<emph render="italic">II B.S.</emph>

http://hdl.loc.gov/loc.music/eadmus.mu004009 Charles Mingus Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2004598900

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2010 November Adjustments to the container list made by Tom Barrick in November 2010. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. Collection Summary Charles Mingus Collection1939-1979 ML31.M56 Mingus, Charles, 1922-1979 circa 15,000 items 84 boxes 13 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

This is the collected archive of world renowned African American jazz bassist and composer Charles Mingus. The Charles Mingus Collection includes music (manuscript and printed of Mingus and others), writings by and about Mingus by Mingus and others, business papers, printed matter (such as articles and clippings, books and pamphlets, organizations and affiliations, programs, and promotional material), iconography (photographs of Mingus, his family, and colleagues such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis, artwork, and three dimensional items), personal material, and sound recordings. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Davis, Miles--Portraits. Dolphy, Eric--Portraits. Mingus, Charles, 1922-1979--Autographs. Mingus, Charles, 1922-1979--Portraits. Mingus, Charles, 1922-1979. Pettiford, Oscar, 1922-1960--Portraits. Richmond, Dannie--Portraits. Roach, Max, 1924-2007--Portraits. Subjects Jazz musicians--Portraits. Jazz. Administrative Information Provenance

Purchase; Susan Ungaro Mingus; 1992-1995.

Custodial History

Shortly after the Wolf Trap premiere of Mingus' extended work Epitaph in the summer of 1989, the endeavor to bring the Charles Mingus archives to the Library of Congress Music Division was set in motion. On May 21, 1992, the purchase agreement between the Library and Susan Ungaro Mingus, the musician’s widow, was signed and the first of four deliveries of Mingus material soon followed. Subsequent deliveries of material took place in 1993, 1994, and 1995.

Accruals

No further accruals are expected.

Processing History

The Charles Mingus Collection was processed in 1998 by Lloyd A. Pinchback. The original finding aid was prepared with Corel WordPerfect 8. In 2004 the Charles Mingus Collection finding aid was coded for EAD format by Michael A. Ferrando.

Transfers

Sound recordings transferred to the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

The status of copyright on the materials of the Charles Mingus Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Charles Mingus Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Charles Mingus Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1922 Born April 22 in Nogales, Arizona, to Harriett Sophia Mingus and Charles Mingus, Sr.; Sergeant Charles Mingus, Sr. retired from the U.S. Army on August 31; Mingus family moved to Los Angeles, California; Harriett Mingus died October 3. 1928 Given his first musical instrument, the trombone, by his father for Christmas. 1934 Persuaded by fellow trombonist and friend Britt Woodman, Mingus began studying the cello. 1937 Suggested by high school musician Buddy Collette, Mingus switched from cello to bass. 1938 Mingus introduced to bassist Red Callender by Buddy Collette; Mingus began studying with Callender; began arranging pieces for the high school jazz ensemble. 1939 Began studying composition with Lloyd Reese; composed What Love and Half Mast Inhibitions. 1940 Professional career began at the age of eighteen when he began playing bass with Lee Young. 1941 Began touring with Louis Armstrong's big band. 1942 Played bass with Barney Bigard's ensemble which featured retired trombonist Kid Ory. 1943 Began studying symphonic form and technique with former bassist of the New York Philharmonic, Herman Rheinschagen. 1944 Married Camilla Jeanne Gross on January 3; met saxophonist Eric Dolphy; Charles Mingus III was born on September 12. 1946 Began touring with Lionel Hampton's big band; Eugene Mingus born in September; Mingus separated from wife Jeanne; Mingus takes part-time job at San Francisco post office during Christmas. 1947 Step-brother Odell Carson died in August. 1950 Gained national attention as a member of Red Norvo's trio. 1951 Married Celia Nielson on April 2; moved from the West Coast to New York City for the remainder of his life. 1952 For economic reasons, Mingus for the second time in his life took a job at the Post Office; persuaded to quit that job by Charlie Parker; celebrated his thirtieth birthday recording the first session for his newly formed record label, Debut Records. 1954 Recorded his tunes Getting Together and Gregarian Chant. 1955 Founded the Jazz Workshop, Inc. 1956 Released Pithecanthropus Erectus in September; established Mingus as an innovative jazz composer. 1959 Although Mingus composed the piece at the age of seventeen, he finally recorded Half Mast Inhibitions with a 22 piece orchestra conducted by Gunther Schuller. 1962 With some difficulty, Mingus began search for a publisher for his autobiographical Beneath the Underdog. 1964 Played concert at Monterey; started record company called Charles Mingus Enterprises, which recorded and released the Monterey concert as its first product under the title "Mingus at Monterey"; Mingus elected Jazz Man of the Year by Downbeat Magazine. 1966 Suffering from psychological and financial problems, Mingus began self-imposed exile from public life and performing. 1969 Resumed his music career in June. 1970 Made final music tour of Europe in the fall. 1971 Granted fellowship for composition from the Guggenheim Foundation; a one hour film titled "Mingus" was aired nationally in March and April; Beneath the Underdog was published by Knopf in April; performed at the Newport Jazz Festival in July. 1972 Commissioned to write three-act ballet on "The Life of Malcolm X" for Alvin Ailey's Ballet for the spring of 1972. 1976 Collaborated on album with pop singer Joni Mitchell. 1979 After battling physical complications for several years, Mingus succumbed on January 5. Scope and Content Note

The Charles Mingus Collection covers the music career of this celebrated African American jazz musician/composer from about 1939, the year he composed What Love and Half Mast Inhibition, to his death on January 5, 1979. Originally estimated to have an item count of less than 10,000, the collection actually contains nearly 15,000 items. The Mingus Collection represents the first multi-format jazz collection processed in the Library of Congress Music Division to include holograph music manuscripts and sound recordings.

The purchase of the Mingus archives by the Library of Congress marks its first acquisition of a jazz composer's written works (both music and literary) and papers. On June 1, 1993, the Library celebrated this momentous occasion with a press conference and lecture conducted by Sue Mingus and Mingus scholar Andrew Homzy. The event culminated on June 4, 1993, with an all-Mingus concert performed by Mingus Dynasty, a jazz orchestra dedicated to the memory and music of Charles Mingus, at the National Academy of Sciences Auditorium.

The Series in the collection include Music, Writings (by and about Mingus), Business Papers, Printed Matter, Iconography, Personal, and Sound Recordings. Each series is rich with Mingus effects and memorabilia depicting his experiences in the world of jazz and some aspects of his private life.

Music Series: Undoubtedly, the central focus of the Mingus Collection is the Music series, the manuscripts in particular. It includes all of his major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence rendering a numerical listing unwieldy, if not confusing. Thus, the music manuscripts are divided into three subseries: Original Music Manuscripts, Mingus Manuscript Arrangements of Music by Others, and Manuscript Music by Others. The Printed Music subseries comprises a small segment of the collection, and is sub-divided into two smaller groupings: Printed Music by Mingus and Printed Music by Others.

Writings Series: This Series is divided into three subseries: Writings By Mingus, Writings About Mingus, and Miscellaneous Writings. The highlight of the Writings By Mingus subseries is Mingus' controversial autobiographical work, Beneath the Underdog, in several versions. Mingus, a proud man, was very much aware of his contributions to the American music landscape in general and to the jazz idiom in particular. This is evident in a one page typescript titled, "A Living Benefit for Mingus". Also included in this subseries are Mingus' manuscript liner notes (written for record album jackets), and articles published in serials.

The Writings About Mingus subseries is principally a collection of articles written about Charles Mingus and his music, some found in serials while others are photocopies of loose clippings. The articles published in serials are divided by publication locale (domestic or foreign) and are arranged alphabetically by article title. The loose clippings, photocopies of the originals, also separated by publication locale, are arranged chronologically by date. This subseries also includes clippings covering particular subjects relating to Mingus and his music. Filed under subject headings, contents here include: articles on Mingus' biography; articles and reviews relating to his literary work Beneath the Underdog; articles on Mingus Dynasty ( the New York- based jazz orchestra established after his death as a tribute to him and his contributions in music); and articles about his widow, Susan Graham Mingus. The Writings About Mingus subseries concludes with a listing of newsletters, press releases, and bulletins relating to Mingus and his music career.

