http://hdl.loc.gov/loc.music/eadmus.mu002006 Aaron Copland Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2005 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2003561015

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2013 February Editorial changes made to this finding aid by Nancy Seeger in February 2013. 2011 November Minor change made to this finding aid by Nancy Seeger in November 2011. 2011 January External reference added to this finding aid by Nancy Seeger in January 2011. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. 2009 March 27 This finding aid was updated to reflect a loosening of restrictions. Collection Summary Aaron Copland Collection1841-1991 (bulk 1911-1990) ML31.C7 Copland, Aaron, 1900-1990 around 400,000 items 564 boxes 306 linear feet Collection material in English Music Division Library of Congress
Washington, D.C.
The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomsom. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Bernstein, Leonard, 1918-1990--Correspondence. Boulanger, Nadia--Correspondence. Bowles, Paul, 1910-1999--Correspondence. Britten, Benjamin, 1913-1976--Correspondence. Chávez, Carlos, 1899-1978--Correspondence. Clurman, Harold, 1901-1980--Correspondence. Copland, Aaron, 1900-1990--Autographs. Copland, Aaron, 1900-1990--Correspondence. Copland, Aaron, 1900-1990--Portraits. Copland, Aaron, 1900-1990. Copland, Aaron, 1900-1990. Diamond, David, 1915-2005--Correspondence. Harris, Roy, 1898-1979--Correspondence. Ives, Charles, 1874-1954--Correspondence. Kraft, Victor, 1915-1976. Reis, Claire R. (Claire Raphael)--Correspondence. Schoenberg, Arnold, 1874-1951--Correspondence. Sessions, Roger, 1896-1985--Correspondence. Thomson, Virgil, 1896-1989--Correspondence. Subjects Musicians--Correspondence. Titles Copland collection, 1841-1991 Administrative Information Provenance

Some manuscripts; Gift; Aaron Copland; circa 1940-1970.

Bulk of the collection; Gift; Aaron Copland; 1989.

Some manuscripts; Gift; Nadia Boulanger estate; July 18, 1980 and March 6, 1981.

Libretto material for The tender land; Gift; Erik Johns.

Some manuscripts; Gift; Bennett Lerner.

 Accruals

No further accruals are expected.

 Processing History

The Aaron Copland Collection was processed by Virginia Chang, Carol Lynn Flanigan, Wilda Heiss (Music Specialist), Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback (Music Specialist), Loras Schissel and Deanna Whitsitt, April 1995. The finding aid was originally created using Word Perfect 5.1 software. The final formatting was begun by Stefan Patejak in 1995 and completed by Michael A. Ferrando, November 2002. In 2002, Michael A. Ferrando coded and edited the finding aid for EAD format.

A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland.

 Transfers

Sound recordings and moving images were transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.

Books from Copland's library were transferred to the Library of Congress Rare Book and Special Collections Division.

 Other Repositories

1154 published scores by North and South American composers (not including Copland) are located in the Performing Arts Library at the New York Public Library. Microfilm is available in the Library of Congress Performing Arts Reading Room: Microfilm 93/20010.

 Copyright Status

The status of copyright on the materials of the Aaron Copland Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

 Access and Restrictions

The Aaron Copland Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Certain restrictions to use or copying of materials may apply.

 Alternate Format Available

Digitized images along with identifying information and a narrative introduction are also available through the Library of Congress Web site under the title: The Aaron Copland Collection, circa 1900-1990, at http://memory.loc.gov/ammem/collections/copland/index.html. The site was produced for the National Digital Library Program, American Memory collections.

 Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Aaron Copland Collection, Music Division, Library of Congress, Washington, D.C.

 Biographical Sketch Date Event 1900, Nov. 14 Born in Brooklyn, New York to Harris Morris Copland and Sarah Mittenthal Copland, the fifth and last child. 1914 Started private piano lessons with Leopold Wolfsohn, Brooklyn, NY; subsequently studied piano with Victor Wittgenstein and Clarence Adler. 1917-1921 Studied harmony and counterpoint with Rubin Goldmark in New York City. 1918 Graduated from Boys' High School in Brooklyn. 1921 Summer Studied at newly established American Conservatory at Fontainebleau near Paris. 1921 Fall First piano piece, Scherzo Humoristique (The Cat and the Mouse), sold and published by Durand. 1921 Fall-1924 Studied composition and orchestration with Nadia Boulanger in Paris. 1925 Wrote first of many articles for Modern Music. 1925 Jan 11 Symphony for Organ and Orchestra (1924) performed by the New York Philharmonic, with Nadia Boulanger as soloist and Walter Damrosch as conductor; later, performed by Serge Koussevitzky, who originally suggested the composition, and the Boston Symphony Orchestra. 1925 Summer First stay at MacDowell Colony to work on Music for the Theatre, commissioned by the League of Composers, with the first performance scheduled in November with Serge Koussevitzky and the Boston Symphony Orchestra. 1925-1926 Recipient of Guggenheim Memorial Fellowship, the first in music, which was renewed for the 1926-1927 season. 1927, Jan. 28 Copland performed his Concerto for Piano and Orchestra (1926) with Boston Symphony, conducted by Serge Koussevitzky. 1927-1929 Wrote Symphonic Ode (1927-29) for the 50th anniversary of the Boston Symphony Orchestra in 1930; subsequently, revised the composition for the 75th anniversary of the orchestra in 1955. 1927 Began lecturing at New School for Social Research, New York City. 1928-1954 Joined League of Composers; later, in 1932, began serving on the Board of Directors. 1928 Assisted Alma Morgenthau Wertheim in establishing the Cos Cob Press which later became Arrow Music Press. 1928-1932 Co-founder with Roger Sessions of Copland-Sessions Concerts of Contemporary Music. 1929 Awarded $5,000 prize from the RCA Victor Competition for Dance Symphony (1925), based on portions of unperformed ballet Grohg. 1930 Wrote first extended piano work, Piano Variations. 1932 Organized first Festival of Contemporary Music at Yaddo, Saratoga Springs, NY, and the second one the following year. 1935 Taught composition at Harvard University while Walter Piston was on leave of absence. 1937-1945 Co-founder and president of the American Composers Alliance. 1938-1972 Co-founder and treasurer of Arrow Music Press, which incorporated the former Cos Cob Press. 1938, Oct. 16 First performance of ballet, Billy the Kid, written for Lincoln Kirstein and the Ballet Caravan. 1939 Published first book, What to Listen for in Music, based on lectures given at the New School for Social Research. 1939, Oct. 13 Elected president of American Composers Alliance. 1940-1965 At request of Serge Koussevitzky, taught composition during first season of Berkshire Music Center at Tanglewood; when Tanglewood reopened in 1946 after the war, Copland assumed many administrative positions in addition to teaching until his retirement in 1965. 1941 Published book, Our New Music, based on lectures at the New School for Research. 1941 Toured Latin America to lecture, perform and conduct on a grant made possible by the Committee for Inter-American Artistic and Intellectual Relations. 1942 Completed Lincoln Portrait, commissioned by Andre Kostelanetz, with text created by Copland from speeches and letters of Abraham Lincoln. 1942 Composed ballet, Rodeo, commissioned by Agnes de Mille. 1942 Completed the Fanfare for the Common Man from a request by Eugene Goossens who conducted the premiere in 1943 with the Cincinnati Symphony Orchestra. 1942, May 8 Elected a member in the Department of Music of the National Institute of Arts and Letters. 1945 Awarded Pulitzer Prize and Music Critic's Circle of New York for Martha Graham ballet, Appalachian Spring (1944), commissioned by the Elizabeth Sprague Coolidge Music Foundation. 1946, Jan. 24 Elected a member of the American Society of Composers, Authors and Publishers (ASCAP). 1947 Received Music Critic's Circle Award for Third Symphony (1944-46). 1947-1948 Wrote Clarinet Concerto commissioned by Benny Goodman and later choreographed by Jerome Robbins for the ballet Pied Piper (1951). 1947 Again, toured Latin America to lecture, perform and conduct under the sponsorship of the State Department. 1950 Won Oscar for the music score to the film, The Heiress (1949). 1950 Finished composing the Twelve Poems of Emily Dickinson. 1951-1952 Appointed Charles Eliot Norton Professor of Poetics at Harvard University and delivered a series of six lectures, the first time that an American composer was named as a Poetry Chair. 1952 Published new book, Music and Imagination, based on Charles Eliot Norton lectures at Harvard University. 1953, May 26 Appeared before The House Committe on Un-American Activities (HUAC). 1954, Apr. 2 Premiere of full length opera, The Tender Land, by the New York City Opera Company. 1954, Dec. 3 Elected member of the American Academy of Arts and Letters. 1956 Received Gold Medal in Music from the National Institute and American Academy of Arts and Letters. 1956 Received first of many honorary Doctor of Music degrees from Princeton University. 1960 Published fourth book, Copland on Music, which included reprints from previous publications and new material. 1961 Received the MacDowell Colony Medal for distinguished service in the field of music from the Edward MacDowell Association. 1961-1968 Served seven years as president of the Edward MacDowell Association. 1962 Premiere of Connotations commissioned by the New York Philharmonic for the opening of Philharmonic Hall (later Avery Fisher Hall) at Lincoln Center. 1964 Received Medal of Freedom, the "highest civil honor conferred by the President of the United States for service in peacetime," from President Lyndon B. Johnson. 1965-1966 Wrote, conducted and hosted series of 12 television programs, Music in the 20s, for National Educational Television. 1967 Composed Inscape which was commissioned by the New York Philharmonic to celebrate their 125th anniversary. 1968 Revised and enlarged earlier book, Our New Music, and published it under a new title, The New Music: 1900-1960. 1970 Awarded the Howland Memorial Medal from Yale University. 1975-1976 Interviews of Copland begun by Vivian Perlis for an oral history project in American Music at Yale University which became the foundation for a collaboration on a two volume autobiography, Copland: 1900 through 1942, first published in 1984, and Copland: Since 1943, first published in 1989. 1979 Bestowed Kennedy Center Honor along with other honorees Martha Graham, Henry Fonda, Ella Fitzgerald, and Tennessee Williams. 1986 Medal of the Arts conferred by President Reagan; also, awarded the Congressional Gold Medal by the House of Representatives. 1990, Dec. 2 Died at North Tarrytown, New York. Scope and Content Note

The Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books.

The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. Holograph manuscripts of Martha Graham's ballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man (which was used later in his Third Symphony), represent just a fraction of available riches in this collection. At the end are three Published Compilations of Music by Copland -- two adaptations by Clare Grundman, A Copland Portrait and Sounding Success, and the third work, Piano Album, which is a collection of Copland solo piano pieces. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music for Radio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet, composed between 1965-1968. At the beginning of the series see the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

The Juvenilia: Works by Copland represent his early compositions and arrangements. Created between 1911 and 1926, the manuscripts encompass Copland's adolescent years studying with Rubin Goldmark in New York City through his student years and under the tutelage of Nadia Boulanger at Fontainebleau and Paris. Besides original holograph scores and sketches, these early works include compositional and piano exercises and scores and sketches of transcriptions and arrangements of other composers' works.

The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. Most contain holograph annotations either in Copland's hand, especially his conducting scores, or signed by the composer or donor. These scores and the other published works from his collection, which became part of the Performing Arts Library at the New York Public Library, illustrate a broad, composite spectrum of composers in the Western Hemisphere.

The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland. The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, What Europe Means to the Aspiring Composer, after his return from three years of musical study in France. The numerous cross references reflect Copland's penchant to borrow from himself and indicate the relationship of articles as they were discovered during processing. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system.

In most cases, the evolution of the final printed words for Copland's published books can be traced, though difficult at times because of his revisions, from the handwritten manuscript to the final typescript, beginning with the 1939 first edition of What to Listen for in Music and ending with The New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notes exist for a sixth book, the first volume of the projected two volume autobiography.

Copland's earliest lectures began at the New School for Social Research with Aesthetics of Modern Music (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowing from one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940, which probably became a source for the 1952 Harvard lectures of the same name which in term was incorporated in the published book, Music and Imagination, and finally became the source for the 1965 television special, Music in the 20s. Some of the earlier lectures also became the source for a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil. Two numbering systems by Copland were discovered on some lectures. See the Index for the Lectures and Speeches with AC Numbers for more information.

Copland quickly embraced the new mediums of radio and television. His radio talks apparently began in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976 statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radio stations while on tour in various foreign countries. In the United States, he presented a series of fifty-two programs on WNCN, Aaron Copland Comments from 1968-1971. Fifteen years of television appearances began in 1965 with a program, Copland on Copland on the British Broadcasting Company, and, in the United States, with the production of Music in the 20s. Other appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, A Copland Celebration!

The Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scripts contain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies the collaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, music by Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumes by Jared French. Evidently, the ballet never developed beyond this scenario which includes forty-eight watercolor drawings.

The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips.

The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, The Red Pony and Something Wild. The date spans represent the actual span of year dates noted in the journal. Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.

The Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom.

The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.

The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra.

The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras.

The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included.

Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved on microfilm because of their fragile condition (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public.

The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries.

The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, Honoris Causa, from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal.

The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger.

The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, Copland, 1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found.

A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series.

The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, Junior Bazaar, and the French art journal L'Oeil, among others.

The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series.

The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris.

Wilda Heiss and Lloyd Pinchback, April 1995

Wilda Heiss and Lloyd Pinchback, Music Specialists, Revised 2000

Processed by: Virginia Chang, Carol Lynn Flanigan, Wilda Heiss, Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback, Loras Schissel and Deanna Whitsitt.

Formatted by: Stefan Patejak (1995) and Michael A. Ferrando (1995, 2000)

Acknowledgment: A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland.

 Organization of the Aaron Copland Collection

The Aaron Copland Collection is organized in thirteen series:

Music, 1841-1988 Writings and Oral Presentations, 1925-1988 Diaries, 1910-1985 Correspondence, 1911-1991 Professional Papers, 1917-1990 Subject File, 1923-1990 Scrapbooks Biography, 1921-1988 Awards, 1934-1985 Art Works, 1944-1983 Photographs, 1889-1985 Victor Kraft Materials, 1918-1976 Copland Library, 1908-1988 http://lccn.loc.gov/2003561015 Container List Box Contents 1-196 Music, 1841-1988

The Music series is divided into two subseries: Music by Aaron Copland and Music by Others. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. The Juvenilia: Works by Copland represent his early compositions and arrangements. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

Arrangment is by subseries.

 1-117 Music by Aaron Copland, 1911-1985

Music Manuscripts and Printed Editions by Aaron Copland, Published Compilations of Works by Copland, and Music Composed by Copland Assigned ARCO Number (1920-1985 and undated). Includes manuscripts, copies of manuscripts (ozalids, photocopies and photostats) and printed scores of Copland's original compositions, adaptations and transcriptions, compilations of Copland's works, and adaptations and transcriptions by other composers. Juvenilia: Works by Copland (1911-1926 and undated). Divided into Juvenilia Arranged Chronologically, Juvenilia Arranged Alphabetically by Title, and Copland Transcriptions or Arrangements of Works by Others. Included manuscripts and student music notebooks. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.

Arranged numerically by Copland's numbering system, then by decimal numbers for manuscripts and copies of manuscripts and by alphabetic suffix for published editions (except works not numbered arranged alphabetically by title).

 1-116 Music Manuscripts and Printed Editions, 1920-1985 1) Humoristic scherzo : the cat and the mouse [piano work] 1/1 Scherzo humoristique : le chat et la souris. 1 Ms. Piano solo; 4 p.; 34.5 cm.

Note: Holograph in ink.

At end: Completed March 19, 1920.

On microfilm: MUSIC 1906, Item 6.

 1/1.1 Humoristic scherzo : the cat and the mouse. 1.1 Ms. Piano solo (incomplete); 3 p.; 34.5 cm.

Note: Holograph in ink and pencil.

 1/1.2 Scherzo humoristique : le chat et la souris = The cat and the mouse. Paris: Durand & Cie., [1921]. 1.2 Publisher's proof. Piano solo; 5 leaves.

c1921 by Durand & Cie.

Plt.: D. & F. 10,107.

Note: Marginalia in ink and pencil by Nadia Boulanger.

 1/1a Scherzo humoristique : le chat et la souris = The cat and the mouse / pour piano 2 mains. Paris: Durand & Cie., 1948. 1a Piano solo; 5 p.

c1921 by Durand.

Plt.: D. & F. 10,107.

At end: Novembre 1948.

 1/1b The cat and the mouse. New York: Boosey & Hawkes, 1950. 1b Piano solo; 7 p.

c1921 by Durand & Cie.; renewed 1949 in U.S.A. by Aaron Copland; assigned 1950 for U.S.A. to Boosey & Hawkes.

Plt.: Pa. 82.

 2) An old poem = Vieux poeme [song] 1/2 An old poem (melodie chinoise). 2 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.

Note: Holograph in ink.

English text.

At end: June 1920.

 1/2.1 An old poem (melodie chinoise). 2.1 Ms. Score for voice and piano; 3 p.; 34.5 cm.

Note: Holograph in ink.

English text.

At end: June 1920.

 1/2.2 Old poem. 2.2 Ms. Vocal score; 2 p.; 17.5 x 27 cm.

Note: Holograph in ink.

French text.

 1/2.3 An old poem : song for soprano with piano accompaniment. 2.3 Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.

Note: Holograph in ink and pencil.

English text.

At end: June 1920.

 1/2.4 Old poem. Paris: Éditions Maurice Senart, [1923]. 2.4 Publisher's proof. Score for high voice and piano; 3 leaves

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

Note: Marginalia in ink and pencil by Nadia Boulanger.

At end: June 1920.

 1/2a Old poem. Paris: Éditions Maurice Senart, [1923]. 2a Score for high voice and piano; 3 p. (2 copies).

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

Inscribed on title page of Copy 1: For Mamasha and Papasha (with hope that Larinka won't try to sing it for them!), Paris - Dec. 1923.

At end: June 1920.

 1/2b Old poem. Paris: Éditions Salabert, [1923]. 2b Score for high voice and piano; 3 p.

c1923 by Éditions Maurice Senart.

Plt.: E.M.S. 6198.

English and French text.

At end: June 1920.

 1/2c Old poem. New York: Boosey & Hawkes, 1985. 2c Score for high voice and piano; 4 p.

c1923 by Éditions Maurice Senart; renewed 1951 by Aaron Copland.

Plt.: E.M.S. 6198.

English and French text.

At end: June 1920.

 3-A) Pastorale [song] 1/3-A Pastorale. 3-A Ms. Score for soprano and piano; 3 p.; 34 cm.

Note: Holograph in ink and pencil.

English text. Words translated from the Kafiristan by E. Powys Mathers.

At end: Apr. 4-12, 1921.

 1/3-A.1 Pastorale. 3-A.1 Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm.

English text.

At end: April 4-12, 1921.

 1/3-A.2 Pastorale. 3-A.2 Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm.

Note: Holograph in ink.

English text.

 1/3-Aa Pastorale. New York: Boosey & Hawkes, 1979. 3-Aa Score for high voice and piano; 2 p.

c1979 by Aaron Copland.

Plt.: S. 2690.

English text.

At end: April 4-12, 1921.

Duration: ca. 3 min.

 3-B) Alone [song] 1/3-B Alone. 3-B Ms. Score for voice and piano; 3 p.; 35 cm.

Note: Holograph in pencil.

English text.

At end: Feb. 25, 1922.

 1/3-B.1 Alone. 3-B.1 Ms. Score for voice and orchestra; 10 p.; 35.5 cm.

Note: Holograph in pencil.

English text.

 1/3-B.2 Alone : melodie pour chant et piano. 3-B.2 Ms. Score for voice and piano; 3 p.; 35 cm.

Note: Holograph in ink.

English text.

On title page: Words translated from the Arabic of John Duncan by E. Powys Mathers.

 1/3-B.3 Alone : song for voice, piano, and viola. 3-B.3 Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm.

Note: Holograph in pencil.

At end: Dec. 2, 1921.

 4) Four motets ; 4 motets = Quatre motets [chorus] 1/4 Four motets : for mixed chorus, a cappella. 4 Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm.

Note: Holograph in ink.

English text.

On title Page: (1921-22) student work; words and music by Aaron Copland; N.B.- words have been arranged from the Bible; 'student' work (not to be published) A.C.; Permission granted for publication in 1979.

At end: Winter of 1921-22.

 1/4.1 Four motets. 4.1 Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm.

Note: Holograph in pencil and ink.

English text.

At end of Motet I:12-9-21.

 1/4.2 "4 motets". 4.2 Ms. Score for mixed chorus (SATB); [12] p.; 35 cm.

Note: Holograph in ink with annotations in pencil.

English text.

 1/4.3 "4 motets". 4.3 Ms. Score for mixed chorus (SATB); 12 p.; 35 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.4 "4 motets". 4.4 Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.5 Four motets. 4.5 Ms. Score for mixed chorus (SATB); 12 p.; 36 cm.

