Allegro

http://hdl.loc.gov/loc.music/eadmus.mu002002 Richard Rodgers Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2006 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2003561025

Finding Aid encoded by Library of Congress Music Division, 2006 Finding aid written inEnglish 2010 April Editorial revisions made to this finding aid by Nancy Seeger in April 2010. Collection Summary Richard Rodgers Collection1917-1980 (bulk 1925-1979) ML30.58 Rodgers, Richard, 1902-1979 circa 2,700 items 45 boxes 20 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

The collection consists predominantly of Rodgers's music holographs--sketches, vocal scores (many with lyric sheets included) and short scores. In addition, the collection includes full scores for 8 of the Rodgers and Hammerstein shows. Also included is a small number of programs, photographs, miscellaneous papers, and a few miscellaneous items. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Hammerstein, Oscar, 1895-1960. Hart, Lorenz, 1895-1943. Rodgers, Richard, 1902-1979. Rodgers, Richard, 1902-1979. Subjects Musical sketches. Musicals--Scores. Musicals--Vocal scores with piano. Administrative Information Provenance

Gift; Richard Rodgers; 1956-1979.

Gift; Dorothy Rodgers; 1979?-1995.

Gift; Rogers & Hammerstein Organization; to 1995.

Accruals

No further accruals are expected.

Processing History

The Richard Rodgers Collection was processed by Mark Eden Horowitz and Albert Tucker in 1995. The finding aid was originally created using Word Perfect 5.1 software. In 2002, Michael A. Ferrando coded and edited the finding aid for EAD format.

Transfers

Correspondence: Richard Rodgers Papers, 1914-1989, Billy Rose Theatre Collection at the New York Public Library for the Performing Arts at Lincoln Center, 40 Lincoln Center Plaza, New York, N.Y. 10023-7498 USA

The status of copyright on the materials of the Richard Rodgers Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Richard Rodgers Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use. Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Richard Rodgers Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1902, June 28 Richard Rodgers is born to Dr. William and Mamie (Levy) Rodgers in New York City 1917 Composes music for the amateur production One Minute Please 1919 Composes music for the amateur production Up Stage and Down 1919, Dec. 19 First collaborates with Lorenz Hart 1919-1921 Attends Columbia University 1920 Composes music for the amateur productions You'd Be Surprised and Fly With Me, and his first professional production Poor Little Ritz Girl 1921 Composes music for the amateur productions Say Mama, You'll Never Know and Say It With Jazz 1921-1923 Attends Institute of Musical Art Juilliard) 1922 Composes music for the amateur productions The Chinese Lantern and Jazz a la Carte 1923 Composes music for the amateur productions If I Were King and A Danish Yankee in King Tut's Court 1924 Composes music for the amateur production Temple Bells and The Prisoner of Zenda, and the professional production The Melody Man 1925 Composes music for his last amateur production Bad Habits of 1925, and professional productions The Garrick Gaieties and Dearest Enemy 1926 Composes music for the night club revue The Fifth Avenue Follies and the shows The Girl Friend, The Garrick Gaieties, Lido Lady London) Peggy-Ann and Betsy 1927 Composes music for the shows One Dam Thing After Another (London) and A Connecticut Yankee 1928 Composes music for the shows She's My Baby, Present Arms and Chee-Chee 1929 Composes music for the shows Spring Is Here and Heads Up! (London) 1930 Composes music for the shows Simple Simon and Evergreen (London) 1930, March 5 Marries Dorothy Feiner 1931, Jan. 11 Daughter, Mary Rodgers is born 1931 Composes music for the shows America's Sweetheart and The Hot Heiress (film) 1932 Composes music for the films Love Me Tonight and The Phantom President 1933 Composes music for the film Hallelujah, I'm a Bum 1934 Composes music for the film Hollywood Party 1935, March 5 Daughter, Linda Rodgers is born 1935 Composes music for the shows Mississippi (film) and Jumbo 1936 Composes music for the shows On Your Toes and Dancing Pirate (film) 1937 Composes music for the shows Babes in Arms and I'd Rather Be Right 1938 Composes music for the shows Fools For Scandal (film), I Married An Angel and The Boys From Syracuse 1939 Composes music for the shows Too Many Girls and Ghost Town (ballet) 1940 Composes music for the shows Higher and Higher and Pal Joey 1941 Composes music for the film They Met in Argentina 1942 Composes music for the show By Jupiter 1943 Composes additional music for a revival of A Connecticut Yankee, and composes music for his first show collaboration with Oscar Hammerstein II -- Oklahoma! 1945 Composes music for the shows Carousel and State Fair (film) 1947 Composes music for the show Allegro 1949 Composes music for the show South Pacific 1951 Composes music for the show The King And I 1952 Composes background score for the television documentary Victory at Sea 1953 Composes music for the show Me and Juliet 1955 Composes music for the show Pipe Dream 1957 Composes music for the television musical Cinderella (remade in 1965 with an additional song) 1958 Composes music for the show Flower Drum Song 1959 Composes music for the show The Sound of Music 1960 Composes background score for television documentary Winston Churchill--The Valiant Years 1962 Writes music and lyrics for the show No Strings, and additional songs for the remake of the film State Fair 1962-1969 Is President and Producing Director, Music Theater of Lincoln Center 1965 Composes music, with lyrics by Stephen Sondheim, for the show Do I Hear a Waltz?, and writes music and lyrics for additional songs added to the film version of The Sound of Music 1967 Writes music and lyrics for the television musical Androcles and The Lion 1970 Composes music, with lyrics by Martin Charnin, for the show Two by Two 1976 Composes music, with lyrics by Sheldon Harnick, for the show Rex 1979 Composes music, with lyrics by Martin Charnin and Raymond Jessel, for the show I Remember Mama 1979, Dec. 30 Richard Rodgers dies Scope and Content Note

The Richard Rodgers Collection at the Library of Congress consists predominantly of Rodgers' music holographs -- sketches, piano-vocal scores (many with lyric sheets included) and short scores. In addition, the collection includes the full scores for eight of the Rodgers and Hammerstein shows (Allegro, Carousel, Flower Drum Song, The King and I, Oklahoma, Pipe Dream, The Sound of Music, and South Pacific). The majority of these scores are in the hand of the orchestrator Robert Russell Bennett, but other orchestrators are represented and identified in this guide whenever possible. The collection also includes a small number of programs, photographs, miscellaneous papers, and a few miscellaneous items. A few items have been transferred to the Motion Picture Broadcasting and Recorded Sound Division -- Rodgers' "gold record" for The Sound of Music; two video cassettes of home movies; and one cassette tape recorded by Zoe Hyde-Thomson consisting of Rodgers' reminiscences during World War II. The two video cassettes of home movies are from the 20s & 30s, includes scenes w/ Larry Hart, Rodgers' family, and theatre & Hollywood people, such as Fannie Brice, Edna Ferber, Dorothy Fields, Herbert Fields, Lew Fields, Charlie Ruggles, Jean Harlow, Leila Hyams, Herbert Marshall, Al Jolson, Harry Langdon, and director Lewis Milestone on the set of "Hallelujah, I'm a Bum") 2c (1 including people above, w/ Mrs. Rodgers voiceover, the 2nd showing Mrs. Rodgers & her daughters, w/ no voice over), si. & sd., b/w, 3/4" Videocasettes VSA0082-83.

Series I -- Show Music -- has been divided into Rodgers' manuscripts and the full scores; each of these sections has been organized alphabetically by show title and by song title within each show. In the instances when a Broadway musical either was revised, subsequently filmed, or a film musical was re-made, the materials for subsequent productions have been interfiled with the materials for the earlier production. When there are collections of sketches for a show, they are at the end of the materials for that show. Where a collection of sketches contains material from more than one show, the sketches are listed with the show which appears most often; cross-references have been provided for other shows appearing within these sketches. Other collections of sketches, representing a variety of shows, are placed in the Miscellaneous Sketches series; they are listed in chronological order (as nearly as can be determined), and are designated M.S. 1 (i.e., Miscellaneous Sketches 1), etc. Known song titles from these sketches are also cross-referenced in the appropriate shows. When most sketches in a collection are identifiable, the occasional "unidentified" item is listed in the order in which it appears; when most of the sketches in a collection are unknown, there is only a general reference to the fact that unidentified sketches are included. When a portion of a song title is crossed through on the music, it is also crossed through in this guide. The appendix at the end of this guide is an alphabetical list of all of Rodgers' songs represented in this collection and where they can be found. This appendix does not include the full scores.

The music for I Picked a Daisy, Lawrence of Arabia and the second film of State Fair were found together in a way that necessitated our making a best guess as to which materials were intended for which show. Our determinations should be construed as educated speculation, not fact.

The full scores contain many examples of show material that was deleted or replaced with new orchestrations. In a few cases, well known selections are conspicuously absent, most notably, "Carousel Waltz" and "Soliloquy" from Carousel. The full scores are organized alphabetically by show, and by song titles within shows. Unfamiliar titles, and items such as "bridges," and "utilities" are grouped together in Miscellaneous sections at the end of each show. A number of the full scores are marked "N/G," apparently indicating that the score was "No Good" and was not used in the final incarnation of the show.

This collection is an exquisite representation of the working life of a composer in both the breadth and the depth of the material it encompasses: close to 1,000 known song titles (some in various stages of composition), over 80 shows, and hundreds of untitled sketches are represented, primarily as holographs. The assembled materials span approximately sixty-two years (1917-1979), encompassing both Rodgers' amateur and professional life. Rodgers later works are most completely represented, but almost all significant early works are represented as well. There are also a number of lyric sketches for those works on which Rodgers acted as his own lyricist.

Rodgers' melodic prodigiousness is evidenced in the collection by page after page of his sketches. They reveal intricacies of his working methods, for instance, there are lyric sheets with annotations by Rodgers indicating which syllables to accent, some have rhythms notated in the margins, or a melody may be scrawled on the back. There are series of sketches which show the evolution of a song -- giving three or four alternative themes, often with different time signatures and in different styles.

