Includes correspondence.

 149/9 Handful of keys, undated Typescript

Subject: Fats Waller.

 149/5 Handy, D. Antoinette. "Conversation with Mary Lou Williams: first lady of the jazz keyboard." Black Perspective in Music, undated

149/20 Hemming, Roy. "Taking Bach personally." Ovation, Feb. 1985 Photocopy of printed article

149/2c Hibler, Jude. "Compared to what?: Les McCann." Jazz Link, Sept. 1990

149/21 The Improvised Music Collective, profiles, undated

149/2e Jones, James, IV. "Lee Ritenour." Downbeat, May 1990 Photocopy of printed article

149/10 Mehlinger, Kermit T. "Image of the Black man and the media." Journal of the National Medical Association, c1970

Moore, Undine Smith: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles

149/23 Murray, Albert. "The visual equivalent of the blues," undated Photocopy of printed article

Includes correspondence.

 149/14 Nelson, Marshall J. "Jazz and copyright: a study in improvised protection." Copyright Protection of Improvised Music, undated Photocopy of printed article

149/18 "New York nights," undated Typescript

149/12 Parks, Gordon. "Jazz." Esquire, undated

149/2l "Partners for Livable Places honors Nancy Hanks." Nation's Cities Weekly, undated Photocopy of printed article

149/2r Piazza, Tom. "Young, gifted and cool." New York Times magazine, May 20, 1990 Photocopy of printed article

149/11 Primack, Bret. "In walked Thelonious: a celebration of Thelonious." Jazztimes, Jan./Feb. 1994 Photocopy of printed article

149/2h Razek, Michael. "Jazz: stayin' alive." American Way, June 1981 Photocopy of printed article

149/2d Reifsnyder, James. "Hill community celebrates grand opening," undated

149/2i Schwarz, Joel. "Key signature: Steinway." American Way, May 1982

149/24 Seldes, Gilbert. "Toujours jazz," undated Photocopy of printed article

149/22 Shaw, Arnold. "The sidewalks of 52nd St.," undated Typescript

149/13 Surowicz, Tom. "Jazz, never meant to be perfect music," undated Typescript

149/1 Traylor, Edward W. "A blues view of life," undated Photocopy of printed article

Includes correspondence.

 Walker, George: profile see Center for Black Music Research, Columbia College, Chicago. Black Music Repertory Ensemble: profiles

149/19 Wharton, Clifton R. "South Africa: time has run out," Nov. 15, 1984 Typescript

149/2a Williams, Marlin. "And what might a jazz composer do?" <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1975</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> </c03> <c03 level="subseries" id="mferd25e17835"> <did> <container type="box">150-151</container> <unittitle encodinganalog="245$a">Literary Works</unittitle> </did> <c04 level="file" id="mferd25e17841"> <did> <container type="box-folder">149/25</container> <unittitle encodinganalog="245$a"> <bibref>Bartee, Rich and Carma. "America on our mind (in Harlem): a collection of poems." <title>Poet-tential Unlimited, 1977

Autographed to Billy Taylor by Carma.

 150/7 Berger, Morroe. Fats Waller: the outside insider, undated Typescript

151/1 Berlin, Edward A. Scott Joplin: king of ragtime. 1994

Galley proofs.

 151/4-6 Berliner, Paul F. Thinking in jazz. University of Chicago Press, 1994 Galley proofs (photocopies)

149/26 Brown, James. An ode to Martin Luther King (poem), Dec. 14, 1964

Autographed to Billy Taylor by the author.

 151/3 Childs, Charles. The Eurojazz embrace: they done took our thing and gone.... Typescript

149/27 Hasse, John Edward. Beyond category: the life and genius of Duke Ellington. Simon & Schuster, c1993

Galley proof.

 150/5-6 Korall, Burt. Drummin' man. Schirmer Books, April 1990 (2 copies)

Galley proof.

 151/7 Longstreet, Stephen. Up river: the jazz of Kansas City and Chicago, undated Typescript

151/2 Major, Clarence. The Cotton Club. Broadside Press, c1972

Poems.

 150/2 Mehlinger, Kermit T. Coal Black and the seven dudes. New York: Vantage Press, Inc., 1973

Includes correspondence and other supporting documents.