Note: Holograph in ink.

English text.

Stamped N.B.

 1/4.6 "Quatre motets" / pour un chorus mixte a cappella. 4.6 Ms. Score for mixed chorus (SATB); 11 p.; 34 cm.

Note: Holograph in ink with annotations in pencil.

English text.

At end: Dec. 1921.

 1/4.7 "4 motets". 4.7 Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.8 "4 motets". 4.8 Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.9 "4 motets". 4.9 Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.10 "4 motets". 4.10 Mss. Bass vocal parts; Nos. I-IV; 33-36 cm.

Note: Manuscript in ink and pencil.

English text.

 1/4.11 "4 motets". 4.11 Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm.

Note: Manuscript in ink and pencil.

 1/4 misc "4 motets". 4 misc Mss. (photocopies). Pages from corrected manuscript proofs; 14 leaves; various sizes.

Pages from ARCO 4.3.

 1/4a, No. I "Help us, O Lord". [New York]: Boosey & Hawkes, [1979]. 4a, No. I Score for mixed chorus (SATB), a cappella; 7 p. (2 copies).

c1979 by Aaron Copland.

Plt.: Oct. 6018.

English text.

Duration: 2', 40".

 1/4a, No. II "Thou O Jehovah, abideth forever". [New York]: Boosey & Hawkes, [1979]. 4a, No. II Score for mixed voice (SATB), a cappella; 8 p.

c1979 by Aaron Copland.

Plt.: Oct. 6019.

English text.

Duration: 2', 30".

 1/4b, No. II "Gud ar min raddning" = "Thou, O Jehovah abideth forever". Stockholm: AB Carl Ghermans Musikforlag, [1987]. 4b, No. II Choral score (SATB); 8 p.

c1979.

Plt.: CG 6597.

Swedish text.

Note: Reprinted by AB Carl Ghermans Musikforlag with permission from Boosey & Hawkes, Inc., [1987].

 1/4a, No. III "Have mercy on us, O my Lord". [New York]: Boosey & Hawkes, [1979]. 4a, No. III Score for mixed voices (SATB), a cappella; 8 p.

c1979 by Aaron Copland.

Plt.: Oct. 6020.

English text.

Duration: 3', 40".

 1/4a, No. IV "Sing ye praises to our king". [New York]: Boosey & Hawkes, [1979]. 4a, No. IV Score for mixed voices (SATB), a cappella; 10 p.

c1979 by Aaron Copland.

Plt.: Oct. 6021.

English text.

Duration: 2', 30".

 5) Passacaglia [piano work] 44/5 Passacaglia. 5 Ms. Piano solo; 8 p.; 35 cm.

Note: Holograph in ink and pencil.

 44/5.1 Passacaglia. 5.1 Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 36.

 44/5.2 Passacaglia : pour piano seul. 5.2 Ms. Piano solo (score & sketches); 8 p.; 35 cm.

Note: Holograph in pencil

Laid in: holograph sketches (8 p.).

On microfilm: MUSIC 1906, Item 36.

 44/5.3 Passacaglia. 5.3 Ms. Organ solo; 10 p.; 33.5 cm.

Note: Holograph in ink and pencil; contains several emendations on color paper paste-overs.

Laid in: Correspondence from "Martha", dated March 22, 1971.

 44/5.4 Passacaglia : a Mlle. Nadia Boulanger. 5.4 Ms. Organ solo; 10 p.; 34 cm.

Note: Holograph in pencil and ink; contains several emendations on color paper paste-overs.

 44/5.5 Passacaglia (orchestral). 5.5 Ms. Full score; 11 p.; 40 cm.

Note: Holograph in pencil.

 44/5a Passacaglia : pour piano. Paris: Éditions Maurice Senart, [1922]. 5a Piano solo; 7 p.

c1922 by Éditions Maurice Senart.

Plt.: E.M.S. 4985.

Note: Holograph markings in pencil throughout.

At head: A Mademoiselle Nadia BOU- LANGER.

 44/5b Passacaglia : pour piano. Paris: Éditions Salabert, 1959. 5b Piano solo; 8 p. (2 copies).

c1922 by Éditions Maurice Senart.

Plt.: S. 4985.

Note: At top of Copy 1 in pencil: Copy corrected by Aaron Copland.

Duration: ca. 6.5 min.

 44/5c Passacaglia : for piano. New York: Boosey & Hawkes, 1987. 5c Piano solo; 7 p.

c1922 by Maurice Senart; renewed 1950 by Aaron Copland.

Plt.: PIB 439.

 44/5d Passacaglia. New York: Éditions Salabert, n.d. 5d Piano solo; 8 p.

c1922 by Éditions Maurice Senart.

Plt.: S. 4985.

 6) As it fell upon a day [song] 44/6 As it fell upon a day : song for soprano / with accompaniment of flute & clarinet. 6 Ms. Score for voice, flute and clarinet; 10 p.; 36 cm.

Note: Holograph in ink and pencil.

English text. Words from Richard Barnefield.

At end: Vienna Summer of 1923.

On microfilm: MUSIC 1906, Item 1.

 44/6.1 [As it fell upon a day] : melodie pour chant / avec accompaniment de flute et clarinette. 6.1 Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm.

Note: Holograph in pencil.

English text.

On microfilm: MUSIC 1906, Item 1.

 44/6.2 As it fell upon a day : melodie pour soprano / avec accompaniment de flute et clarinette. 6.2 Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm.

Note: Holograph in pencil.

On cover page: Original pencil manuscript.

 44/6.3 As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. 6.3 Ms. Score for voice, flute and clarinet; 7 p.; 34 cm.

Note: Holograph in ink and pencil.

English text. Words by Richard Barnefield.

At end: Wien, Summer of 1923.

 44/6.4 As it fell upon a day. 6.4 Mss. Parts for flute and clarinet.

Note: Copyist's manuscripts in ink and pencil.

 44/6a As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. San Francisco: New Music Society of California, 1929. 6a Score for voice with accompaniment of flute and clarinet; 14 p. (2 copies).

c1929 by Aaron Copland.

Ser. ed.: Henry Cowell.

Ser. title: New Music: A Quarterly of Modern Compositions, Vol. 2, No. 4.

English text.

 7) Symphony for organ and orchestra 45/7 Symphony for organ and orchestra. 7 Ms. Full score; 85 p.; 40-45.5 cm.

Note: Holograph in ink and pencil.

At head: To Nadia Boulanger -- with admiration, A.C.

At end: May-Nov. 1924.

On microfilm: MUSIC 1906, Item 93.

 45/7.1 Symphony for organ and orchestra. 7.1 Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 93.

 45/7.2 Symphony for organ and orchestra. 7.2 Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 93.

 45/7.3 Symphony for organ and orchestra. 7.3 Ms. Organ part; 54 p.; 34.5 cm.

Note: Holograph in ink.

At end: May-Sept. 1924 Aaron Copland.

On microfilm: MUSIC 1906, Item 93.

 45/7.4 Symphony for organ and orchestra. 7.4 Ms. (ozalid). Organ part; 27 p.; 36 cm.

Note: Copyist's manuscript, unmarked.

On microfilm: MUSIC 1906, Item 93.

 45/7.5 Symphony for organ and orchestra. 7.5 Ms. (ozalid). Full score; 85 p.; 40.5 cm.

Note: Title page (or cover page) is manuscript in ink; remainder of item is a copy of copyist's manuscript.

 45/7.6 Symphony for organ and orchestra. 7.6 Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound).

Note: Copyist's manuscript, unmarked.

Duration: 25 min.

 45/7a Symphony for organ and orchestra. London: Boosey & Hawkes, [1963]. 7a Full score; 56 p. (3 copies, Copy 3 bound).

c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland.

Plt.: H. & B. 19029.

Note: Copies 1 and 2 contain holograph markings in pencil throughout; Copy 3 unmarked.

Duration: 25 min.

 45/7b Symphony for organ and orchestra. London: Boosey & Hawkes, 1963. 7b Full score (miniature); 56 p.

c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland.

Plt.: B. & H. 19029.

Ser. title: Hawkes Pocket Scores, No. 745.

Duration: 25 min.

 8) Grohg [ballet] 46/8 Grohg : ballet in one act (revised 1932). 8 Ms. Full score; 191 p.; 40 cm. (bound).

Note: Holograph in ink; several sections are photocopies of original manuscript. Attached to third preliminary page is a typescript, titled "PRE- LIMINARY NOTE", which gives general background information about the score and the ballet.

 46/8.1 Grohg : ballet in one act (1925). 8.1 Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm.

Note: Holograph in pencil.

Included is letter from Ronald Caltabiano (assistant to Aaron Copland) to Sylvia Goldstein regarding differences between original manuscript and original pencil sketches. A photocopy of the letter contains notes in red by Mr. Caltabiano dated 3/30/88. Each leaf is housed separately in mylar jackets; the jackets are annotated with conductor's markings on small pieces of paper. The letter to Ms. Goldstein refers to these markings.

 2/8.2 Grohg : ballet in one act. 8.2 Ms. Additional piano sketches; various paginations; 35 cm.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 23.

 2/8.3 Grohg : ballet in one act. 8.3 Ms. Piano solo; 43 p.; 34.5 cm.

Note: Holograph in ink and pencil.

Duration: 30 min.

 2/8.4 Grohg : ballet in one act. 8.4 Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound).

Note: This item is a miniaturized photocopy of manuscript ARCO 8.3.

Duration: 30 min.

 2/8.5 "Petites valses" (origin of ballet Grohg). 8.5 Ms. Piano sketch; 4 p.; 35 cm.

Note: Holograph in pencil.

 2/8.6 "Trois dances du ballet Grohg" / en un acte. 8.6 Ms. Score for two pianos (draft); 68 p.; 36 cm.

Note: Holograph in pencil.

CONTENTS:

I) Dance of the adolescent II) Dance of the opium eater III) Dance of the street-walker 2/8.7 "Three dances from Grohg" : ballet in one act. 8.7 Ms. Score for two pianos; pages unnumbered; 35 cm.

Note: Holograph in pencil.

CONTENTS:

I) Dance of the adolescent II) Dance of the opium eater III) Dance of the street-walker 47/8 misc Grohg (Cortege macabre) : ballet in one act. 8 misc Mss. Miscellaneous pages from full scores, two piano arrangements, ballet synopsis, etc.; 40.5 cm.

Note: Holographs in ink and pencil.

 8-A) Cortege macabre: from ballet Grohg 47/8-A Cortege macabre. 8-A Ms. Full score sketch; 47 p.; 35 cm.

Note: Holograph in pencil.

At head: 1923.

 47/8-A.1 Cortege macabre : from Grohg / ballet in one act. 8-A.1 Ms. Full score; 58 p.; 41 cm.

Note: Holograph in ink; item includes photocopies.

 47/8-A.2 Cortege macabre. 8-A.2 Ms. (photocopy). Full score; 58 p.; 40 cm.

Note: Copy of manuscript ARCO 8-A.1.

 47/8-A.3 Cortege macabre. 8-A.3 Ms. Score for two pianos (draft); 18 p.; 36 cm.

Note: Holograph in pencil.

 47/8-A.4 Cortege macabre : from Grohg -- ballet in one act. 8-A.4 Ms. Full score (incomplete); 7 p.; 40 cm.

Note: Holograph in ink.

 47/8-A.5 Cortege macabre. 8-A.5 Ms. (ozalid). 1st violin part; 6 p.; 34 cm.

Note: Photocopied by Arrow Music Press, Inc., New York.

 47/8-A.6 Cortege macabre (from an unnamed ballet in one act) : for orchestra / arranged for two pianos by Aaron Copland. 8-A.6 Ms. Score for two pianos; 41 p.; 35 cm.

Note: Copyist's manuscript in ink.

 8-B) Dance of the adolescent: from ballet Grohg 47/8-B Dance of the adolescent : from Grohg. 8-B Ms. Two piano transcription; 13 p.; 33.5 cm.

Note: Holograph in pencil.

 47/8-B.1 Dance of the adolescent : from Grohg. 8-B.1 Ms. Two piano transcription; 21 leaves; 30.5 cm.

Note: Holograph in ink on transparent paper.

 47/8-B.2 Dance of the adolescent : from dance symphony. 8-B.2 Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm.

Note: Copy of holograph score ARCO 8-B.1.

 47/8-Ba Dance of the adolescent. London: Boosey & Hawkes, [1968]. 8-Ba Score for two pianos; 24 p. (2 parts in one folder).

c1931 by Cos Cob Press, Inc.; renewed and assigned to Aaron Copland in 1958; two piano version copyright 1968 by Aaron Copland.

Plt.: B. & H. 19589.

See also ARCO 11-Aa.

 9) Two choruses for women's voices : 9-A) "The house on the hill" ; 9-B "An immorality" 48/9-A "House on the hill" : for women's voices. 9-A Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm.

Note: Holograph in pencil.

English text. Words by Edward A. Robinson.

On microfilm: MUSIC 1906, Item 79.

 48/9-Aa "The house on the hill" : four-part chorus for women's voices / a cappella ; from "Children of the night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Co., [1926]. 9-Aa Score for women's voices (SSAA); 11 p. (2 copies).

c1926 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 231.

Ser. title: Commonwealth Series, No. 445.

English text.

 48/9-Ab "House on the hill" : four-part chorus for mixed voices a cappella; from "Children of the Night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Company, [1954]. 9-Ab Score for mixed voices (SSAA); 11 p.

c1926 by E.C. Schirmer Music Company; renewed 1954 by E.C. Schuirmer Music Co.

Plt.: E.C.S. No. 231.

Issue No.: 445 (reissue of ARCO 9-Aa).

Note: Holograph annotations in ink for SATB.

English text.

 48/9-Ac "The house on the hill" : for SSAA chorus / a cappella. [New York]: Boosey & Hawkes, 1990. 9-Ac Choral score ( SSAA); 9 p. (3 copies).

c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland.

Plt.: OCTB6590.

English text. Words by Edward Arlington Robinson.

 9-B) "An immorality": from Two choruses for women's voices 48/9-B "An immorality" : chorus for women's voices & piano acc. 9-B Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm.

Note: Holograph in pencil.

English text. Words by Ezra Pound.

On microfilm: MUSIC 1906, Item 80.

 48/9-Ba "An immorality" : from "Lustra" by Ezra Pound. Boston: E. C. Schirmer Music Co., [1926]. 9-Ba Three-part chorus for women's voices (SSA); 15 p. (2 copies).

c1926.

Plt.: E.C.S. No. 232.

Ser. title: Commonwealth Series, No. 444.

Note: Holograph annotations in ink for SAB.

English text.

 48/9-Bb "An immorality" : three-part chorus for women's voices / with soprano solo. Boston: E. C. Schirmer Music Company, [1954]. 9-Bb Score for chorus (SSA) and piano; 15 p.

c1926 by E.C. Schirmer Music Co.; renewed 1954 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 232.

Issue No.: 444 (reissue of 9-Ba).

Note: Holograph annotations in ink for SAB.

English text. Words by Ezra Pound from "Lustra".

 48/9-Bc "An immorality" : for soprano solo, SSA chorus and piano. New York: Boosey & Hawkes, 1990. 9-Bc Score for chorus and piano; 12 p. (6 copies).

c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland.

Plt.: OCTB6589.

English text by Ezra Pound form "Lustra".

 10) Music for the theatre [suite] 3/10 Music for the theatre : suite in 5 parts for chamber orchestra. 10 Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm.

Note: Holograph in ink and pencil.

Dedicated to Serge Koussevitsky.

At end: May to Sept. 1925.

On microfilm: MUSIC 1906, Item 32 A.

 3/10.1 Music for the theatre : suite in 5 parts for chamber orchestra. 10.1 Ms. Orchestral sketches; 32 p.; 34.5 cm.

Note: Holograph in pencil.

Dedicated to Serge Koussevitsky.

On microfilm: MUSIC 1906, Item 32 B.

 3/10.2 Music for the theatre : suite in 5 parts for chamber orchestra. 10.2 Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At end: May-Sept. 1925.

On microfilm: MUSIC 1906, Item 32 B.

 3/10.3 Music for the theatre : suite in five parts for small orchestra. 10.3 Ms. Full score; 122 p.; 34 cm. (bound).

Note: Holograph in ink and pencil.

On first title page in pencil: Score prepared by a copyist for use by Koussevitsky at 1st performance in 1925.

Duration: approximately 20 min.

 4/10a Music for the theatre : suite in five parts for small orchestra. Austria: Cos Cob Press, Inc., [1932]. 10a Full score; 71 p. (4 copies, Copy 2 bound).

c1932 by Cos Cob Press.

Note: All copies contain holograph markings in pencil throughout.

Laid in Copy 3: top of page 9, re-barred; holograph in ink. Duration: approximately 20 min.

 4/10b Music for the theatre : suite in five parts for small orchestra. New York: Cos Cob Press, Inc., [1932]. 10b Full score (miniature); 71 p.

c1932 by Cos Cob Press.

Duration: approximately 20 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1932].

 4/10c Music for the theatre : suite in five parts for small orchestra. New York: Boosey & Hawkes, [1956]. 10c Full score; 71 p. (2 copies).

c1932 by Cos Cob Press, Inc.; assigned to Boosey & Hawkes in 1956.

Plt.: F.S. 206.

Note: Copy 1 heavily marked.

Duration: approximately 20 min.

 11) A dance symphony [orchestra] 49/11 A dance symphony. 11 Ms. Full score; 100 p.; 39.5 cm.

Note: Holograph in ink.

Based on the music from the ballet "Grohg".

Duration: about 15 min.

On microfilm: MUSIC 1906, Item 14.

 49/11.1 A dance symphony. 11.1 Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm. 49/11.2 A dance symphony. 11.2 Ms. Score for piano, four hands; 48 p.; 36 cm.

Note: Holograph in ink and pencil.

 49/11.3 A dance symphony. 11.3 Ms. Full score; 53 leaves (several numbers skipped or pages missing); 41 cm.

Note: Holograph in ink and pencil.

 49/11 misc Dance symphony. 11 misc Mss. Miscellaneous pages from full score; various sizes.

Note: Holographs in ink and pencil.

 49/11a Dance symphony : for large orchestra. Austria: Cos Cob Press, Inc., [1931]. 11a Full score; 87 p. (2 copies).

c1931 by Cos Cob Press.

Note: Both copies heavily marked.

Laid in Copy 1: One typescript page and two handwritten pages of "corrections".

Duration: 16:48.

 49/11b Dance symphony : for large orchestra. New York: Cos Cob Press, Inc., [1931]. 11b Full score (miniature); 87 p.

c1931 by Cos Cob Press.

Duration: 20 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1931].

 11-A) Dance of the adolescent: from Dance symphony 49/11-Aa Dance of the adolescent : from Dance Symphony. [London]: Boosey & Hawkes, [1968]. 11-Aa Score for two pianos; 24 p. (2 parts in one folder).

c1931 by Cos Cob Press, Inc.; renewed in 1958 and assigned to Aaron Copland; two piano version copyright 1968 by Aaron Copland.

Plt.: B. & H. 19589.

Same as ARCO 8-Ba.

 12) Concerto for piano and orchestra 50/12 Concerto for piano and orchestra. 12 Ms. Full score sketch; 55 p.; 40 cm.

Note: Holograph in pencil.

On first page: Begun Oct. 16, 1926.

On microfilm: MUSIC 1906, Item 12.

 50/12.1 Concerto (in one movement--two parts) for piano and orchestra. 12.1 Ms. Short score for piano and orchestra; 33 p.; 34.5 cm.

Note: Holograph in ink and pencil.

On title page: Fantasie or concerto (in one movement).

At end: Jan.-Nov. 1926.

On microfilm: MUSIC 1906, Item 11.

 50/12a Concerto for piano and orchestra. Austria: Cos Cob Press, Inc., [1929]. 12a Full score; 67 p. (3 copies, Copy 3 bound).

c1929 by Cos Cob Press.

Note: All copies have holograph markings in pencil throughout.

Laid in Copy 1: Typed letter to Copland from Harry Kownatsky (Acting Curator at the Free Library of Philadelphia, 4/20/54) regarding three leaves of orchestral changes also included with this volume.

Laid in Copy 2: Two promotional flyers for CONCERTS AT THE CAPITOL, featuring Mr. Copland as guest conductor of the National Symphony Orchestra on Memorial Day, May 26, (year unknown); and two handwritten leaves regarding instrumentation for pieces to be performed at the Memorial Day Concert along with the rehearsal and program order.

 50/12b Concerto for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12b Full score (miniature); 67 p.

c1929 by Cos Cob Press.

Duration: 18 min.

Note: reissued under the auspices of Arrow Music Press, Inc., [1929].

 50/12c Concerto for piano and orchestra. New York: Boosey & Hawkes, [1929]. 12c Full score (miniature); 67 p.

c1929 by Cos Cob Press.

Ser. title: Hawkes Pocket Scores, No. 696.