The Rodgers and Hammerstein Fact Book by Stanley Green and the Catalog of the American Musical by Tommy Krasker and Robert Kimball were enormously helpful in determining correct song titles, as well as identifying the shows for which the songs were written or in which they were sung. Scott Willis, a Rodgers and Hart specialist, was gracious with both his time and knowledge, identifying a number of untitled pieces from the collection. Enormous thanks are due to Albert Tucker for his yeoman like work on both the processing of the collection and the creation of this guide.

Mark Eden Horowitz, 1995

Organization of the Richard Rodgers Collection

The Richard Rodgers Collection is organized into five series:

Show Music Non-show Music Miscellaneous Sketches Photographs Miscellaneous http://lccn.loc.gov/2003561025 Container List Box Contents 1-18 22-45 Show Music

Note: The show I Picked a Daisy (ca. 1960), lyrics by Alan Jay Lerner, was unproduced. The collaboration between Rodgers and Lerner was terminated, Lerner subsequently completed the show with Burton Lane and it became On a Clear Day You Can See Forever.

The Show Music has been divided into Rodgers' manuscripts and the full scores; each of these sections has been organized alphabetically by show title and then by song title within each show.

1-18 Manuscripts Allegro (1947) lyrics by Oscar Hammerstein II 1/1 Allegro Holograph sketch in pencil ; 3 p.

Includes: [3] p. of unidentified holograph sketches, one dated "July 1, '43"

1/1 Allegro Holograph piano-vocal score in pencil ; [8] p.

Laid in: typed lyric sheet ; [2] p.

But the days on a planet see: [Sketches for Allegro : no. 3] 1/2 Come home Holograph sketch in pencil ; [1] p. 1/2 Come home Holograph piano-vocal score in pencil ; 5 p.

Laid in: typed lyric sheet ; [1] p.

1/3 A fellow needs a girl Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

1/4 Finale act one Holograph piano-vocal score in pencil ; 13 p.

Laid in: typed lyric sheet ; [6] p.

Includes:

"What a lovely day for the wedding!" "I have let the time run on" "It may be a good idea for Joe" "To have & to hold" "Wish them well" 1/5 The gentleman is a dope Holograph piano-vocal score in pencil ; [7] p.

Laid in: typed lyric sheet ; [1] p.

Good idea for Joe see: [Sketches for Allegro : no. 3] Grandma see: [Sketches for Allegro : no. 3] I have let the time run on see: [Sketches for Allegro : no. 3] 1/6 I know it can happen again Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/7 It's a darn nice campus Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/8 Money isn't everything Holograph piano-vocal score in pencil ; 8 p.

Laid in: typed lyric sheet ; [3] p.

1/9 One foot, other foot Holograph piano-vocal score in pencil ; 6 p.

Laid in: typed lyric sheet ; [3] p.

Opening act I see: [Sketches for Allegro : no. 3] 1/10 Opening sequence Holograph piano-vocal score in pencil ; 6 p.

Laid in: typed lyric sheet ; [2] p.

1/11 Poor Joe! Holograph piano-vocal score in pencil ; [1] p.

Laid in: typed lyric sheet ; [1] p.

Possibly I'm cynical see: [Sketches for Allegro : no. 3] 1/12 Sitting on the porch in the moonlight Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/13 So far Holograph piano-vocal score in pencil ; [4] p. To have and to hold see: [Sketches for Allegro : no. 3] Two more [loves] see: [Sketches for Allegro : no. 1] 1/14 Two short years Holograph sketch in pencil ; [1] p. 1/14 Two short years Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

What a lovely day for a wedding see: [Sketches for Allegro : no. 3] 1/15 The Wildcats are on a rampage Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet [1] p.

Uniform title: Wildcats

1/16 Will you marry me? Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

1/17 Wish them well : finale act I Holograph piano-vocal score in pencil ; [3] p. 1/18 Yatata! Holograph piano-vocal score in pencil ; 9 p.

Laid in: typed lyric sheet ; [3] p.

Uniform title: Yatata, yatata, yatata

1/19 You are never away Holograph piano-vocal score in pencil ; 6 p.

Laid in: typed lyric sheet ; [1] p.

1/20 You never had it so good Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

1/21 [Sketches for Allegro : no. 1] Holograph sketches in pencil ; [4] p.

Includes:

Yatata, yatata, [yatata] Two more loves [The gentleman is a dope] : She doesn't belong to me 1/21 [Sketches for Allegro : no. 2] Holograph sketches in pencil ; [2] p.

Includes:

Money isn't everything Poor Joe 1/21 [Sketches for Allegro : no 3] Holograph sketches in pencil ; 9 p. + [6] p. (variously paginated)

Includes:

p. 1-2: "Opening act I" p. 2: "Grandma," "One foot, other foot" p. 3: "One foot, other foot" p. 4: "A fellow needs a girl," "It's a darn nice campus" p. 5: "The Wildcats are on a rampage" p. 6: "So far," "You are never away" p. 7: "Sitting on the porch [in the moonlight]," "What a lovely day for the wedding" p. 8-9: "What a lovely day for the wedding"(cont.), "I have let the time run on," "Possibly I'm cynical" p. [10]: "[Unidentified]," "But the days on a planet," "Two short years" p. [11]: "Wish them well," "To have and to hold," p. [12]: "I have let the time run on," "Two more loves," "[Allegro] : The lady in bed" p. [13]: "What a lovely day for the wedding," "Good idea for Joe" p. [14]: "Verse [A] fellow needs [a girl] : Marjorie," "Sitting on the porch [in the moonlight]," "You are never away" p. [15]: "Grandma," "[Unidentified]," "Fellow needs [a girl]" The American Idea (1973) television score 1/22 The American idea : main title theme Holograph condensed score in pencil ; 2 p.

Note: dated Oct. 1972

1/22 [The American idea] Holograph condensed score in pencil ; 14 p.

Note: first program of projected ABC-TV series, televised 3/18/73.

Includes:

"Sequence I : New England" "Sequence II : the Tuttles" "Sequence III : Harvard University" "Sequence IV : Mr. Tuttle" "Sequence V : Valley Forge" "Sequence VI : Independance Hall" "Sequence VII : Salem/William Penn/the Amish/the Mormons" "Sequence VIII" "Sequence IX" "Sequence X" "Sequence XI" America's Sweetheart (1931) lyrics by Lorenz Hart 1/23 I want a man See also: [M.S. 1] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [3] p.

Note: originally written for Winkle Town but used in America's Sweetheart

There's so much more see: [Sketches for One Dam Thing After Another] 1/24 [Sketches for America's Sweetheart] Holograph sketches in pencil ; [5] p.

Includes:

p. [1]: "Ope[ning] act I" p. [2]: "My sweet!" p. [3]: "Innocent ch[orus] girls [of yesterday]," "Movies," "In Californ - I.A." p. [4]: "[I've got five dollars] : $5," "[Unidentified]" p. [5]: "[Unidentified]," "[A lady must live] : Ladies must live" Androcles and the Lion (1967) television musical, lyrics by Richard Rodgers 1/25 Don't be afraid of an animal Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheets (2) ; [1] p.

1/26 The emperor's thumb Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/26 Emperor's thumb (extension) Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheets (2) ; [1] p.

1/27 Ferrovius Holograph piano-vocal score in pencil ; [2] p.

Note: 3 measures at bottom of p. [2] notated "New ending."

Laid in: typed lyric sheet ; [1] p.

1/28 Follow in our footsteps Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/29 No more waiting : verse. Holograph piano-vocal score in pencil ; [1] p.

Laid in: typed lyric sheet ; [1] p.

1/29 No more waiting Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

1/30 Strangers Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

1/30 Strangers reprise Typed lyric sheet ; [1] p. 1/30 Strangers reprise Typed lyric sheet ; [1] p. 1/31 Strength is my weakness See also: [Two by Two sketches] Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

Typed lyric sheet ; [1] p.

1/32 Velvet paws Holograph piano-vocal score in pencil ; [2] p. 1/33 [Sketches for Androcles and the Lion] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "Velvet paws," "Stranger[s]" p. [2]: "[Unidentified]," "[The] emperor's thumb," "[Unidentified]" p. [3]: "Don't be afraid [of an animal]" p. [4]: "[Unidentified]" 1/34 [Lyrics sheets and lyric sketches for Androcles and the Lion] Holograph (pencil) and typed lyric sheets and lyric sketches ; [22] p.

Includes:

Don't be afraid of an animal The emperor's thumb Emperor's thumb extension Follow in our footsteps No more waiting No more waiting verse Strangers Strangers reprise [Strength is my weakness] [Velvet paws] : gentle paws [Unidentified] 1/35 [Miscellaneous Androcles and the Lion]

Contents:

[Letter] : Typed letter from Duane Garrison, secretary to Mr. Rodgers ; [1] p. Dated September 21, 1967 [Breakdown of scenes] : Typed list ; [1] p. Musical number run down : Typed list ; 2 p. [List of musical numbers] : Typed list ; [1] p. [Script] : Typed script, annotations in red ink & pencil ; p. 42-51 [Notes] : Holograph in pencil ; [3] p. Babes in Arms (1937) lyrics by Lorenz Hart 2/1 All at once Holograph piano-vocal score in pencil ; [4] p.

Laid in: carbon copy of typed lyric sheet ; [1] p.

2/1 Patter for All at once Holograph piano-vocal score in pencil ; 2 p.

Laid in: carbon copy of typed lyric sheet ; [1] p.