In Miscellaneous Writings are written works on a variety of subjects not necessarily relating to Mingus. The material in this subseries is divided further into three categories: Film Work (Mingus was sought on several occasions to score music for film), Poetry, and Short Stories. The Poetry segment is of particular interest because it contains a work titled Four Poems for Charles Mingus by Lyon Phelps, and a poem written for Mingus’ close friend and colleague Eric Dolphy, titled "Blues for Eric Dolphy," by John Sinclair.

Business Papers Series: Charles Mingus headed three music business ventures: Charles Mingus Enterprises, Inc., Debut Records, and the Jazz Workshop, Inc. Mingus' business acumen and meticulous record-keeping is legendary. An examination of the Business Papers series is a testament to both qualities. Although Mingus did not record dates of his music compositions, it is quite apparent that he realized the importance of documenting everything he considered to be a "business related" matter. He was particularly persnickety about dispensing cash to fellow musicians. He literally used anything that could be written on as a receipt when paying the musicians for services rendered; he had them sign it, regardless of medium: these unique items are included in the collection.

Although there is not a series dedicated solely to correspondence, there is correspondence found throughout the collection. The correspondence in Business Papers, for instance, is quite extensive in that it contains letters to and from three Charles Mingus business entities, and includes names of jazz-world figures such as musicians Sam Most, Max Roach and Dannie Richmond, record producers Teo Macero and Clive Davis, and poet Langston Hughes.

Printed Matter Series: There are six subseries in the Printed Matter series: Articles & Clippings, Books and Pamphlets, Organizations and Affiliations, Programs, Promotional Material, and Miscellaneous. Much of the material in this series does not directly relate to Mingus, but represents his personal collection. The Articles & Clippings and Miscellaneous subseries consist of his personal collection of articles, magazines, newsletters, and press releases not relating to himself. On the other hand, the Organizations and Affiliations, Programs, and Promotional Material subseries do reflect material generated by Mingus' personal and professional life.

Iconography Series: The Mingus Collection contains photographs, artwork, and three dimensional items, filed in the Iconography series. This series is divided into four subseries: Photographs, Awards and Award Nominations, Artwork, and Picture Post Cards. The Photographs subseries contains images of Mingus and his family (including his parents), as well as photographs of fellow musicians such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis.

Mingus was the recipient of several awards and award nominations, such as the Newport Jazz Festival Hall of Fame Award in July 1976, and the ASCAP-Deems Taylor Award in 1990. In January 1973, Mingus was nominated for a Grammy Award by the National Academy of Recording Arts & Sciences (NARAS).

The Artwork subseries is fairly small, but is very interesting in that it includes record album cover art layouts for Debut Records, some in color. There is one painting by Mingus acquaintance Elliott Cola, who is also represented by music manuscripts (apparently gifts to Mingus) in the Collection, (see Music Manuscripts by Others subseries).

Charles Mingus, among many things, was a traveler. His career as a jazz bassist and businessman afforded him the opportunity to tour the world, his family vacations outside the United States on several occasions notwithstanding. As many travelers do, Mingus collected picture post cards as mementos of his trips. Unmarked and arranged alphabetically by subject, these items are filed in the Picture Postcards subseries of the Iconography series.

Personal Series: The Personal series incorporates Mingus' private archives and an unusual collection of physical effects associated with him. There are six subseries in this series: Correspondence (fairly small compared to the volume of business correspondence), Financial Papers, Legal File, Medical File, Travel, and Miscellaneous.

The Correspondence subseries in the Personal series consists of letters, greeting cards and personal notes from family members, including his sister Grace Mingus, second wife Celia Mingus, and widow Sue Mingus, and friends such as author Helen Gurley Brown, musician Roy Ayers, and comedian/social activist (as well as health advisor to Mingus), Dick Gregory.

The Financial Papers document Mingus’ family assets, banking history, household expenses, and tax records. This material is comprehensive in breadth and gives a fairly clear picture of his personal financial history.

The Legal File includes divorce papers between Charles and Celia Mingus, personal legal correspondence, and documents related to his dealings with the New York City court system.

The Medical File subseries chronicles matters relating to Mingus' health concerns: correspondence from physicians, prescriptions for medications, brochures from health clinics, and statements and receipts for medical services rendered.

As mentioned earlier, Charles Mingus traveled extensively both professionally and privately: the Travel subseries in the Personal series is a record of his personal travels. Following a pattern similar to that of his business dealings, Mingus retained almost everything, especially when finances were involved. The file contains most, if not all, receipts from travel expenses for lodging, meals, and transportation. There is a section in the Travel series dedicated to printed matter acquired while "on the road". It includes maps, travel brochures, and foreign news clippings.

The final section in the Personal series is the Miscellaneous subseries. This contains unusual items that fit no other category of material in the collection. The file includes two calendars of jazz musicians (1973 and 1979), tarot cards, a lock of hair from Eric Mingus' (Charles' son) first haircut, business cards given to Mingus, and a collection of telephone numbers written on a variety of media. One peculiar yet interesting item in this file is a book titled Cultivation of Personal Magnetism in Seven Progressive Steps, by Edmund Shaftesbury, with the mid-section carved out to house Mingus' firearm.

Recorded Sound: Both voice and music recordings are included in this series. The series is sub-divided by format, which includes acetate and vinyl discs (with metal parts), cassettes, and reel-to-reel tapes on five-, seven- and ten-inch reels. The range of subject matter includes voice recordings of interviews with Mingus, Mingus composing at the piano, rehearsals, live performances, studio recordings, and pressed disc recordings.

These recordings are not completely inventoried; most will be transferred to the Motion Picture, Broadcasting, and Recorded Sound Division (M/B/RS) where they will be prepared for preservation and inclusion in the Library's recorded sound collection.

Lloyd A. Pinchback, February 1998

Organization of the Charles Mingus Collection

The Charles Mingus Collection is organized in 6 series:

Music Writings Business Papers Iconography Printed Matter Personal http://lccn.loc.gov/2004598900 Container List Box Contents 1-44 Music

The Music series consits of manuscripts of all Mingus' major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence.

Music series is arranged as follows:

Music Manuscripts: Mingus Original Music Manuscripts, arranged alphabetically by title. Manuscripts of Music by Others, arranged alphabetically by title. Printed music: Printed music by Mingus, arranged alphebeteically by title. Printed by others, arranged alphabetically by composer then by title. 1-29 32-44 Manuscript Music 1-28 32-44 Original Music Manuscripts 1/1 <emph render="italic">II B.S.</emph> Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

1/2 <emph render="italic">12 Alder Place</emph>. Full score (incomplete); 4 p. (pp. 6-9 only); 31.5 cm.

Note: Holograph in pencil.

Reference no.: 174.

1/3 <emph render="italic">12 Alder Place</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in pencil.

Reference no.: 174.

1/4 <emph render="italic">Abstractions</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photostat of holograph. At bottom: © December 1976 - Jazz Workshop, Inc.

Adagio ma non troppo see: Mingus dance no. 7 1/5 <emph render="italic">After hours</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 124. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/6 <emph render="italic">Ain't jivin' blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph in pencil. Marked at head: 125. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/7 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Condensed score; [7] leaves; 32 cm.

Note: Photocopy of holograph in pencil.

Reference no.: 001.

Access points:

Johnson, Sy 1/8-10 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 and 28 cm. (3 folders).

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 210.

Access points:

Johnson, Sy Alice in wonderland see: Mingus dance no. 7 Alice on wonderland see: Mingus dance no. 7 Alice's wonderland see: Mingus dance no. 7 1/11 <emph render="italic">All the things you could be right now if Sigmund Freud's wife was your mother</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, November, 1976.