Note: Holograph markings in pencil throughout.

Performance time: 18 min.

Also published by Cos Cob Press, Inc.

Note: reissued under the auspices of Arrow Music Press, Inc., [1929]

 50/12d Concerto for piano and orchestra. New York: Boosey & Hawkes, [1956]. 12d Full score; 67 p.

c1929 by Cos Cob Press, Inc.; renewed in 1956 by Aaron Copland; renewed copyright assigned to Boosey & Hawkes in 1956.

Plt.: F.S.207.

Note: Holograph markings in pencil throughout.

 12-A) Concerto for piano and orchestra [two pianos] 50/12-A Concerto for piano and orchestra. 12-A Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm.

Note: Holograph sketches in ink.

On title page: (Arranged for 2 pianos by the composer).

On microfilm: MUSIC 1906, Item 11.

 50/12-A.1 Concerto (in one movement - two parts) for piano and orchestra. 12-A.1 Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm.

On title page: "To Alma Wertheim".

At end: Jan.-Nov. 1926.

 50/12-Aa Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12-Aa Score for two pianos, four-hand arrangement; 30 p. (2 copies).

c1929 by Cos Cob Press.

Note: Both copies have holograph markings in pencil throughout.

 50/12-Ab Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929]. 12-Ab Score for two pianos, four- hand arrangement; 30 p. (2 copies).

reissued under the auspices of Arrow Music Press, Inc.

c1929 by Cos Cob Press.

 50/12-Ac Concerto (in one movement -- two parts) for piano and orchestra. New York: Boosey & Hawkes, [1956]. 12-Ac Score for two-piano, four- hand arrangement; 30 p. (2 copies in one volume).

c1929 by Cos Cob Press, Inc.; renewed 1956 by Aaron Copland.

Plt.: B.Two Pa. 67.

Note: Contains some holograph markings in pencil.

 13) Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; "Ukelele serenade" 5/13 Two pieces for violin and piano : A) "Nocturne"; B) "Serenade" (original title). 13 Ms. Score for violin and piano; 17 p.; 35.5 cm.

Note: Holograph in pencil.

On title page: First unrevised pencil copy.

At end: Paris April 1926.

 5/13.1 Two pieces for violin and piano : A) "Nocturne"; B) "Serenade". 13.1 Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm.

Note: Holograph in pencil.

At top of page 1: First sketches.

At bottom of page 8: Paris April 1926.

 5/13.2 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". 13.2 Ms. Score for violin and piano; 18 p.; 36 cm.

Note: Holograph in ink and pencil.

At end: Paris April.

 5/13.3 Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". 13.3 Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm.

At end: Paris April 1926.

 5/13.4 A) "Nocturne" ; B) "Ukelele serenade". 13.4 Ms. Violin part; 4 p.; 35 cm.

Note: Holograph in ink.

 5/13.5 A) "Nocturne" ; B) "Serenade". 13.5 Ms. Violin part; 6 p.; 35 cm.

Note: Holograph in ink and pencil.

 5/13 misc [A) "Nocturne" ; B) "Ukelele serenade"]. 13 misc Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2 leaves.

Includes ozalid copy of page 2 of Nocturne, and holograph leaf in ink and pencil of page 13 of Ukelele serenade.

 13-A) "Nocturne": from Two pieces for violin and piano 5/13-A "Nocturne". 13-A Ms. (photostat). Violin part; 2 leaves; 33 cm. 5/13-Aa "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928]. 13-Aa Score for violin and piano, and violin part; 4 + 1 p.

c1928 by B. Schott's Sohne.

Plt.: 32086.

Ser. title: Edition Schott, No. 1914.

 5/13-Ab "Nocturne". Mainz, Germany: B. Schott's Sohne, [1928?]. 13-Ab Score for violin and piano, and violin part: 4 + 1 p.

c1928 by B. Schott's Sohne.

Plt.: 32086.

Ser. title: Edition Schott, 1914.

 5/13-Ac "Nocturne". London: Boosey & Hawkes, [1968]. 13-Ac Score for violin and piano, and violin part; 4 + 1 p.

c1928 by Schott's Sohne; renewed 1956; copyright assigned to Aaron Copland in 1968.

Plt.: B. & H. 19766.

 5/13-Ad "Nocturne". London: Boosey & Hawkes, [1978]. 13-Ad Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11).

c1928 by B. Schott's Sohne; renewed 1956; assigned to Aaron Copland 1968; arrangement for clarinet and piano copyright 1978 by Aaron Copland.

Plt.: B. & H. 20423.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series: Contemporary Music for Clarinet.

Arranged from the original for violin and piano.

This volume also includes music by Goldman, Holloway, Reizenstein, Soproni, Cole, and Schwertsik.

 13-B) "Serenade" ; "Ukelele serenade": from Two pieces for violin and piano 5/13-B "Ukelele serenade". 13-B Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm.

Note: This item is identical to pages 7-18 of photostat copy ARCO 13.3.

At end: Paris April 1926.

 5/13-B.1 "Serenade". 13-B.1 Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm. (2 copies). 5/13-Ba "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928]. 13-Ba Score violin and piano score, and violin part; 10 + 3 p.

c1928 by B. Schott's Sohne.

Plt.: 32087.

Ser. title: Edition Schott, No. 1915.

 5/13-Bb "Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928?]. 13-Bb Score for violin and piano, and violin part: 10 + 3 p.

c1928 by B. Schott's Sohne.

Plt.: 32087.

Ser. title: Edition Schott, 1915.

 5/13-Bc "Ukelele serenade". London: Boosey & Hawkes, [1968]. 13-Bc Score for violin and piano, and violin part; 8 + 3 p.

c1928 by B. Schott's Sohne; renewed in 1956; copyright assigned to Aaron Copland in 1968.

Plt.: B. & H. 19765.

 14) Sentimental melody ; Five sentimental melodies [piano and chamber work] 5/14 Sentimental melody : for piano solo. 14 Ms. Piano score; 3 p.; 35 cm.

Note: Holograph in ink.

At end: July 28, 1926 Guethary -- B.P.

 5/14.1 Five sentimental melodies for piano and violin. 14.1 Ms. Sketches for piano and violin score; 3 p.; 34.5 cm.

Note: Holograph in pencil.

At end: July 28, 1926 Guethary -- B.P.

 5/14.2 Sentimental melody. 14.2 Ms. Piano solo; 1 leaf; 34.5 cm.

Note: Holograph in pencil.

At head: Hommage à Milhaud.

 5/14a Sentimental melody (slow dance). London: Schott & Co., Ltd., [ca. 1930]. 14a Piano solo; 2 p. (pp. 10-11).

c1929 by B. Schott's Sohne.

Plt.: 32272.

Ser. ed.: Helma Autenrieth-Schleusslner.

Ser. title: The New Piano Book, Volume III - (A Collection of Piano Pieces by Contemporary Composers) - Edition Schott 1402.

 15) Song ; Poet's song ; "In spite of everything which breathes and moves" [song] 5/15 Song (E. E. Cummings). 15 Ms. Score for voice and piano; 4 p.; 34 cm.

Note: Holograph in ink with holograph annotations in pencil.

English text. Words by E. E. Cummings.

At end: Konigstein Aug. 1927.

 5/15.1 Song (E. E. Cummings). 15.1 Ms. Sketch for voice and piano score; 1 leaf; 35 cm.

Note: Holograph in pencil.

English text.

 5/15.2 "In spite of everything which breathes and moves" song for voice and piano. 15.2 Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm.

Note: Copyist's manuscript in ink.

English text. Words by E. E. Cummings.

Laid in: Typescript of lyrics to "Song".

 5/15a Song (E. E. Cummings). New York: Cos Cob Press, Inc., [1935]. 15a Score for voice and piano; 3 p. (pp. 20-22).

c1935 by Cos Cob Press, Inc.

Plt.: Song-3.

Ser. title: Cos Cob Song Volume (Ten Songs by American Composers).

English text.

 5/15b Poet's song / words by E. E. Cummings. [London]: Boosey & Hawkes, [1962]. 15b Score for high voice and piano; 4 p.

c1935 by Cos Cob Press, Inc.; renewed in 1962 and assigned to Aaron Copland.

Plt.: B. & H. 19454.

English text.

At end: Konigstein Aug. 1927.

 5/15c Song (E. E. Cummings). New York: Boosey & Hawkes, [1964]. 15c Score for voice and piano; 3 p. (pp. 19-21).

c1935 by Cos Cob Press, Inc.; renewed in 1962 (by Boosey & Hawkes) and assigned to Aaron Copland.

Plt.: BH. BK. 598.

Ser. title: Cos Cob Song Volume.

At end: Konigstein Aug. 1927.

 16) Two pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work] 51/16 Two pieces for string orchestra : I) "Lento molto" ; II) "Rondino" (incomplete; one page of "Rondino" only). 16 Ms. Score for string orchestra; [9] p.; 42 cm.

Note: Holograph in ink and pencil.

At end: New York, April 1928.

On microfilm: MUSIC 1906, Item 94.

 51/16a Two pieces for string orchestra. New York: Arrow Music Press, Inc., [1940]. 16a Score for string orchestra; 13 p. (3 copies).

c1940 by Arrow Music Press.

Plt.: E-3.

Note: Copies 1 and 2 have holograph annotations in pencil throughout for string quartet version.

Duration: 11 min.

Note: published by Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1940].

 16-A) Two pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work] 51/16-A Two pieces for string quartet : A) Lento molto; B) Rondino. 16-A Ms. Score for string quartet; 14 p.; 36 cm.

Note: Holograph in ink with holograph markings in pencil.

At end of "Rondino" in ink and scratched out in red pencil: Paris, Spring of 1923.

On microfilm: MUSIC 1906, Item 95.

 51/16-Aa Two pieces for string quartet. New York: Arrow Music Press, Inc., [1948]. 16-Aa Score for string quartet (miniature); 13 p.

c1940.

Plt.: E-3.

Duration: 11 min.

Note: published by Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1948].

 16-B) "I) Lento molto" (slow movement for string quartet): from Two pieces for string quartet 51/16-B I) "Lento molto". 16-B Ms. Score for string quartet; 6 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At head: To Roy Harris.

At end: April 1928.

Stamped N.B.

 51/16-B.1 "Slow movement for string quartet". 16-B.1 Ms. Sketches for string quartet; 7 + 4 p.; 45 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 94.

 16-C) "II) Rondino": from Two pieces for string quartet 51/16-C II) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes : from Two pieces for string quartet. 16-C Ms. Score for string quartet; 8 p.; 36 cm.

Note: Holograph in ink.

At end: April 1923.

Stamped N.B.

On microfilm: MUSIC 1906, Item 95.

 51/16-C.1 II) "Rondino sur le nom du Fauré". 16-C.1 Ms. Score for string quartet; 10 p.; 35 cm.

Note: Holograph in pencil.

At end: Apr. 1923.

 51/16-C.2 "Rondino". 16-C.2 Mss. String parts; 35 cm.

Note: Holographs in ink.

 51/16-C.3 "Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano, Op. 103", by Gabriel Fauré; arranged for string quartet by A.C. 16-C.3 Mss. Full score (for string quartet), and Violin I and Violin II parts; 3 + 1 + 1 p.; 33-34.5 cm.

Note: Holograph manuscripts in ink.

This work is the original companion piece to "Rondino".

 17) Vocalize (Improvisation) [voice & piano] 51/17 Improvisation (<emph render="underline">Vocalise</emph> pour voix et piano). 17 Ms. Score for voice and piano; 5 p.; 34.5 cm.

Note: Holograph in ink.

At end: Peterboro, N.H. Aug. 1928.

On microfilm: MUSIC 1906, Item 96.

 51/17.1 Vocalize (Improvisation). 17.1 Ms. Score for voice and piano; 1 leaf; 40 cm.

Note: Holograph in pencil.

 51/17.2 Vocalize. 17.2 Ms. Sketch for voice and piano; 2 leaves; 32-35 cm.

Note: Holograph in ink and pencil.

 51/17a Vocalise (Vocalize). [New York]: Boosey & Hawkes, [1957]. 17a Score for high voice and piano; 6 p. (2 copies).

c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957.

Plt.: 17,474.

Note: Copy 1 has holograph markings in pencil throughout.

 17-A) Vocalize [flute & piano] 51/17-A Vocalize : for flute solo with piano accompaniment. 17-A Ms. Flute part; 2 p.; 34 cm. Ms. Flute part edited by Doriot Anthony Dwyer.

Note: Manuscript by David Walker in pencil with score markings and notes in ink by Doriot Anthony Dwyer.

Originally scored for voice and piano.

 51/17-A.1 Vocalize : for flute and piano. 17-A.1 Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound).

At head: Flute part edited by Doriot Anthony Dwyer.

 51/17-A.2 Vocalize : for flute and piano. [New York]: Boosey & Hawkes, [1957]. 17-A.2 Score for flute (high voice) and piano; 6 p.

c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957; [version for flute and piano copyright 1974 by Aaron Copland].

Plt.: 17,474.

Note: Holograph revisions in pencil.

Although originally scored for high voice and piano, this published score, the same imprint as ARCO 17a, was adapted for flute and piano by the composer, as suggested by Doriot Anthony Dwyer.

 51/17-Aa Vocalise for flute and piano. London: Boosey & Hawkes, [1974]. 17-Aa Score for flute and piano with flute part; 4 + 2 p.

c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; flute and piano arrangement copyright by Aaron Copland in 1974.

Plt.: B. & H. 20144.

 17-B) Vocalise [oboe & piano] 51/17-Ba Vocalise. London: Boosey & Hawkes, [1978]. 17-Ba Score for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp. 2-5).

c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; arrangement for oboe and piano copyright 1974 by composer.

Plt.: B. & H. 20500.

Ser. ed.: Peter Wastall.

Ser. title: Exploring Music Series (Contemporary Music for Oboe).

At head: The revision for oboe and piano was prepared in 1978 especially for inclusion in this volume.

 18) First symphony 52/18 First symphony : for large orchestra. 18 Ms. Full score; 95 p.; 45 cm.

Note: Holograph in ink.

On [3] p. N.B. - This work was originally written as a Symphony for Organ and Orchestra(1924). This present version for orchestra alone was made in 1928.

On [2] p.: Dedicated to Nadia Boulanger with admiration - A.C.

CONTENTS:

I) Prelude II) Scherzo III) Finale

On microfilm: MUSIC 1906, Item 61.

 52/18.1 First symphony. 18.1 Ms. Full score (early draft); 49 p.; 45 cm.

Note: Holograph in ink and pencil.

At head of Scherzo: Arranged from the Symphony for Organ and Orchestra(1924).

CONTENTS:

I) Prelude II) Scherzo III) Finale

On microfilm: MUSIC 1906, Item 61 B.

 52/18a First symphony : for large orchestra. Austria: Cos Cob Press, [1931]. 18a Full score; 80 p. (4 copies, Copy 4 bound).

c1931 by Cos Cob Press.

Note: Copies 1 and 2 contain holograph markings in pencil throughout.

On cover: This copy contains pencil indications for performances with reduced [parts?] requirements.

On [3] p.: Dedicated to Nadia Boulanger with admiration - A.C. N.B. - This work was originally as a "Symphony for organ and orchestra" (1924). This present version for orchestra alone was made in 1928.

 6/18b First symphony : for large orchestra. New York: Cos Cob Press, [1931]. 18b Full score (miniature); 80 p.

Note: Holograph markings in ink and pencil.

On verso of dedication page: "Indication for small orchestra version

Note: reissued under the auspices of Arrow Music Press, [1931].

 18-A) "Prelude": from First symphony [chamber orchestra] 6/18-A "Prelude" : from First symphony. 18-A Ms. (ozalid). Full score; 14 p.; 35 cm. (bound).

Note: Copyist's manuscript with holograph and other markings in ink; arranged for chamber orchestra by the composer.

Duration: 6 min.

 6/18-A.1 "Prelude" : from First symphony. 18-A.1 Mss. Instrumental parts (incomplete); 9 leaves; 33 cm.

Note: Holographs in ink and pencil.

 6/18-A.2 "Prelude" : [from First symphony]. 18-A.2 Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5 cm.

Note: Copy of manuscript in the hand of Julia Smith.

Stamped in red: U of NT [University of North Texas] Music Library.

 6/18-A.3 "Prelude" : for trio (violin, cello, piano) / arranged from 1st movement of Symphony for Organ and Orchestra by the composer. 18-A.3 Ms. (photocopy). Full score; 7 p.; 35 cm. 6/18-Aa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968]. 18-Aa Full score for chamber orchestra; 12 p. (2 copies).

c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Aaron Copland.

Plt.: B. & H. 19395.

Ser. title: Music for Orchestra.

Note: Arranged for chamber orchestra by the composer.

 6/18-Aaa "Prelude" : from First symphony. London: Boosey & Hawkes, [1968]. 18-Aaa Parts for chamber orchestra; 31 cm. (2 sets).

c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Copland.

Plt.: B. & H. 19395.

Ser. title: Music for Orchestra.

Note: Arranged for chamber orchestra by the composer.

 19) Symphonic ode [orchestra] 53/19 Symphonic ode : for large orchestra. 19 Ms. Full score (draft); 44 + 6 p.; 45 cm.

Note: Holograph in pencil.

This work was composed in 1929 for the Boston Symphony Orchestra's 50th anniversary season; it was withdrawn in its original form and revised in 1955 on the occasion of this Orchestra's 75th anniversary season.

On microfilm: MUSIC 1906, Item 59.

 53/19.1 Symphonic ode. 19.1 Ms. Condensed score; 33 p.; 45 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 59.

 53/19.2 Symphonic ode. 19.2 Ms. Full score; 35 p. (incomplete); 45 cm.

Note: Holograph in ink with holograph markings in pencil.

On title page: Orchestral pages of original barring revised 1929 for easier performance.

See also ARCO 19.6 and 19.7.

 53/19.3 Symphonic ode. 19.3 Ms. Condensed score sketches; [56] p.; 35-45 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 60.

 53/19.4 Symphonic ode. 19.4 Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 60.

 54/19.5 Symphonic ode. 19.5 Ms. Full score; 86 p.; 45 cm. (bound).

Note: Holograph in ink.

On [3] p: To the Boston Symphony Orchestra, Serge Koussevitsky, conductor, on the occasion of its Fiftieth Anniversary.

On [6] p: Markings in blue pencil are those of Serge Koussevitsky, first conductor of this work - A.C.

On microfilm: MUSIC 1906, Item 59.

 54/19.6 Symphonic ode. 19.6 Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm.

Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil.

 54/19.7 Symphonic ode. 19.7 Ms. (negative photostat). Full score; 86 leaves; 35 cm.

Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil

 54/19.8 Symphonic ode. 19.8 Mss. Orchestral parts; 33.5 cm.

Note: Holographs in ink and ozalids with markings in pencil.

Box 19 contains string parts: violin 2 through bass.

 20) Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work] 55/20 Vitebsk (Study on a Jewish melody). 20 Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm.

Note: Copy of manuscript with holograph markings in ink and pencil throughout; includes holograph pages in ink and pencil.

At end: New York Feb. 1920.

On microfilm: MUSIC 1906, Item 70.

 55/20.1 Vitebsk (Study on a Jewish melody). 20.1 Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20 p.; 40 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 70.

 55/20a Vitebsk : study on a Jewish theme. New York: Cos Cob Press, Inc., [1934]. 20a Score for violin, cello, and piano; 18 p.

c1934 by Cos Cob Press.

Note: Contains holograph markings in ink and pencil.

Laid in: Typescript of "Corrections in VITEBSK".

 55/20b Vitebsk. New York: Cos Cob Press, Inc., [1934]. 20b Score for piano, violin, and violoncello -- parts for violin and violoncello laid in; 18 + 5 + 5 p. (3 copies).

c1934 by Cos Cob Press.

Note: reissued under the auspices of Arrow Music Press, Inc., [1934]

 21) Piano variations [piano work] 55/21 Piano variations. 21 Ms. Piano solo; 17 p.; 34.5 cm.

Note: Holograph in ink with holograph markings in pencil.

At end: Bedford Yaddo, New York.

On microfilm: MUSIC 1906, Item 68.

 55/21.1 Piano variations. 21.1 Ms. (photocopy). Piano solo; 17 leaves; 37 cm.

Note: Copy of manuscript ARCO 21.

At end: Bedford Yaddo, New York.

Marked N.B.

 55/21.2 Piano variations. 21.2 Ms. (photostat). Piano solo; 17 leaves; 34 cm.

Note: Copy of manuscript ARCO 21, with holograph markings in pencil.

At end: Bedford Yaddo, New York.

 55/21.3 Piano variations. 21.3 Ms. Rough sketch and piano sketch; 63 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 68.

 55/21a Piano variations. Austria: Cos Cob Press, Inc., [1932]. 21a Piano solo; 16 p.

c1932 by Cos Cob Press.

Plt.: C.C.P.7.

Note: Holograph orchestral indications in pencil throughout.