All dark people see: [Sketches for Babes in Arms] Babes in arms see: [Sketches for Babes in Arms] 2/2 I wish I were in love again Holograph piano-vocal score in pencil ; [4] p. 2/3 Imagine Holograph piano-vocal score in pencil ; [4] p. 2/4 Imagine ballet, or, [Peter's journey] Holograph condensed score in pencil ; 22 p. 2/5 Johnny one note Holograph piano-vocal score in pencil ; 6 p. 2/6 The lady is a tramp Holograph piano-vocal score in pencil ; [5] p. 2/7 [My funny] valentine Holograph piano-vocal score in pencil ; [4] p. Peter's journey see: Imagine ballet 2/8 Where or when Holograph piano-vocal score in pencil ; [4] p. 2/9 You are so fair Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet with pencil annotation ; [1] p.

2/10 [Sketches for Babes In Arms] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "Verse [I wish I were in] love again," "[Unidentified]," "[All at once] : Never love," "Rhythm" (from André Charlot revue Please!, 1933) p. [2]: "[Where or when]," "[Johnny one note]," "[Unidentified]," "[Unidentified]," "[All dark people]" p. [3]: "[Unidentified]," "[Unidentified]," "Imagine" p. [4]: "[Imagine]: verse," "Babes in arms," "[Unidentified]," "[Unidentified]," "[Unidentified]," "[I wish I were] in love again" Bad Habits of 1925 , musical revue, lyrics by Lorenz Hart 2/11 College baby! Holograph piano-vocal score in pencil & ink, no lyric ; [4] p.

Lyric by Robert Simon

2/12 I'd like to take you home Holograph piano-vocal score in pencil, no lyric ; [4] p.

Note: later used in The Girl Friend

2/13 Mah jong maid Holograph piano-vocal score in pencil, no lyric ; [3] p.

Lyric by Herbert Fields

2/14 The merry merry Holograph piano-vocal score in pencil & ink, no lyric ; [2] p.

On t.p.: "Opening" and "1"

Uniform title: The merrie merrie

2/15 Silver threads Holograph piano-vocal score in pencil, no lyric ; 5 p. Betsy (1926) lyrics by Lorenz Hart Birds on high see: [M.S. 3] in MISCELLANEOUS SKETCHES Bugle blow see: [Sketches for Betsy] If I were you see: [M.S. 3] in MISCELLANEOUS SKETCHES 2/16 Is my girl refined? Holograph piano-vocal score in pencil, no lyric ; [3] p.

Note: dropped before New York opening

The Kitzel engagement see: Opening ensemble see: [M.S. 3] in MISCELLANEOUS SKETCHES 2/17 Nations patters Holograph condensed score in pencil ; 8 p.

Includes:

"Irish" "Italian" "Russian" "Chinese" One of us should be two see: [Sketches for Betsy] 2/18 Opening ensemble, or, [The Kitzel engagement] Holograph piano-vocal score in pencil, no lyric ; 8 p. 2/19 Shuffle! Holograph piano-vocal score in pencil, no lyric ; [3] p.

On t.p.: "Intro I-II"

2/20 Sing! See also: [M.S. 3] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [3] p. This funny world see: [Sketches for Betsy] 2/21 [Sketches for Betsy] Holograph sketches in pencil ; [4] p.

Note: melody for "Mosk[owitz] open[ing] patter" appears to fit the lyric for "At the Saskatchewan," which was cut before the opening

Includes:

p. [1]: "[Bugle blow] : Verse of 'American,'" "[One of us should be two]," "[Unidentified]" p. [2]: "[This funny world]," "[Unidentified]," [Bugle blow : refrain]" p. [3]: "Burn up!," "[Unidentified]," "Dummy march" (from Betsy or Peggy-Ann) p. [4]: "Irish," "Russian," "[Tramping along]" (cut from Peggy-Ann), "Mosk[owitz] open[ing] patter" The Boys from Syracuse (1938; film 1940) lyrics by Lorenz Hart 2/22 [Ballet] Holograph sketches in pencil ; [1] p.

On back: unidentified holograph sketch in pencil

2/23 Big brother Holograph piano-vocal score in pencil ; [2] p.

On back: notes on the instrumentation in blue and red pencil

2/24 Come with me Holograph piano-vocal score in pencil ; 6 p. 2/25 Dear old Syracuse Holograph piano-vocal score in pencil ; [4] p. 2/26 Falling in love with love Holograph piano-vocal score in pencil ; 6 p. 2/27 Finale act one Holograph piano-vocal score in pencil ; 11 p. 2/28 The Greeks have no word for it See also: [Sketches for Higher and Higher] Holograph sketch in pencil ; [1] p.

Note: from the 1940 film version of The Boys from Syracuse

2/29 He and she Holograph piano-vocal score in pencil ; [4] p. 2/30 He had twins! Holograph piano-vocal score in pencil ; [14] p.

On cover: "Opening"

2/31 Ladies of the evening Holograph piano-vocal score in pencil ; 4 p. 2/32 Oh, Diogenes Holograph piano-vocal score in pencil ; [4] p. 2/33 The shortest day of the year Holograph piano-vocal score in pencil ; [4] p. 2/34 Sing for your supper Holograph piano-vocal score in pencil ; [4] p.

Note: melody sketch in light pencil at bottom of p. 4

2/35 What can you do with a man? Holograph piano-vocal score in pencil ; [4] p. 2/36 Who are you? Holograph piano-vocal score (verse only) in pencil ; [1] p.

Laid in: carbon copy of typed lyric sheet ; [1] p.

Note: from the 1940 film version of The Boys from Syracuse

2/36 Who are you? See also: [M.S. 11] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil ; [4] p.

Note: verse different than above, but the same as verse of "From another world," from Higher and Higher

Note: from the 1940 film version of The Boys from Syracuse

2/37 [You have cast your] shadow on the sea Holograph piano-vocal score in pencil ; [4] p. 2/38 [Sketches for The Boys from Syracuse] Holograph sketches in pencil ; [10] p.

Includes:

p. [1]: "Come with me," "Patter" p. [2]: "Verse [Oh,] Diogenes," "[Falling in love with love] : Serving" p. [3]: "He and she verse" p. [5]: "Trio" p. [6]: "[You have cast your shadow on the sea]," "[This can't be love]" p. [7]: "What can you do with a man" p. [8]: "Opening act I," "Verse [You have cast your] shadow on the sea," "[Dear old] Syracuse" p. [9]: "The shortest day [of the year]," "[Oh, Diogenes]" p. [10]: "Big brother," "Trio Sing for your supper" By Jupiter (1942) lyrics by Lorenz Hart 3/1 The boy I left behind me Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet entitled "Opening act one" ; [1] p.

3/2 Careless rhapsody Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet with annotations in pencil ; [1] p.

3/3 Everything I've got Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

3/5 Finaletto (Act II) Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheets (2) ; [1] p. each

3/6 Fool meets fool Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet with annotation in pencil ; [1] p.

The gateway of the Temple of Minerva see: Temple of Minerva 3/7 Here's a hand Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

3/8 Jupiter forbid Holograph piano-vocal score in pencil ; [5] p.

Laid in: typed lyric sheet ; [1] p.

3/9 Life was monotonous Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet with annotations in pencil ; [1] p.

3/10 Life with Father Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

3/11 Nobody's heart Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotations in pencil & type ; [1] p.

3/12 Nothing to do but relax Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

3/13 Temple dance Holograph piano score in pencil ; [2] p. 3/14 The Temple of Minerva Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet entitled "In the gateway of the temple of Minerva" ; [1] p.

3/15 Wait till you see her See also: [Sketches for Oklahoma!] Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

Carousel (1945; film 1956) lyrics by Oscar Hammerstein II 3/16 Blow high, blow low Holograph piano-vocal score in pencil ; [3] p. 3/17 Carrousel Holograph sketch in pencil ; 5 p.

On t.p.: "Intro 'Liliom'"

Uniform title: Carousel waltz

3/17 Carrousel Holograph piano score in pencil ; 13 p.

Uniform title: Carousel waltz

3/17 The carousel waltz See also: [Sketches for Hallelujah, I'm a Bum] Ozalid of copyist's ms. piano score ; 18 p.

Uniform title: Carousel waltz

3/18 Geraniums ; Stonecutters ; What's the use of wond'rin' Holograph piano-vocal score in pencil ; 9 p.

Note: actual title for "Stonecutters" is "There's nothin' so bad for a woman"

Uniform title: Geraniums in the winder

3/19 The highest judge of all Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

3/20 Scene Billy and Julie ; If I loved you Holograph piano-vocal score in pencil ; 14 p.

Uniform title: If I loved you

3/21 Act one, scene three opening ; June is bustin' out all over Holograph piano-vocal score in pencil ; 10 p.

Uniform title: June is bustin' out all over

3/22 Julie and Carrie sequence ; Mister Snow Holograph piano-vocal score in pencil, incomplete lyric ; 11 p.

Uniform title: Mister Snow

3/22 Reprise Mr. Snow Holograph piano-vocal score in pencil ; 5 p.

Uniform title: Mister Snow

3/23 A real nice clambake Holograph piano-vocal score in pencil ; 6 p. 3/24 Soliloquy Holograph sketch in pencil ; [4] p. 3/24 Soliloquy Holograph piano-vocal score in pencil ; 14 p. + [1] p. insert

Note: includes a [1] p. typed lyric sheet to accompany the insert

Stonecutters cut it on stone see: Geraniums in the winder There's nothin' so bad for a woman see: Geraniums in the winder 3/25 2 little people Holograph sketch in pencil, some lyric ; [1] p.

Note: lyric suggests a relation to "If I loved you"

Uniform title: Two little people

What's the use of wond'rin' see: Geraniums in the winder 3/26 Carrie and Mister Snow ; When the children are asleep Holograph piano-vocal score in pencil ; 8 p.