1/12 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript. At bottom: © December, 1975, Jazz Workshop, Inc.

Reference no.: 002.

32/1 <emph render="italic">The arts of Art Tatum and Freddie Webster</emph>. Full score; 10 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 158.

1/13-14 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 002.

2/1 <emph render="italic">Atomic bomb</emph>. Full score; 3 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 185.

32/2 <emph render="italic">B.F.T.</emph> Full score (incomplete); 2 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 108.

2/2 <emph render="italic">B.F.T.</emph> Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil. On verso of bass part: "Portrait".

Reference no.: 108.

2/3 <emph render="italic">Baby, take a chance with me</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 126. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 189.

32/3 <emph render="italic">Baby, take a chance with me</emph>. Full score; 10 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 189.

2/4 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Condensed score (incomplete); 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 238.

2/5 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Piano part; 2 p.; 32 cm.

Note: Holograph in pnecil.

Reference no.: 238.

2/6 <emph render="italic">Back home blues</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © November, 1976, Jazz Workshop, Inc.

2/7 <emph render="italic">Background for thought</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

2/8 <emph render="italic">Basically speaking</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 132. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

2/9 <emph render="italic">Bemoanable lady</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

Reference no: 004.

2/10 <emph render="italic">Bemoanable lady</emph>. Instrumental parts, 2nd and 3rd trumpets only; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 004.

2/11 <emph render="italic">Better get hit in your soul</emph> / Sy Johnson, arr. Piano-vocal score; 6 p.; 31 cm.

Note: Manuscript in pencil and ink by Sy Johnson.

Reference no.: 100.

Access points:

Johnson, Sy 32/4 <emph render="italic">Better get hit in your soul</emph>. Full score; 10 p.; 28.5 x 43 cm.

Note: Holograph in pencil. One page missing.

Reference no.: 124.

2/12 <emph render="italic">Better get hit in your soul</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

32/5 [<emph render="italic">Better get it in your soul</emph>]. Full score (incomplete); 1 p. (pp. 17); 28 x 41 cm.

Note: Holograph in pencil. Title at head: Gitt.

2/13 <emph render="italic">Better get it in your soul (#6)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 153.

2/14 <emph render="italic">Better get it in your soul : old version</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with markings in pencil; includes 1 p. photocopy.

Reference no.: 100.

2/15 <emph render="italic">Better get it in your soul : new version, Jan. 1963</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 152.

32/6 <emph render="italic">Better git it in your soul : Epitaph</emph>. Full score; 17 leaves; 28 x 41.5 cm.

Note: Holograph in pencil. Measures 2832-3090.

32/7 <emph render="italic">Big Jim Whitey's mule</emph>. Full score (incomplete); 10 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 130.

2/16 <emph render="italic">Bill's song</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 2/17 <emph render="italic">Bird calls</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 127. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

3/1 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; various sizes.

Note: Holograph in pencil.

Reference no.: 131.

3/2 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; [59] leaves; 33 x 26.5 cm.

Note: Photocopy of holograph score in pencil, with annotations in red pencil.

Reference no.: 131.

3/3 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; 28 x 21.5 cm.

Note: Photocopy of holograph score in pencil.

Reference no.: 131.

3/4 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 131.

3/5 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 28.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 131.

3/6 <emph render="italic">Black stome 10:30</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom: Piano score for untitled piece. On verso: Chord scheme for the piece "Sweet".

3/7 <emph render="italic">Blue cee</emph>. Baritone sax part; 1 p.; 28 cm.

Note: Holograph in pencil. On verso: Reincarnation of a lovebird.

Reference no.: 227.

3/8 <emph render="italic">Blue cee</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopies of copyist's manuscripts. At bottom of first p.: © January 1975, Jazz Workshop, Inc.

Reference no.: 227.

3/9 <emph render="italic">Blue tide</emph>. Trumpet part; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no: 243.

3/10 <emph render="italic">Blues Ballard</emph>. Instrumental part; 1 p.; 15 x 24.5 cm.

Note: Holograph in ink and red pencil. At head: A-167.

3/11 <emph render="italic">Blues for some bones</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

3/12 <emph render="italic">Blues [in F]</emph>. Trombone part; 1 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Untitled piece for trombone.

3/13 <emph render="italic">Body</emph>. Full score; 4 p.; 27 cm.

Note: Holograph in pencil.

3/14 <emph render="italic">Boogie stop shuffle</emph>. Lead sheet; 2 leaves; 31.5 cm.

Note: Copyist's manuscript in ink on transparent paper. On bottom: © December, 1950, Jazz Workshop, Inc.

Reference no.: 220.

32/8 <emph render="italic">Boogie stop shuffle</emph> / Sy Johnson, arr. Full score; 11 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 006.

Access points:

Johnson, Sy 3/15 <emph render="italic">Boppin' in Boston</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 130. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

32/9 <emph render="italic">Bus voice</emph>. Full score; 12 leaves; 30.5 x 41 cm.

Note: Holograph in pencil.

Reference no.: 121.

3/16 <emph render="italic">But you</emph>. Full score; 5 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 138.

Cabin see: Winds 3/17 <emph render="italic">Canon</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

4/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Condensed score; 2 leaves; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc. 1977.

Reference no.: 119.

43/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Full score; 10 leaves; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 007, 119.

4/2 <emph render="italic">Carolyn "Keki" Mingus</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 007.

4/3 <emph render="italic">Celia (chords)</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Holograph in pencil and ink. At head: Roberto Laueri [sic]. At bottom, note to Roberto: "Never write 8th notes trip's in N.Y.C. ..."

4/4 <emph render="italic">Celia</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 131. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

4/5 <emph render="italic">Celia</emph>. Chord chart; 1 p.; 31 cm.

Note: Photocopy of holograph.

4/6 <emph render="italic">Celia (chord progressions)</emph>. Chord charts; 7 leaves; 28 cm.

Note: Manuscripts in pencil. This material appears to be graded classroom assignments.

4/7 <emph render="italic">Celia</emph>. Instrumental parts; 14 leaves; 32 cm.

Note: Copyists' manuscripts in pencil and ink. Verso of drum part: Canon II in pencil. Folder includes photocopies.

4/8 <emph render="italic">Celia</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscripts in ink and pencil. Verso of baritone saxophone part: Diane and Peggy's ________ Skylight. Folder includes photocopies of parts.

Cell block F is Nazi U.S.A. see: Jive five floor four 32/10 <emph render="italic">Chair in the sky</emph> / Sy Johnson, arr. Full score; 19 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 010.

Access points:

Johnson, Sy 4/9 <emph render="italic">Chazzenova</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © January, 1977, Jazz Workshop, Inc.

43/2-3 <emph render="italic">The chill of death</emph>. Full score; 38 leaves in 2 folders; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 274.

4/10 <emph render="italic">Clark in the dark</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 134. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Cleaner from Des Moines see: Dry cleaner from Des Moines 4/11 <emph render="italic">The clown</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscripts. At bottom: © January, 1975, Jazz Workshop, Inc.

4/12 <emph render="italic">The clown</emph> / Jaki Byard, arr. Instrumental parts with narration; pagination varies; 28 cm.

Note: Photocopies of copyist's manuscripts; narrative text on separate page.

Access points:

Byard, Jaki 4/13 <emph render="italic">The clown's afraid too</emph>. Instrumental parts (trumpet 1 and French horn parts only); pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink with pencil markings.

32/11 <emph render="italic">The clown's afraid too, </emph>[<emph render="italic">don't be afraid</emph>]. See also: Don't be afraid, the clown's afraid too Condensed score; 4 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 117.

4/14 <emph render="italic">The clown's afraid too (don't be afraid)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink with pencil and ink markings.

Reference no.: 161.

4/15 <emph render="italic">Color blind</emph>. Full score (incomplete); 1 p.; 28 x 35.5 cm.

Note: Holograph in pencil.