 22) Miracle at Verdun [incidental music] 55/22 Miracle at Verdun. 22 Ms. Orchestral sketches; 27 p.; 33.5-40 cm.

Note: Holograph in pencil and ink.

At head: Sketch for incidental music for play Miracle at Verdun.

On microfilm: MUSIC 1906, Item 85.

 23) Elegies [chamber work] 55/23 Elegies : for violin and viola. 23 Ms. Score for violin and viola; 8 p.; 24 x 33 cm.

Note: Holograph in ink and pencil.

At head: Part 1 arranged for string orchestra and used in "Statements" (mvt. 4 - "Subjective").

 55/23.1 "Elegy." 23.1 Ms. Sketch for violin and viola score; 6 p.; 38 cm.

Note: Holograph in ink and pencil.

This piece was withdrawn by the composer and later used as "Subjective", the fourth movement of "Statements for orchestra."

 24) Short symphony (Second symphony) [orchestra] 56/24 Short symphony. 24 Ms. Full score; 74 p.; 42 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 62.

 56/24.1 Short symphony. 24.1 Ms. Full score; 66 p.; 42 cm. (bound).

Note: Holograph in ink and pencil.

Gift of Mrs. Ana Chavez (daughter of Carlos Chavez) on September 30, 1993.

 56/24.2 Short symphony : partita. 24.2 Ms. Rough sketches; 100 p.; 38-40 cm.

Note: Holograph in pencil and ink with holograph markings in red and blue pencil.

On microfilm: MUSIC 1906, Item 63.

 56/24.3 Short symphony. 24.3 Ms. Piano sketch; 43 p.; 38 cm.

Note: Holograph in pencil and ink with holograph markings in red and blue pencil.

On title page: First completed pencil version.

On microfilm: MUSIC 1906, Item 63.

 56/24.4 Short symphony. 24.4 Ms. Rough orchestral score; 98 p.; 40-44.5 cm.

Note: Holograph in ink and pencil.

On microfilm: MUSIC 1906, Item 63.

 56/24.5 Short symphony. 24.5 Ms. Short score (piano sketch); 32 p.; 33-34.5 cm.

Note: Holograph in ink and pencil, with holograph markings in colored pencil..

At end: April 17, 1933.

This item also includes photocopies of pages 5-32 of the manuscript score, with holograph markings in colored pencil.

 56/24.6 Short symphony. 24.6 Ms. Full score; 91 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

 56/24.7 Short symphony (No. 2). 24.7 Ms. Full score; 91 p.; 38 cm. (spiral bound).

Note: Copy of manuscript score ARCO 24.6, with holograph revisions in ink and pencil.

At end in pencil: Addition to end suggested by L Bernstein.

 56/24a Short symphony (No. 2). London: Boosey & Hawkes, [1955]. 24a Full score; 67 p.

c1955 by Boosey & Hawkes.

Plt.: B. & H. 17629.

Note: Holograph markings in pencil throughout.

Duration: 15 min.

 56/24b Short symphony (No. 2). London: Boosey & Hawkes, [1955]. 24b Full score (miniature); 67 p.

c1955 by Boosey & Hawkes.

Plt.: B. & H. 17629.

Ser. title: Hawkes Pocket Scores, No. 686.

Duration: 15 min.

 25) Statements for orchestra 57/25 Statements for orchestra. 25 Ms. Full score (rough draft); 50 p.; 38-45 cm.

Note: Holograph in pencil.

At end: June 28, '34.

Elegies is the origin of part IV of Statements, "Subjective".

 57/25.1 Statements for orchestra. 25.1 Ms. Short score (piano sketch); 25 p.; 34.5 cm.

Note: Holograph in ink.

At end: Jan. 1934.

 57/25.2 From Statements for orchestra. 25.2 Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm.

Note: Holograph in ink.

CONTENTS:

II) "Cryptic" IV) "Subjective" VI) "Prophetic" 57/25.3 Statements. 25.3 Ms. Full score; 50 p.; 42 cm.

Note: Holograph in ink with markings in pencil.

Duration: 18.5 min.

At end: Friends' Lake, Bemidji, New York.

{Filed with Koussevitsky Collection - ML 30.3c3.C6 Case}

 57/25.4 [Statements]. 25.4 Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28 cm.

Note: Copy of manuscript score ARCO 25.3; without title page.

At end: Friends' Lake Bamidji New York, 42:25.

 57/25 misc Statements for orchestra. 25 misc Mss. Miscellaneous pages from scores; unnumbered; various sizes.

Note: Holographs in pencil.

 57/25a Statements. New York: Boosey & Hawkes, [1947]. 25a Full score; 49 p. (bound).

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Note: Holograph markings in pencil throughout.

Duration: 18.5 min.

 57/25b Statements. London: Boosey & Hawkes, [1947]. 25b Full score (miniature); 49 p.

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Ser. title: Hawkes Pocket Scores, No. 685.

Duration: 18.5 min.

 57/25c Statements. London: Boosey & Hawkes, [1947]. 25c Full score; 49 p.

c1947 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9128.

Note: Holograph markings in pencil throughout.

Duration: 18.5 min.

 26) Hear ye! Hear ye! [ballet] 58/26 Hear ye! Hear ye! : ballet in one act. 26 Ms. Conductor score, in 2 volumes; 228 p.; 41 cm.

Note: Holograph in ink.

Laid in: Seven page typescript outline of ballet.

At end: Sept - Nov. 1934.

On microfilm: MUSIC 1906, Item 77.

 58/26.1 Hear ye! Hear ye! : ballet in one act. 26.1 Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound).

Note: Copy of 2 volume manuscript score ARCO 26.

At end: Sept.- Nov. 1934.

 58/26.2 Hear ye! Hear ye! 26.2 Ms. Sketches (rough piano version); various paginations; 34 cm.

Note: Holographs in pencil.

 59/26.3 Hear ye! Hear ye! : ballet in one act / small orchestra score / arranged from the original score for large orchestra (1935). 26.3 Ms. Full score; various paginations; 45 cm.

Note: Holograph in ink.

Laid in: Seven page typescript outline of ballet; same as in ARCO 26 but enlarged.

 59/26.4 Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter). 26.4 Ms. (photocopy). Short piano score; 11 leaves; 35 cm. 59/26.5 Hear ye! Hear ye! : "Dove dance". 26.5 Ms. (photocopy). Short piano score; 4 leaves; 35 cm. 59/26.6 Hear ye! Hear ye! : three cabaret numbers from the ballet. 26.6 Ms. Full score (unfinished); [16] p.; 46 cm.

Note: Holograph in ink.

 59/26.7 Hear ye! Hear ye! 26.7 Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm.

At end: Sept.-Oct., 19]34?]; arranged for 2 pianos Nov. 4-11, [1935].

 98/26.8 Hear ye! Hear ye! 26.8 Ms. Orchestral parts.

Note: Holographs in ink and pencil.

 9-12/26.9 Hear ye! Hear ye! 26.9 Mss. Orchestral parts.

Note: Holographs and copyist's manuscripts in ink and pencil; orchestrated for the Chicago Grand Opera Company (1934-35).

 27) What do we plant? [chorus] 12/27 What do we plant? : two-part chorus for junior high school. 27 Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm.

Note: Holograph in pencil.

English text.

Affixed to title page verso: Typescript of the poem 'What Do We Plant?' by Henry Abbey (1842-1911).

At end: Dec. 24, 1935.

On microfilm: MUSIC 1906, Item 97.

 12/27.1 What do we plant? 27.1 Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm.

Note: Holograph in ink (pp. [1] and 8) and negative photostat (pp. 2-7, 6 leaves) with holograph markings throughout in black and blue pencil.

On title page in upper left corner in ink: Henry Abbey (1842-1911).

At head in pencil: (Mms. first & last pp; the rest is photostat of orig. mms).

At bottom in ink and pencil: Oct 1639 - Copyright 1941 by Boosey Co. Ltd. - international Copyright Secured.

 12/27.2 What do we plant? 27.2 Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.; 27 x 35 cm.

Note: Holograph in pencil.

On title page upper left corner: Henry Abbey.

 12/27a What do we plant? : two-part SA / words by Henry Abbey (8942-1911) / music by Aaron Copland. New York: Boosey Hawkes Belwin, Inc., [1941]. 27a Piano-vocal score; 8 p. (2 copies).

c1941 by Boosey & Co., Ltd.

Plt: Oct. No. 1639-7.

Ser. title: Boosey Series of Choral Music, Oct. 1639.

 12/27b What do we plant? : two-part SA [New York]: Boosey & Hawkes, Inc., [19--?]. 27b Piano-vocal score; 8 p.

c1941 by Boosey & Co., Ltd.

Plt: Oct. No. 1639-7.

Note: No publication date given for this reissue.

Words by Henry Abbey (1842-1911)

 28) El salón México [orchestra] 99/28 El salón México. 28 Ms. Full score; 56 p.; 46 cm.

Note: Holograph in ink and pencil.

On [1] p.: To Victor Kraft.

On microfilm: MUSIC 1906, Item 47.

 99/28.1 El salón México. 28.1 Ms. Full score (draft); 58 p.; 38 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 47.

 99/28.2 El salón México. 28.2 Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 47.

 99/28.3 El salón México. 28.3 Ms. Rough orchestral score; 4 p.; 42 cm.

Note: Holograph in pencil.

At head: Begun Aug. 9, 34.

 99/28.4 "Beyond the Rio Grand". 28.4 Ms. Full score (incomplete); [4] p.; 45.5 cm.

Note: Holograph in ink.

The thematic material used in Beyond the Rio Grand is based, in part, on popular Mexican melodies.

 13/28a El salón México : popular type dance hall in Mexico City. London: Hawkes & Son, [1939]. 28a Full score; 44 p. (2 copies, Copy 1 bound).

c1939 in U.S.A. by Hawkes & Son (London).

Plt.: H.15038.

Note: Copy 1 has holograph markings in pencil throughout; Copy 2 marked but not as heavily.

On title page and first page of score: To Victor Kraft.

Duration: 10 min.

 13/28b El salón México : popular type dance hall in Mexico City. London: Boosey & Hawkes, [1939]. 28b Full score; 44 p.

c1939 by Aaron Copland.

Plt.: H. 15038.

Note: Holograph markings in pencil throughout.

Duration: 10 min.

 28-A) El salón México [piano solo] 99/28-A El salón México : Mexican Dance Hall. 28-A Ms. Sketch for piano solo; 21 p.; 33.5 cm.

Note: Holograph in ink and pencil.

At end: July 1934.

On microfilm: MUSIC 1906, Item 47.

 99/28-A.1 [El salón México]. 28-A.1 Ms. (negative photostat). Piano solo; 28 p.; 29 cm.

Note: Missing page 1.

 13/28-A.2 El salón México. 28-A.2 Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm.

Note: Photocopy of manuscript by Leonard Bernstein.

On title page: To Helen - my first published manuscript; even if only half-mine - with love, Lenny.

c1941 by Hawkes & Son (London) Ltd.

 13/28-Aa El salón México. New York: Boosey & Hawkes, [1941]. 28-Aa Piano solo; 15 p.

c1941 by Hawkes & Son (London).

Plt.: Pa. 24-14.

 28-B) El salón México [two pianos] 99/28-B El salón México : arranged for two pianos by Leonard Bernstein. 28-B Ms. Score for two pianos; 30 p.; 31.5 cm.

Note: Manuscript in ink possibly by Leonard Bernstein.

 13/28-Ba El salón México : for two pianos. [New York]: Boosey & Hawkes, [1943]. 28-Ba Score for two pianos; 30 p. (2 parts in one folder).

c1943 by Hawkes & Son (London).

Plt.: Two Pa. 32-28.

Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. No. 32.

 28-C) "Fantacia Mejicana" (Mexican fantasy): from El salón México 99/28-C "Fantacia Mejicana" (Mexican fantasy) / adapted for piano and orchestra by Johnny Green from "El salón México". 28-C Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound).

Note: Manuscript by Johnny Green.

On [2] p.: Dedication to Aaron Copland by J. Green dated Apr. 16, 1946.

Laid in: 2 letters from Johnny Green to Copland dated April 16 and April 20, 1946.

 99/28-C.1 "Fantacia Mejicana" (Mexican fantasy) / for piano and orchestra adapted by Johnny Green from "El salón México". 28-C.1 Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm.

Note: Copyist's manuscript.

 99/28-C.2 "Fantacia Mejicana" : for solo piano. 28-C.2 Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies). 13/28-Ca "Fantasia Mexicana" / adapted and orchestrated by Johnny Green for the M-G-M picture FIESTA. London: Boosey & Hawkes, [1952]. 28-Ca Piano-conductor score; 4 p.

c1952 by Hawkes & Son, Ltd.

Plt.: B. & H. 17910.

 13/28-Cb "Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di Aaron Copland; adattamento di Johnny Green per il film M.G.M 'LA MATADORA'. Milano: Edizioni Suvini Zerboni, [1952]. 28-Cb Piano reduction; 5 p.

c1952 by S.A. Edizioni Suvini Zerboni.

Plt.: S. 4874Z.

 28-D) El salón México [concert band] 99/28-D El salón México. 28-D Ms. (photocopy) Full score; [59] p. (30 leaves); 35.5 cm.

c1939 by Hawkes & Son (London).

At end: Mark H. Hindsley, 5-11-66, Chapala, Jalisco, Mexico.

Laid in: Typescript of "Suggested revisions on band arrangement of El Salón México by Mark Hindsley", initialed A.C.

 13/28-Da El salón México. [New York]: Boosey & Hawkes, [1972]. 28-Da Full score; 56 p. (2 copies).

c1939 by Aaron Copland; renewed 1966; concert band arrangement copyright 1972 by Aaron Copland.

Plt.: Q.M.B. 380.

Ser. title: Symphonic Band Series.

Note: Holograph markings in pencil throughout Copy 1. Transcribed for concert band by Mark H. Hindsley.

 29) Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works] 14/29 Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". 29 Ms. Piano solo; 5 p. (on 2 leaves); 34 cm.

Note: Holograph in ink and pencil.

At end on page 5: Peterborough, Aug. 1935.

On microfilm: MUSIC 1906, Item 73.

 14/29.1 Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". 29.1 Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 73.

 14/29a A) "Sunday afternoon music" ; B) "The young pioneers". New York: Carl Fischer, [1963]. 29a Piano solo; 2 p. (pp. 34-35) + 3 p. (pp. 39-41).

c1936 by Carl Fischer.

Plt.: N4102.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day: 18 Solos in the Contemporary Idiom for the Young Pianist, 04361.

At end: Peterborough, N.H. August 1935.

 29-A) "Sunday afternoon music": from Two children's pieces [piano solo] 14/29-Aa "Sunday afternoon music". New York: Carl Fischer, [1936]. 29-Aa Piano solo; 2 p.

c1936 by Carl Fischer.

Plt.: 27341-2.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2113.

Note: Holograph marginalia in pencil.

At end: Peterborough, N.H., August 1935.

 14/29-Ab "Sunday afternoon music". New York: Carl Fischer, [1936]. 29-Ab Piano solo; 2 p.

c1936 by Carl Fischer.

Plt.: 27341-2.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2113.

At end: Peterborough, N.H., August 1935.

 29-B) "The young pioneers": from Two children's pieces [piano solo] 14/29-Ba "The young pioneers". New York: Carl Fischer, [1936]. 29-Ba Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2120.

At end: Peterborough, N.H. August 1935.

 14/29-Bb "The young pioneers". New York: Carl Fischer, [1936]. 29-Bb Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

Ser. ed.: Lazare Saminsky and Isadore Freed.

Ser. title: Masters of Our Day - Educational Series, P 2120.

 14/29-Bc "The young pioneers". New York: Carl Fischer, [1936]. 29-Bc Piano solo; 3 p.

c1936 by Carl Fischer.

Plt.: 27348-3.

 30) The second hurricane [play/opera] 60/30 [The second hurricane]. 30 Ms. Full score; 282 p.; 34-38 cm.

Note: Holograph in ink with markings in pencil, without title or date.

Composed for performance by boys and girls ranging in age from eight to eighteen. Performed for the first time at the Henry Street Music School in New York, April 21, 1937. (cf. Slonimsky, N.: Music Since 1900).

On microfilm: MUSIC 1906, Item 49.

 60/30.1 The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. 30.1 Ms. Piano-vocal score; [129] p.; 38 cm.

Note: Holograph in ink on transparent paper.

Laid in: Libretto in typescript and holograph production notes.

On microfilm: MUSIC 1906, Item 50.

 61/30.2 "No. 1 - Choral overture". 30.2 Ms. Choral score with orchestral indications; 12 leaves; 37 cm.

Note: Holograph in ink on transparent paper.

 61/30.3 [The second hurricane] : excerpts from the opera. 30.3 Ms. (ozalid). Piano-vocal score (incomplete); various paginations; 38.5-40.5 cm.

Laid in: untitled copy of manuscript with markings in ink.

 61/30.4 [The second hurricane]. 30.4 Ms. Sketches; 133 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 48.

 61/30 misc [The second hurricane]. 30 misc Mss. Miscellaneous pages from the opera; unpaged; various sizes.

Note: Holographs in ink with markings in pencil.

 14/30a The second hurricane : a play opera in two acts / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1939]. 30a Full score; 216 p.

c1939 by C.C. Birchard & Co.

 14/30-A "2d hurricane" : [Gyp's song]. 30-A Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm.

Note: Manuscript in ink, hand unknown.

 14/30-Aa The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1938]. 30-Aa Vocal score with piano accompaniment; X, 112 p.

c1938 by C.C. Birchard & Co.

Note: Contains holograph markings in pencil.

On page IV: From the original program world premiere; April 21, 22, 24, 1937.

 14/30-Ab The second hurricane : a play opera for high school performance / libretto by Edwin Denby. New York: Boosey & Hawkes, [1957]. 30-Ab Vocal score with piano accompaniment; [8], 112 p.

c1938 by C.C. Birchard & Co.; assigned to Boosey & Hawkes in 1957.

Plt.: B.H.Bk. 396.

Note: Contains holograph markings in pencil.

 14/30-Ba "That's the idea of freedom" / words by Edwin Denby. Boston: C. C. Birchard & Co., [ca. 1938]. 30-Ba Vocal score (SATB) with piano accompaniment; 8 p. (3 copies).

c1938 by C.C. Birchard & Co.

Plt.: 2034.

Ser. ed.: Gardner Read.

Ser. title: Birchard-Boston University Contemporary Music Series, No. 751.

Note: Copy 1 contains holograph markings in pencil.

This piece is from No. 10, "The Finale" of The second hurricane; Copy 2 and 3 are reissues.

 31) Music for radio (Prairie journal) ; Saga of the prairie [orchestra] 62/31 Music for radio : commissioned by the Columbia Broadcasting System. 31 Ms. Full score; 84 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

At end: May-July 1937; New York, Hollywood, Mexico.

Music for radio (also called "Saga of the prairie") was actually commissioned in 1936 by CBS (Columbia Broadcasting System).

On microfilm: MUSIC 1906, Item 31 A.

 62/31.1 [Music for radio : commissioned by the Columbia Broadcasting System]. 31.1 Ms. (ozalid). Full score; 84 p.; 38.5 cm.

Note: Copy of manuscript ARCO 31, with holograph markings in pencil and ink throughout.

 62/31.2 Music for radio. 31.2 Ms. Piano sketch; 24 p.; 33.5 cm.

Note: Holograph in ink with markings in pencil.

On title page: Piano sketch (for study only).

Included with this item is an incomplete photostat copy of the piano sketch with holograph markings in pencil.

On microfilm: MUSIC 1906, Item 31 A.

 62/31.3 Music for radio. 31.3 Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm.

Note: Holograph in pencil.

On title page: "Not quite complete."

On microfilm: MUSIC 1906, Item 31 B.

 62/31.4 Music for radio. 31.4 Ms. Open score, original pencil sketches; 28 p.; 34 cm.

Note: Holograph in pencil.

Laid in: One page typescript list of scores and parts titled "Masters on File at Independent Music Publishers"; contains holograph markings in ink and pencil.

 62/31a Music for radio (Saga of the prairie). London: Hawkes & Son, [1940]. 31a Full score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound).

c1940 by Hawkes & Son.

Plt.: B. & H. 8309.

Duration: 12.5 min.

Laid in Copy 1: One page penciled holograph "Note" about this commissioned work and a two page typescript of the same note with holograph additions in pencil (i.e. instrumentation, duration, etc.) throughout.

Laid in copy 2: Three pages of holograph orchestral changes in pencil.

 62/31b "Prairie journal". London: Boosey & Hawkes, [1967]. 31b Full score; 59 p. (3 copies).

c1940 by Aaron Copland; renewed 1967.

Plt.: B. & H. 19642.

Ser. title: Youth Orchestra Series.

 32) Sextet [chamber work] 15/32 Sextet : for string quartet, clarinet and piano. 32 Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm.