Uniform title: When the children are asleep

3/27 You'll never walk alone Holograph piano-vocal score in pencil ; [3] p. Chee-Chee (1928) lyrics by Lorenz Hart I must love you see: Send for me in Simple Simon [Various titles] see: [M.S. 2] in MISCELLANEOUS SKETCHES The Chinese Lantern (1922) lyrics by Lorenz Hart 3/28 Chinese march Holograph piano score in pencil ; [3] p. 3/29 I want to be a grocer Holograph piano-vocal score in pencil, no lyric ; [3] p. 3/30 Wee little china rose Holograph piano-vocal score in pencil, no lyric ; [5] p.

Lyrics by Laurence Housman

Cinderella (1957) television musical, lyrics by Oscar Hammerstein II 4/1 Do I love you (because you're beautiful) Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

4/1 Do I love you Holograph sketch in pencil ; [1] p.

Note: also includes sketch fragment for "Impossible"

4/2 Fol-de-rol Holograph piano-vocal score in pencil ; [1] p. 4/2 Fol-de-rol Copyist's ms. piano-vocal score in ink ; [1] p. 4/3 Gavotte! Holograph piano-vocal score in pencil, no lyric ; 2 p. If I weren't king see: [Sketches for Cinderella] 4/4 Impossible Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

4/4 Impossible Holograph sketch in pencil ; [1] p. 4/5 In my own little corner Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotation in pencil ; [1] p.

4/5 Corner Holograph sketch in pencil ; [1] p. 4/6 A lovely night Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

4/6 [A lovely night] Holograph sketch in pencil ; [1] p. 4/7 Mother and daughters' march Holograph piano score in pencil ; [2] p. 4/8 Prince is giving a ball Holograph sketch (with lyric) in pencil ; 4 p. 4/9 Scene before In my own little corner Holograph piano-vocal score in pencil ; 4 p.

Laid in: typed lyric sheet, annotations in pencil (including rhythmic notations) ; p. 64-66

4/10 Ten minutes ago Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

4/11 Waltz for a ball Holograph piano score in pencil ; 6 p. 4/11 Waltz! Holograph sketch in pencil ; 2 p. 4/12 [Sketches for Cinderella] Holograph sketches in pencil ; [3] p.

Includes:

p. [1]: "Cinderella," "12 bells or chimes on [half note] A" p. [2]: "Mother and daughters' march" p. [3]: "Ten minutes ago" 4/12 [Sketches for Cinderella] Holograph sketches in pencil, some lyric ; [4] p.

Includes:

Ex[i]t march If I weren't king : dummy Intro to Lovely night 4/13 [Lyric sheets] Typed lyric sheets, one with sketch material in pencil, most with 2 copies ; [7] p.

Includes:

[Do I love you (because you're beautiful)] : Are you beautiful because I love you? Impossible In my own little corner Ten minutes ago A Connecticut Yankee (1927 & 1943 revival) lyrics by Lorenz Hart 4/14 Can't you do a friend a favor Holograph piano-vocal score in pencil ; [3] p. Let's both go home and kiss our mothers see: [Sketches for A Connecticut Yankee] My heart stood still see: [M.S. 3] in MISCELLANEOUS SKETCHES 4/15 Nothing's wrong Holograph piano-vocal score and sketch in pencil, no lyric ; [3] p.

Note: 4 measure unidentified piano sketch on back

Someone should tell them see: [Sketches for One Dam Thing After Another] 4/16 This is my night to howl Holograph piano-vocal score in pencil ; 4 p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

Thou swell see: [Sketches for A Connecticut Yankee] 4/17 To keep my love alive Holograph piano-vocal score in pencil ; [4] p. 4/18 You always love the same girl Holograph piano-vocal score in pencil ; 7 p. 4/18 Love the same girl Holograph sketch in pencil, partial lyric ; 2 p. You are what I need see: [Sketches for A Connecticut Yankee] 4/19 [Sketches for A Connecticut Yankee] Holograph sketches in pencil ; [2] p.

Includes:

[Can't you do a friend a] favor [This is my night to] howl [Unidentified] 4/19 [Sketches for A Connecticut Yankee] Holograph sketches in pencil ; [2] p.

Includes:

Let's both go home and kiss our mothers [Thou swell] : Thou sweet [Thou swell] : Sweet [You are] what I need Dancing Lady (1933) film, lyrics by Lorenz Hart Dancing lady see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party] That's the rhythm of the day see: [M.S. 7] in MISCELLANEOUS SKETCHES Dancing Pirate (1936) film, lyrics by Lorenz Hart Are you my love? see: [M.S. 10] in MISCELLANEOUS SKETCHES Dearest Enemy (1925) lyrics by Lorenz Hart 4/20 Bye and bye Photocopy of holograph piano-vocal score, no lyric ; [3] p. 4/21 Old enough to love Holograph piano-vocal score in pencil, no lyric ; [4] p. 4/21 Old enough to love Holograph piano score in pencil ; [3] p. 4/22 Opening act one, or, [Heigh-ho, lackaday] Holograph piano score in pencil ; [4] p. Do I Hear a Waltz? (1965) lyrics by Stephen Sondheim 4/23 Interlude -- Perhaps Holograph piano-vocal score in pencil ; [4] p.

Uniform title: Bargaining

4/24 Do I hear a waltz? Holograph piano-vocal score in pencil, partial lyric ; [3] p.

Typed lyric sheet ; [1] p.

4/24 Do I hear a waltz Holograph sketch in pencil, some lyric ; [2] p.

Note: 2 sketches, "Lover to lover" and "American Adventure," crossed out at top of page

4/24 [Do I hear a waltz?] Holograph sketch in pencil, with lyric ; [1] p.

At top: "Unused notes"

Typed lyric sheet ; [1] p.

Note: this lyric was originally written by Sondheim for consideration in what became Anyone Can Whistle; when it was not used there, Sondheim later presented it to Rodgers for consideration in their show.

4/25 Everybody loves Leona Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

4/25 Leona Holograph sketch in pencil ; [1] p.

At top: "Used notes"

Note: includes a crossed out sketch for "Planes," i.e., "What do we do? We fly!"

4/26 Here we are again Holograph piano-vocal score in pencil ; [3] p. 4/27 Last week the English (This week Americans) Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet, annotations in pencil, including 3 measures of sketch material on back ; [1] p.

4/27 Last week the English Holograph sketch in pencil ; [1] p. 4/27 American tag Holograph piano-vocal sketch in pencil ; 2 p.

Typed lyric sheet ; [1] p.

4/28 Moon in my window Holograph piano-vocal score in pencil ; [1] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

4/29 No understand Holograph piano-vocal score in pencil ; [2] p.

Photocopy of ozalid of copyist's ms. piano-vocal score, annotations in pencil ; 2 p.

Note: dated 12/14/64

Typed script portion including lyric, annotations in pencil ; [7] p.

4/29 [No understand] Holograph sketch in pencil ; [2] p. 4/30 Perfectly lovely couple Holograph piano-vocal score in pencil, partial lyric ; [4] p. 4/31 Perhaps Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

4/32 Philadelphia Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in ink ; [1] p.

4/32 Philadelphia Holograph lead sheet in pencil ; [1] p. 4/33 San Marco Holograph sketch in pencil ; [2] p.

At top: "Unused notes"

Note: holograph sketch in pencil for "Alt. some people" on p. [2]

4/34 Someone like you Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed production notes with annotations in ink and holograph sketch in ink for "Someone like you" ; [2] p.

4/34 Someone like you : act I, scene 3 Typed lyric sheet ; [1] p. 4/35 Someone woke up Copyist's manuscript piano-vocal score in ink with holograph coda and insert material in pencil, lyrics in pencil ; [4] p.

Laid in: typed lyric sheet, annotation in pencil ; [1] p.

4/35 Someone woke up Holograph piano sketch in pencil ; [1] p. 4/36 Stay Holograph piano-vocal sketch in pencil, partial lyric ; [1] p. 4/36 Stay : coda Holograph piano-vocal score in pencil ; [1] p. 4/36 [Stay] Holograph lyric sketch (4 lines) in pencil ; [1] p. 4/36 Stay -- Interlude Holograph piano-vocal score in pencil, no lyric ; [1] p.

At top: "Unused ms."

On back: holograph sketch material (crossed out)

4/37 Take the moment Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet with annotations in pencil, including a 4 measure melody sketch ; [1] p.

Laid in: holograph lyric sketch in pencil ; [1] p.

4/38 Thank you so much Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheets (2), one with annotations in pencil, the other of 1st refrain only ; [1] p. each

4/38 Thank you so much : verse Holograph piano-vocal score in pencil, last 4 measures crossed out ; [2] p. 4/39 <emph render="altrender" altrender="strikeout">I was</emph> thinking Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet, annotations in pencil ; 2 p.

Uniform title: Thinking

5/1 Two by two : verse Holograph piano-vocal score in pencil ; [1] p.

Laid in: typed lyric sheet, annotations in pencil include rhythmic notations on the back ; [1] p.

5/1 Two by two Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet, annotation in pencil ; [1] p.

5/1 Two by two Holograph sketch in pencil with lyric ; [1] p.

Note: additional holograph sketches include "Hold the moment" and unidentified material

5/1 [Two by two] Holograph rhythmic sketch in pencil with crossed out lyric ; [1] p.

On back: holograph sketch material designated as "Unused notes"

5/2 Two by two : promenade Holograph piano-vocal score in pencil ; [3] p.

Note: paper stained, damaged on p. [3]

5/3 We're gonna be all right Holograph piano-vocal score in pencil ; [1] p. 5/3 We're gonna be all right : refrain Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in pencil ; [2] p.

5/3 We're gonna be all right Holograph sketch in pencil ; [1] p.

Note: crossed out holograph sketch for "Story of my life" at top; and crossed out holograph sketch identified as "Thinking (New opening) bars" on back

5/4 What do we do? We fly! Holograph piano-vocal score in pencil ; [6] p.