4/16 <emph render="italic">Come Sunday</emph>. Chord chart; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink.

4/17 <emph render="italic">Compositional theme story</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

4/18 <emph render="italic">Confucius says</emph>. Instrumental part; 1 p.; 27 cm.

Note: Holograph in pencil. On verso an untitled holograph score in pencil.

4/19 <emph render="italic">Consider me</emph>. Lead sheet; 2 p.; 32 cm.

Note: Photocopy of holograph.

32/12 <emph render="italic">The critic - string quartet</emph>. Full score; 1 p.; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 187.

4/20 <emph render="italic">Cro-Magnum nights</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for Portrait; holograph in ink.

4/21 <emph render="italic">Cryin' blues</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

4/22 <emph render="italic">Cumbia and jazz fusion</emph>. Condensed score; 16 leaves; 32 cm.

Note: Photocopy of holograph signed by Mingus in ink.

4/23 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts

Note: Copyist's ms. in ink with annotations.

4/24 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink and pencil.

5/1 <emph render="italic">Dark lightings</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holograph in pencil and crayon.

5/2 <emph render="italic">Depressions</emph>. Full score (incomplete); 3 leaves; 32 cm.

Note: Holograph in pencil.

5/3 <emph render="italic">Detour minus that dead end</emph>. Sketches; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Heavenly marriage.

5/4 <emph render="italic">Devil</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink. On verso: Fascination.

5/5 <emph render="italic">Devil is a woman</emph>. Full score; 2 p.; 32 cm.

Note: Holograph in pencil.

5/6 <emph render="italic">Devil woman</emph>. Lead sheet; 1 p.; 34.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

Reference no.: 123.

32/13 <emph render="italic">Devil woman</emph>. Full score; 6 leaves; 30.5 x 43.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 123.

5/7 <emph render="italic">Devil woman</emph>. Condensed score sketch; 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 123.

5/8 <emph render="italic">Devil woman</emph>. Trumpet II part; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 123.

32/14 <emph render="italic">Diane</emph>. Full score; 3 leaves; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 114.

Diane see: Mingus dance no. 7 Dianeland see: Mingus dance no. 7 5/9 <emph render="italic">Dizzy moods</emph>. See also: Mingus dance no. 6 Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of manuscript. At bottom: © Jan. 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference no.: 252.

5/10 <emph render="italic">Dizzy profile</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 015.

5/11 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph.

Reference no.: 016, 117, 143, 161.

5/12 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Instrumental parts

Note: Copyist's manuscript in ink with pencil markings

Reference no.: 016

32/15 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Full score; 35 p.; 27.5 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 016.

43/4 <emph render="italic">Don't be afraid, the clown's afraid too</emph> / Sy Johnson, arr. Full score; [48] p.; 36.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson; includes photocopies.

Reference no.: 143.

Access points:

Johnson, Sy 32/16 <emph render="italic">Don't be afraid, the clown's afraid too (#13)</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43 cm.

Note: Photocopy of manuscript by Sy Johnson with markings in ink.

Reference no.: 016.

Access points:

Johnson, Sy 5/13 <emph render="italic">Don't let it happen here</emph> (from "I Am the Guilty"). Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 164.

5/14 <emph render="italic">Dream of my girl</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

32/17 [<emph render="italic">Dry</emph>] <emph render="italic">cleaner from Des Moines</emph> / Sy Johnson, arr. Full score; 10 leaves; 28 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 011.

Access points:

Johnson, Sy 5/15 <emph render="italic">Duke Ellington's sound of love</emph>. Instrumenal parts; pagination varies; 31.5 cm. [December, 1974].

Note: Copyists' manuscripts in ink. Includes photocopies of tenor sax part and piano-vocal score.

Reference no.: 022.

5/16 <emph render="italic">Duke's choice</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph.

5/17 <emph render="italic">E.S.P.</emph> See also: Extrasensory perception See also: Mind-readers convention Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 140. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

5/18 <emph render="italic">E's flat, Ah's flat too (#21)</emph>. Instrumental parts; pagination varies; 2 cm.

Note: Holograph in ink and pencil.

5/19 <emph render="italic">East coasting</emph> (a.k.a. <emph render="italic">"51st Street blues"</emph>). Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

5/20 <emph render="italic">East coasting</emph>. Instrumental part; pagination varies; 32 cm.

Note: Holographs in pencil.

6/1 <emph render="italic">Eat that chicken</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, NY.

6/2 <emph render="italic">Ecclusiastics</emph>. Lead sheet; 1 p.; 35 cm.

Note: Photocopy of copyist's manuscripts.

32/18 <emph render="italic">Ecclusiastics</emph> / Sy Johnson, arr. Full score; 16 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 151.

Access points:

Johnson, Sy 6/3 <emph render="italic">Ecclusiastics (#3)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopies.

Reference no.: 018.

6/4 [<emph render="italic">Eclipse</emph>]. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in ink with holograph pencil markings. On verso: Lead line with lyrics.

Reference nos.: 019, 020, 141, 288.

6/5 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included; 1 p.; 19 x 23.5 cm.

Note: Holographs in pencil. In upper-right corner: "Celia Mingus - Chas Mingus".

Reference nos.: 019, 020, 141, 288.

6/6 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included (incomplete); 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference nos.: 019, 020, 141, 288.

6/7 <emph render="italic">Eclipse</emph>. Lead sheets, 2 versions; 1 + 1 p.; 32 cm.

Note: Manuscripts in ink by Andrew Homzy. Version I includes melody line, chord progressions, and lyrics. Handwritten note at bottom dated: 26 Feb. '87. Version II includes melody line and chord progressions only.

Reference nos.: 019, 020, 141, 288.

6/8 <emph render="italic">Eclipse</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © January, 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference nos.: 019, 020, 141, 288.

6/9 <emph render="italic">Eclipse</emph>. Condensed score; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference nos.: 019, 020, 141, 288.

6/10 <emph render="italic">Eclipse</emph>. Full score; 3 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 141.

6/11 <emph render="italic">Eclipse</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 141.

6/12 <emph render="italic">Eclipse</emph>. Miscellaneous instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil; includes photocopies with holograph markings in ink and pencil. Laid in: Handwritten note by Andrew Homzy titled "Note for Eclipse 26/Feb/87".

Reference no.: 288.

33/1 <emph render="italic">Eclipse (#10)</emph>. Full score; 9 p.; 28 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 019.

6/13 <emph render="italic">Eclipse (#10)</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 019.

33/2 <emph render="italic">Eclipse</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 42.5 cm.

Note: Manuscript in pencil by Sy Johnson. Dated 1-29-72.

Access points:

Johnson, Sy 33/3 <emph render="italic">Enchantment</emph>. Full score; 6 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 113.

6/14 <emph render="italic">Enchantment</emph>. Instrumental parts; 9 lvs; 31.5 cm.

Note: Holographs in ink.

Reference no.: 113.

6/15 <emph render="italic">Epitaph</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 139. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 256.

6/16-17 <emph render="italic">Epitaph</emph>. Instrumental parts (reeds and brass); pagination varies; 32.5 cm. (2 folders).

Note: Copyist's manuscripts in ink.

Reference no.: 025.

33/4 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm.

Note: Holograph in pencil with holograph markings in colored pencil. Measures 1-199.

Reference no.: 256.

33/5-6 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm. (2 folders)

Note: Deshan (thermofax) copy of holograph score in pencil (33/1). Measures 1-199.

Reference no.: 256.

33/7 <emph render="italic">Epitaph (#2)</emph>. Full score; 40 leaves; various sizes.

Note: Holograph in pencil. Measures 180-355.

Reference no.: 257.

34/1 <emph render="italic">Epitaph (#3) : started melody</emph>. Full score; 36 leaves; various sizes.

Note: Holograph in pencil. Measures 356-701.

Reference no.: 258.

34/2 <emph render="italic">Epitaph (#4)</emph>. Full score; 23 leaves; various sizes.