Note: Holograph in ink.

At end: Tlaxcala; Aug. 7-Sept. 25, 1937.

Sextet is Short symphony arranged for chamber orchestra.

On microfilm: MUSIC 1906, Item 64.

 15/32.1 Sextet : for string quartet, piano and clarinet. 32.1 Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35 cm.

Note: Copy of manuscript score ARCO 32, with holograph markings in ink and pencil.

At end: Tlaxcala; Aug. 7-Sept. 25, 1937.

 15/32.2 Sextet. 32.2 Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.; 33.5 cm.

Note: Holograph in ink with holograph markings in pencil.

 15/32a Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]. 32a Piano score; 45 p.

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 6235.

Note: Holograph markings in pencil throughout.

 15/32aa Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]. 32aa Orchestral parts (2 sets).

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16353.

Note: Holograph note in pencil at head of one clarinet part.

Published with piano score ARCO 32a.

 15/32b Sextet : for string quartet, clarinet and piano. London: Boosey & Hawkes, [1948]. 32b Full score (miniature); 45 p.

c1948 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16235.

 33) Billy the kid [ballet] 63/33 Billy the kid. 33 Ms. Full score; 169 leaves; 44 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38].

Laid in: Typescript of movie continuity, titled "Ballad of Billy the Kid."

On microfilm: MUSIC 1906, Item 72.

 63/33.1 Billy the kid : complete ballet. 33.1 Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound).

Note: Copy of manuscript score [ARCO 33], with holograph markings in pencil.

At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38].

Laid in: Three holograph leaves (ink, pencil, and typescript) indicating cuts in the ballet score (in folder).

 63/33.2 Billy the kid. 33.2 Ms. Piano sketches; 64 p.; 34-36 cm.

Note: Holographs in pencil and ink.

On microfilm: MUSIC 1906, Item 72.

 33-A) Billy the kid : ballet suite [orchestra] 16/33-Aa Billy the kid : ballet suite. New York: Boosey & Hawkes, [1941]. 33-Aa Full score; 94 p. (bound).

c1941 in U.S.A. by Hawkes & Son (London).

Note: Holograph markings in pencil throughout.

Duration: about 20 min.

 16/33-Ab Billy the kid : ballet suite. London: Hawkes & Son, [1941]. 33-Ab Full score; 94 p. (2 copies).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 16725.

Note: Copy 1 contains holograph markings in pencil throughout; Copy 2 contains holograph and other markings in pencil throughout.

Duration: Approx. 20 min.

 16/33-Ac Billy the kid : ballet suite. London: Boosey & Hawkes, [1941]. 33-Ac Full score (miniature); 94 p. (2 copies).

c1941 by Hawkes & Son (London).

Plt.: B. & H. 16725.

Ser. title: Hawkes Pocket Scores, No. 72.

Note: Copy 1 has holograph markings in pencil throughout; Copy 2 contains holograph markings in pencil and ink and corrections throughout.

Duration: about 20 min.

 33-B) Billy the kid [two pianos] 63/33-B Billy the kid. 33-B Ms. Score for two pianos; 63 leaves; 38 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

At end: Finis July-Sept., 1938; Paris, New York, Peterboro, N.H.

 63/33-B.1 Billy the kid. 33-B.1 Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm.

Note: Copy of manuscript score for two pianos ARCO 33-B, with holograph changes in pencil.

At end: Finis July - Sept., 1938; Paris, New York, Peterboro.

Complete score used to produce published excerpts for two pianos.

 16/33-Ba Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1946]. 33-Ba Score for two pianos -- four hands; 34 p. (2 parts in one folder).

c1946 in U.S.A. by Hawkes & Son (London).

Plt.: H. 15712.

Ser. title: Boosey & Hawkes Two Piano Series.

 33-C) Billy the kid [piano solo] 16/33-Ca Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1944]. 33-Ca Piano solo; 20 p.

c1944 by Hawkes & Son (London).

Plt.: By.Pa.No. 56.

 33-D) "Waltz": from Billy the kid [band] 16/33-Da "Waltz" : Billy the kid. New York: Boosey & Hawkes, [1944]. 33-Da Conductor score and parts.

c1944 by Hawkes & Son (London).

Plt.: H.St.Bd.No.32.

 33-E) "Celebration": from Billy the kid [band] 16/33-Ea "Celebration" : from Billy the kid. New York: Boosey & Hawkes, [1945]. 33-Ea Conductor score and parts.

c1945 by Hawkes & Son (London).

Plt.: H.St.Bd.No.33.

Note: Contains holograph markings in pencil throughout.

 33-F) Billy the kid [small orchestra] 63/33-F Billy the kid : small orchestra version. 33-F Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm.

Note: Part holograph and part copyist's manuscript in ink on transparent paper with holograph markings in pencil throughout.

At head: For ballet performance only.

Laid in: Typescript of outline of camera cues; 10 p., titled "The Ballad of Billy the Kid."

 16/33-Fa "Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]. 33-Fa Full score; 24 p.

c1946 by Boosey & Hawkes.

Plt.: O.S.1002 A and O.S.1002 B.

 16/33-Faa "Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]. 33-Faa Orchestral parts.

c1946 in U.S.A. by Boosey & Hawkes.

Plt.: O.S.1002 A and O.S.1002 B.

 33-G) Billy the kid [violin & piano] 63/33-G "Waltz" and "Celebration" : from Billy the kid. 33-G Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm.

Note: Holograph in ink on transparent paper.

At end: Arranged March 13, '49.

 63/33-G.1 "Waltz" and "Celebration" : from Billy the kid. 33-G.1 Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm.

Note: Copy of manuscript score and part ARCO 33-G, with holograph markings in ink throughout.

 16/33-Ga "Waltz" and "Celebration" : from Billy the kid. S.l.: Boosey & Hawkes, [1950]. 33-Ga Score for violin and piano, and violin part; 10 + 4.

c1950 by Boosey & Hawkes.

Plt.: Waltz 4 and Waltz 10.

Note: Holograph markings in pencil throughout score.

 33-H) Billy the kid [cello & piano] 63/33-H "Waltz" and "Celebration" : from Billy the kid. 33-H Ms. Cello part; 5 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper.

 63/33-H.1 "Waltz" and "Celebration" : from Billy the kid. 33-H.1 Ms. (ozalid). Cello part; 5 p.; 36 cm.

Note: Copy of holograph cello part ARCO 33-H, with holograph markings in pencil throughout.

 16/33-Ha "Waltz" and "Celebration" : from Billy the kid. London: Boosey & Hawkes, [1952]. 33-Ha Piano score and cello part; 11 + 5 p.

c1952 by Boosey & Hawkes.

Plt.: B. & H. 17210.

 33-J) Billy the kid [orchestra] 16/33-Ja Waltz from Billy the kid : [arranged] for youth orchestra (1956). New York: Boosey & Hawkes, [1957]. 33-Ja Full score, condensed score and parts.

c1957 by Boosey & Hawkes.

Plt.: D.E. 99.

Domestic Edition.

 34) An outdoor overture [orchestra] 64/34 An outdoor overture : for school performance. 34 Ms. Piano sketch; 26 p.; 37 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 35 A.

 64/34.1 "Signature for the high-low concerts". 34.1 Ms. (photocopy). Full score; 6 p.; 34 cm.

Note: Copy of holograph score.

Laid in: Photocopies of the two High-Low Concerts programs.

Prior to this work becoming what is now known as An outdoor overture, it was used as the "Signature" for a planned concert series (founded by Vernon Duke) known as the High-Low Concerts, which took place in 1938. There were only two concert performances however. The original manuscript of the "Signature" is filed in the Vernon Duke Collection in the Library of Congress Music Division.

 64/34a An outdoor overture. London: Hawkes & Son, [1940]. 34a Full score; 44 p. (bound).

c1940 in U.S.A. by Hawkes & Son.

Plt.: B. & H. 8394.

Note: Holograph markings in pencil throughout.

At head: Written specially for and dedicated to the High School of Music and Art in New York.

Duration: 9.5 min.

 64/34b An outdoor overture. London: Boosey & Hawkes, [1940]. 34b Full score (miniature); 44 p.

c1940 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 8394.

Ser. title: Hawkes Pocket Scores, No. 676.

 64/34c An outdoor overture. New York: Boosey & Hawkes, n.d. 34c Full score; 44 p.

c1940 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 8394.

Note: Holograph markings in pencil throughout.

Duration: 9.5 min.

 34-A) An outdoor overture [band] 64/34-A An outdoor overture. 34-A Ms. Band score; 52 p.; 42 cm.

Note: Holograph in ink.

On microfilm: MUSIC 1906, Item 35 B.

 64/34-A.1 An outdoor overture : arranged for band by the composer. 34-A.1 Ms. Band score (incomplete); 20 p.; 42 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 35 B.

 64/34-Aa An outdoor overture. New York: Boosey & Hawkes, [1948]. 34-Aa Full score; 35 p.

c1948 by Hawkes & Son (London).

Plt.: B. & H. 16234.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 157.

Note: Holograph markings in pencil throughout.

Duration: Approx. 9.5 min.

 35) Lark [chorus] 64/35 Lark. 35 Ms. Score for mixed voices (SATB); 8 leaves; 38 cm.

Note: Holograph in ink with holograph markings in pencil.

English text. Words by Genevieve Taggard.

On microfilm: MUSIC 1906, Item 27.

 64/35.1 Lark. 35.1 Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm.

Note: Holograph in pencil and ink.

English text.

Laid in: Typescript of words by Genevieve Taggard.

On microfilm: MUSIC 1906, Item 27.

 64/35a Lark : four-part chorus / for mixed voices (divisi) / with baritone solo (a cappella). [Boston]: E. C. Schirmer Music Co., [1941]. 35a Score for mixed voices (SATB); (2 copies).

c1941 by E.C. Schirmer Music Co.

Plt.: E.C.S. No. 1275.

Ser. title: E.C.S. Choral Music, No. 1794.

English text. Words by Genevieve Taggard.

Both copies contain holograph markings in pencil throughout.

 36) The quiet city [incidental music] 64/36 The quiet city : for clarinet, saxophone, trumpet, and piano. 36 Ms. Full score; 29 p.; 34.5 cm.

Note: Holograph in ink and pencil.

At end: April 1939.

Music composed for Irwin Shaw's play "Quiet City."

On microfilm: MUSIC 1906, Item 43.

 64/36.1 The quiet city : for clarinet, saxophone, trumpet, and piano. 36.1 Ms. (photocopy). Full score; 29 leaves; 36 cm.

Note: Copy of manuscript score ARCO 36.

At end: April 1939.

 64/36.2 The quiet city. 36.2 Ms. Rough piano sketch; 20 p.; 34.5 cm.

Note: Holograph in pencil.

Laid in: 2 page holograph in pencil titled "Music Cues - Quiet City."

On microfilm: MUSIC 1906, Item 43.

 64/36.3 Quiet city. 36.3 Mss. Instrumental parts; 32 cm.

Note: Holographs in ink and pencil.

On microfilm: MUSIC 1906, Item 43.

 37) Five kings [incidental music] 64/37 Five kings. 37 Ms. Condensed score sketch; 41 p.; 33.5 cm.

Note: Holograph in pencil.

Incidental music for a play based on Shakespeare's plays; this work not published.

On microfilm: MUSIC 1906, Item 76.

 64/37.1 Five kings. 37.1 Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm.

Note: Copy of manuscript ARCO 37.

Laid in: Letter to Professor Perlis from playwright Richard France dated June 18; an article on Mr. France in the periodical Twentieth Century American Dramatists (1981); two pages of typescript from the play Five kings.

 38) The city [incidental music] 65/38 The city : music for the documentary film. 38 Ms. Full score; 166 p.; 34.5 cm.

Note: Holograph in pencil.

On title page: Orchestration by Aaron Copland; score written out by Henry Brant.

 65/38.1 The city : film music. 38.1 Ms. Piano-conductor score; 34 leaves; 30-43 cm.

Note: Holograph in ink, with additions and corrections in pencil, on transparent paper.

At end: Finis March 1939.

On microfilm: MUSIC 1906, Item 7 A.

 65/38.2 The city : film music. 38.2 Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound).

Note: Copy of manuscript score ARCO 38.1, with holograph additions and corrections in pencil throughout; includes additional pages.

 65/38.3 The city : film music. 38.3 Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm.

Note: Holographs in pencil.

Laid in: Typescript of "Detailed outline of allocation of sound in 'The City'."

On microfilm: MUSIC 1906, Item 7 B.

 17/38.4 The city. 38.4 Mss. Instrumental parts.

Note: Holographs in ink and pencil; includes reproductions of original manuscripts.

 39) From sorcery to science [incidental music] 65/39 From sorcery to science : excerpt from the puppet show. 39 Ms. Full score; 16 leaves; 38.5-45 cm.

Note: Copyist's manuscripts in ink.

At head: Not to be published as is - A.C.

 65/39.1 "The medicine chest" : from Sorcery to science / a puppet play. 39.1 Ms. Orchestral sketches; unnumbered; 34.5 cm.

Note: Holograph in pencil.

On title page: May 4-8, 1939; Not to be used -- A.C.

 17/39.2 From sorcery to science : puppet show. 39.2 Mss. Instrumental parts.

Note: Copyist's manuscripts in ink and pencil, and ozalids.

 40) Of mice and men [incidental music] 100/40 Of mice and men. 40 Ms. Open score; 72 leaves; 48.5 x 30 cm.

Note: Holograph in pencil.

Incidental music for the film based on the novel by John Steinbeck.

 100/40.1 Of mice and men. 40.1 Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm.

Note: Holograph in pencil.

 100/40.2 Of mice and men. 40.2 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.

Note: Mimeograph copy of manuscript score with holograph markings in pencil throughout.

 100/40.3 Of mice and men. 40.3 Ms. (mimeograph). Conductor score; various paginations; 31.5 cm. (bound).

Note: Mimeograph of manuscript score with holograph markings in pencil throughout.

 100/40.4 "Threshing machine sequence". 40.4 Ms. Rough sketches; 6 p.; 32 cm.

Note: Holograph in pencil.

At head: Music for Movies.

At end: Dec. 18, '42.

 113/40.5 Of mice and men. 40.5 Ms. Full score, divided into section (cues); various paginations; various sizes.

Note: Manuscript in pencil.

Incidental music for the film based on the novel by John Steinbeck.

 100/40 misc Of mice and men. 40 misc Mss. Miscellaneous pages from the film production: including music cue sheets (in typescript), timing indications, and penciled notes.

Note: Holographs in pencil and typescripts.

 41) Our town [incidental music] 66/41 Our town : complete film music. 41 Ms. Full score; various paginations; 47 cm.

Note: Holograph in pencil.

First performed by Howard Barlow and the Columbia Broadcasting Symphony.

 66/41.1 Our town. 41.1 Ms. Full score; various paginations; 47 cm.

Note: Holograph in pencil.

This version extracted from the complete film score.

 18/41.2 Our town. 41.2 Ms. (mimeograph). Conductor score; various paginations; 32 cm. (3 copies, Copy 1 bound).

Note: Mimeograph copies with holograph markings in pencil throughout.

Laid in Copy 2: Holograph in ink of "The Crisis", an excerpt from the suite.

 18/41.3 Our town. 41.3 Ms. Orchestral sketches: unnumbered; various sizes.

Note: Holographs in pencil.

 18/41.4 Our town : music from the film score. 41.4 Copy of manuscript in the hand of Julia Smith. Orchestral sketch; 5 leaves; 36.5 cm.

Note: Copy of holograph. Stamped in red: U of NT [University of North Texas] Music Library.

 19/1-20/41.5 Our town. 1-20/41.5 Mss. Orchestral parts and conductor scores; various paginations; 32 cm.

Note: Copyist's manuscripts in ink and pencil and mimeographs; with markings in ink and pencil throughout.

 18/41 misc Our town. 41 misc Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm.

Note: Holographs in ink and typescript titled "Music Scoring Set-ups for 'Our Town'."

 18/41a Our town : music from the film score. New York: Boosey & Hawkes, [1945]. 41a Full score; 30 p.

c1945 by Boosey & Hawkes.

Plt.: O.T.

Note: Holograph markings in pencil throughout.

Duration: 9 min.

 18/41b Our town : music from the film score. London: Boosey & Hawkes, [1967]. 41b Full score; 24 p. (2 copies).

c1940; 1945 by Aaron Copland; renewed 1967 by Aaron Copland.

Plt.: B. & H. 19741.

Ser. title: Youth Orchestra Series.

Note: Holograph markings in pencil throughout Copy 1.

Duration: approximately 9 min.

 18/41-A "Story of our town" (from the film <emph render="bold">Our Town</emph>). 41-A Ms. Score for violin and piano; 3 p.; 35.5 cm.

Note: Holograph in ink on transparent paper.

 18/41-B III) "The resting place on the hill". 41-B Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm.

Note: Holograph in ink and pencil on transparent paper.

 18/41-Ba Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]. 41-Ba Piano solo; 10 p.

c1945 by Boosey & Hawkes.

Plt.: B. Pa Solo 60-8.

CONTENTS:

I) "Story of our town" II) "Conversation at the soda fountain" III) "The resting-place on the hill" 18/41-Bb Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]. 41-Bb Piano solo; 10 p.

c1945 by Boosey & Hawkes.

Plt.: B. Pa Solo 60-8.

CONTENTS:

I) "Story of our town" II) "Conversation at the soda fountain" III) "The resting-place on the hill" 18/41-Ca "Story of our town" / in Two portraits for two guitars. S.l.: s.n., 1984. 41-Ca Score for two guitars, and parts; 15 + 7 + 7 p. (spiral bound).

c[1940]

At end: May 31st, 1984.

Bound with 'Hoe-down' from Rodeo.

Note: Privately published

 42) John Henry [orchestra] 67/42 John Henry. 42 Ms. Full score; 22 p.; 45.5 cm. (bound).

Note: Holograph in pencil.

On title page: This is original version which later was revised in 1952, A.C.

At end: Feb. 25, 1940.

Timing: about 3:35.

On microfilm: MUSIC 1906, Item 81.

 67/42.1 John Henry. 42.1 Ms. (photostat). Full score; 22 p.; 45 cm.

Note: Copy of manuscript ARCO 42.

At end: Feb. 25, 1940.

Timing: about 3:35.

 67/42.2 John Henry. 42.2 Ms. Orchestral sketch; [6] leaves; 30.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 81.

 67/42.3 John Henry. 42.3 Copy of manuscript in the hand of Julia Smith. Orchestral sketch; [4] leaves; 36 cm.

On title page: CBS Commission.

At end: Feb. 25, 1940.

Stamped in red: U of NT [University of North Texas] Music Library.

 42-A) John Henry [orchestra] (revised) 67/42-A John Henry. 42-A Ms. Full score; 20 p.; 34 cm.

Note: Holograph in ink and pencil.

On title page: 1940, revised 1952.

Commissioned by the Columbia Broadcasting Co.

Based on the well-known folk-tune.

Duration: Approx. 3:30.

On microfilm: MUSIC 1906, Item 81.

 67/42-A.1 John Henry. 42-A.1 Ms. Orchestral sketch; 6 p.; 31.5 cm.

Note: Holograph in pencil.

On first page: John Henry (1940), revised (1952).

On microfilm: MUSIC 1906, Item 81.

 67/42-Aa John Henry : based on the folk-tune. London: Boosey & Hawkes, [1953]. 42-Aa Full score; 16 p.

c1953 by Boosey & Hawkes.

Plt.: B & H 17292.

Note: Holograph markings in pencil throughout.

This work was commissioned by the Columbia Broadcasting Company.

Laid in: Holograph note of orchestral changes.

Duration: Approx. 3.5 min.

 67/42-Ab John Henry. [New York]: Boosey & Hawkes, [1953]. 42-Ab Full score (miniature); 16 p.

c1953 by Boosey & Hawkes.

Plt.: B & H 17292.

 42-B) John Henry [youth orchestra] 67/42-Ba John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982. 42-Ba Full score; 16 p. (2 copies).

c1940; revised edition 1953 by Aaron Copland.

Plt.: B. & H. 20534.

Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.

Duration: 3 min.

 67/42-Baa John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982. 42-Baa Orchestral parts (2 sets).

c1940; revised edition 1953 by Aaron Copland.

Plt.: B. & H. 20534.

Ser. title: The HSS300 Series (Hawkes School Series), HSS 304.

Duration: Approx. 3 min.

 43) Quiet city [chamber work] 68/43 Quiet city : for solo trumpet and string orchestra. 43 Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm.

Note: Holograph in ink on transparent paper.

On title page in ink: N.B. - The thematic material is derived from incidental music composed for Irwin Shaw's play Quiet City (1939).

At head (and on title page) in pencil: Original version discarded, without English horn.

At end: Sept. '40, Lenox, New York City.

On microfilm: MUSIC 1906, Item 42.