 150/8 Mehlinger, Kermit T. Growing up in the ghetto, 1970 Typescript

151/9 Miscellaneous lyrics

Typescripts of lyrics to songs or poems.

 150/3 Murray, Albert. Comping for Count Basie: the orchestration of good morning blues, undated Manuscript, typescript

150/4 Pleasants, Henry. Death of a music? Victor Gollancz Ltd., 1961

150/11 Poems written by students at Hurston J. High School, New York City, undated Typescripts

Issued by Zlota Pacifica.

150/1 Praeger, Frederick A. Black music of two worlds, undated

Publisher's proof.

 150/9 RLO. Jazz (poem), undated Typescript

150/10 USSR Ministry of Culture. Moscow Conservatoire, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Photocopy of printed work</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18115"> <did> <container type="box-folder">151/8</container> <unittitle encodinganalog="245$a">Unidentified manuscript, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> </c03> <c03 level="subseries" id="mferd25e18128"> <did> <container type="box">152</container> <unittitle encodinganalog="245$a">Projects, Programs, Proposals</unittitle> </did> <c04 level="file" id="mferd25e18134"> <did> <container type="box-folder">152/20</container> <unittitle encodinganalog="245$a">The Aspen Institute/Fund for Corporate Initiatives. Young Executives Program, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Sept. 30, 1991</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18147"> <did> <container type="box-folder">152/4</container> <unittitle encodinganalog="245$a">California Polytechnic State University. CSU summer arts, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1987</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes background material and correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18161"> <did> <container type="box-folder">152/16</container> <unittitle encodinganalog="245$a">The Collector of Dreams Writing Project, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18174"> <did> <container type="box-folder">152/7</container> <unittitle encodinganalog="245$a">Commonwealth of Masschusetts Council on the Arts and Humanities. Heritage Program, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18187"> <did> <container type="box-folder">152/5</container> <unittitle encodinganalog="245$a">The Community School, District 16. Cultural Arts Program, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18200"> <did> <container type="box-folder">152/1</container> <unittitle encodinganalog="245$a">Congressional Black Caucus. A salute to women in jazz, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Sept. 27, 1990</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes background material and correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18214"> <did> <container type="box-folder">152/6</container> <unittitle encodinganalog="245$a">Essence of jazz: series of programs dedicated to the genius of Duke Ellington, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Will Moyle, producer.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18228"> <did> <container type="box-folder">152/2</container> <unittitle encodinganalog="245$a">French-American Foundation and the Americord Foundation. All that jazz, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">June 1988</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18242"> <did> <container type="box-folder">152/13</container> <unittitle encodinganalog="245$a">G. Everett/Connie Soles. Music, Macs, & midi: integrating music with whole learning, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1997</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18255"> <did> <container type="box-folder">152/11</container> <unittitle encodinganalog="245$a">Maga Link, Inc., <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1987</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes background material and correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18270"> <did> <container type="box-folder">152/12</container> <unittitle encodinganalog="245$a">Manhattan College. Manhattanville Music Curriculum Program: a structure for music education, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1999</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18283"> <did> <container type="box-folder">152/9</container> <unittitle encodinganalog="245$a">Media Enterprises, Inc. Jazz masters: a chronicle of America’s classical music. A weekly program for public television, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1983</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18296"> <did> <container type="box-folder">152/10</container> <unittitle encodinganalog="245$a">Media Enterprises, Inc. Jazz masters: a chronicle of America’s classical music. A series for public television, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1984</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18309"> <did> <container type="box-folder">152/17</container> <unittitle encodinganalog="245$a">The Media Group - The Kansas City Jazz Commission. The Kansas City jazz heritage series, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes correspondence.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18323"> <did> <container type="box-folder">152/14</container> <unittitle encodinganalog="245$a">National Endowment for the Arts (NEA): guide to programs, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Oct. 1973, July 1974</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18335"> <did> <container type="box-folder">152/3</container> <unittitle encodinganalog="245$a">Newark Community School of the Arts. ALPINES: Arts Literacy Program in Elementary Schools, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1985</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>Includes correspondence, brochure, and photocopy of printed article.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18349"> <did> <container type="box-folder">152/15</container> <unittitle encodinganalog="245$a">Research study pre-proposal for an assessment of the jazz field in the United States, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18362"> <did> <container type="box-folder">152/18</container> <unittitle encodinganalog="245$a">Smithsonian Institution. Thelonious Monk International Jazz Piano Competition, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Nov. 1987</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18374"> <did> <container type="box-folder">152/8</container> <unittitle encodinganalog="245$a">Thomas, Willie. Jazz, anyone?, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a"/> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> <c04 level="file" id="mferd25e18386"> <did> <container type="box-folder">152/19</container> <unittitle encodinganalog="245$a">Working Group Program and Organization, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">May 14, 1976</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p/> </note> </did> </c04> </c03> <c03 level="subseries" id="mferd25e18399"> <did> <container type="box">152-153</container> <unittitle encodinganalog="245$a">Reports, Studies, Surveys</unittitle> </did> <c04 level="file" id="mferd25e18405"> <did> <container type="box-folder">152/21</container> <unittitle encodinganalog="245$a">Business Committee for the Arts. <title>1426 examples of how BCA (Business Committee for the Arts) companies supported the arts in ‘74 and ‘75, April 1975