Note: performance annotations on p. [7]

5/4 Planes 1 ; Planes 2 Holograph piano-vocal sketch and sketch with lyric, in pencil ; [2] p. 5/5 [Sketches for Do I Hear a Waltz?] Holograph sketches in pencil ; [6] p.

Includes:

p. [1]: "Take the moment" p. [2]: "Perhaps" p. [4]: "Goodbye tune : act II" p. [5]: "[What do we do? We fly!] : Planes" p. [6]: "[Two by two : promenade] : Eddie and Jennifer sect. of Promenade" Ever Green (1930; film [ Evergreen ], 1934) lyrics by Lorenz Hart 5/6 Barker ; [Quand notre vieux monde etait tout neuf] = When the old world was new Holograph piano-vocal scores in pencil, no lyrics ; 5 p. ; 3 p. The beauty contest see: Opening act one 5/7 The colo[u]r of her eyes See also: [M.S. 2] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [4] p.

Note: same music as "The color of her eyes" which was cut from Spring Is Here

5/8 Insert "Dancing on the ceiling" See also: Dancing on the ceiling in Simple Simon Holograph melody in ink, with lyric ; [8] m.

Note: cut from Simple Simon and used in Ever Green

Uniform title: Dancing on the ceiling

5/9 Little clog : waltz Holograph piano-vocal score in pencil, no lyric ; [2] p.

Uniform title: Doing a little clog dance

5/10 Lovely woman's ever young : <emph render="altrender" altrender="strikeout">The captain is a little baby</emph> Holograph piano-vocal score in pencil, no lyric ; [4] p.

Uniform title: La femme a toujours vingt ans!

5/11 Harlemania Holograph piano-vocal score in pencil, no lyric ; [4] p. 5/12 If I give in to you Holograph piano-vocal score in pencil, no lyric ; [3] p. 5/13 Talking song Holograph piano-vocal score in pencil, no lyric ; [2] p.

On back: holograph sketch for "Dance for Opening act one"

Uniform title: Impromptu song

5/14 The cool of the evening Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: In the cool of the evening

5/15 Sex-appeal Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: Je m'en fiche du sex-appeal

5/15 Je m'en fiche Holograph piano-vocal score in pencil, no lyric ; [4] p.

Laid in: typed lyric sheet ; [1] p.

Uniform title: Je m'en fiche du sex-appeal

5/16 Lion song Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: The lion king

5/17 If we're in China Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: No place but home

5/18 Nobody looks at the man Holograph piano-vocal score in pencil, no lyric ; [3] p. 5/19 Opening act one, or, [The beauty contest] Holograph piano-vocal score in pencil, no lyric ; 8 p. 5/19 Dance for Opening act one Holograph piano-vocal score in pencil, no lyric ; [2] p. Quand notre vieux monde etait tout neuf see: Barker 5/20 She was poor Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: Waiting for the leaves to fall

When the old world was new see: Barker see: [Sketches for Spring Is Here] Flower Drum Song (1958; film 1961) lyrics by Oscar Hammerstein II 5/21 Chop suey Holograph piano-vocal score in pencil ; [4] p. 5/21 Dummy rhythm for "Chop suey" Holograph rhythmic sketch in pencil ; [1] p. 5/22 Don't marry me Holograph piano-vocal score in pencil ; [5] p.

On back (p. 1): holograph sketch and notes regarding musical routine

5/23 Fan tan fanny Holograph piano score in pencil, no lyric ; [2] p. 5/24 Gliding through my memoree Holograph sketch in pencil ; [3] p. 5/25 Grant avenue Holograph piano-vocal score in pencil ; [4] p. 5/26 A hundred million miracles Holograph piano-vocal score in pencil ; 5 p. 5/26 Miracles Holograph piano-vocal sketch in pencil ; [4] p.

On back: unidentified holograph sketch in pencil (crossed out)

5/27 I am going to like it here Holograph piano-vocal score in pencil ; [3] p. 5/28 I enjoy being a girl Holograph piano-vocal score in pencil ; 5 p.

Laid in: typed lyric sheet with annotations in pencil, including signature "O[scar]"

5/29 Like a god Holograph piano-vocal score in pencil ; [5] p. 5/29 Like a god Holograph sketch in pencil ; [1] p.

On back: holograph sketch for "Love, look way"

5/29 Like a god Holograph lead sheet in pencil, partial lyric in ink ; [1] p. 5/30 Love, look away See also: Like a god See also: Sunday Holograph piano-vocal score in pencil ; [3] p. 5/30 Love, look away : verse See also: Like a god See also: Sunday Holograph piano-vocal score in pencil ; [1] p.

Note: 7 m. of melody (crossed out) on inside page

5/30 [Love, look away] See also: Like a god See also: Sunday Holograph sketch in pencil, partial lyric in ink ; [1] p. 5/31 My best love Holograph piano-vocal score in pencil ; [3] p.

Note: enclosed typed note reads, "This number was not used in the show"

5/32 The other generation Holograph piano-vocal score in pencil ; 5 p. She is beautiful see: You are beautiful 5/33 Sunday Holograph piano-vocal score in pencil ; [3] p. 5/33 Sunday verse Holograph sketch in pencil ; [1] p.

Note: includes sketch material for "Love, look away"

5/34 She is the girl Holograph piano-vocal score in pencil ; [3] p.

Note: known during tryout as "She is beautiful"

Uniform title: You are beautiful

5/35 [Sketches for Flower Drum Song] Holograph sketches in pencil ; [12] p.

Includes:

p. [1]: "[I am going to] like it here" p. [2]: "[I enjoy being a girl]," "Grant ave[nue]" p. [3]: "[I] enjoy being a girl" p. [4]: "'Same girl' bass," "Verse Grant ave[nue]," "Coolie opening" p. [6-8]: "I enjoy being a girl" p. [9]: "[You are beautiful] : She is beautiful" p. [10-11]: "[I enjoy] being a girl" p. [12]: "Sunday" Follow Thru (1930) film, lyrics by Lorenz Hart 5/36 Because we're young Holograph piano-vocal score in pencil ; [3] p. 5/37 I'm hard to please Holograph piano-vocal score in pencil ; [4] p. 5/38 It never happened before Holograph piano-vocal score in pencil ; [3] p. 5/39 Softer than a kitten See also: Hunting ballet in Simple Simon Holograph piano-vocal score in pencil ; [3] p. Fools for Scandal (1938) film, lyrics by Lorenz Hart 5/40 [Sketches for Fools for Scandal] Holograph sketches in pencil ; [6] p.

Includes:

p. [1]: "Verse [How can you] forget[?]" p. [2]: "[Love knows best]," "[I'd rather be right]" (from I'd Rather Be Right) p. [3]: "[How can you forget]," "There's a boy in Harlem" p. [4]: "Once I was young," "Verse Love knows best" p. [5]: "Food for scandal" p. [6]: "Verse [There's a boy in] Harlem," "[Everybody loves you]" (cut from I'd Rather Be Right), "Let's sing a song [about nothing]" The Garrick Gaieties (1925) lyrics by Lorenz Hart 6/1 April fool Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/2 Gilding the guild Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/3 The joy spreader : a jazz opera in one act Holograph piano-vocal score in pencil, no lyric ; 27 p.

Note: some instrumentation indicated in score

6/4 Jury song Holograph piano-vocal score in pencil, no lyric ; [1] p.

On back: holograph sketch material in pencil

6/5 Manhattan Holograph piano-vocal score in pencil, no lyric ; [4] p. 6/6 Monkey finale Holograph piano score and melodic fragment in pencil ; [1] p.

On back: notes regarding musical routine

Note: may be "Working with a scarf"

6/7 Requiescat in pace Holograph piano-vocal score in pencil, no lyric ; [3] p.

At end: "Shuffle"

6/8 Sentimental me! Holograph piano-vocal score in pencil, no lyric ; [3] p.

At end: annotations regarding instrumentation and performance

6/9 Speeches are gold Holograph piano-vocal score in pencil, no lyric ; [2] p.

At end: holograph melodic fragment and instructions regarding

6/10 Stage managers' chorus Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/11 The three musketeers Holograph piano-vocal score in pencil, no lyric ; [3] p.

On back: holograph notes regarding musical routine

The Garrick Gaieties (1926) lyrics by Lorenz Hart 6/12 Allez-up! Holograph piano-vocal score in pencil, no lyric ; [3] p. American beauty rose see: [Sketches for The Garrick Gaieties (1926)] Back to nature see: [Sketches for The Garrick Gaieties (1926)] 6/13 Gigolo Holograph piano-vocal score in pencil, no lyric ; [3] p.

On back: holograph notes regarding musical routine

6/14 Idylls of the king : <emph render="altrender" altrender="strikeout">Knights of round table</emph> Holograph sketch in pencil ; [1] p. It may rain see: [Sketches for The Garrick Gaieties (1926)] Just a little souvenir see: [Sketches for The Garrick Gaieties (1926)] 6/15 Keys to heaven Holograph piano-vocal score in pencil, no lyric ; [4] p. Mexico see: [Sketches for The Garrick Gaieties (1926)] 6/16 Reprise mountain greenery Holograph sketch in pencil ; [1] p.

At top: "4 Girls"

Uniform title: Mountain greenery

6/17 Opening act I Holograph piano-vocal score in pencil, no lyric ; [8] p. 6/17 Opening ; Opening chorus Holograph sketches in pencil ; [2] p.

Note: bottom of p. [1] reads "Pussy Willow music"

On back (p. 2): sketch material for "Mountain greenery"

6/18 Queen Elizabeth Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/19 Sleepyhead Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/19 Sleepyhead Holograph piano-vocal score in pencil, no lyric ; [4] p.

Note: the verses of the two scores differ

6/20 Tennis Holograph piano-vocal score in pencil, no lyric ; [2] p.

Uniform title: Tennis champs

6/21 What's the use of talking Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/22 [Sketches for The Garrick Gaieties (1926)] Holograph sketches in pencil ; [4] p.