 68/43.1 Quiet city : for solo trumpet and string orchestra. 43.1 Ms. Trumpet part; 3 leaves; 33.5 cm.

Note: Holograph in ink on transparent paper.

On microfilm: MUSIC 1906, Item 42.

 68/43.2 Quiet city : for trumpet solo and string orchestra. 43.2 Ms. Pencil sketch; 22 p.; 31.5 cm.

Note: Holograph in pencil.

 68/43.3 The quiet city : for solo trumpet and string orchestra. 43.3 Ms. Preliminary sketches; 22 p.; various sizes.

Note: Holographs in pencil.

On microfilm: MUSIC 1906, Item 42.

 43) Quiet city [arrangements] 68/43.4 Quiet city New York: Boosey & Hawkes, 1988. 43.4 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.

c1941 by Hawkes & Son (London); this version copyright 1988.

On title page: For Wynton Marsalis.

At end: Sept. 1940 Lenox MA; NYC, orch. March, 1988 Roch. NY.

Laid in: Letter to Ms. Sylvia Goldstein (of Boosey & Hawkes) from Donald Hunsberger (conductor of Eastman School of Music Wind Ensemble) dated June 8, 1988.

 68/43.5 Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88. New York: Boosey & Hawkes, 1988. 43.5 Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.

c1941 by Hawkes & Son (London); this version copyright 1988.

Note: Copy of manuscript score ARCO 43.4.

On title page: For Wynton Marsalis.

At end: Sept. 1940 Lenox MA; NYC, orch. March 1988, Roch. NY.

 68/43.6 Quiet city : for strings, trumpet and English horn (or oboe). 43.6 Copy of manuscript in the hand of Julia Smith. Condensed score and solo part; 8 leaves; 36.5 cm.

At head: To Ralph Hawkes.

Stamped in red: U of NT [University of North Texas] Music Library.

Includes row for Piano quartet.

 68/43a Quiet city : for strings, trumpet, and English horn (or oboe). New York: Boosey & Hawkes, [1941]. 43a Score for strings, trumpet, and English horn (or oboe); 15 p. (2 copies, Copy 2 bound).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: Q.C. 1-14.

Note: Holograph markings in pencil throughout both copies.

At end: Sept. '40 Lenox, Mass. N.Y.C.

 68/43aa Quiet city. London: Boosey & Hawkes, [1941]. 43aa Orchestral parts.

c1941 by Hawkes & Son.

Note: Holograph markings in pencil throughout.

English horn part missing. English horn part not included.

 68/43b Quiet city : for strings, trumpet and English horn (or oboe). London: Boosey & Hawkes, [1941]. 43b Full score (miniature); 15 p. (2 copies).

c1941 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 18805.

Ser. title: Hawkes Pocket Scores, No. 726.

At end: Sept. '40 Lenox, Mass., N.Y.C.

 44) Piano sonata [piano work] 68/44 Piano sonata. 44 Ms. Piano solo; 32 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: Santiago de Chile, Sept. 25, '41.

On microfilm: MUSIC 1906, Item 53.

 68/44.1 Piano sonata. 44.1 Ms. (ozalid). Piano solo; 32 p.; 35 cm.

Note: Copy of manuscript ARCO 44, with holograph and other markings in pencil.

At end: Santiago de Chile, Sept. 25, '41.

 68/44.2 Piano sonata. 44.2 Ms. Sketch for piano solo; 128 p.; various sizes.

Note: Holographs in ink and pencil.

On microfilm: MUSIC 1906, Item 53.

 68/44.3 Piano sonata. London: Hawkes & Son, [1942]. 44.3 Publisher's proof. Piano solo; 28 leaves

c1942 by Hawkes & Son.

Plt.: B. Pa. Solo 27.

Note: Publisher's proof with holograph markings in pencil throughout.

 68/44a Piano sonata. New York: Boosey & Hawkes, [1958]. 44a Piano solo; 27 p.

c1942 by Boosey & Hawkes.

Plt.: B. Pa. Solo 27.

 44-A) Piano sonata (for band) 68/44-A Piano sonata (arranged for band). 44-A Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm.

Note: Copyist's manuscript with holograph note in pencil: Piano Sonata - Arranged for band by Barney Childs (c/o Wisconsin College Conservatory).

Laid in: Concert program for Pro Musica Nova presented by WCC at Vogel Hall in Milwaukee, WI on Jan. 31, 1977.

 45) Episode : improvisation for organ [organ solo] 68/45 Episode. 45 Ms. Organ solo; 7 p.; 32 cm.

Note: Holograph in ink with markings in ink and pencil throughout.

On title page: 'Improvisation' for Organ by Aaron Copland, scratched out.

At end: Aug. 20, '40, scratched out.

On microfilm: MUSIC 1906, Item 20.

 68/45.1 [Episode]. 45.1 Ms. Organ solo; 6 p. 30.5 cm.

Note: Holograph in pencil with pencil markings in unknown hand.

On microfilm: MUSIC 1906, Item 19.

 68/45.2 Episode : Improvisation for organ. 45.2 Ms. Sketch for organ solo; 3 p.; 30.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 19.

 68/45a Episode. New York: H.W. Gray Co., [1941]. 45a Organ solo; 4 p.

c1941 by The H.W. Gray Co.

Plt.: C.O.S. No. 7,-(4).

Ser. ed.: William Strickland.

Ser. title: Contemporary Organ Series, No. 7.

At end: August 20, 1940.

 46) Lincoln portrait [speaker & orchestra] 69/46 Lincoln portrait : for speaker and orchestra. 46 Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound).

Note: Copy of manuscript orchestral score with holograph and other markings in pencil throughout.

English text.

At end: New York, Feb.-April, 1942.

 69/46.1 Lincoln portrait : for speaker and orchestra. 46.1 Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound).

Note: Copied from the same manuscript score as ARCO 46, with holograph markings in ink and pencil.

English text.

On title page: To Andre Kostelanetz.

At end: New York, Feb.-April, 1942.

 69/46.2 Lincoln portrait. 46.2 Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies).

Note: Copy of manuscript orchestral score.

Note: Copy 1 untitled and has holograph markings in pencil throughout; Copy 2 has holograph markings in ink.

English text.

 69/46.3 [Lincoln portrait]. 46.3 Ms. Piano sketch with text (incomplete); 18 leaves; various sizes.

Note: Holograph in ink with markings in pencil on transparent paper.

English and Spanish text.

Pages 1 and 10 missing.

At end: New York, Feb.-April, 1942.

 69/46.4 A Lincoln portrait : for speaker and orchestra. 46.4 Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm.

Note: Copy of manuscript ARCO 46.3.

English and Spanish text.

At end: New York, Feb.-April, 1942.

 21/46a Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]. 46a Full score with text; 44 p. (bound).

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P.-44.

Note: Holograph pencil and ink markings throughout.

English text.

Laid in: one page note, partially holographic, in ink and pencil.

Performing time: 14 min.

 21/46b Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]. 46b Full score (miniature) with text; 44 p.; 18.5 cm.

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P.-44.

Ser. title: Hawkes Pocket Scores, No. 61.

English text.

Performing time: 14 min.

 21/46c Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943?]. 46c Full score with text; 44 p.; 30.5 cm.

c1943 in U.S.A. by Hawkes & Son (London).

Plt.: L.P. -44.

Note: Holograph markings in pencil throughout.

English text.

 21/46d Lincoln portrait : for narrator and orchestra. [New York]: Boosey & Hawkes, [1967?]. 46d Full score with text; 44 p.

c1943 by Aaron Copland.

Plt.: L.P.-44.

English text.

 21/46na Lincoln portrait. New York: Boosey & Hawkes, [1943]. 46na Score for narrator; 12 p. (4 copies).

c1943 by Aaron Copland.

Plt.: BH.BK. 499.

English text.

 46-A) Lincoln portrait [speaker & band] 21/46-Aa Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Aa Band score (full to symphonic); 40 p. (4 copies).

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

Copies 1 through 3 have holograph markings in pencil throughout.

 21/46-Aaa Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Aaa Parts for band (full to symphonic).

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

 21/46-Ab Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Ab Conductor score for band; 16 p.

c1943 by Hawkes & Son (London); this arrangement copyright 1951 by Hawkes & Son.

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

 21/46-Ac Lincoln portrait. New York: Boosey & Hawkes, [1951]. 46-Ac Conductor score for band (miniature); 16 p.

c1951 by Hawkes & Son (London).

Plt.: B. & H. 17004.

Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176.

English text.

 21/46-C Lincoln portrait [New York]: [Boosey & Hawkes], [1943]. 46-C Score for narrator; 2 + 9 p. (pp. 4-12).

c1943 by Aaron Copland.

Plt.: BH.BK. 499.

Note: Published score with holograph text in pencil.

On front cover: Words arranged for Virgil Thomson's 75th Birthday, Hotel Plaza - Nov. 1971.

Includes two pages of text in typescript and pencil.

 47) Rodeo [ballet] 70/47 Rodeo. 47 Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm.

Note: Holograph in ink on transparent paper with holograph marking in pencil.

Sections missing: "Corral nocturne", "Ranch house party" and "Hoe-down".

Laid in: Two page list of instrumentation.

On microfilm: MUSIC 1906, Item 46 B.

 70/47.1 Rodeo. 47.1 Ms. Rough sketches; 74 p.; 31.5 cm.

Note: Holograph in pencil.

At end: June - 1, July -10, '42. Stockbridge, Mass.

On microfilm: MUSIC 1906, Item 46 A.

 70/47.2 Rodeo. 47.2 Ms. Early sketches; 32 p.; 32.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 46 A.

 70/47.3 Rodeo. 47.3 Ms. Orchestral insert; 27 leaves; 38 cm.

Note: Copyist's manuscript in ink with holograph markings in ink and pencil on transparent paper.

Laid in: One page typescript titled "CONCERNING COMPLETE BALLET VERSION OF RODEO."

 70/47.4 Rodeo. 47.4 Mss. String parts insert; various paginations; various sizes.

Note: Copyist's manuscripts in ink.

At head: Insert #2.

 70/47.5 Rodeo. 47.5 Mss. String parts insert; various paginations; 32 cm.

Note: Copyist's manuscripts in ink.

At head: Insert #5.

 70/47.6 Rodeo. 47.6 Mss. String parts insert; various paginations; 32 cm.

Note: Copyist's manuscripts in ink.

At head: Insert #8.

 70/47.7 "Saturday night waltz" (Mvt. III). 47.7 Ms. Bassoon II part; 1 leaf; 31.5 cm.

Note: Holograph in ink.

 70/47a "Four dance episodes". New York: Boosey & Hawkes, [1946]. 47a Full score; 96 p. (2 copies, Copy 1 bound).

c1945-46 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9037, 8895, 9036, 8896.

Note: Holograph markings in pencil throughout both copies.

Duration: 18 min.

 70/47b "Four dance episodes". London: Boosey & Hawkes, [1946]. 47b Full score (miniature); 96 p.

c1945-46 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9037, 8895, 9036, 8896.

Ser. title: Hawkes Pocket Scores, No. 684.

 70/47c, No. I "Buckaroo holiday". New York: Boosey & Hawkes, 1960. 47c, No. I Full score; 52 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960. [47c, No. 1].

Plt.: B. & H. 9037.

Note: Holograph markings in pencil throughout.

Duration: 7 min.

 70/47c, No. II "Corral nocturne". New York: Boosey & Hawkes, 1960. 47c, No. II Full score; 10 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 8895.

Note: Holograph pencil markings throughout.

Duration: 3.5 min.

 70/47c, No. III "Saturday night dance". New York: Boosey & Hawkes, 1960. 47c, No. III Full score; 12 p.

c1945 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 9036.

Note: Holograph markings in pencil throughout.

Duration: 4 min.

 70/47c, No. IV "Hoe-down". New York: Boosey & Hawkes, 1960. 47c, No. IV Full score; 30 p.

c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960.

Plt.: B. & H. 8896.

Note: Holograph markings in pencil throughout.

Duration: 3.5 min.

 47-A) Rodeo [piano solo] 70/47-A Rodeo : ballet in one act. 47-A Ms. Piano solo; [45] leaves; various sizes.

Note: Holograph in ink on transparent paper.

On title page: Complete ballet arranged for piano by the composer.

At bottom of title page: M.B. - Reprint not from orchestral score.

At end: Rockbridge, Mass., June-July '42.

 70/47-A.1 Rodeo : complete ballet. 47-A.1 Ms. (ozalid). Piano sketch; 37 p.; 34 cm.

Note: Copy of composer's holograph piano solo arrangement.

On title page: "Four Dance Episodes" is scratched out.

At end: June-July '42.

 70/47-A.2 [Rodeo : complete ballet.] 47-A.2 Mss. Fragments from piano solo arrangement; 6 leaves; various sizes.

Note: Holographs in ink.

 70/47-Aa Rodeo : four dance episodes / arranged for piano solo by the composer. London: Boosey & Hawkes, [1962]. 47-Aa Piano solo; 36 p.

c1946; piano solo arrangement copyright 1962 by the composer.

Plt.: B. & H. 18925.

 47-B) Rodeo [string quartet] 70/47-B "Hoe-down" / arranged for string quartet. 47-B Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound). 47-C) Rodeo [string orchestra] 70/47-Ca "Hoe-down" / arranged for string orchestra by the composer. [New York]: Boosey & Hawkes, [1945]. 47-Ca Score for string orchestra; 19 p.

c1945 by Boosey & Hawkes.

Note: Reproduced from the composer's original manuscript.

Holograph markings in pencil throughout.

 70/47-Caa "Hoe-down" / arranged for string orchestra. [New York]: Boosey & Hawkes, [1945]. 47-Caa String and piano parts.

c1945 by Boosey & Hawkes.

Note: Reproduced from manuscripts.

Ser. title: Boosey & Hawkes Pops Series.

 47-D) Rodeo [violin & piano] 70/47-D "Hoe-down" / arranged for violin and piano by the composer. 47-D Ms. Score for violin and piano; 8 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

In pencil at bottom of first leaf: BSI # 42; copyright 1946 Boosey & Hawkes Inc.

 70/47-Da "Hoe-down" / arranged for violin and piano by the composer - 1945. [New York]: Boosey & Hawkes, [1946]. 47-Da Score for violin and piano, and violin part; 8 + 4 p.

c1946 by Boosey & Hawkes.

Plt.: BSI 42 - 12.

 47-E) Rodeo [two pianos] 70/47-Ea "Hoe-down" and "Saturday night waltz" / arranged for two pianos, four hands. [New York]: Boosey & Hawkes, [1950]. 47-Ea Score for two pianos, four hands; 16 p. (2 parts in one folder).

c1949/50 in U.S.A. by Boosey & Hawkes.

Plt.: Hoe-down 10, Saturday night 6.

 48) Las agachadas [chorus] 71/48 Las agachadas. 48 Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm.

Note: Holograph in ink on transparent paper.

Spanish text.

At end: N.Y.C. Feb. 9, '42.

On microfilm: MUSIC 1906, Item 83.

 71/48.1 Las agachadas. 48.1 Ms. Rough sketch; 8 p.; 32 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 83.

 71/48a Las agachadas. S.l.: s.n., n.d. 48a Score for mixed chorus (SSAATTB); 14 p. (2 copies).

c[1942]

Plt.: Las-A.

Spanish text.

Holograph markings in pencil throughout Copy 1.

On title page: Based on melody No. 202 in Kurt Schindler's folk-song collection of "Folk music and poetry of Spain and Portugal."

Note: Privately published mimeograph

 71/48b Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [1942]. 48b Score for solo group and eight-part mixed chorus; 24 p. (3 copies).

c1942 by Hawkes & Son (London).

Plt.: B.H.Bk. 88.

Spanish and English text.

All copies have holograph markings in pencil throughout.

At bottom of page 2: Based on melody No. 202 in Kurt Schindler's collection: "Folk music and poetry of Spain and Portugal."

 71/48c Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [194-?]. 48c Score for solo group and eight-part mixed chorus; 24 p.

c1942 by Hawkes & Son (London).

Plt.: B.H.Bk. 88.

Spanish and English text.

Contains some holograph markings in pencil.

Although this item is identical to ARCO 48b, it is an apparent later edition based on the availability (cost) of the item.

 49) Music for movies [orchestra] 71/49 Music for movies. 49 Ms. (ozalid). Full score; 102 p.; 39.5 cm.

Note: Copy of manuscript score with holograph and other markings in pencil and ink throughout.

At bottom of the first page of each section: various copyright notices.

Laid in: One leaf of orchestral notes.

At end: Dec. 19, '42 Oakland, New Jersey.

CONTENTS:

I) "New England countryside" (from The city) II) "Barley wagons" (from Of mice and men) III) "Sunday traffic" (from The city) IV) "Grovers Corners" (from Our town) V) "Threshing machine" (from Of mice and men) 71/49.1 Music for movies. 49.1 Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm.

Note: Copy of manuscript in the hand of Julia Smith.

At end: Dec. 19, '42 Oakland.

Stamped in red: University of North Texas (U of NT) Music Library.

 71/49.2 "The city". 49.2 Ms. Short sketch; [5] p.; 31.5 cm.

Note: Holograph in pencil.

 71/49.3 "Sunday traffic". 49.3 Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm. 71/49a Music for movies. London: Boosey & Hawkes, [1970]. 49a Full score; 97 p. (2 copies).

c1956, 1970 by Aaron Copland.

Plt.: B. & H. 19748.

Both copies have Holograph markings in pencil throughout.

 50) Danzón Cubano [two pianos] 72/50 Danzón Cubano. 50 Ms. Score for two pianos -- four hands; 23 lvs; 35 cm.

Note: Holograph in ink on transparent paper.

At end: Oakland, N.J. Dec. 6, '42.

Composed especially for the twentieth anniversary of the League of Composers.

On microfilm: MUSIC 1906, Item 17 B.

 72/50.1 Danzón Cubano. 50.1 Ms. Original piano sketches; 42 p.; 31.5 cm.

Note: Holograph in pencil.

Laid in: Unidentified sketch on hotel paper (page 42).

On microfilm: MUSIC 1906, Item 17 B.

 72/50a Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. Lynbrook, N.Y.: Boosey & Hawkes, [1943]. 50a Score for two pianos -- four hands; 20 p. (2 parts in one folder).

c1943 in U.S.A. by Hawkes & Son (london).

Plt.: H. 15550.

Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. 37.

Note: Both parts contain holograph markings in pencil.

 72/50b Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. New York: Boosey & Hawkes, [1943]. 50b Score for two pianos -- four hands; 20 p. (2 parts in one folder).

c1943 by Aaron Copland.

Plt.: H. 15550.

Note: Contains holograph markings in pencil.

 72/50c Danzón Cubano : composed especially for the twentieth anniversary of the League of Composers / for two pianos, four hands. London: Hawkes & Son, [1943]. 50c Score for two pianos, four hands; 20 p. (2 folders - 2 scores in each folder).

c1943 by Hawkes & Son (London).

Plt.: H. 15550.

 50-A) Danzón Cubano [orchestra] 72/50-A Danzón Cubano. 50-A Ms. Full score; 56 leaves; 38.5 cm.

Note: Holograph in ink on transparent paper.

Originally composed for two pianos, the Danzón Cubano in its orchestral form was first performed by the Baltimore Symphony Orchestra, under the conductorship of Reginald Stewart, on February 17, 1946.

On microfilm: MUSIC 1906, Item 17 A.

 72/50-A.1 Danzón Cubano. 50-A.1 Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound).

Note: Copy of manuscript ARCO 50-A, with holograph markings in pencil throughout.

Originally composed for two pianos, the orchestral form of Danzón Cubano was first performed by the Baltimore Symphony Orchestra on February 17, 1946 under the conductorship of Reginald Stewart.

 72/50-A.2 Danzón Cubano. 50-A.2 Ms. Orchestral parts; 34.5 cm.

Note: Copyist's manuscript in ink on transparent paper.

 72/50-Aa Danzón Cubano. New York: Boosey & Hawkes, [1947]. 50-Aa Full score; 45 p. (bound).

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15895.

Note: Holograph markings in pencil throughout.

 72/50-Ab Danzón Cubano. London: Boosey & Hawkes, [1964]. 50-Ab Full score; 45 p.

c1949 by Aaron Copland.

Plt.: B. & H. 15895.

Note: Holograph markings in pencil throughout.

 50-B) Danzón Cubano [piano solo] 72/50-Ba Danzón Cubano [piano solo] (1949). [New York]: Boosey & Hawkes, [1949]. 50-Ba Piano solo; 19 p.

c1949 by Boosey & Hawkes.

Plt.: Danzo Cubano 17.

 51) Fanfare for the common man [brass & percussion] 73/51 Fanfare for the common man. 51 Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

At end: Oakland, Nov. 6 '42.

On microfilm: MUSIC 1906, Item 21.

 73/51.1 Fanfare for the common man. 51.1 Ms. (photocopy). Full score; [4] leaves; 36 cm.

Copy of manuscript score in the hand of Julia Smith.