153/2a Committee on Government Operations. Congressional Hearings: Future directions of the Institute of Museum Services, 1984

153/2b Committee on Government Operations. Congressional Hearings: The interrelationship of funding for the arts at the federal, state, and local levels, 1983

153/4 Moore, Undine S. Report of Chairman, Advisory Committee, Black Music Center, Indiana University, March 9, 1973 Typescript

152/22 National Research Center of the Arts, Inc. A study of the non-profit arts and cultural industry of New York State, March 1972 Report in typescript

153/3 New York State Commission on Cultural Resources. Cultural resource development: preliminary planning survey and analysis, March 1973 Report in typescript

153/1 Pasadena Community Services Commission, Inc. A survey of American symphony orchestras, undated Report in typescript

Includes photocopy of same.

 153-154 Research Papers & Bibliographies 153/7 "America now - the arts in the 70's," undated Typescript (incomplete)

153/14 Beaven, Mary. "Radio series on jazz," undated Typescript

153/11 Center for Ethnic Music Acquisition. Selected bibliographies, 1973-1974 Typescript

153/16 Georgi, Charlotte. "The arts and the art of administration: a selected bibliography," undated Typescript

Georgi is the chief librarian of the Business Administration Library, University of California, Los Angeles.

 153/10 Griffin, Paul. "Black music: the myths and the realities," April 26, 1972 Typescript

153/9 Horowitz, Irving Louis (Rutgers University). "Authenticity and originality in jazz," June 15, 1973 Typescript

153/13 "Jazz as recorded art form / Frontiers in jazz research," July 6, 1973 Typescript

154/2 "The jazz history course: a 1978 update," undated Typescript

153/15 Jones, Brenda Davis. "Rahsaan Roland Kirk: a light in darkness," c1997 Typescript

Includes correspondence.

 154/1 Moody, Bill. "The jazz exiles: exodus to Europe," undated Typescript

Includes correspondence.

 153/8 Moorman, Dennis L. (New York University). "An analytic study of jazz improvisation with suggestions for performance," 1984 Typescript

Includes correspondence.

 153/5 Scheiber, Karen A. "A discussion of Mary Lou Williams," Dec. 15, 1994 Typescript

154/3 The Studio Museum in Harlem (bibliography), undated Typescript

153/12 Williams, Barbara. "Colored Musicians Club of Buffalo New York," undated Typescript

From Van Taylor Productions. Includes correspondence.

 153/6 Williams-Jones, Pearl. "Afro-American gospel music (1930-1970)," undated Typescript (5 copies)

154-155 Stage & Screen Works 154/5 Baron, Anja. "Architects of swing: a one-hour documentary film," <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">undated</unitdate> </unittitle> <physdesc> <extent encodinganalog="300$a">Typescript</extent> </physdesc> <note encodinganalog="500$a"> <p>KENYJA Media Productions, Inc.</p> </note> </did> </c04> <c04 level="file" id="mferd25e18736"> <did> <container type="box-folder">155/4</container> <unittitle encodinganalog="245$a">Barr, Lillian. <title>The legend of Harriet Tubman : a musical in two acts, Feb. 1976 Typescript

154/6 "Bending towards the light: a jazz Nativity," undated (2 copies)

St. Bartholomew's Church, New York City.