Includes:

Amer[ican] beauty rose Back to nature Verse of It may rain Just a little souvenir Mexico Ghost Town (1939) an American folk ballet, libretto by Richard Rodgers and Marc Platoff 6/23 Ghost town Holograph condensed score in pencil ; 58 p.

Note: score contains some indicatations of orchestration

6/24 [<emph render="italic">Ghost Town</emph> inserts] Holograph condensed score in pencil ; 12 p.

Includes: inserts 1-8, 4a

6/25 [Sketches for Ghost Town] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "Pas de deux," "['Cause we got cake] : cake walk" (for Too Many Girls), "Harmonia" p. [2]: "2nd 1/2 Pas de deux," "['Cause we got cake] : cake walk" (for Too Many Girls), "Money march," "Reel," "Polka" p. [3]: "March pt. 2," "Rose of summer" p. [4]: "Pas de deux," "[Unidentified]," "Miners," "Mormon" The Girl Friend (1926) lyrics by Lorenz Hart 6/26 The blue room Photocopy of holograph piano-vocal score (2 copies, normal and reduced sizes), no lyric ; [4] p. 6/26 The blue room Photocopy of holograph condensed score (2 copies, normal and reduced sizes) ; [1] p.

Note: an extra page of notes regarding musical routine is included

6/27 Creole crooning song Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/28 Look for the damsel! Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: The damsel who done all the dirt

6/29 The girl friend Photocopy of holograph piano-vocal score, no lyric ; [3] p.

On back: sketch material

6/30 Good fellow mine Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/31 To hum! Holograph sketch in ink ; 1 p. (5 3/4" x 10 1/2")

Uniform title: Hum to

6/32 I'd like to take you home Holograph piano-vocal score in pencil, no lyric ; [4] p.

Note: last page is very sketchy

Note: an earlier version of this song can be found with The Girl Friend

6/33 Town hall tonight! Holograph piano-vocal score in pencil, no lyric ; [3] p.

On back: holograph sketch in pencil for alternate ending of "Town hall tonight!"

6/34 Turkey in the straw Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/35 Two of a kind Holograph piano-vocal score in pencil, no lyric ; [3] p. 6/36 Why do I? Photocopy of holograph piano-vocal score, no lyric ; [2] p. The Great Adventure (1963) television theme 6/37 The great adventure Holograph condensed score in pencil ; [3] p. Hallelujah, I'm a Bum (1933) film, lyrics by Lorenz Hart 7/1 Bumper found a grand ; What do you want with money? Holograph piano-vocal score in pencil ; 13 p. 7/2 I've got to get back to New York Holograph piano-vocal score in pencil ; 7 p. 7/3 Cornerstone laying Holograph piano-vocal score in pencil ; 8 p.

Uniform title: Laying the cornerstone

7/4 Sleeping beauty Holograph piano-vocal score in pencil ; 14 p. 7/5 Tick-tick Holograph piano-vocal score in pencil ; 8 p.

Mimeograph of copyist's ms. piano-vocal score ; 10 p.

What do you want with money see: Bumper found a grand Zoo see: [Sketches for Hallelujah, I'm a Bum] 7/6 [Sketches for Hallelujah, I'm a Bum] Holograph sketches in pencil ; [3] p.

On t.p.: "Park notes"

Includes:

p. [1]: "Zoo" p. [3]: "[Carousel waltz]" (from Carousel) Happy Birthday (1946) lyric by Oscar Hammerstein II 7/7 I haven't got a worry in the world Holograph piano-vocal score in pencil ; [4] p. Heads Up! (1929; film 1930) lyrics by Lorenz Hart (Me for You was pre-Broadway title) 7/8 As though you were there Copyist's ms. piano-vocal score in ink, lyric in pencil ; 4 p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

Note: cut from show

Jazz reception see: Opening act one 7/9 Opening act one Holograph piano-vocal score in pencil, no lyric ; 6 p.

Note: dropped before New York premiere; also known as "Jazz reception"

7/10 [Sketches for Heads Up!] Holograph sketches in pencil ; [4] p.

Note: unidentified but believed to be for Me for You

Higher and Higher (1940) lyrics by Lorenz Hart 7/11 A barking baby never bites See also: [M.S. 11] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil ; [4] p. Blue Monday see: Opening act II Disgustingly rich see: [Sketches for Higher and Higher] see: [M.S. 11] in MISCELLANEOUS SKETCHES 7/12 Ev'ry Sunday afternoon Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

7/13 From another world Holograph piano-vocal score in pencil ; [2] p.

On cover: "Please copy verse (lyric and music) of 'Who Are You' which will become verse of this song, both in key of G. - R.R."

7/14 How's your health? Holograph piano-vocal score in pencil ; 5 p.

Laid in: typed lyric sheet ; [1] p.

7/15 It's pretty in the city Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

7/16 Life! Liberty! Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

7/17 Lovely day for a murder Holograph piano-vocal score in pencil ; 5 p. 7/18 Morning's at seven Holograph piano-vocal score in pencil ; [4] p. 7/18 Morning's at seven Holograph sketch in pencil ; [1] p.

Note: additional holograph material includes an unidentified sketch and a sketch for "It's pretty in the city" (bottom of page), as well as an unidentified piano score on the back

7/19 Nothing but you Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

7/20 Ope[ning] act II Holograph sketch in pencil ; [1] p.

On back: holograph sketch in pencil titled "Exercise"

Laid in: photocopy of holograph lyric sheet, possibly related to "Blue Monday" ; [2] p.

7/21 [Sketches for Higher and Higher] Holograph sketches in pencil ; [1] p. (torn in half)

Includes:

"[Haley] and Eric" "Verse [Lovely day for a] murder" 7/21 [Sketches for Higher and Higher] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "Verse waltz," "Life, liberty," "[The] Greeks [have no word for it]" (from film version of The Boys from Syracuse) p. [4] (upside down): "[Disgustingly] rich," "Recit[ative]," "Cinderella" Hollywood Party (1934), film, lyrics by Lorenz Hart, Gus Kahn, Mr. Dietz and Arthur Freed Black diamond see: [Sketches for Hollywood Party] Burning see: [Sketches for Hollywood Party] Hollywood party see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party] I'm one of the boys see: [Sketches for Hollywood Party] I'm a queen in my own domain see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party] Keep away from the moonlight see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party] My friend the night see: [Sketches for Hollywood Party] 7/22 [The night was made for dancing] Holograph piano-vocal sketch in pencil, no lyric ; [3] p. 7/22 [The night was made for dancing] Holograph sketch in ink & pencil, with lyric ; [1] p. Prayer see: [Sketches for I Married an Angel] see: [Sketches for Hollywood Party] see: [Sketches for Too Many Girls] Reincarnation see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party] 7/23 [Sketches for Hollywood Party] Holograph sketches in pencil ; [9] p.

Lyrics by Lorenz Hart unless otherwise noted

Includes:

p. [1]: "Verse [My] friend [the] night," "Verse [Keep away from the] moonlight," "[I'm a] queen [in my own domain]" p. [2]: "D[ancing] l[ady]" p. [3]: "D[ancing] l[ady] verse," "H[ollywood] p[arty] verse," "Reincarnation" (lyric by Hart and Jimmy Durante), "[I'm] one of the boys" p. [4]: "Verse Love like ours" p. [5]: "Black diamond," "[Prayer] : Harlow's prayer" p. [6]: "Black diamond" p. [7]: "[Dersler]" p. [8]: "Verse [I'm] one of the boys" p. [9]: "[Burning]: I'm burning verse" I Married an Angel (1938; film 1942) lyrics by Lorenz Hart 7/24 Animated objects Holograph piano-vocal sketch in pencil ; 11 p.

Note: actually from 1933 unproduced film score of I Married an Angel

Angel without wings see: [Sketches for I Married an Angel] Honeymoon ballet see: [Sketches for I Married an Angel] How to win friends and influence people see: [Sketches for I Married an Angel] I'll tell the man in the street see: [Sketches for I Married an Angel] 7/25 Opening : I married an angel Holograph piano-vocal sketch in pencil, partial lyric ; 23 p.

Note: actually from 1933 unproduced film score of I Married an Angel

Spring is here see: [Sketches for I Married an Angel] A twinkle in your eye see: [Sketches for I Married an Angel] 7/26 Why have you eyes Holograph piano-vocal sketch in pencil ; p. 12-14

Note: actually from 1933 unproduced film score of I Married an Angel; probably followed "Animated objects"

7/27 Yodel [if you can] Holograph and ms. sketch in pencil ; [1] p.

On back: unidentified ms. condensed score in ink

7/28 [Sketches for I Married an Angel] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "[I'll tell the man in the street]" p. [2]: "Angels [without wings]," "[Spring is here]" p. [3]: "[Labor is the thing] : P.W.A." (from I'd Rather Be Right), "Verse How to win friends [and influence people]" p. [4]: "[Honeymoon?] ballet," "Verse [A] twinkle [in your eye]" (upside down on page) 7/28 [Sketches for I Married an Angel] Holograph sketches in pencil ; [8] p.

Note: Most of these sketches appear to have been for the unproduced film version of I Married an Angel, 1933

Laid in: 4 line holograph note in pencil

Includes:

p. [1]: "[When you're falling in love with the] Irish" (written for, but unused in film Peg o' My Heart, 1933) p. [2]: "Women are women" p. [5]: "Prayer" (cut from Hollywood Party) p. [6]: "Verse Tell me [I know how to love]" p. [7]: "Angels opening" p. [8]: "New opening," "Verse Face the facts" I Picked a Daisy (ca. 1960) unproduced, lyrics by Alan Jay Lerner Rachel see: State Fair You walked in see: State Fair 7/29 [Sketches for I Picked a Daisy] Holograph sketches in pencil ; [14] p. + blanks

Includes:

Come back to me Jensen Jonathan Lover to lover Melinda Terrible mother Straight down the middle What did I have that I don't have [Unidentified] 7/29 [Sketches for I Picked a Daisy] Holograph lyric sketch in pencil for "[Jensen]" ; [1] p. I Remember Mama (1979) lyrics by Martin Charnin and Raymond Jessel 8/1 The day Lars Gunderson died Holograph lead sheet in pencil ; [1] p.