Includes photocopy of copyist's manuscript of theme to "Danzon Cubano".

Stamped in red: U of NT [University of North Texas] Music Library

 73/51.2 Fanfare for the common man. [New York]: Boosey & Hawkes, [1956]. 51.2 Publisher's proof. Score for brass and percussion ensemble; 3 leaves

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.3 Fanfare for the common man. New York: Boosey & Hawkes, [1956]. 51.3 Publisher's proofs. Brass and percussion ensemble parts; various paginations.

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Photocopies with holograph markings in pencil.

 73/51.4 Fanfare for the common man. New York: Boosey & Hawkes, [1971]. 51.4 Publisher's proof. Score for brass and percussion ensemble; 4 leaves.

c1944 by Aaron Copland; renewed 1971.

Plt.: B. Ens. 97.

Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.5 Fanfare for the common man. New York: Boosey & Hawkes, [1971]. 51.5 Publisher's proof. Score for brass and percussion ensemble; 4 leaves.

c1944 by Aaron Copland; renewed 1971.

Plt.: B. Ens. 97.

At head in blue pencil: Copy of corrected finals.

 73/51.6 Fanfare for the common man. 51.6 Ms. Original pencil sketches; 4 p.; 32 cm.

Note: Holograph in pencil.

Included with this item is a brief history of the "Fanfare", with text by Aaron Copland.

As can be seen by this sketch, the final title did not come easily.

 73/51.7 Fanfare for the common man. 51.7 Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm.

Note: Copy of holograph score ARCO 51.6.

 73/51.8 Fanfare for the common man. 51.8 Ms. Piano sketch; 4 p.; 34 cm.

Note: Holo- graph in pencil.

On microfilm: MUSIC 1906, Item 21.

 73/51a Fanfare for the common man. London: Boosey & Hawkes, [1944]. 51a Score for brass and percussion ensemble; 3 p.

c1944 by Boosey & Hawkes.

Plt.: B.Ens. 53.

Note: Holograph markings in pencil throughout.

 73/51b Fanfare for the common man : in Ten Fanfares by Ten Composers / for brass and percussion. New York: Boosey & hawkes, [1944]. 51b Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies).

c1944 by Boosey & Hawkes.

Plt.: B.Ens. 53.

Note: Both copies contain holograph markings in pencil.

 73/51c Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]. 51c Score for brass and percussion ensemble; 3 p.

c1944 by Boosey & Hawkes; separate edition 1956.

Plt.: B. Ens. 97.

Note: Heavily marked.

 73/51cc Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]. 51cc Brass and percussion ensemble parts; various paginations.

c1944 by Boosey & Hawkes.

Plt.: B. Ens. 97.

Note: Holograoph markings in pencil on 1stB-flat trumpet part.

 51-A) Fanfare for the common man [guitar] 73/51-A Fanfare for the common man : transcribed for guitar by Dave Bogart (1942). 51-A Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm. 73/51-A.1 Fanfare for the common man : guitar solo / transcribed by Michael Hendrix. 51-A.1 Ms. (ozalid). Guitar solo: 3 p.; 33 cm.

Note: No date given for this arrangement.

 51-B) Fanfare for the common man [trumpet ensemble] 73/51-B Fanfare for the common man : arranged for trumpet ensemble by Ronald Small (1988). 51-B Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm.

Note: Copy of copyist's manuscript.

Includes letter from Ronald Small to Ronald Caltabiano (assistant to Aaron Copland) dated May 16, 1988.

 52) Sonata for violin and piano [chamber work] 22/52 Sonata for violin and piano. 52 Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: Dec. 1943.

Laid in: Article titled "AARON COPLAND: His Work and Contribution to American Music" by Julia Smith.

On microfilm: MUSIC 1906, Item 55.

 22/52.1 Sonata for violin and piano. 52.1 Ms. Violin part; 13 leaves; 30.5-34.5 cm.

Note: Holograph in ink on transparent paper.

On microfilm: MUSIC 1906, Item 55.

 22/52.2 Sonata for violin and piano. 52.2 Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm.

Note: Copy of 3rd movement of manuscript score ARCO 52.

At end in ink: Jan. 4, '44.

 22/52.3 Sonata for violin and piano. 52.3 Ms. (ozalid). Violin part; 13 p.; 31-36 cm.

Note: Copy of manuscript violin part ARCO 52.1, with holograph markings in ink and pencil throughout.

 22/52.4 Sonata for violin and piano. 52.4 Ms. Complete violin and piano sketches; 85 p.; 32 cm.

Note: Holographs in ink and pencil.

Includes ink sketch of violin part, and rough sketches.

On microfilm: MUSIC 1906, Item 55.

 22/52.5 Sonata for violin and piano. [New York]: Boosey & Hawkes, [1944]. 52.5 Publisher's proof. Violin part; 13 leaves.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34-46.

Note: Publisher's proofs of violin part with holograph markings in pencil throughout.

 22/52a Sonata for violin and piano. New York: Boosey & Hawkes, [1944]. 52a Score for violin and piano (violin part not included); 33 p.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34 - 46.

Note: Contains holograph markings in pencil.

 22/52b Sonata for violin and piano. New York: Boosey & Hawkes, [1944]. 52b Score for violin and piano, and violin part; 33 + 13 p.

c1944 in U.S.A. by Hawkes & Son (London).

Plt.: B.S.I. 34 - 46.

 52-A) Sonata for violin and piano [clarinet & piano] 22/52-A [Sonata for violin and piano] : transcribed for clarinet and piano by Timothy Paradise (1980). 52-A Ms. Score for clarinet and piano; 46 leaves; 30.5 cm.

c1980

Note: Manuscript in pencil by Timothy Paradise.

This arrangement copyrighted in 1980 by T. Paradise through the auspices of Hawkes & Son.

 53) The north star [incidental music] 101-102/53 The north star. 53 Ms. Full score divided by sequence titles, in 19 folders; various paginations; various sizes.

Note: Holographs in pencil.

CONTENTS:

"Main title" "Going to school" "Night scene - Prt. I" "Night sequence - Prt. II" "Death of the little boy" "Internationale" "Song of the guerrillas" "Boris' death" "Scorched earth" "In the woods" "The hospital" "Marina & Damion" "Claudia & Damian" "Damian is blind" "North star battle" "The childrens' return" "Guerrillas return" (M-134) "Guerrillas return" (M-140) "Leaving the village" 23/53.1 The north star. 53.1 Ms. Original sketches; various paginations; 31.5 - 34 cm.

Note: Holographs in pencil.

Laid in: Annotated typescript of "Wagon song".

 23/53.2 The north star. 53.2 Mss. Drafts of conductor scores; various paginations; 31.5 - 34 cm.

Note: Holographs in pencil.

Laid in: Annotated typescripts of "Song of the fatherland" and "Younger generation".

Includes mimeograph lead sheet for "Scorched earth".

 24/53.3 The north star. 53.3 Mss. Conductor's scores; various paginations; various sizes.

Note: Copyist's manuscripts with holograph markings in pencil throughout; mostly mimeograph and ozalid reproductions.

Laid in folder for Reel 7: Holograph sequence notes (in pencil) on 4 x 6 inch yellow paper.

The pieces included with this item are grouped according to sequence (i.e. the film reel on which they appear.) Contents list included with each folder.

 25/53.4 "Song of the fatherland". 53.4 Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm.

Note: Copy of manuscript score.

Music by I. Dunayevsky; transcribed by Aaron Copland. Text of V. Lebedev-Kumach; adapted by Ira Gershwin.

Laid in: Typescript of "Song of the fatherland".

Text by V. Lebedev-Kumach. Text adapted by Ira Gershwin.

 25/53.5 "From the Baltic to the Pacific (loading song)" / based on traditional Russian folk tunes - composer unknown. 53.5 Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies).

Note: Copy of copyist's manuscript score.

English text. Lyrics by Ira Gershwin.

 25/53 mixer The north star. 53 mixer Mss. A mixer of annotated scores used in the Samuel Goldwyn production; various paginations; various sizes.

Note: All items in this folder are mimeographs or ozalid copies of copyist's manuscripts with holograph markings in ink and pencil throughout.

The term "MIXER" is used by the composer to describe this group of scores.

A list of titles is included with the material.

 25/53 misc The north star. 53 misc Miscellaneous choral scores of Russian folk songs. 53-A) "Younger generation" [song]: from The north star 25/53-A "Younger generation" (song version). 53-A Ms. Draft of piano-vocal score; [8] p.; 31.5 cm.

Note: Holograph in pencil.

English text. Lyrics by Ira Gershwin.

Based on traditional Russian melody; composer unknown.

 25/53-A.1 "Younger generation". 53-A.1 Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm.

Note: Copy of copyist's manuscript score.

English text. Lyrics by Ira Gershwin.

 25/53-Aa "Younger generation" / from Samuel Goldwyn's production. New York: Boosey & Hawkes, [1944]. 53-Aa Score for choral arrangement (SATB), with piano accompaniment; 10 p.; 26.5 cm.

c1944 by Chappel and Co.

Plt.: Oct. 1723-10.

English text. Words by Ira Gershwin.

 25/53-Ab "Younger generation". New York: Boosey & Hawkes, [1964]. 53-Ab Piano-vocal score (SA); 8 p.

c1944 by Chappell and Co.; this arrangement copyright 1964 by Chappell and Co.

Plt.: Oct. 5506.

English text. Words by Ira Gershwin.

 25/53-Ac "Younger generation". New York: Boosey & Hawkes, [1964?]. 53-Ac Choral score (SAB); 11 p.

c1944 by Chappell & Co.; this arrangement copyright 1964 by Chappell & Co.

Plt.: Oct. 5507.

English text. Words by Ira Gershwin.

 53-B) "Song of the guerrillas" [chorus]: from The north star 25/53-B "Song of the guerrillas". 53-B Ms. (ozalid). Conductor's choral score (TBB), with orchestral accompaniment; 7 p.; 33 cm. (2 copies).

Note: Copy of copyist's manuscript.

English text. Words by Ira Gershwin.

 25/53-Ba "Song of the guerrillas". New York: Chappell & Co., [1943]. 53-Ba Piano-vocal score; 5 p.; 30.25 cm. (2 copies).

c1943 by Chappell & Co.

Plt.: C-1273-4.

English text. Words by Ira Gershwin.

 25/53-Bb "Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]. 53-Bb Score for men's voices (TTBB) with piano accompaniment; 12 p.

c1944 by Chappell and Co.

Plt.: Oct. 1729-12.

English text. Words by Ira Gershwin.

 25/53-Bc "Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]. 53-Bc Score for men's voices (TTBB) with piano accompaniment; 12 p.

c1944 by Chappell and Co.

Plt.: Oct. 1729-12.

English text. Lyrics by Ira Gershwin.

 53-C) "No village like mine" [song]: from The north star 25/53-C "No village like mine" / based on a traditional Russian tune - composer unknown. 53-C Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm.

Note: Holograph in pencil.

English text. Lyrics by Ira Gershwin.

Laid in: Typescript of "No Village Like Mine".

 25/53-Ca "No village like mine". New York: Chappell & Co., [1943]. 53-Ca Piano-vocal score; 5 p.; 30 cm. (2 copies).

c1943 by Chappell & Co.

Plt.: C-1271-4.

English text. Words by Ira Gershwin.

 54) Letter from home [orchestra] 74/54 Letter from home. 54 Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm.

Note: Photostat copy with holograph markings in pencil and ink.

Original version for radio orchestra. This work was written on commission from Paul Whiteman and the American Broadcasting Company.

 74/54.1 Letter from home. 54.1 Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm.

Note: Copy of manuscript score; identical to ARCO 54.

Laid in, holograph note: "Negatives of full score [original] version for radio orchestra."

 74/54.2 Letter from home. 54.2 Ms. Original pencil sketches; various paginations; 32 cm.

Note: Holograph in pencil.

 74/54.3 Letter from home : piano reduction of the [original] score. 54.3 Ms. (ozalid). Piano score; 8 p.; 39 cm.

Note: Copy of manuscript with holograph markings in ink and pencil .

At end in ink and pencil: Aug. 13-28, '44 Tepoztlan, Mex.

 74/54.4 Letter from home. 54.4 Ms. (photocopy). Piano score; 6 leaves; 43.5 cm.

Note: Copy of manuscript score in the hand of Julia Smith.

On title page: "Complete piano score by J.S. Original version for radio orchestra. Commissioned by the American Broadcasting Co."

Stamped in red: U of NT [University of North Texas] Music Library.

 55-A) Letter from home [symphony orchestra] 74/54-A Letter from home. 54-A Ms. Full score; 39 leaves; 40.5 cm.

Note: Holograph in ink on transparent paper.

On title page: "Arranged for symphony orchestra from the original version for radio orchestra."

 74/54-A.1 Letter from home. 54-A.1 Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm.

Note: Copy of holograph score ARCO 54-A.

On title page: "Original version for radio orchestra. Commissioned by the American Broadcasting Co."

 74/54-A.2 Letter from home. 54-A.2 Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 54-A, with holograph markings in ink and pencil .

On title page: "Version of 1944 now withdrawn. Arranged for symphony orchestra from the original version for radio orchestra. Later revised and published for school orchestra (1964)."

 74/54-A.3 Letter from home. 54-A.3 Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.

Note: Copy of holograph score ARCO 54-A.

On outside cover: Library #3 SET A.

 74/54-A.4 Letter from home. 54-A.4 Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.

Note: Copy of holograph score ARCO 54-A, with holograph markings in pencil.

On outside cover: Library #3 SET B.

On verso of title page in orange pencil: "2nd [original] version for symphony orch. ... (arranged from original version for radio orch.) Now withdrawn."

 26/54-A.5 Letter from home. 54-A.5 Mss. Orchestral parts; various paginations; 32 cm.

Note: Copyist's manuscripts in ink on transparent paper.

 26/54-A.6 Letter from home. 54-A.6 Mss. (ozalids). Orchestral parts (SET B); various paginations (Viola 7 folder empty); 35 cm.

Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 27/54-A.7 Letter from home. 54-A.7 Mss. (ozalids). Orchestral parts (SET A); various paginations; 35.5 cm.

Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 54-B) Letter from home [reduced orchestra] 75/54-B Letter from home. 54-B Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38 cm.

Note: Manuscript in pencil by David Walker.

Laid in, handwritten note by David Walker and Copland: "Copland - Letter from home masters of full score 1962/3 - new symph. version (reduced orch.) (score in handwriting of D.W.)."

 75/54-B.1 Letter from home. 54-B.1 Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.; 38.5 cm. (spiral bound).

Note: Copy of manuscript score ARCO 54-B in hand of David Walker.

 75/54-B.2 Letter from home : piano reduction of the score. 54-B.2 Ms. Piano score; 7 leaves; 38.5 cm.

Note: Holograph in pencil on transparent paper.

At end: Aug. 13-28, 1944 - Tepoztlan, Mexico; revised Dec. 1962 - Rock Hill.

Duration: 6 min.

 75/54-B.3 Letter from home : piano reduction of the score. 54-B.3 Ms. (ozalid). Piano score; 8 p.; 38.5 cm.

Note: Copy of holograph score ARCO 54-B.2, with holograph markings in pencil throughout.

At end: Aug. 13-28, 1944.

 75/54-Ba Letter from home. London: Boosey & Hawkes, [1964]. 54-Ba Score and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, score only; Copy 3 bound).

c1964 by Aaron Copland.

Plt.: B. & H. 19118 (score).

Plt.: B. & H. 19171 (parts).

Note: Holograph markings in pencil throughout Copy 1.

Laid in Copy 1: Holograph pencil note and typescript of "Mistakes in parts of Letter from Home."

Laid in Copy 4: Typescript of "Mistakes in parts of Letter from Home", with holograph markings in ink and pencil.

Duration: Approximately 6 min.

 55) Appalachian spring : ballet for Martha [ballet] 75/55 Appalachian spring. 55 Ms. Full score; 101 leaves; 37.5 cm. (bound).

Note: Holograph in ink on transparent paper.

On title page: To Elizabeth Sprague Coolidge.

At end: Hollywood New York Cambridge, Mass. 1943-44.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 75/55.1 Appalachian spring. 55.1 Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in ink and colored pencil.

On title page: To Elizabeth Sprague Coolidge.

At end: Hollywood New York Cambridge, Mass. 1943-44.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 76/55.2 Appalachian spring : original version for 13 instruments. 55.2 Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in ink.

On title page: To Elizabeth Sprague Coolidge.

At bottom of first page of music: Copyright 1958 by Aaron Copland and Boosey & Hawkes, Inc.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.3 Appalachian spring (ballet for Martha) : 13 instrument version / as danced by Martha Graham's Company. 55.3 Ms. (ozalid). Full score; 101 p.; 37 cm. (bound).

Note: Copy of manuscript score ARCO 55, with holograph markings in pencil throughout.

Typescript attached to title page recto: Note on Various Versions of Appalachian Spring.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.4 Appalachian spring. 55.4 Ms. (photocopy). Full score; 101 leaves; 37 cm.

Note: Copy of manuscript score ARCO 55.

At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.5 Appalachian spring. 55.5 Ms. Rough sketches (2 folders); various paginations; various sizes.

Note: Holographs in pencil.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55.6 Appalachian spring. 55.6 Ms. (photocopy). Rough sketches; 25 leaves; various sizes.

Note: Copy of original holograph rough sketches ARCO 55.5.

 76/55 misc Appalachian spring. 55 misc Mss. (photocopies). Miscellaneous pages from the ballet score; [27] leaves; various sizes.

Note: Holograph markings in ink and pencil throughout.

Laid in, handwritten note: Pages from complete ballet score - original version - not used in suite from the ballet.

 55-A) Appalachian spring [suite] 77/55-A Appalachian spring. 55-A Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound).

Note: Copy of holograph score with holograph markings in ink and pencil throughout.

 77/55-A.1 Appalachian spring. 55-A.1 Ms. Full score (insert); 32 leaves; 38 cm.

Note: Holograph in ink and pencil on transparent paper.

At head: No. 6 Insert for complete ballet suite (orch. version); (Interpolate at page 78 of printed score).

 77/55-A.2 Appalachian spring. 55-A.2 Ms. (ozalid). Full score (insert); 32 leaves; 38 cm.

Note: Copy of manuscript score ARCO 55-A.1.

At head: Insert for complete ballet - full orch. version. (Interpolate at page 78 of printed score).

 28/55-Aa Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]. 55-Aa Full score; 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Note: Holograph markings in pencil throughout.

Duration: Approx. 25 min.

 28/55-Ab Appalachian spring : Ballet for Martha. London: Boosey & Hawkes, [1945]. 55-Ab Full score; 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Inscribed on title page: To Mrs. Elizabeth Coolidge who commissioned this work with deep gratitude - Aaron Copland Jan. 1945.

Duration: Approx. 20 min.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 28/55-Ac Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]. 55-Ac Full score (miniature); 82 p.

c1945 in U.S.A. by Hawkes & Son (London).

Plt.: B. & H. 9054.

Ser. title: Hawkes Pocket Scores, No. 82.

Note: Holograph markings in pencil throughout.

Duration: Approx. 20 min.

 28/55-Ad Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1958]. 55-Ad Full score (miniature); 82 p.

c1945 in U.S.A. by hawkes & Son (London).

Plt.: B. & H. 9054.

Ser. title: Hawkes Pocket Scores, No. 82.

Duration: Approx. 20 min.

 28/55-Ae Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1968]. 55-Ae Full Score; 82 p. Duration: Approx. 20 min.

c1945 by Aaaron Copland.

Plt.: B. & H. 9054.

 28/55-Af Appalachian spring. Peking, China: People's Music, 1982. 55-Af Full score (miniature); 82 p.

c[1945]

Note: Front cover and title page information in Mandarin Chinese. Holograph translation in pencil of title on front cover and title page.

Included with item are two concert programs also in Mandarin Chinese.

 55-B) Appalachian spring [piano work] 28/55-B Appalachian spring. 55-B Ms. Piano reduction; 50 leaves (in mylar); 38 cm.

Note: Holograph in ink on transparent paper.

At end: Cambridge, Mass. June 1944.

{Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55-B.1 Appalachian spring. 55-B.1 Ms. (ozalid). Piano reduction; 50 p.; 38 cm.

Note: Copy of manuscript score ARCO 55-B, with holograph markings in pencil throughout.

At end: Cambridge, Mass. June 1944.

 77/55-B.2 Appalachian spring : excerpts from the ballet. 55-B.2 Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm.

Note: Copy of manuscript score ARCO 55-B, with Holograph markings in pencil throughout.

 77/55-B.3 Appalachian spring. 55-B.3 Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm.

Note: Copy of manuscript score ARCO 55-B.

 55-C) Appalachian spring : version for 13 instruments [suite] 77/55-C Appalachian spring. 55-C Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm.

Note: Copyist's manuscript with holograph markings in ink and pencil throughout.

At head in Copland's hand: insert for complete ballet (interpolate at rehearsal no. 65 of printed score).