 154/7a Blow Carnegie blues : a jazz melodrama in three acts, c1998

Great Productions, Inc. and Gary Keys Productions, Inc.

 155/7 Boatner, Edward. Troubled in mind : an Afro-American slave opera in three acts, undated Typescript

154/11 Britton, Peter. Mon petit noir : a report of the death of an American citizen : a feature film, 1984 Typescript

154/4 D’Andrea, Paul. A full length portrait of America, 1982 Typescript

A play.

 154/15 Ellis, Nathaniel E. Sunday’s child, 1981 (documentary film) Typescript

Writers Guild of America and the Library of Congress.

 155/1-2 Feldman, Jonathan Marc. Swing kids, 1991 Typescripts (2 copies)

Hollywood Pictures. Includes correspondence.

 154/8 Greenlee, Sam. Blues for Little Prez, undated Typescript

A play.

 154/13 Greenlee, Sam. "South side blues : a jazz love poem in two acts," 1980

Amiri Imamu Baraka Defense Committee.

 154/14 Greenlee, Sam. "South side blues : a jazz love poem in two acts," undated

Spook Productions.

 154/10 "Jazz eye view: architects of the big band era" (film series proposal), 1983. Produced by Lincoln Pain Typescript

PTV Productions. Includes correspondence and related materials.

 154/9 "Jazz eye view: a history of jazz" (film series proposal), 1983. Produced by Lincoln Pain Typescript

PTV Productions. Includes correspondence and related materials.

 154/12 Johannes, Ja A. One more Sunday (a play), 1984 Typescript

Includes correspondence.

 154/7 Keys, Gary. "Blow Carnegie blues: a story about Duke Ellington," undated Typescript

Film synopsis. Gary Keys Productions, Inc.

 154/10a "Love on the dole," undated Typescript

155/6 O’Morrison, Kevin. The old Missouri jazz : a play-cabaret, 1980 Typescript

155/3 Rosen, Arnie and Coleman Jacoby. The bachelor (musical comedy), undated Typescript

Music score by Steve Allen.

Sam Honigberg Public Relations.

 155/5 Soyinka, Wole. The lion and the jewel (play), undated Typescript (annotated)

155/8 Unidentified manuscript (play), undated Typescript

155 Other 155/12 Castro, Jan Garden. Gone city : liner notes for CD by Donal Fox, undated Typescript

155/9 Children’s programming - producer’s ideas, undated Typescript

155/10 Marco, Gary A. "Conover, Willis: Commentary." National Federation of Federal Employees, May 17, 1996 Typescript

155/13 Marine, Bill. Jazz notes, undated Handwritten manuscript in ink

155/14 New York cabaret music, undated Photocopy of printed CD liner notes

Includes correspondence.

Source: Fred L. Mullikin.

 155/15 Right here, right now! : liner notes for CD by Billy Taylor, 1963 Galley proof

155/18 The Sumner School building - 1872, undated Typescript

155/16 Thigpen, Ed. Rytmanalys och grunder för koordination. Copenhagen: Ed Thigpen “Action Reaction”, c1977

155/19 Undine Moore Smith memorial scholarship scroll, 1993

155/11 Williams, Robert E. "Fun key #1," c1990 Typescript

155/17 Willouby, Larry. Texas rhythm, Texas rhyme: Jazz and the big bands, undated Photocopy of printed work

155/16 Miscellaneous writings by others

126, 156-194 Business Papers, 1968-2004

Correspondence, contracts and agreements, meeting agendas and minutes, memos, newsletters, press releases, legal and financial documents, reports, promotional materials and administrative materials for numerous organizations, most notably Jazzmobile, the Kennedy Center, and the Rockefeller Foundation.