Uniform title: The day Sven Gundersen died

8/1 The day Sven <emph render="altrender" altrender="strikeout">Lars</emph> Gundersen died Typed lyric sheet, annotations in ink ; [1] p.

Lyric by Martin Charnin

Uniform title: The day Sven Gundersen died

8/2 Don't laugh at Trina Holograph sketch (crossed out) in pencil ; [1] p. 8/2 Don't laugh at Trina Holograph lead sheet in pencil ; [1] p.

Typed and photocopied lyric sheets ; 2 p. each

Lyric by Martin Charnin

8/3 Easy come, easy go Holograph lead sheet in pencil ; [2] p.

Typed lyric sheet ; 3 p.

Lyric by Raymond Jessel

8/4 Ev'ry day Holograph lead sheet in pencil ; [2] p.

Typed lyric sheet ; 2 p.

Lyric by Martin Charnin

Uniform title: Ev'ry day (comes something beautiful)

8/4 Lullaby Holograph piano-vocal score in pencil, no lyric ; 3 p.

Typed lyric sheet ; [1] p.

Note: captioned "Norwegian lyric, as a lullaby, of 'Ev'ry day comes something beautiful'"

Uniform title: Ev'ry day (comes something beautiful)

8/5 Fair trade Holograph lead sheet in pencil ; [1] p.

Ms. lyric sheet in ink with annotations in pencil ; 3 p.

On back (p. 3): ms. sketch in pencil (crossed out)

8/5 I write, you read Typed lyric sheet ; 3 p.

Lyric by Martin Charnin

Note: formerly "Fair trade"

A fam'ly we will be see: [Lyric sheets for I Remember Mama] 8/6 How do you bring up children? Holograph sketch in pencil ; [1] p.

Note: holograph sketch on inside page, crossed out

Typed lyric sheet ; [2] p.

Lyric by Martin Charnin

8/7 I don't know how Holograph lead sheet in pencil ; [2] p.

Note: holograph sketch material on p. [2]

Typed lyric sheet ; 2 p.

Lyric by Raymond Jessel

8/8 I remember Mama Holograph lead sheet in pencil ; [1] p.

Typed lyric sheet ; [1] p.

Lyric by Martin Charnin

Typed lyric sheet, annotations in pencil & ink ; [1] p.

I write, you read see: Fair trade 8/9 It is not the end of the world Holograph lead sheet in pencil ; [1] p.

Ms. lyric sheet in red ink ; [1] p.

Typed lyric sheet ; 2 p.

Lyric by Martin Charnin

8/10 [It's going to be] good to be gone Holograph lead sheet in pencil ; [2] p. 8/10 It's going to be good to be gone Typed lyric sheet ; 2 p.

Lyric by Martin Charnin

8/11 Lars, Lars Holograph piano-vocal score and lead sheet in pencil ; [3] p.

Typed lyric sheet ; [1] p.

Lyric by Raymond Jessel

8/12 A little bit more Holograph lead sheet in pencil ; [2] p.

Typed lyric sheet ; 3 p.

Lyric by Raymond Jessel

Mama always makes it better see: [Lyric sheets for I Remember Mama] see: Getting married to a person in Two by Two 8/13 Maybe Holograph lead sheet in pencil ; [1] p.

Uniform title: Maybe, maybe, maybe

8/13 Maybe, maybe, maybe Typed lyric sheet, annotations in ink ; 2 p.

Lyric by Martin Charnin

8/14 A most disagreeable man Holograph lead sheet in pencil ; [1] p. 8/14 He's a most disagreeable man Typed lyric sheet ; [1] p.

Lyric by Martin Charnin

An old city boy at heart see: [Lyric sheets for I Remember Mama] Such good fun see: [Lyric sheets for I Remember Mama] 8/15 Time Holograph lead sheet in pencil ; [1] p.

Typed lyric sheet ; 2 p.

Lyric by Martin Charnin

8/16 Uncle Chris! Holograph lead sheet in pencil ; [2] p.

Typed lyric sheet ; 2 p.

Lyric by Raymond Jessel

8/17 We're staying here Holograph lead sheet in pencil and photocopy ; [1] p. each

Laid in: Typed lyric sheets (2) ; 2 p. each

Lyric by Martin Charnin

Note: included is a 2 p. typed letter from Rita Chambers to Mrs. Rodgers, indicating that this song was not used in I Remember Mama, but planned to be used for the Actors' Fund

8/18 Dow'ry Holograph lead sheet in pencil ; [1] p.

Uniform title: What kind of man

8/18 What kind of man Typed lyric sheet ; [1] p. 8/19 When? Holograph lead sheet in pencil ; [1] p.

Typed lyric sheet ; [1] p.

Lyric by Martin Charnin

8/20 [Where we came from] Typed lyric sheet ; [1] p.

Lyric by Raymond Jessel

8/20 We don't wanna go back Holograph lead sheet in pencil ; [1] p.

Uniform title: Where we came from

8/21 Women without men Holograph lead sheet in pencil ; [1] p.

Lyrics by Martin Charnin

Laid in: typed lyric sheet ; [1] p.

Note: written for, but unused in I Remember Mama

A writer writes at night see: [Lyric sheets for I Remember Mama] 8/22 You could not please me more Holograph lead sheet in pencil ; [1] p.

Typed lyric sheet ; [1] p.

Lyric by Martin Charnin

8/23 [Lyric sheets for I Remember Mama] Typed lyric sheets ; [12] p. total

Lyrics by Martin Charnin

Includes:

A fam'ly we will be Mama always makes it better An old city boy at heart Such good fun A writer writes at night 8/24 [Letter from Martin Charnin to R. Rodgers] Holograph letter in ink, dated Dec. 25, '77 ; [1] p.

Note: attached are typed lyric sheets for "The day Lars Gundersen died," "He's a most disagreeable man," "Time," and "You could not please me more"

8/25 [Song listings with notes] : Typed and photocopied lists of used and unused songs ; [6] p. 8/26 [I Remember Mama playbills] : Playbills (2) from the Majestic Theatre, June and August, 1979 8/26 [I Remember Mama picture card] : Picture card featuring Liv Ullmann I'd Rather Be Right (1937) lyrics by Lorenz Hart 8/27 Beauty sequence : [Here he is!] Holograph piano-vocal score in pencil ; 5 p. 8/28 Ev'rybody loves you See also: [Sketches for Fools for Scandal] Holograph piano-vocal score in pencil ; [3] p. 8/29 Have you met Miss Jones? Holograph piano-vocal score in pencil ; [3] p. His chances are not worth a penny see: [Sketches for I'd Rather Be Right] A homogeneous cabinet see: [Sketches for I'd Rather Be Right] I'd rather be right [versions 1 & 2] see: [Sketches for I'd Rather Be Right] 8/30 Labor is the thing See also: [Sketches for I Married an Angel] Holograph piano-vocal score in pencil ; 6 p.

Laid in: typed lyric sheet ; [1] p.

8/31 Not so innocent fun Holograph piano-vocal score in pencil ; 6 p.

Laid in: typed lyric sheet with crossed out title "Nine young girls and nine old men"

Sweet sixty-five see: [Sketches for I'd Rather Be Right] 8/32 Take and take and take Holograph piano-vocal score in pencil ; [4] p. A treaty, my sweetie, with you see: [Sketches for I'd Rather Be Right] 8/33 We're going to balance the budget Holograph piano-vocal score in pencil ; [3] p. 8/34 [Sketches for I'd Rather Be Right] Holograph sketches in pencil ; [8] p.

Includes:

p. [1]: "[A homogeneous] cabinet" p. [2]: "[A homogeneous] cabinet" p. [3]: "Verse Everybody loves you," "[Sweet sixty-five],""[Sweet sixty-five] : Verse 40 years" p. [5]: "[A homogeneous cabinet] : Cab 2," "[Take and take and take]," "Verse Lovely lady," "[Beauty sequence] : Battle song" p. [6]: "[Beauty sequence] : Recit. Lovely lady," "[Not so innocent fun] : Girls to judge" p. [7]: "[His chances are not worth a penny] : Finaletto," "Westerners," "Southerners intro," "Farmers," "Society," "Indians" p. [8]: "[A] treaty, [my sweetie, with you]," "Indians" (continued from p. [7]) 8/34 [Sketches for I'd Rather Be Right] Holograph sketch in pencil ; [1] p.

Includes: "[I'd rather be right] : Verse" and several unidentified fragments

If I Were King (1923) lyrics by Lorenz Hart 8/35 [The] band of the ne'er-do-wells Holograph piano-vocal score in pencil, no lyric ; [4] p. 8/36 Courtly etiquette Holograph piano-vocal score in pencil, no lyric ; 7 p. 8/37 Lady of heaven ; Life is unstable Holograph piano score and piano-vocal score in pencil, no lyrics ; 2 p. Life is unstable see: Lady of heaven 8/38 Minuet Holograph piano score in pencil ; 3 p. 8/38 Minuett Manuscript piano score in pencil & ink ; [2] p. 8/39 Opening act I Holograph piano-vocal score in pencil, no lyric ; 4 p. 8/40 Waltz Ms. piano score in ink ; [2] p. Jumbo (1935; film 1962) lyrics by Lorenz Hart 9/1 The circus is on parade Holograph piano-vocal score in pencil ; 6 p. 9/2 Finale act II : wedding Holograph condensed score sketch in pencil ; 7 p.