 28/55-Ca Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]. 55-Ca Full score; 66 p. (2 copies).

c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland.

Plt.: B. & H. 19979.

Note: Holograph markings in pencil throughout Copy 1.

Duration: Approx. 20 min.

 28/55-Cb Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]. 55-Cb Full score (miniature); 66 p. (2 copies).

c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland.

Plt.: B. & H. 19979.

Ser. title: Hawkes Pocket Scores, No. 876.

 55-D) Appalachian spring [two pianos] 28/55-Da Appalachian spring : ballet for Martha / arranged for two pianos four hands by Melissa Postnikoff. S.l.: s.n., [1984]. 55-Da Score for two pianos; 49 p. (spiral bound).

c1945; this version copyright 1984 by Melissa Postnikoff.

Note: Privately published

 56) Jubilee variation [orchestra] 28/56 Jubilee variation. 56 Ms. (photocopy). Full score; 14 leaves; 34 cm. 28/56.1 Jubilee variation. 56.1 Ms. Orchestral sketch; [8] p.; 32 cm.

Note: Holograph in pencil.

On title page: For the Cincinnati Symphony orchestra.

 57) Cummington story [incidental music] 29/57 Cummington story. 57 Ms. Full score; various paginations (129 leaves); 34.5 cm.

Note: Holograph in pencil.

Laid in: Typescripts of cue sheets for Reel 1 (2 documents) and Reel 2; typescript of "Cummington Story Commentary".

All documents contain holograph markings in pencil.

 29/57.1 Cummington story. 57.1 Ms. Piano reduction (draft); [51] p.; 32 cm.

Note: Holograph in pencil.

 29/57.2 Cummington story. 57.2 Ms. Rough sketches; [13] p.;32 cm.

Note: Holograph in pencil.

 58) Third symphony [orchestra] 29/58 Third symphony. 58 Ms. Full score; 255 + 3 leaves; 38 cm.

Note: Holograph in ink on transparent paper.

On title page: To the memory of my dear friend Natalie Koussevitsky.

Commissioned by the Koussevitsky Music Foundation.

Laid in: Letter from Gertrude Smith to Dr. Harold Spivacke, Chief of the Music Division, dated July 14, 1954 regarding definitive cut made at the end of Third Symphony: the three additional leaves included with this item (insert of pp. 251-253) represent Copland's new cut version.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 29/58.1 Third symphony. 58.1 Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes).

Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout.

At end: Sept. 29, 1946.

{Filed with Koussevitsky Collection, ML 30 .3e2.C6 case.}

 30/58.2 Third symphony. 58.2 Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound).

Note: Copy of holograph score ARCO 58, with definitive cut overlaid; markings in pencil and ink throughout.

Initialed "L.B." (Leonard Bernstein).

 78/58.3 Third symphony. 58.3 Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound).

Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout.

At end: Sept. 29, 1946.

 78/58.4 [Third symphony]. 58.4 Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm.

Note: Definitive cut made in Third Symphony by Aaron Copland.

Includes negative photostat of same.

Original holograph insert (pp. 251-253) included with manuscript full score ARCO 58.

 78/58.5 Third symphony. 58.5 Mss. Orchestral sketches; various paginations; various sizes.

Note: Holographs in pencil.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58.6 Third symphony. 58.6 Mss. Sketches; [7] p.; various sizes.

Note: Holographs in pencil.

 78/58 misc Third symphony. 58 misc Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm.

Note: Holographs in ink and pencil on transparent paper.

At head of first leaf: Corrections in Third Symphony by Aaron Copland.

 78/58a Third symphony. [New York]: Boosey & Hawkes, [1947]. 58a Full score, with original ending (miniature); 155 p.

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15966.

Ser. title: Hawkes Pocket Scores.

Note: Contains holograph markings in pencil.

Laid in: Typescript of corrections and cuts in Third Symphony.

 30/58b Third symphony. London: Boosey & Hawkes, [1947]. 58b Full score, with revised ending; 153 p. (bound).

c1947 by Boosey & Hawkes.

Plt.: B. & H. 15966.

Note: Holograph markings in pencil throughout.

 78/58c Third symphony (revised 1966). 58c London: Boosey & Hawkes, [1966] Full score; 153 p.

c1947 by Aaron Copland.

Plt.: B. & H. 15966.

Note: Holograph markings in ink and pencil throughout.

 58-A) Third symphony [piano sketch] 78/58-A Third symphony. 58-A Ms. Piano sketch; 71 leaves; 34 cm.

Note: Holograph in ink on transparent paper, with holograph markings in pencil..

 78/58-A.1 Third symphony. 58-A.1 Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm.

Note: Copy of original manuscript piano sketch ARCO 58-A, with holograph markings in ink and pencil.

Item includes 6 leaves of holograph revisions in pencil.

{Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58-A.2 [Third symphony]. 58-A.2 Ms. (ozalid). Piano sketch; [71] p.; 36 cm.

Note: Copy of original manuscript ARCO 58-A, with holograph markings in pencil.

At end: Finished Sept. 29, '46.

 78/58-A misc Third symphony. 58-A misc Mss. Miscellaneous pages from open score; 4 leaves; 34 cm.

Note: Holographs in ink and pencil.

 59) In the beginning [chorus] 31/59 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59 Ms. Score for mixed chorus; 46 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

English text from Genesis Chap. I:1-II:7.

At end: April 4, 1947.

On microfilm: MUSIC 1906, Item 25.

 31/59.1 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59.1 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.

Note: This score is a miniaturized reproduction of holograph score ARCO 59; holograph markings in ink and pencil throughout as well as markings by others.

English text from Genesis I:1-II:7.

At end: April 4, 1947.

 31/59.2 In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. 59.2 Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.

Note: This score is a miniaturized reproduction of holograph score ARCO 59.

Includes holograph dedication to Nadia Boulanger in ink.

On title page: "N.B./de/A,C./Mai '47" in hand of Nadia Boulanger.

English text from Genesis I:1-II:7.

At end: April 4, 1947.

 31/59.3 In the beginning : mixed chorus / a cappella / with mezzo-soprano solo. 59.3 Ms. Vocal score; 51 p.; various sizes.

Note: Holograph in pencil.

Item also includes rough sketches.

On microfilm: MUSIC 1906, Item 25.

 31/59a In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, [1947]. 59a Score for mixed chorus; 56 p.

c1947 by Boosey & Hawkes.

Plt.: In the beginning-55.

Note: Holograph markings in pencil throughout.

English text from Genesis I:1-II:7.

 31/59b In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, n.d. 59b Score for mixed chorus; 56 p. (2 copies).

c1947 by Boosey & Hawkes.

Plt.: In The Beginning-55.

Note: Copy 1 contains holograph markings in pencil throughout.

English text from Genesis I:1-II:7.

Duration: 17 min.

 60) Four piano blues : piano blues [piano work] 31/60 Four piano blues. 60 Ms. Piano solo; 13 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

At end: 1926 New York.

Although completion date for Four Piano Blues is 1948, these four pieces were actually composed between 1926 and 1948.

On microfilm: MUSIC 1906, Item 2A.

 31/60.1 Four piano blues. 60.1 Ms. (ozalid). Piano solo; 13 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60, with holograph markings in ink and pencil.

 31/60.2 "Blues 1". 60.2 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60.

At end: Apr. 9, '47 Boston.

 31/60.3 "Blues 1". 60.3 Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.

Note: Copy of holograph score ARCO 60.

At end: Apr. 9, '47 Boston.

 31/60.4 Four piano blues. 60.4 Ms. Sketch for piano solo; 19 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item, 2A.

 31/60a Four piano blues. [New York]: Boosey & Hawkes, [1957]. 60a Piano solo; 15 p.

c1949 in U.S.A. by Boosey & Hawkes.

Note: Holograph markings in pencil throughout.

 31/60b "Three piano blues". [New York]: Boosey & Hawkes, [1949]. 60b Piano solo; 15 p.

c1949 in U.S.A. by Boosey & Hawkes.

Note: Contains holograph markings in pencil.

On front cover: "Incorrect copy -- withdrawn because of [errors on] cover."

 31/60c Four piano blues. [New York]: Boosey & Hawkes, [1957]. 60c Publisher's proof. Piano solo; 6 p.

c1949 in U.S.A. by Boosey & Hawkes.

On front cover: "Mixed-up copy."

Includes 8 pages from Quiet City score.

 60-A) Four piano blues [chamber orchestra] 31/60-A Four piano blues. 60-A Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm.

Note: Holograph in pencil.

On page 11: "Orchestrated in 1978."

CONTENTS:

"1st blues" "2nd blues" (near complete) "3rd blues" (incomplete)

"4thblues" not included.

 31/60-A misc Four piano blues. 60-A misc Mss. (photocopy). Miscellaneous pages from score for chamber orchestra; 4 leaves. 61) The heiress [incidental music] 79/61 The heiress. 61 Ms. Condensed score; 207 leaves; 36.5 cm. (bound).

Note: Holograph in pencil of the motion picture score.

Typescript of scenario precedes each musical setting.

This volume presented to the Library of Congress by Paramount Pictures Corporation, Hollywood, California on March 15, 1950.

 79/61.1 The heiress. 61.1 Ms. (photostat). Conductor score; various paginations; 30.5 cm. (bound).

Note: Copy of copyist's manuscript; orchestration by Van Cleave.

Music composed for the Paramount motion picture, The Heiress.

 32/61.2 The heiress. 61.2 Ms. (photostat). Conductor score; various paginations; 30 cm. (in two folders).

Note: Copy of copyist's manuscript; orchestration by Van Cleave with holograph markings in pencil.

Composed for the Paramount Corporation motion picture, The Heiress.

 32/61.3 The heiress. 61.3 Ms. Sketches; 3 leaves; 34.5 cm.

Note: Holograph in pencil.

 61-A) The heiress [suite] 32/61-A The heiress : suite / reconstructed by Arnold Freed (1990). 61-A Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound).

Note: Copy of copyist's manuscript.

On verso of title page: As commissioned by Peter Bay and the Rochester Philharmonic Orchestra in commemoration of the composer's ninetieth birthday, November 14, 1990.

Duration: 9:00.

 62) Concerto for clarinet [chamber work] 80/62 Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. 62 Ms. Full score; 91 leaves; various sizes.

Note: Holograph in ink on transparent paper.

At end: Snedens Landing Oct. 21, 1948.

On microfilm: MUSIC 1906, Item 9.

 80/62.1 Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. 62.1 Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound).

Note: Copy of holograph score ARCO 62, with markings in colored ink.

At end: Snedens Landing Oct. 21, 1948.

 80/62.2 Concerto for clarinet. 62.2 Ms. Sketches; 59 leaves; various sizes.

Note: Holographs in pencil and ink.

On microfilm: MUSIC 1906, Item 8.

 80/62a Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]. 62a Full score; 42 p.

c1952 by Aaron Copland.

Plt.: B. & H. 17942.

Note: Holograph markings in ink and pencil throughout.

Duration: 17 1/2 min.

 80/62b Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]. 62b Full score (miniature); 42 p. (2 copies).

c1952 by Aaron Copland.

Plt.: B. & H. 17942.

Ser. title: Hawkes Pocket Scores, No. 831.

Duration: 17 1/2 min.

 62-A) Concerto for clarinet [clarinet & piano] 80/62-A Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano by the composer. 62-A Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3 leaves; 34.5 cm.

Note: Holograph in ink with pencil markings on transparent paper.

On microfilm: MUSIC 1906, Item 10.

 80/62-A.1 Concerto for clarinet : and string orchestra / with harp and piano ; arranged for clarinet and piano by the composer. 62-A.1 Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13 p.; 34.5 cm.

Note: Copy of holograph score ARCO 62-A, with markings in pencil.

 80/62-A.2 Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano. 62-A.2 Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm.

Note: Copy of holograph score ARCO 62-A, with holograph markings in pencil.

 80/62-Aa Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1950]. 62-Aa Score for clarinet and piano, and clarinet part; 27 + 11 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16656.

 80/62-Ab Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1970]. 62-Ab Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16656.

 63) The red pony [incidental music] 114-115/63 The red pony. 63 Ms. Full score (in 11 folders); various paginations; various sizes.

Note: Manuscript in pencil orchestrated by Nathan G. Scott and Dale Butts.

Includes folder of holograph miscellaneous notes in pencil, and a pamphlet binder containing typescript (with holograph markings in pencil) of the Shooting Script for the film.

 33/63.1 The red pony : original manuscript. 63.1 Ms. Open score; 171 p.; 33 cm.

Note: Holograph in pencil.

On accompanying folder: Original manuscript - January 29-March 26, 1948.

On microfilm: MUSIC 1906, Item 44.

 81/63.2 The red pony. 63.2 Ms. (ozalid). Conductor score; various paginations; 31.5 cm. (bound).

Note: Copyist's manuscript with holograph markings in pencil throughout.

 81/63.3 The red pony. 63.3 Mss. (ozalid). Conductor scores; various paginations; 30.5 cm. (2 sets).

Note: Copyist's manuscripts, both sets contain holograph markings in pencil throughout.

These sets are identical to ARCO 63.1, except for differing holograph markings.

 82/63.4 The red pony. 63.4 Mss. (ozalids). Conductor scores (extra copies); various paginations; 30.5 cm.

Note: Copyist's manuscripts with holograph markings in pencil.

Identical to ARCO 63.1, except for differing holograph markings.

 82/63.5 The red pony. 63.5 Ms. Sketches; 4 leaves; 34.5 cm.

Note: Holograph in pencil.

 63-A) The red pony [suite] 83/63-A The red pony. 63-A Ms. Full score; 161 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

Missing leaves: 147-151, 153-155.

Includes folder of holograph miscellaneous notes in pencil.

On microfilm: MUSIC 1906, Item 45.

 83/63-A.1 The red pony. 63-A.1 Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound).

Note: Copy of holograph orchestral score ARCO 63-A, with holograph markings in pencil.

 115/63-A.2 The red pony. 63-A.2 Ms. Full score; 85 leaves; 50 cm.

Note: Manuscript in pencil by David Walker.

 83/63-A.3 The red pony : children's suite. 63-A.3 Ms. (photocopy). Full score; 71 leaves; 35.5 cm. 34/63-Aa The red pony : film suite for orchestra. New York: Boosey & Hawkes, [1951]. 63-Aa Full score; 119 p. (3 copies).

c1951 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16898.

Note: All copies contain holograph markings in pencil throughout.

Copy 1 bound.

On front cover of Copy 2: With band indications.

On front cover of Copy 3: Copy with incorrect binding.

Duration: Approx. 21 min.

 34/63-Ab The red pony : film suite for orchestra. London: Boosey & Hawkes, [1954]. 63-Ab Full score (miniature); 119 p.

c1951 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 16898.

Ser. title: Hawkes Pocket Scores, No. 670.

Duration: Approx. 21 min.

 34/63-Ac The red pony : film suite for orchestra. London: Boosey & Hawkes, [1964]. 63-Ac Full score; 119 p.

c1951 by Aaron Copland.

Plt.: B. & H. 16898.

Note: Holograph markings in pencil throughout.

Duration: Approx. 21 min.

 34/63-Ca The red pony : film suite for band. New York: Boosey & Hawkes, [1969]. 63-Ca Full score; 88 p. (2 copies).

c1951; this arrangement copyright 1969 by Aaron Copland.

Plt.: Q.M.B. 357.

Ser. title: Symphonic Band Series, No. 357.

Note: Holograph markings in pencil throughout Copy 1.

 64) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra] 103/64 [Preamble (for a solemn occasion)]. 64 Ms. Full score; 22 leaves; 38.5 cm.

Note: Holograph in ink on transparent paper.

At end: Aug. 16-Sept. 5, '49, Snedens Landing.

On microfilm: MUSIC 1906, Item 91.

 103/64.1 Preamble : for a solemn occasion / for orchestra with speaking voice. 64.1 Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound).

Note: Copy of holograph score ARCO 64, with holograph markings in pencil.

Text from the Preamble to the United Nations Charter.

Commissioned by the National Broadcasting Company for the United Nations.

At end: Aug. 16-Sept. 5,'49 Snedens Landing.

 103/64.2 Preamble / for orchestra and speaking voice. 64.2 Ms. Piano reduction; 6 leaves; 34.5 cm.

Note: Holograph in ink on transparent paper.

Piano reduction by the composer.

Duration: 5:42.

At end: Aug. 16-Sept. 5, '49.

 103/64.3 Preamble (for a solemn occasion). 64.3 Ms. Sketches; 20 p.; various sizes.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 91.

 103/64.4 "Preamble to the United Nations". 64.4 Mss. String parts; 34 cm.

Note: Copyist's manuscripts in ink on transparent paper.

 103/64.5 "Preamble (for the United Nations)" / for orchestra and speaking voice. 64.5 Copy of manuscript in the hand of Julia Smith. Full score; [21] leaves; 36 cm.

Note: Text from the Preamble to the United Nations Charter; Commissioned by the National Broadcasting Co.

Item includes five measures of transcriptions of Copland's Sextet and The Heiress.

Stamped in red: U of NT [University of North Texas] Music Library.

 103/64a Preamble : for a solemn occasion. London: Boosey & Hawkes, [1953]. 64a Full score; 15 p. (2 copies).

c1953 by Boosey & Hawkes.

Plt.: B. & H. 17289.

Note: Both copies contain holograph markings in pencil throughout.

Duration: Approx. 6 min.

 64-A) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ] 103/64-A Preamble (for a solemn occasion). 64-A Ms. Score for organ; 7 leaves; 33.5 cm.

Note: Holograph in pencil.

On microfilm: MUSIC 1906, Item 91.

 103/64-Aa Preamble (for a solemn occasion) / for pipe or Hammond organ. New York: Boosey & Hawkes, [1955]. 64-Aa Organ score; 6 p.

c1955 in U.S.A. by Boosey & Hawkes.

Plt.: B. & H. 18033.

Duration: Approx. 6 min.

 64-B) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band] 103/64-B Preamble : for a solemn occasion / arranged for symphonic band by the composer. 64-B Ms. Full score; 15 leaves; 50 cm.

Note: Holograph in pencil.

 103/64-Ba Preamble : for a solemn occasion. New York: Boosey & Hawkes, [1974]. 64-Ba Full score; 16 p. (3 copies).

c1953; arrangement for symphonic band 1974.

Plt.: Q.M.B. 387.

Duration: Approx. 6 min.

 65) Old American songs, first set : arranged by Aaron Copland 103/65 Old American songs, first set : arranged by Aaron Copland. 65 Ms. Piano-vocal score; 21 leaves; 35.5 cm.

Note: Holograph in ink on transparent paper with holograph markings in pencil.

English text.

At end: 1945.

CONTENTS:

1) "The boatman's song" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" 5) "I bought me a cat"

On microfilm: MUSIC 1906, Item 89.

 103/65.1 Old American songs, first set : adapted by Aaron Copland. 65.1 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm.

Note: Contains holograph and other markings in pencil .

English text.

CONTENTS:

1) "The boatman's song" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" 5) "I bought me a cat" 103/65.2 Old American songs, first set : for voice and orchestra / adapted by Aaron Copland. 65.2 Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiral bound).

Note: Contains some holograph markings in ink and pencil throughout.

 103/65.3 Old American songs, first set : arranged by Aaron Copland. 65.3 Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm.

Note: Holograph in pencil.

English text.

Laid in: List of 50 Old American Songs, original versions of "De boatman's dance" and "On the lake where drooped the willow" with historical notes about each piece.

On microfilm: MUSIC 1906, Item 89.

 103/65.4 No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1950; this arr. 1984). S.l.: Boosey & Hawkes, [1984]. 65.4 Publisher's proofs (photocopies). Score for voice and guitar; 3 p. (pp. 33-35) + 6 p. (pp. 24-29).

c1950 by Aaron Copland; this arrangement copyright 1984 by Copland.

 103/65a Old American songs (newly arranged) : first set / by Aaron Copland. New York: Boosey & Hawkes, [1950]. 65a Piano-vocal score; 24 p.

c1950 in U.S.A. by Boosey & Hawkes.

Plt.: U.S. Bk. 229.

English text.

CONTENTS:

1) "The boatman's dance" 2) "The dodger" 3) "Long time ago" 4) "Simple gifts" (Shaker song) 5) "I bought me a cat" 103/65d Old American songs : first and second sets / adapted and arranged by Aaron Copland (1950-52) [selections]. London: Boosey & Hawkes, [1962]. 65d Full orchestral score (miniature); 81 p. Ser. title: Hawkes Pocket Scores, No. 830.

c1950-54 by Aaron Copland; orchestral version copyright 1962 by Aaron Copland.

Plt.: B. & H. 18857.

English text.

Total duration of First and Second Sets: Approx. 25 min.

 103/65e Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984]. 65e Score for voice and guitar; 41 p. (2 copies).

c1950-54 by Aaron Copland; this arrangement copyright 1984 by Aaron Copland.