Note: Holograph in pencil. Measures 702-1000; measures 1001-1142 missing.

Reference no.: 259.

6/18 <emph render="italic">Epitaph (#5) : moods in mambo section</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1143-1267.

Reference no.: 260.

6/19 <emph render="italic">Epitaph (#6)</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1268-1651.

Reference no.: 261.

34/3 <emph render="italic">Epitaph (#6)</emph>. Full score; [48] leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1268-1651.

Reference no.: 261.

34/4 <emph render="italic">Epitaph (#7)</emph>. Full score; 29 leaves; 46 cm.

Note: Holograph in pencil. Measures 1652-1767.

Reference no.: 262.

34/5 <emph render="italic">Epitaph (#8) : Pinky don't come here for love man</emph>. Full score; 23 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1768-1951.

Reference no.: 263.

34/6 <emph render="italic">Epitaph (#9) : Pinky don't come here for love man (Section II)</emph>. Full score; [15] leaves; 47 cm.

Note: Holograph in pencil. Measures 1952-2019).

Reference no.: 264.

34/7 <emph render="italic">Epitaph (#10)</emph>. Full score; [21] leaves; 47 cm.

Note: Holograph in pencil. Measures 2020-2137.

Reference no.: 265.

35/1 <emph render="italic">Epitaph (#11) : Peggy's blue skylight</emph>. Full score; [17] leaves; 49 cm.

Note: Copyist's manuscript in pencil. Measures 2138-2216.

Reference no.: 266.

35/2 <emph render="italic">Epitaph (#12) : Wolverine blues</emph>. Full score; 22 leaves; 53.5 cm.

Note: Copyist's manuscript in pencil. Measures 2217-2394.

Reference no.: 267.

35/3 <emph render="italic">Epitaph (#13) : Todeskalte (The chill of death)</emph>. Full socre; 11 leaves; 35.5 x 41 cm.

Note: Holograph in pencil. Measures 2395-2477).

Reference no.: 268.

35/4 <emph render="italic">Epitaph (#14) : Children's dream-search</emph>. Full score; 37 leaves; 46 cm.

Note: Manuscript in pencil by Gene Roland and Charles Mingus. Measures 2478-2684.

Reference no.: 269.

35/5 <emph render="italic">Epitaph (#15)</emph>. Full score; 24 leaves; 54 cm.

Note: Holograph in pencil. Measures 2685-2762.

Reference no.: 270.

XL/0 <emph render="italic">Epitaph (#16)</emph>. Full score; 22 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 271.

35/6 <emph render="italic">Epitaph (#17) : Noon night</emph>. Full score; 19 leaves; 46 cm.

Note: Copyist's manuscript in pencil. Measures 3370-3446.

Reference no.: 272.

6/20 <emph render="italic">Eulogy for Rudy Williams</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, N.Y.

Reference no.: 170.

6/21 <emph render="italic">Eulogy for Rudy Williams</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink. On verso of alto saxophone, tenor saxophone, piano, bass, and drums part is the tune Portrait II.

Reference no.: 170.

7/1 <emph render="italic">Extrasensory perception (#12)</emph>. See also: Mind-readers convention Instrumental parts; pagination varies; 32 cm.

Note: Ozalid copies of copyists' manuscripts in ink with pencil markings.

Reference no.: 026.

7/2 <emph render="italic">Fables of Faubus</emph>. Lead sheet; 3 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 027.

7/3 <emph render="italic">Fables of Faubus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyists' manuscripts in ink. On verso of one part is the tune Koko.

Reference no.: 027.

7/4 <emph render="italic">Far Wells, Mill Valley</emph>. Bass part; 4 p.; 32 cm.

Note: Photocopy of holograph.

Reference no.: 245.

7/5 <emph render="italic">Farewell, Farwell : AKA last party</emph>. Lead sheet; 1 lv.; 28 cm.

Note: Photocopy of holograph. Marked at head: 110.

7/6 [<emph render="italic">Farwell farewell</emph>]. Piano sketch; 2 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 028.

43/5 <emph render="italic">Farwell farewell</emph>. Full score; 1 leaf; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 028.

7/7 <emph render="italic">Farwell, farewell</emph> [a.k.a. <emph render="italic">Farwells Mill Valley</emph>]. Instrumental parts; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 028.

7/8 [<emph render="italic">Farwell farewell</emph>] : written "<emph render="italic">Farwell fairwell</emph>". Trombone part; 3 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings. Note at head: Does not match other parts - A.[?].

Reference no.: 029.

7/9 <emph render="italic">Fascination</emph>. Guitar part; 2 p.; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

On verso: the tune Love nest crossed out.

36/1 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 111.

36/2 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 111).

Reference no.: 285.

7/10 <emph render="italic">Flamingo</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink and pencil.

On verso: Diatonic chords.

7/11 <emph render="italic">Folk forms #1</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/12 <emph render="italic">Folk forms #2</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/13 <emph render="italic">Fool's passion</emph>. Instrumental part; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: 2nd trumpet part for the tune Blue skies.

7/14 <emph render="italic">For you</emph>. Guitar part; 1 p.; 34 cm.

Note: Holograph in pencil.

7/15 <emph render="italic">Four hands</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., New York, New York, November 1975.

7/16 <emph render="italic">Frank Maybry, Jr</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 030.

7/17 <emph render="italic">Frankie and Johnny</emph>. Full score; 69 leaves; 31 cm.

Note: Holograph pencil.

Reference no.: 105.

7/18 [<emph render="italic">Frankie and Johnny</emph> : <emph render="italic">2nd Act</emph>]. Full score; 2 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 105.

36/3 <emph render="italic">Freedom</emph>. Full score; 11 leaves; 54 cm.

Note: Thermafax copy of copyist's manuscript.

Reference no.: 277.

7/19 <emph render="italic">GG train</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 136. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

7/20 <emph render="italic">The glass enclosure</emph>. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

7/21 <emph render="italic">God's portrait</emph>. Drum part; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: The habit.

7/22 <emph render="italic">Gone with the wind</emph>. Condensed score; 1 p.; 27.5 cm.

Note: Holograph in pencil.

Reference no.: 201.

7/23 <emph render="italic">Good-bye Eric (#8)</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Holographs in ink and pencil.

Reference no.: 083.

8/1 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; various sizes

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 101.

8/2 <emph render="italic">Goodbye pork pie hat (#18)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 032.

8/3 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 34.

8/4 <emph render="italic">Gotta</emph>. Condensed score; 3 p.; 31.5 cm.

Note: Holograph in pencil.

8/5 <emph render="italic">The grass is greener</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 8/6 <emph render="italic">Gregorian chant</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. At bottom: © February, 1976, Jazz Workshop, Inc.

8/7 <emph render="italic">Gunslinging bird</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 241.

8/8 <emph render="italic">Gunslinging bird</emph> / Sy Johnson, arr. Guitar 1 part; 1 p.; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 241.

Access points:

Johnson, Sy 36/4 <emph render="italic">Half-mast inhibition</emph>. See also: Mingus dance no. 5 Full score; 24 leaves; 34.5 x 44.5 cm.

Note: Holograph and copyist's manuscript in pencil; last two pages arranged by Sy Johnson.

Reference no.: 120.

8/9 <emph render="italic">Hamps new blues</emph>. Lead sheet; 1 lv. ; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

36/5 <emph render="italic">Harris + Mingus fingers</emph>. See also: Mingus fingers Full score; 18 leaves; 35.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 052.

8/10 <emph render="italic">Harris + Mingus fingers (A-170)</emph>. See also: Mingus fingers Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 052.

8/11 <emph render="italic">Hatian fight song</emph> / Sy Johnson, arr. See also: Mingus dances, no. 9 Lead sheet; 1 p.; 32 cm.

Note: Manuscript in ink on transparent paper by Sy Johnson.

Reference no.: 239.