126, 156-182 Organizations and Affiliations, 1968-2004 AGAC 156/1 Council meetings: minutes, 1970-1972 156/2 Executive committee meetings: minutes, 1971-1972 156/3 Housekeeping Committee East meetings: minutes, 1972-1973 156/4 Business royalty statements 156/5 Memos 156/5 Newsletters 156/6 Contracts 156/7 Copyrights 156/8-9 Correspondence 156/10 Miscellany ASCAP 156/11 Board of Directors: members 156/12 Board of Directors: minutes, Oct. 1975-Nov. 1976 156/13 Board of Directors: minutes, June 1977-Nov. 1978 156/14 Progress committee: minutes, 1976-1978 156/14 Public relations committee: minutes, 1975-1978 157/1 Business royalty statements 157/2 Memos 157/2 Newsletters 157/2 Press releases 157/3-4 Contracts and agreements 157/5 Copyrights 157/6 Correspondence: Letters received: A - Z 157/7 Correspondence: Letters sent: A - Z 158/1 Correspondence: Letters sent: ASCAP Board of Directors, 1975-1977 158/2 Correspondence: Letters sent: ASCAP Board of Directors, 1978-1979 158/3 Correspondence: Letters sent: ASCAP general membership 158/4 Correspondence: Letters sent: Billy Taylor 158/5 Pension plan (for employees) 158/6 Travel accident insurance (for employees) 158/7-8 Legal documents: ASCAP v. CBS 158/9 Licensed media outlets (electronic) 159/1 ASCAP Foundation 159/2 ASCAP Today 159/3 Amended consent judgement 159/3 Articles of association of ASCAP 159/3 "How to get your song published" 159/3 Public performance rights in music and performance rights societies 159/3 Special: Irving Berlin centennial celebration 159/4 "ASCAPS’s Source Licensing Updates" 159/4 "Report of Panel on Standard Awards," 1975-1976 159/5 "Report of the Broadcast Licensing Division to the Finance Committee," undated 159/5 "Report of the Executive Committee," Feb. 29, 1977 159/5 "Report on Pay TV, Cable TV, and New Technology," Sept. 1978 159/5 Reports of Hon. Warren Olney, III and Leo Kaplan, 1976, 1978, 1993 159/6 Articles 159/6 Speech by Stanley Adams 159/6 "What is ASCAP?" 159/7 Deems Taylor Award 159/7 Miscellany Alexander Julian Foundation 159/8 Correspondence 159/8 Clippings 159/8 Miscellany 159/9 American Council for the Arts

159/10 American Pianists Association

159/11 American Recorder Society

Americans for the Arts 160/1 Memos 160/1 Newsletters 160/1 Correspondence 160/1 "Artslink" 160/1 Press kit/activities packet 160/1 Miscellany Arts and Business Council 160/2 Memos 160/2 Newsletter 160/2 Press releases 160/3 Correspondence 160/4 Arts and Business Council, 1981-1982, 1984 160/4 Business Volunteers for the Arts 160/4 Encore Awards, 1982, 1985-1986 160/5-6 Press kit/activities packet 160/7-8 Winterfare, 1982, 1986, 1988 160/9 Miscellany 161/1 Associated Musicians of Greater New York, Local 802 Black Journal 161/2 Memos 161/3 Press release 161/4 Contracts 161/5 Correspondence received 161/5 Correspondence sent 161/6 Photographs 161/7-9 Scripts 161/10 Shooting schedules 161/11 Show topic notes 161/12 Staging layout (sketches) 161/13 Miscellaneous notes 161/14 Articles 161/14 Clippings 161/14 Printed matter 161/15 Miscellany 162/1 Center for Arts and Culture 162/2 Charles H. Revson Foundation 162/3 Children's Audio Service 162/4 Coca-Cola Enterprises 162/5 Commission for Cultural Affairs 162/6 Consortium of Musicians for the Metropolitan Area, Inc. 162/7 Creative Artists Cultural Exchange 162/8-8a University of Massachusetts at Amherst, Fine Arts Center

Printed matter.

 162/9 Ford Foundation 162/10 International Association for Jazz Education (IAJE) 162/11 International Clinical Epidemiology Network (INCLEN) 162/12 International Jazz Institute International Research Exchange Board 162/13 Memos 162/13 Newsletters 162/13 Press releases 162/14 Correspondence 162/15 Legal documents 162/16 American Council on Learned Societies: Soviet Academy of Sciences, 1986 162/16 Commission with the USSR of the American Council of Learned Societies 162/16 US-USSR Commission of the American Council of Learned Societies, 1988 162/17 Miscellany 163/1 International Women in Jazz Jackie Robinson Foundation 163/2 Memos 163/3 Correspondence 163/4 An Afternoon of Jazz, 1982, 1986, 1993-1994, 1996, 2001

Programs.