Uniform title: The circus wedding

9/3 Diavolo Holograph piano-vocal score in pencil ; 7 p.

Laid in: typed lyric sheet ; p. 8-9

9/4 Ist act finale waltz ; Intro to wire walkers Holograph piano-vocal score in pencil, no lyric ; [4] p.

At end: "Segue to Newer Waltz"

Uniform title: Finale act 1

9/4 Newer waltz : finale act I Holograph piano score in pencil ; [2] p.

Uniform title: Finale act 1

9/4 Finale act I : box and white horse march Holograph piano score in pencil ; [2] p.

Note: White horse march section headed "March (White Horse)"

Uniform title: Finale act 1

9/4 Act I finale : Foster girls Holograph piano score in pencil ; [1] p.

Uniform title: Finale act 1

9/5 Giant calliope : finale act II Holograph piano score in pencil ; [1] p. Laugh see: [Sketches for Jumbo] 9/6 Little girl blue Holograph piano-vocal score and piano score, in pencil ; 7 p.

Laid in: typed lyric sheet ; p. 6

9/7 March of the clowns : also March of animals Holograph condensed score in pencil ; 8 p.

Laid in: holograph piano score in ink of transition for optional cut ; [1] p.

Memories of Madison Square Garden see: [Sketches for Jumbo] 9/8 The more I see of other girls : elephant song See also: [Sketches for Mississippi] Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, crossed out annotations in pencil ; [1] p.

9/9 The most beautiful girl in the world Holograph piano-vocal score in pencil ; 8 p.

Laid in: typed lyric sheets for verse and chorus, annotations in pencil ; [2] p.

9/10 My romance Holograph piano-vocal score in pencil ; [3] p. 9/11 New strain for [Kimris?] Holograph piano score in pencil ; [1] p.

At end: melodic fragment for "2nd strain of Clown March"

Over and over again see: [Sketches for Jumbo] The song of the roustabouts see: [Sketches for Jumbo] There's a small hotel see: [M.S. 9] in MISCELLANEOUS SKETCHES 9/12 Women! Holograph piano-vocal score in pencil ; 6 p. 9/13 [Sketches for Jumbo] Holograph sketches in pencil ; [14] p.

Includes:

p. [2]: "[Over and over again] : Patter Jumbo opening," "[Little girl blue] : Verse Blue day" p. [3]: "Barnum & Bailey" p. [4]: "You who are lovely" p. [5]: "[Memories of Madison Square Garden] : Barnum I," "Barnum II" p. [6]: "Diavolo : [verse & intro]" p. [7]: "[The circus is on parade] : Circus march," "Diavolo" p. [9]: "Spring song," "[The song of the roustabouts]" p. [10]: "Women?" p. [11]: "Laugh," "[Glad to be unhappy]" (from On Your Toes) p. [12]: "[The song of the roustabouts] : No job in Omaha" p. [13]: "Women?" 9/13 [Sketches for Jumbo] Photocopy of holograph sketches ; [4] p.

Includes:

p. [1]: "Verse [The most beautiful] girl in the world," "Women?" p. [4]: "[There's a] small hotel" (cut from Jumbo but used in On Your Toes), "Verse Love you more [tomorrow?]" 9/13 [Sketches for Jumbo] Holograph sketches in pencil ; [4] p.

Includes:

p. [1]: "[The circus is on parade] : March," "March" p. [2]: "Trio of presto," "Verse presto" p. [3]: "[Hoctor?] waltz," "Chee-chee" p. [4]: "March," "[The] circus [is on parade]" 9/13 [Sketches for Jumbo] Holograph sketches in pencil ; [2] p.

Includes:

p. [1]: "[It's got to be love]" (from On Your Toes), "[There's a] small hotel : verse & patter" (cut from Jumbo but used in On Your Toes) p. [2]: "[My romance]" 9/13 [Sketches for Jumbo] Holograph sketches in pencil ; [1] p.

Includes: "[The most beautiful girl in the world]" and unidentified

June Days (1925) lyrics by Lorenz Hart 9/14 Anyway Holograph piano-vocal score in pencil, no lyric ; [3] p.

Uniform title: Anytime, anywhere, anyhow

Keep 'Em Rolling (1942), film short, lyric by Lorenz Hart 9/15 Keep 'em rolling! Holograph piano-vocal score in pencil ; [6] p. The King and I (1951; film 1956) lyrics by Oscar Hammerstein II 9/16 Anna's bedroom Holograph piano-vocal score in pencil ; 8 p.

Typed lyric sheet, annotations in pencil ; 3 p.

9/17 Getting to know you See also: [Sketches for South Pacific] Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

9/18 Hello, young lovers Holograph piano-vocal score in pencil ; 5 p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

9/18 Anna and son Klin scene : leading to Hello, young lovers song Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

9/18 Before verse of Hello young lovers Holograph piano-vocal sketch in pencil ; 3 p. 9/19 I have dreamed Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

9/19 I have dreamed Holograph sketch in pencil ; [2] p.

Note: includes unidentified sketch material at top of p. [1]

9/20 I whistle a happy tune Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

9/21 Kralahome Holograph piano-vocal score in pencil ; [2] p.

Laid in: typed lyric sheet ; [1] p.

9/22 Children's march Holograph piano score in pencil ; [2] p.

Uniform title: March of the royal Siamese children

9/22 March? Holograph sketch/piano score in pencil ; [3] p.

On back: unidentified holograph sketch material

Uniform title: March of the royal Siamese children

9/23 [My] lord and master Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotation in pencil ; [1] p.

9/24 Now you leave Holograph piano-vocal score in pencil ; [3] p. 9/25 [A] puzzlement Holograph piano-vocal score in pencil ; 9 p.

Laid in: typed lyric sheet ; [2] p.

9/25 [A] puzzlement Holograph piano-vocal sketch in pencil, partial lyric ; [4] p. 9/26 [The Royal Bangkok Academy] Holograph sketch in pencil with lyric ; [1] p.

Typed lyric sheet ; [1] p.

9/27 Shall we dance? Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet ; [1] p.

9/28 Something wonderful Holograph piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet ; [1] p.

9/28 He can be wonderful Holograph sketch in pencil with lyric ; [2] p. 9/29 [Song of the] king Holograph piano-vocal score/sketch in pencil ; [3] p.

Laid in: portion of typed script which includes lyric of "Song of the king" ; [2] p.

9/30 Waiting Holograph piano-vocal score in pencil ; [8] p.

Laid in: typed lyric sheet, annotations in pencil ; [3] p.

9/31 We kiss in a shadow Holograph piano-vocal score in pencil ; [3] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

9/32 Opening act 2 Ms. piano-vocal score in pencil ; [4] p.

Laid in: typed lyric sheet, annotations in pencil ; [1] p.

Uniform title: Western people funny

9/33 Why? Why? Why? Holograph piano-vocal score in pencil ; [4] p.

Laid in: portion of the typed script which includes lyric for "Why? Why? Why?," annotations in pencil, including melodic and rhythmic notations ; [5] p.

9/33 Why? Why? Why? : new development Holograph piano-vocal score in pencil ; [2] p.

Note: laid in as part of above piano-vocal score

9/34 Incidentals for dialogues Holograph incidental music (melody lines) with dialogue, in pencil ; [2] p. 9/35 [Sketches for The King and I] Holograph sketches in pencil ; [8] p.

Includes:

p. [1]: Argument song p. [2]: [My] lord and master p. [3]: [I whistle a] happy tune p. [4]: [My] lord and master p. [5]: Argument song contd. p. [6]: [We] kiss in a shadow p. [7]: Hello, young lovers p. [8]: [We] kiss in a shadow 9/36 [Program] : Printed program of the National Theater production, Washington, D.C., August 29, 1955. Lady Fingers (1929) lyrics by Lorenz Hart I love you more than yesterday see: [M.S. 2] in MISCELLANEOUS SKETCHES Lawrence of Arabia (ca. 1960) unproduced [probably a television documentary] 10/1 Arab friend : counter to "Lawrence theme" Holograph condensed score in pencil, no lyric ; [3] p. 10/2 Arab military Holograph condensed score in pencil, no lyric ; 2 p. 10/2 Arab military : lyrical Holograph condensed score in pencil, no lyric ; [2] p. 10/3 British military & music hall Holograph condensed score in pencil, no lyric ; [2] p. 10/4 [The father of the bride?] Holograph piano-vocal sketch in pencil, lyricist unknown ; [1] p. 10/5 Lawrence theme : counter to "Arab friend" Holograph condensed score in pencil, no lyric ; [3] p. 10/6 Michener Holograph piano score/condensed score in pencil ; 4 p. (incomplete) 10/7 [Sketches for Lawrence of Arabia] Holograph sketches in pencil ; [5] p. + blanks

Includes:

"Lawrence of Arabia" "[Unidentified]" Let's Have Fun (1935) radio musical comedy I'll take a little of you on toast see: [M.S. 8] in MISCELLANEOUS SKETCHES Please make me be good see: [M.S. 8] in MISCELLANEOUS SKETCHES Lido Lady (1926) lyrics by Lorenz Hart 10/8 Atlantic blues See also: [M.S. 3] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [3] p.

Note: same music as "Blue ocean blues" of Present Arms

10/9 [The] beauty of another day See also: [M.S. 3] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [4] p. Chuck it! see: [M.S. 3] in MISCELLANEOUS SKETCHES see: Chuck it! in Peggy-Ann A cup of tea see: [M.S. 3] in MISCELLANEOUS SKETCHES 10/10 Ever-ready Freddy See also: [M.S. 3] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; [4] p. 10/11 Exercise Holograph piano-vocal score in pencil, no lyric ; [3] p. 10/12 Finale act two See also: [M.S. 3] in MISCELLANEOUS SKETCHES Holograph piano-vocal score in pencil, no lyric ; 8 p.

Note: includes chorus of "Here in my arms"

10/13 I want a