Access points:

Johnson, Sy 8/12 <emph render="italic">Heart's beat and shades in physical embraces</emph>. Lead sheet; 1 p.; 31 cm.

Note: Photocopy of holograph. At bottom: © December, 1975, Jazz Workshop, Inc.

36/6 <emph render="italic">Herricane Sue</emph> [sic] / Sy Johnson, arr. Full score; 28 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 147.

Access points:

Johnson, Sy 8/13 <emph render="italic">Hobo-ho</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph. Date at bottom of p. one: © Jan., 1975; date at bottom of p. two: © April, 1972, Jazz Workshop, Inc., New York, New York.

Reference no.: 035.

36/7 <emph render="italic">Hobo-ho</emph>. Full score; 25 leaves; 30.5 x 48.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 035.

36/8 <emph render="italic">Hobo-ho</emph>. Full score; 26 leaves; 28.5 x 44.5 cm.

Note: Photocopy of holograph score.

Reference no.: 035.

8/14-15 <emph render="italic">Hobo-ho (#25)</emph>. Instrumental parts; pagination varies; 32 cm. (in 2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 35.

8/16 <emph render="italic">Hog callin' blues</emph>. Lead sheet; 1 p.; 33.5 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., NY, NY.

8/17 <emph render="italic">Hora decubitis</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., Nov., 1976.

8/18 <emph render="italic">Hot dogs for lunch</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopy of tenor saxophone part.

Reference no.: 036.

37/1 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 34.5 x 44 cm.

Note: Holograph in pencil.

Reference no.: 112.

37/2 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 112).

Reference no.: 280.

43/6 <emph render="italic">Hurricane Sue</emph>. See also: The I of Hurricane Sue Condensed score (incomplete); 1 leaf; 39.5 x 43 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 147.

8/19 <emph render="italic">Hurt ego</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom of page is trumpet part, in ink, to an untitled piece; on verso is piano part, in pencil, to an untitled piece.

8/20 <emph render="italic">I just don't care</emph>. Bass part; 1 p.; 28 cm.

Note: Holograph in pencil. At bottom and on verso: the tunes Whatever happened to U; Angela; 5:00 Whistle.

8/21 <emph render="italic">The I of Hurricane Sue</emph>. Lead sheet; 2 leaves; 30.5 cm.

Note: Holograph in ink on transparent paper.

Reference no.: 037.

8/22 <emph render="italic">The I of Hurricane Sue</emph>. Condensed score; 2 p.; 28 cm.

Note: Holograph in pencil and incomplete photocopy of same. On verso of holograph: bass part for the tune Orange was the color of her dress, then blue silk; holograph in ink, and at bottom, the continuation of I of Hurricane Sue. in pencil.

Reference no.: 037.

8/23 <emph render="italic">The I of Hurricane Sue</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink with pencil markings, and photocopies. The word "Hurricane" is spelled "Herricane" on some parts.

Reference no.: 142.

8/24 [<emph render="italic">The I of Hurricane Sue</emph>]. Instrumental parts (string parts only); pagination varies; 33.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 037.

8/25 <emph render="italic">I x love</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 145. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

9/1 <emph render="italic">I'm a lonesome woman</emph>. Song lyrics; 1 p.; 31.5 cm.

Note: Holograph in pencil.

9/2 <emph render="italic">Intermit</emph>. Lead sheet; 1 p.; 18 x 20 cm.

Note: Holograph in ink.

Reference no.: 234.

9/3 <emph render="italic">Intermit</emph>. Instrumental parts, tenor and piano only; 1 p.; 31.5 cm.

Note: Holograph in pencil and ink. On verso: Chord progressions for the tune Pensativa.

Reference no.: 234.

9/4 <emph render="italic">Invisible lady</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph. On both leaves: © January, 1975, Jazz Workshop, Inc.

9/5 <emph render="italic">Invisible lady</emph>. Cello solo; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for untitled piece.

9/6 <emph render="italic">Isabele's table dance</emph>. See also: Ysabel's table dance Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil with holograph ink and pencil markings; includes photocopies with markings in pencil and ink. Alternate title scratched out: Tijuana's table dance.

Reference no.: 213.

37/3 <emph render="italic">Isabel's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Full score; 11 leaves; 32 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 212.

Access points:

Johnson, Sy 9/7 <emph render="italic">Isabele's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Instrumental parts (guitar only); pagination varies; various sizes.

Note: Holographs in ink and includes photocopy of same.

Reference no.: 212.

Access points:

Johnson, Sy 9/8 [<emph render="italic">It's</emph>] <emph render="italic">nice of you to</emph> [<emph render="italic">have come to my funeral</emph>]. Full score; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 038.

9/9 <emph render="italic">It's nice of you to have come to my funeral</emph>. Instrumental parts; various sizes; 32 cm.

Note: Copyist's manuscripts in ink, pencil, and marker.

Reference no.: 038.

9/10 [<emph render="italic">Jack the Bear</emph>]. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 244.

9/11 <emph render="italic">Jackie's blues</emph>. Piano-vocal score; 2 leaves; 31.5 cm.

Note: Holograph in pencil.

9/12 <emph render="italic">Jell Roll</emph>. Lead sheet (in bass cleff); 2 leaves; 32 cm.

Note: Copyist's manuscript in ink on transparent paper. At Bottom in pencil: © May 1956, Jazz Workshop, Inc.

Reference no.: 039.

9/13 <emph render="italic">(Jelly Roll) : aka "my Jelly Roll soul"</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph with markings in ink and felt-tip marker. In red ink: "This corresponds to the ABC version, not the CBS." At bottom: © Jan. 1975, Jan. 1977 Jazz Workshop, Inc., NYC, NY.

Reference no.: 136.

37/4 <emph render="italic">Jelly Roll</emph> / Sy Johnson, arr. Full score; 8 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 136.

Access points:

Johnson, Sy 9/14 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph ms. in pencil.

Reference no.: 040.

9/15 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink. At bottom of piano part: © Nov. 1974, Jazz Workshop, Inc.

Reference no.: 040.

9/16 <emph render="italic">John Doe</emph>. Instrumental parts ("baritone" and "1st bone" parts only); pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink; lyrics included on each parts.

Reference no.: 168.

Juice see: Winds (BOX: 28/14) 37/5 <emph render="italic">Jump Monk</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 041.

Access points:

Johnson, Sy 37/6 <emph render="italic">Jump Monk (#2)</emph>. Full score; 26 leaves; 36 x 42 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 041.

9/17 <emph render="italic">Jump Monk (#2)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil, hand unknown.

Reference no.: 041.

9/18 <emph render="italic">Just for laughs saps</emph>. Lead sheet; 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 042.

9/19 <emph render="italic">Just for laughs saps</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink. At bottom: © November 1974, Jazz Workshop, Inc.

Reference no.: 042.

9/20 <emph render="italic">Lass</emph>. Guitar and bass parts; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

9/21 <emph render="italic">Laura</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil.

Reference no.: 196.

9/22 <emph render="italic">Letter ashes</emph>. Instrumental parts; 4 p.; 32 cm.

Note: Holographs in pencil.

9/23 <emph render="italic">Little Royal suite</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscript. At head: June 1975, Jazz Workshop, Inc., NYC, NY.

Reference no.: 043, 116.

37/7 <emph render="italic">Little Royal suite (#26)</emph>. Condensed score; 25 leaves; 39.5 cm.

Note: Manuscript in pencil by Teo Macero (Intro., pages 1-2); the remainder arranged and scored by C. Mingus. Pages 1 and 2 are penned in full score form.

Reference no.: 043.

37/8 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "coda"; 3 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

37/9 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "insert"; 9 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

9/24-25 <emph render="italic">Little Royal suite (#26)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 043.

10/1 <emph render="italic">Lonesome woman blues</emph>. Lead sheet; 1 p.; 30 cm.

Note: Photocopy of holograph. Marked at head: 148. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

10/2 <emph render="italic">Los Mariachis</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/3 <emph render="italic">Love chant</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Copyist's manuscript in ink. At bottom: © Chaz Mar Music, 19--.