 163/5-7 Jackie Robinson Awards Dinner, 1984-1985, 1989-1990, 1994, 2001

Programs.

 163/8 Jazz in Dakar, 1985

Program.

 163/8 Robinson Foundation Wingspread Conference, 1986

Program.

 163/8 An Afternoon of Jazz, 1991

Promotional material.

 163/9 Miscellany 163/10 Jazz Journalists Association 163/11 JazzAmerica Marketing Jazzmobile 164/1 Legal documents 164/2 Meeting agendas, 1969-1990 164/3 Executive Board of Directors meetings minutes, 1975-1989 164/4 Nzinga Music Productions meeting minutes, 1989 164/5 Miscellaneous Jazzmobile administrative materials 164/6 Jazzmobile Fact sheet 164/7 Jazzmobile heritage and history 164/8 “Jazzmobile, Inc.” : papers presented 164/9 Jazzmobile mission and positioning statement 164/10 Jazzmobile objectives 164/11 Jazzmobile objectives: four-year plan 164/12 Jazzmobile activities packet 164/13 Directory, 1978-79 164/14 “Our story” 164/15 Jazzmobile press kit 164/16 Miscellaneous Jazzmobile orientation materials 165/1 Awards and honors: 52nd Street Award, Jazzmobile honors Dr. Taylor, New York Metro News, Police Athletic League, Prez Award 165/2 Community responses - awards, special projects 165/3 Miscellaneous materials on past Jazzmobile achievements 165/4 Memos, 1973-1990 165/5 Newsletters, 1969-1994 165/6 Jazzmobile press releases, 1970-1989 165/7 Miscellaneous Jazzmobile communications materials 165/8 Contracts Jazzmobile Correspondence: Letters Received 165/9 AC&R Advertising/Robert G. Ralske 165/9 American Federation of Musicians/Robert E. Bittner 165/9 American Revolution Bicentennial Administration/Jean McKee 165/9 Arnstein, Benjamin S. 165/9 Arts & Business Council/Susan Kraus 165/9 Associated Press/William “Bill” Gillen 165/9 August Martin High School/Lawrence Costello 165/10 Becon Real, Inc./Valerie Joseph 165/10 Bergen Beach School/Myra J. Cohen 165/9 Bergman, Alan S., P.C. 165/10 Bidwell Cultural & Training Center 165/10 Bidwell Street United Presbyterian Church/Leonard Johnson 165/10 Billboard/Hal B. Cook 165/10 Black United Fund of New York/Jaclyn Durant 165/10 Bloomingdale House of Music/Billy Taylor 165/10 Board of Education of the City of New York: Carol Fineberg, Richard R. Green, Edna D. Greenspan, Leonard Lowry, Benjamin M. Martin, Jay W. Sanford, Steve Ucko, Edward Vollins, Lorenza Washington, (Mrs.) Jimmie Williams 165/10 Brown, Peggy O. 165/10 Butler, Jablow & Geller/Richard B. Jablow 165/11 Cater, Gladys 165/11 Chemical Bank, Public Affairs Department/Challen W. Heaney 165/12 City of New York. Dept. of Cultural Affairs/Cheryl McClenney 165/11 City of New York. Dept. of Employment: Lillian Barrios-Paoli, Wilma Kidd, Violet Mitchell, Keith Nelson, Carmen Tull 165/11 City of New York. Economic Development Administration/John H. Lotz 165/11 City of New York. Office of the Mayor: David N. Dinkins, Stanley E. Grayson 165/11 City of Rochester/Mary F. Petote 165/11 Coca-Cola Bottling Co. of New York/Walter Christmas 165/11 Community School Board School District #5/Ernest Jackson 165/11 Congress of the United States. House of Rep./Rep. Charles B. Rangel 165/11 Copat Construction Corp./Hugh McDonald