10/4 <emph render="italic">Love is a dangerous necessity</emph>. Instrumental parts (incomplete); 3 leaves; 32 cm.

Note: Copyist's manuscripts in ink. At bottom: © June 1972, Jazz Workshop, Inc., NYC, NY.

Reference no.: 242.

37/10 <emph render="italic">Love's fury</emph>. Full score (incomplete); 1 p.; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 044.

10/5 <emph render="italic">Love's fury</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 044.

10/6 <emph render="italic">Make believe</emph>. Full score; 9 leaves; 28 x 35.5 cm.

Note: Holograph in pencil.

Reference no.: 062.

37/11 <emph render="italic">Make believe</emph>. Full score (incomplete); 9 leaves; 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil. Last page of score missing.

Reference no.: 063.

10/7 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 062.

10/8 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 063.

10/9 <emph render="italic">Make believe</emph>. Song lyrics; 3 p.; 31.5 cm.

Holograph in pencil.

Reference no.: 062, 063.

37/12 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 104.

37/13 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 35.5 x 43.5 cm.

Note: Deshan (thermofax) copy of manuscript score.

Reference no.: 284.

10/10 <emph render="italic">Make me know it</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 104, 284.

10/11 <emph render="italic">The nan who never sleeps</emph> / by Charles Mingus and Sy Johnson. Full score; 9 p.; 34 cm.

Note: Holograph in pencil and ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/12 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Condensed score; 3 leaves; 28 cm.

Note: Photocopy of holograph.

Reference no.: 204.

Access points:

Johnson, Sy Mingus, Charles 10/13 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Lead sheets; 3 leaves; 33 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/14 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/15 <emph render="italic">Meditation #15)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 049.

10/16 <emph render="italic">Meditations for Moses</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: November 1976, © Jazz Workshop, Inc.

10/17 <emph render="italic">Meditations on integration</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/18 <emph render="italic">Mike & Tike</emph>. Lead sheet; 3 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

10/19 <emph render="italic">Mind-readers convention</emph>. Condensed score; 7 p.; 32 cm.

Note: Photocopy of holograph.

10/20 <emph render="italic">Mind-readers convention</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

10/21 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 1 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 2 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/2-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 246.

Access points:

Raph, Alan 11/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Jaki Byard, arr. Full score; 20 p.; 34 cm.

Note: Holograph in ink and pencil; performance notes written throughout the score.

Reference no.: 247.

Access points:

Mingus, Charles Byard, Jaki 11/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 247.

Access points:

Raph, Alan 11/8-9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 247.

Access points:

Raph, Alan 12/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 248.

Access points:

Raph, Alan 12/4-6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 248.

Access points:

Raph, Alan 13/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 250.

Access points:

Raph, Alan 13/3-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 250.

Access points:

Raph, Alan 13/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 142. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 251.

13/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition ("ballet suite")</emph> / Jaki Byard, arr. Full score; 18 leaves; 33 cm.

Note: Photocopy of copyist's manuscript in ink, reversed.

Reference no.: 251.

Access points:

Byard, Jaki 13/7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Condensed score; 8 p.; 31 cm.

Note: Holograph in ink and pencil.

Reference no.: 251.

13/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano-conductors' score; 3 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 251.

13/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano transcription; 7 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 251.

13/10-12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyist's manuscripts in ink and pencil.

Reference no.: 251.

Access points:

Raph, Alan 14/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 251.

Access points:

Raph, Alan 14/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyist's manuscript in ink and pencil.

Reference no.: 252.

Access points:

Raph, Alan 14/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 252.

Access points:

Raph, Alan 14/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice on wonderland (INA)</emph>. Lead sheet; 1 p.; 31 cm.

Note: Holograph in pencil. On verso: the tune Boogie-woogie.

Reference no.: 253.

14/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice in wonderland (ballad)</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: the tunes Nostalgia on Times Square; Shadows, and Girl of my dreams.

Reference no.: 253.

14/10 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (I); 1 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 253.

14/11 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (II); 1 p.; 30.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (III); 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 253.

14/13 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/14 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (ballet suite)</emph> / Jaki Byard, arr. Full score (incomplete); 7 p.; 34 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 128.

Access points:

Byard, Jaki 14/15 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (Alice's wonderland)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil and photocopy of one instrumental part. On verso of the trumpet part: the tune Prayer meeting.

Reference no.: 221.

14/16-17 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 15/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 253.

Access points:

Raph, Alan 15/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (Eatland ; Mingus, Op. 1959)</emph>. Condensed score; 14 p.; 36 cm.

Note: Copyist's manuscript in ink in unknown hand with pencil holograph markings. Three titles at head: 1) Dianeland; 2) Eatland; 3) Mingus - Opus 1959.

Reference no.: 253.

15/4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland</emph>. Full score; [23] leaves; 21.5 x 28 cm.

Note: Photocopy of copyist's manuscript with red ink and pencil markings; unknown hand. Laid in: First page of manuscript full score in ink on transparent paper; unknown hand.

Reference no.: 253.

15/5-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (adagio ma non troppo)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (4 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 16/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Lead sheet; 3 leaves; 30 cm.

Reference no.: 254.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/2-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 097.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 254.

Access points:

Raph, Alan 16/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph. Full score; 5 leaves; 31.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 255.

Access points:

Mingus, Charles Raph, Alan 16/7-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyists' manuscripts in ink with pencil markings; ozalid copies also included.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song (#23)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 154.

17/4 <emph render="italic">Mingus fingers</emph>. See also: Harris + Mingus fingers Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 151. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

37/13 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Full score; 19 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil with copyist's markings in regular and colored pencil.

Reference no.: 051.

17/5 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 051.

17/6 <emph render="italic">Mingus's lo slo bluze</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 050.

17/7 <emph render="italic">Minor intrusion</emph>. Lead sheet; 1 p.; 35.5 cm.

Reference no.: 157.

17/8 <emph render="italic">Minor intrusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 157.

17/9 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31 cm.

Note: Holographs in ink and pencil; cello part written in ink by Hugo Vianello.

Reference no.: 110.

17/10 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 109.

18/1 <emph render="italic">Modern jazz writer</emph>. Condensed score (sketch); 2 p.; 21 x 23.5 cm.

Note: Holographs in pencil.

Reference no.: 233.

18/2 <emph render="italic">Modern jazz writer</emph>. Piano part; 2 p.; 28 cm.

Note: Manuscript in ink in unknown hand, and holograph markings in pencil.

Reference no.: 233.

18/3 <emph render="italic">Modern rhythms</emph>. Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil.

18/4 <emph render="italic">Montage</emph>. Cello part; 4 p.; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 211.

18/5 <emph render="italic">Moon light</emph>. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verson: the tune Lett, scratched out.

18/6 <emph render="italic">My city</emph>. Chord chart; 1 p.; 32 cm.

Note: Holograph in pencil.

18/7 <emph render="italic">Myself when I am real</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 154. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 053.

37/14 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 p.; 35.5 cm.

Note: Manuscript in ink by H.B. Miller, with holograph markings in pencil.

Reference no.: 053.

18/8 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 leaves; 28 cm.

Note: Photocopy of manuscript in ink by H.B. Miller; photocopy is smaller in size than original and contains additional markings.

Reference no.: 053.

18/9 <emph render="italic">Myself when I am real</emph>. Clarinet part; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 053.

18/10 <emph render="italic">N.B.C. documentary</emph> See also: Where does a man go to find peace Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 160.

18/11 <emph render="italic">Nacirema</emph>. Instrumental parts; pagination varies; 28 cm.

Note: Holographs in pencil.

Reference no.: 236.

38/1 <emph render="italic">New Foundland</emph>. Full score; 24 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 054.

18/12 <emph render="italic">New York sketch book</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 156. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

18/13 <emph render="italic">No. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 058.

38/2 <emph render="italic">No. 1 grandson</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 045.

Access points:

Johnson, Sy 18/14 <emph render="italic">No. 1 grandson (#16)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 045.

Access points:

Johnson, Sy 18/15 <emph render="italic">No. 2 (rebop and bebop)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 046.

18/16 <emph render="italic">No. 3 (opus 3)</emph>. Chord chart; 1 p.; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 059.

18/17 <emph render="italic">No. 3 (opus 3)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holograph and copyist's manuscripts in ink.

Reference no.: 059.

18/18 <emph render="italic">No where</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 188.

18/19 <emph render="italic">Nobody knows the Bradley I know</emph>. Lead sheet; 2 leaves; 28 cm.

Reference no.: 122.

38/3 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Full score (incomplete); [6] p.; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 122.

18/20 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 122.

18/21 <emph render="italic">Noddin' ya head blues</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 056, 057, 224.

38/4 <emph render="italic">Noddin' ya head</emph> [<emph render="italic">blues</emph>]. Full score; 2 p.; 28 x 43.5 cm.

Note: Manuscript in pencil by Paul Jeffrey.

Reference no.: 056.

18/22 <emph render="italic">Noddin' ya head blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, and photocopies of holographs.

Reference no.: 057.

18/23 <emph render="italic">Noddin' ya head blues</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscrip mt in ink with markings in pencil.

Access points:

Johnson, Sy 38/5 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Full score; 16 leaves; 36 x 43 cm.

Note: Manuscript in pencil by Sy Johnson. Title at head: Strollin'.

Reference no.: 148.

Access points:

Johnson, Sy 18/24 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 149.

Access points:

Johnson, Sy 18/25 <emph render="italic">Nourog</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 157. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 047, 272, 283.

43/7 <emph render="italic">Nouroog</emph>. Full score; 19 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 283.

18/26 <emph render="italic">Nouroog</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 047.

18/27 <emph render="italic">O.P. (also "O.P. Jr.")</emph> Lead sheet; 1 p.; 35.5 cm.

Reference no.: 155, 273.

38/6-7 <emph render="italic">O.P.</emph> Full score; 29 leaves, in 2 folders; 43.5 cm.

Note: Deshan (thermofax) copy of copyist's mauscript.

Reference no.: 273.

19/1 <emph render="italic">Of love, pain, and passioned revolt ...</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Full title: Of love, pain, and passioned revolt, then farewell my beloved until it's Freedom Day.

19/2 <emph render="italic">Oh Lord, don't let them drop that atomic bomb on me</emph>. Lead sheet; 1 p.; 28 cm.

19/3 <emph render="italic">Once upon a time there was a holding corporation called Old America</emph>. Trumpet 1 part; 1 p.; 32 cm.

Note: Holograph in pencil.

19/4 <emph render="italic">Open letter to Duke</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 240.

19/5 <emph render="italic">Opus 4</emph>. Lead sheet; 1 p.; 35.5 cm.

19/6 <emph render="italic">Orange</emph>. Lead sheet; 1 p.; 32.5 cm.

Note: Photocopy of holograph.

19/7 <emph render="italic">Orange</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with pencil markings.

19/8 <emph render="italic">Orange was the color of her dress, then pink</emph>. Lead sheet; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink with pencil markings.

Reference no.: 060.

19/9 <emph render="italic">Orange (also orange was the color of her dress, then silk blues)</emph>. Lead sheet; 1 p.; 35.5 cm.

Reference no.: 060.

19/10 <emph render="italic">Orange orange was the color of her dress, then silk blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyist's manuscripts.

Reference no.: 060.

38/8 <emph render="italic">Osmotin</emph>. Full score; 21 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of holograph. Alternate title: Monk, Bunk, and visa versa.

Reference no.: 278.

38/9 <emph render="italic">Our last kiss</emph>. Full score (incomplete); 5 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 137.

19/11 <emph render="italic">Pansies</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph in pencil.

19/12 <emph render="italic">Paris in blue</emph>. Piano part (incomplete); 1 p.; 32 cm.

Note: Holograph in ink.

Reference no.: 183.

19/13 <emph render="italic">Parkeriana</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

19/14 <emph render="italic">Part II - of what?</emph> Condensed score; 9 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

19/15 <emph render="italic">Passions of a women loved</emph>. Lead sheet; 3 leaves; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 180.

19/16 <emph render="italic">Passions of a women loved</emph>. Chord chart; 8 p.; various sizes.

Note:L Holograph in pencil.

Reference no.: 180.

19/17 <emph render="italic">Peddal point blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 160. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

19/18 <emph render="italic">Peggy's blue skylight</emph>. Lead sheet; 2 leaves; 32 cm.

Note: Photocopy of holograph and photocopy of copyist's manuscript. At bottom of copyist's manuscript: © October 1960, Jazz Workshop, Inc.

Reference no.: 061.

19/19 <emph render="italic">Peggy's blue skylight</emph>. Condenzed score; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 061.

19/20 <emph render="italic">Peggy's blue skylight</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, copyist's manuscripts in ink and pencil, and photocopies.

Reference no.: 061.

19/21 <emph render="italic">Percussion discussion</emph>. Lead sheet; 1 p.; 28 cm.

Reference no.: 107.

44/1 <emph render="italic">Percussion discussion (Percussion day)</emph>. Full score; 22 leaves; various sizes.

Note: Copyist's manuscript in pencil and ink.

Reference no.: 107.

19/22 <emph render="italic">Percussion discussion</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscript in ink; includes photocopies.

Reference no.: 107.

39/1 <emph render="italic">Pilobolus</emph>. Full score; 11 p.; 28.5 x 43.5 cm.

Note: Copyist's manuscript in pencil with some markings in ink.

Reference no.: 064.

19/23 <emph render="italic">Pilobolus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 064.

39/2-3 <emph render="italic">Please don't come back from the moon</emph>. Full score; 22 leaves, in 2 folders; 34 x 46 cm.

Note: Deshan (thermofax) copy of copyist's manuscript. This item is seriously damaged and requires conservation treatment.

Reference no.: 287.

19/24 <emph render="italic">Please don't come back from the moon</emph>. Piano part; 4 p.; 31.5 cm.

Note: Copyist's manuscript and holograph in ink and pencil.

Reference no.: 023.

39/4 <emph render="italic">Please don't come back from the moon (section II)</emph>. Full score; 15 leaves; 53 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 276.

19/25 <emph render="italic">Please - play</emph>. Tenor part; 1 p.; 27 cm.

Note: Holograph in pencil.

20/1 <emph render="italic">Portrait</emph>. Lead sheets (2 versions); 2 leaves; various sizes.

Note: Copyist's manuscripts in pencil; one version in the hand of Sabu Adeyola, the other in the hand of Jimmy Knepper.

Reference no.: 065, 066, 067, 140.

20/2 <emph render="italic">Portrait</emph>. Lead sheet (fragment); 2 p.; 32.5 cm.

Note: Holograph in pencil.

Reference no.: 067.

20/3 <emph render="italic">Portrait</emph>. Chord chart; 1 p.; 30.5 cm.

Note: Holograph in ink. On verso: chord chart for the tune Orange.

Reference nos.: 065, 066, 067, 140.

20/4 <emph render="italic">Portrait</emph>. Condensed score; 2 p.; 28 cm.

Note: Copyist's manuscript in ink and colored pencil in the hand of Bill Furioso.

Reference nos.: 065, 066, 067, 140.

20/5 <emph render="italic">Portrait</emph>. Full score; 7 leaves; 26.5 x 56 cm.

Note: Holograph in regular and colored pencil and ink.

Reference no.: 208.

20/6 <emph render="italic">Portrait</emph>. Full score; 13 p.; 34 cm.

Note: Holograph in pencil with holograph markings in pencil.

Reference no.: 065.

39/5 <emph render="italic">Portrait</emph> / Sy Johnson, arr. Full score; 8 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Access points:

Johnson, Sy